Gilt Cabinets

A very fine French 19th century Louis XVI style burr-walnut and mahogany marquetry and ormolu-mounted Military armorial Meuble D'Appui with a Veined Brèche Violette marble top, attri...

Our fabulous pair of French chinoiserie side cabinets with mahogany veneer feature ormolu bronze mounts and carved red lacquer panels on the doors depicting palaces and courtyard sce...

An Early 20th Century Gilt Bronze Mounted Louis XV Style Chest of Drawers By François Linke François Linke Surmounted by a Brèche d’Alep marble top above a pair of short drawers, a...

A Fine French 19th Century Louis XVI Style Gilt-Bronze Mounted Meuble d'Appui Cabinet with Marble Top. The serpentine walnut and satinwood body with three front drawers and a rolled ...

Two Chinese Qing Dynasty period fruitwood stackable side cabinets from the 19th century with carved gilt motifs, priced and sold $1,600 each. Created in China during the Qing Dynasty...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

Unique, Beautiful and rare Week Drawers Cabinet, elegant small chest of drawers in wood marquetry in frieze, ebony, amaranth fillets and Greek ebony on the drawers. Marquetry on the...

A fine pair of Louis XIV style gilt bronze mounted and boulle marquetry inlaid corner cabinets depicting the Four Seasons, in the manner of Andre-charles boulle, by Béfort Jeune. ...

Gervais Durand was an exceptional furniture maker of the later 19th century, known especially for his reproductions of 18th Century works, but also responsible for some strikingly or...

The Louis XVI style is characterized by a yearn to return to antiquity. Greatly influenced by the first ever large scale archaeological excavations ever done, Pompeii in 1748 and the...

This commode is an exceptional example of 19th-century French craftsmanship, presenting a refined rectangular chest of drawers with a black lacquered finish and an intricate design e...

Rare and important 19th century French kingwood and parquetry inlaid display or vitrine cabinet, signed by the renowned designer and cabinet maker François Linke. The shaped bonnet atop large glass double doors and inset parquetry panels trimmed in bronze. Finely appointed overall with remarkably detailed gilt bronze mounts depicting caryatid masques, maiden busts, shells, acanthus leaves, and fleur de lis. The entire on gilt bronze animal...

This 19th-century cabinet is a beautiful example of the Napoleon III style, characterized by elegance and refinement. It is crafted from black lacquered wood, likely ebony, and adorn...

A very fine Louis XVI style gilt bronze mounted mahogany side cabinet with a Brèche Violette marble top, by Henry Dasson. Stamped to the top of the carcass ‘Henry Dasson’. Thi...

Elegant mahogany cabinet by Jules Leleu, beautifully fitted with gilt bronze mounts designed by Debarre and Perret, the central cameo featuring a representation of " The Birth of V...

A Wonderful Late 19th Century Gilt Bronze Mounted Louis XVI Style Palace Size Cabinet Marble top above two doors, centered by a lovely female mask, the sides of bearded men...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Napoleon III cabinet or Petite armoire, French 19th century Ebonized, Boulle Style details, bronze inlay, gilt bronze mounts, marble top. Its neoclas...

Napoleon III period gilt bronze and porcelain mounted cabinet by Louis Grade French, circa 1860 Measures: Height 160cm, width 82cm, depth 4...

These wonderful vitrines (display cabinets) were created in France in the early 20th century. They are designed in an elegant Art Nouveau style which was in vogue in this period. ...

A fine cabinet of the Napoleon III period Retailed by Grimard of Paris Almost Certainly by François Linke   Constructed in Kingwood and mahogany, with extensive decoration of high qu...

A Rare and Palatial Late 19th Century Gilt Bronze Mounted Louis XVI Style Marquetry and Parquetry Cabinet A heavy marble top above a bronze frieze with three paneled doors decorated with inlaid floral marquetry designs. The center door with gilt bronze bearded men faces, the bottom is centered by a mask of a beautiful woman with two lion paws on her sides and a pair of floral cornucopia above her. The sides of the cabinet are quartered veneered, standing on six spiral bronze...

A rare and highly important pair of neoclassical style gilt-bronze and biscuit porcelain mounted mahogany side cabinets, by Jules Piret. French, circa 1...

A very fine pair of 19th century Regency Rosewood and mahogany marble top cabinets with fine gilt bronze mounts. One shelf adjustable in each cabinet.

Antique kingwood, gilt bronze and vernis Martin side cabinet French, 19th Century Height 116cm, width 97cm, depth 44cm This kingwood cabinet is an exquisite piece of antique Fren...

A Late 19th Century Louis XVI Style Gilt Bronze Mounted Mahogany Cabinet By François Linke François Linke – Index no. 1108 Surmounted with a marble top, above a frieze and a bronz...

French Consulat period mahogany commode with three-drawers, ebonized griffin feet and pilasters, and black fossil marble top. Gilt bronze escutcheons i...

This elegant cabinet exemplifies the refined aesthetic of the Napoleon III period, a time of great artistic and decorative flourishing in France. The cabinet showcases a striking com...

Brass and tortoiseshell inlaid Boulle style ebonised wood cabinets French, late 19th Century Height 142cm, width 127.5cm, depth 49.5cm The ma...

Dimensions- H: 84 1/4in W: 58 3/4in D: 18 1/4 inches This 19th century French Louis XVI Style cabinet signed Linke With Ormolu Mounts i...

A Fantastic Quality Mid 19th Century Gilt Bronze Mounted Louis XVI Style Mahogany Commode By Pretot A marble top above a frieze applied with scrolling-vine mounts and fronted by tw...

This Rococo chest of drawers, crafted from walnut and originating from Southern Germany around the 1780s, is a magnificent example of 18th-century European furniture design. The ches...

This elegant cabinet is a striking example of the refined aesthetic that characterized the Napoleon III period in France. The cabinet showcases a masterful combination of materials a...

A late 18th century small Chinese black lacquered wood cabinet decorated with a raised animal scenery in a traditional landscape d...

Embossing Italian hand-painted and parcel gilt book case display cabinet, late 19 century. A parcel gilt arched crowning, above four shelving compartments decorated in a floral motif, flanked by two faux marble motif...

A Beautiful Late 19th Century Gilt Bronze Mounted Louis XVI Sèvres Style Dressing Table This wonderful and rare table is mounted by over twenty three individual porcelain plaques de...

A Dutch Colonial cabinet with bonnet top, glass doors and red and gilded accents. This early 20th-century Dutch Colonial cabinet is a stunning representation of period craftsmanship,...

Impressive 19th century French Napoleon III stone overlay ormolu mounted ebonized cabinet with black marble top. The shaped black marble top is over a gilt bronze mounted frieze in an leaf-tip motif with an egg and dart border, above a large single door...

Large Napoleon III cabinet in mahogany, rosewood, light and green stained wood, with two large bouquets of flowers in neo-classical stylized vases on the front, and bouquets of flowe...

Superb burl veneered, parcel silver gilt and ebonized accented television cabinet with sliding hidden doors (when opened) and swivel television plat...

A Special Late 19th Century Gilt Bronze Mounted Inlaid Parquetry Secretaire a Abattant The shaped marble top above a long center frieze drawer with a large central bronze plaque of putti at play, the beautiful parquetry drop-down door centered with an elliptical gilt bronze panel depicting ”A Sacrifice to Love”, a classically dressed woman presenting an infant to Cupid, who stands on a pedestal, the plaque has ribbon tied flowers, the inside centered with a mirror surrounded by drawers and pigeonholes, the fall-front itself provides a black leather writing surface, the bottom doors opening to two more drawers and a shelf, the sides decorated with similar parquetry designs. This piece is a copy of the 18th century Secretaire by Jean-Henri Riesener which is presently in the Wallace Collection...

Art Deco drop front secretary in the manner of Jean Pascaud. Made in France, circa 1935. Sycamore with a giltwood base, mahogany interior...

A Very Nice Late 19th Century Louis XVI Style Gilt Bronze Mounted Commode By Haentges Freres Haentges Freres A marble top above a bronze frieze, with one long drawer decorated with...

This cabinet is an exquisite piece of antique furniture, which is crafted from beautifully-contrasting ebonised wood, golden gilt bronze (ormolu) and colourful hardstones. The ca...

Gilt bronze mounted mahogany side cabinet by Mercier Frères French, late 19th century Dimensions: Height 98cm, width 132.5cm, depth 55cm This super...

French 19th century late Directoire cabinet painted black with gold classical motives Top selection having two small cabinets and centre shelves over the base of three drawers ove...

An important pair of Louis XVI style gilt-bronze mounted vitrines with wedgwood Jasperware plaques, by Joseph-Emmanuel Zwiener. French, circa 1880. Stamped 'NZ', 'NZ.309' and 'ZJ' to the reverse of the bronze mounts. Signed to the reverse of the lockplate 'Mon THEAU THIEFFINE Succ./SERRURIER PARIS'. This rare pair of vitrines, each have a shaped Carrera marble top above a frieze centred by a round classical Jasperware plaque flanked by gilt-bronze putti figures and scrolling acanthus running pattern. Below is a gilt-bronze framed bevelled glass door above a panel centred by a finely modelled Jasperware plaque of a putto representing the seasons. The door is flanked to either side by gilt-bronze monnaie pattern and headed by a pair of exceptionally fine female canephor figures. The shaped sides have corresponding bevelled glass panels and the vitrine is raised on tapering fluted legs. The distinctive canephor figures, finely cast as female caryatids with ringlets in their hair and supporting baskets of fruit upon their heads, is a distinctive and celebrated model unique to Zwiener. Many of Zwieners bronzes are executed in the Louis XV style, with flowers and scrolling acanthus leaves and an emphasis on asymmetry, typical of the work of his bronze sculptor Léon Messagé. The mounts employed on this rare pair of vitrines however sees Zwiener creating his own up-to-date reinterpretation of the Louis XVI style, drawing inspiration from established Louis XVI models such as those designed by Weisweiler for Marie-Antoinette's Dressing table. [See Mestdagh, p.305]. A second distinctive feature of the vitrines is the finely modelled Wedgwood Jasperware plaques incorporated in the frieze of each vitrine and beneath the doors. Wedgwood exhibited at nearly all of the Universal Exhibitions held in 19th century France, displaying amongst other pieces, plaques specifically intended to be mounted on to furniture. The first vitrine displays to the frieze a finely modelled plaque in the classical style, depicting a group of putti at play, one being pushed on a swing, while another plays a trumpet and a small attentive dog watches from below. Beneath the glass panelled door a larger Jasperware plaque is incorporated depicting a putto figure with a garland of flowers, emblematic of spring. The second vitrine has a classical plaque...

A Fine Late 19th Century Transitional Style Gilt Bronze and Lacquer Vitrine Cabinet The large gilt bronze and all glass single door vitrine above a fine two door lacquered cabinet ...

An Ormolu-mounted and mahogany parquetry cabinet by François Linke Constructed in the Louis XV transitional manner, in mahogany parquetry work, and dressed with ormolu mounts of ...

Late 19th century the rectangular three-quarter galleried top with eared corners above the conforming case fitted with a fall-front opening to gilt and tooled leather-inset writing s...

Impressive Empire style buffet by Maison Krieger French, circa 1900 Measures: Height 199cm, width 217cm, depth 66cm This magnificent Empire style c...

Pair of Louis XVI kingwood parquetry ormolu mounted cabinets white marble top, over a pair of cupboard doors. French, circa 18th century Measures: H 44 in.; W 51 in.; D 19 in. P...

A Fine French 19th Century Louis XV Style Kingwood and Tulpwood Gilt-Bronze Mounted Vernis Martin Style Serpentine Meuble d'Appui (Side cabinet) with Marble Top. The triple-bombé single door body fitted with a Spanish Brocatelle marble top, the single front door centered with a painting depicting a park scene with a man seated across two ladies and a young man standing between them playing violin, the upper apron painting section depicting a lake scene with coastal trees, all surmounted with floral and acanthus ormolu mounts and raise on cabriolet legs with gilt-bronze sabots. Two interior wooden shelves. The lockplate stamped: "V.F. (Crossed keys...

A grand Nouveau cabinet with a carved floral motif, featuring five doors, two drawers and gilt bronze handles.

A nice example of a paint decorated red & gilt Chinoiserie wooden armoire or wedding cabinet with figures and genre scenes with dragons and flowers, along with two large upper doors,...

A fine Pair of Louis XVI Style Gilt Bronze Mounted Mahogany Cabinets by Paul Sormani. Paris, circa 1870. Signed to the lock...

A spectacular large French Napoleon III ormolu mounted showcase by Charles-Guillaume Diehl, and Helene Bertaux. Each one of the three glazed doors mounted with a relief-cast oval plaque depicting flying putti and a lady in various positions, flanked by acanthus leaves and ribbons. The shoulders mounted with female espagnolettes, topped with a gilt bronze bust of a lady. Lock plate signed DIEHL/19. R. Michel-le-Comte/PARIS The plaques by Helene Bertaux (Madame Leon Bertaux...

Late 19th Century Gilt Bronze Mounted Louis XVI Style Chinoiserie Cabinet Marble top above a floral bronze mounted drawer, a single door with a coramandel landscape scene of people...