Gilt Cabinets

A Fine French 19th Century Neo-Renaissance Style Gilt-Bronze Mounted Walnut and Mahogany Two-Door Bargueno or Cabinet on Stand, attributed to Paul Sormani (1817-1877), designed Édouard Lièvre (1828-1886) and retailed by Poujol - Paris. The spreading pediment Vitruvian scrolled fitted frieze centered by a crest and flanked by cartouches, the quarter paneled doors with pierced rinceaux reserves and centered by an ormolu portrait relief roundels of King Charles VII of France 'The Victorious' (1403-1461) and Agnès Sorel (1422-1450), flanking a gilt-bronze statuette of 'The Belvedere Hermes’, the base fronted by open arches centered by a pair of columns with Corinthian capitals, above a spreading platform, all raised on bun feet. Circa: Paris, 1870. Paul Sormani (1817-1877) was born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

18th century, French Louis XVI inlaid wood secretaire with marble top and gilt bronzes. This elegant secretaire Louis XVI was made in F...

A Beautiful Late 19th Century Gilt Bronze Mounted Louis XVI Sèvres Style Dressing Table This wonderful and rare table is mounted by over twenty three individual porcelain plaques de...

Early 20th century French giltwood display cabinet French, early 20th century Measures: Height 175cm, width 130cm, depth 40cm This beauti...

Petit, very decorative English gilt cabinet on stand, with an Italian 17th century poker-work interior featuring an intricate system of drawers, including numerous hidden ones. Reconfigured in the 19th century. The perfect jewelry cabinet. The interior of the cabinet is indeed very intricate. Apart from the obvious drawers surrounding the middle compartment which can be taken out as a complete "box", there are several small drawers behind it, only accessible when the "box" is taken out, and the box itself has additional tiny drawers inset into it's back side. The cabinet is a very decorative, intriguing and unusual piece, configured in the 19th Century by integrating the 17th century Italian Poker...

A very fine 19th century Louis XVI style gilt bronze and gilt metal mounted rosewood vitrine cabinet with malachite tops, by Pierre E. Guerin (1843-1911), in the manner of François Linke (1855-1946). The slender single-glazed front door tri-level vitrine 'Meuble d'Appui' cabinet fitted with three sectional malachite veneer tops (later) and glazed beveled-glass panels on the sides, surmounted with gilt-bronze and gilt-metal ornamental mounts with playful Putti amongst vines and leaves, ribbons, musical instruments, flowers, torches, masks, wreaths and acanthus, all raised on six fluted and tapered legs with gilt-bronze ring fittings and sabots. The apron mounts with a polychromed Verde-green background. The mounts marked 'P.E. Guerin 527 and other numerals. The interior with two glass shelves and a recent green velvet paneling. Circa: New York, 1890-1900. The marks on the bronze of this cabinet are from Pierre E. Guerin (1843-1911), who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier and Stymus...

Elegant Mid-Century Modern cabinet console in walnut, walnut veneer, attributed to Dassi, circa 1954 with two tops in crystal, one transparent and one lacquered, three drawers. Mea...

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Unique, Beautiful and rare Week Drawers Cabinet, elegant small chest of drawers in wood marquetry in frieze, ebony, amaranth fillets and Greek ebony on the drawers. Marquetry on the...

A very fine French Louis XVI style Belle Époque gilt bronze and carved verde green and parcel-gilt exhibition vitrine display cabinet with side doors, circa 1900, Paris. Measures:...

A Very Fine and Palatial French 19th Century Transition Louis XIV-XV Style Kingwood and Ormolu Mounted Two-Door Vitrine Cabinet, the arched top surmounted with gilt-bronze moldings a...

Elegant early 20th century hand painted and gilt gold decorated showcase / display cabinet. The showcase features an oval and rounded painted wood side with glass panels, lacquered, gilded and hand painted wood with very pleasant courtship scene decorations on each side. The front body of the display cabinet is equipped with one large wood frame with glass door panel...

A Louis XVI Style Gilt-Bronze and Lacquer Mounted Mahogany Cabinet by Paul Sormani. Signed to the lockplate ‘P. SORMANI’, 10 rue Charlot à Paris’. The recta...

An exceptional and very rare Louis XV style gilt-bronze and Vernis Martin Mounted Parquetry side cabinet by Maison Krieger. Stamped to the carcass ‘K...

A pair of display cabinets By C. Mellier & Co. Constructed in fine satin birch, the demi-lune display cabinets having a gentle breakfront form, and rising from toupie feet, the glazed facets enclosed within ormolu stiff leaf moulding, the central lockable doors flanked by brass fluted pilasters; the interiors mahogany lined with a single shelf, and mirrored backs. The whole surmounted by Carrara marble tops with a three-quarter pierced gallery. Stamped "C. Mellier & Co." English, circa 1890 French born, Charles Mellier...

An Exceptional Late 19th Century Louis XV Style Gilt Bronze Mounted Mahogany Vitrine By François Linke François Linke – Variant to Index no. 1552 The shaped fleur de pecher marble ...

A Sumptuous Boulle Commode in the Napoleon III Style This elegant commode is a fine example of 19th-century French craftsmanship, executed in the style of André-Charles Boulle, the...

An important pair of Louis XVI style gilt-bronze mounted vitrines with wedgwood Jasperware plaques, by Joseph-Emmanuel Zwiener. French, circa 1880. Stamped 'NZ', 'NZ.309' and 'ZJ' to the reverse of the bronze mounts. Signed to the reverse of the lockplate 'Mon THEAU THIEFFINE Succ./SERRURIER PARIS'. This rare pair of vitrines, each have a shaped Carrera marble top above a frieze centred by a round classical Jasperware plaque flanked by gilt-bronze putti figures and scrolling acanthus running pattern. Below is a gilt-bronze framed bevelled glass door above a panel centred by a finely modelled Jasperware plaque of a putto representing the seasons. The door is flanked to either side by gilt-bronze monnaie pattern and headed by a pair of exceptionally fine female canephor figures. The shaped sides have corresponding bevelled glass panels and the vitrine is raised on tapering fluted legs. The distinctive canephor figures, finely cast as female caryatids with ringlets in their hair and supporting baskets of fruit upon their heads, is a distinctive and celebrated model unique to Zwiener. Many of Zwieners bronzes are executed in the Louis XV style, with flowers and scrolling acanthus leaves and an emphasis on asymmetry, typical of the work of his bronze sculptor Léon Messagé. The mounts employed on this rare pair of vitrines however sees Zwiener creating his own up-to-date reinterpretation of the Louis XVI style, drawing inspiration from established Louis XVI models such as those designed by Weisweiler for Marie-Antoinette's Dressing table. [See Mestdagh, p.305]. A second distinctive feature of the vitrines is the finely modelled Wedgwood Jasperware plaques incorporated in the frieze of each vitrine and beneath the doors. Wedgwood exhibited at nearly all of the Universal Exhibitions held in 19th century France, displaying amongst other pieces, plaques specifically intended to be mounted on to furniture. The first vitrine displays to the frieze a finely modelled plaque in the classical style, depicting a group of putti at play, one being pushed on a swing, while another plays a trumpet and a small attentive dog watches from below. Beneath the glass panelled door a larger Jasperware plaque is incorporated depicting a putto figure with a garland of flowers, emblematic of spring. The second vitrine has a classical plaque...

Beginning 20th century low Venetian Baroque console in carved gold walnut, veneer walnut and burl walnut with inlay thread. Cabinet color fuch...

This exquisite 19th-century chest of drawers is a remarkable example of the Napoleon III Boulle style, a fusion of French craftsmanship and opulence. Characterized by the intricate B...

Elevate your living space with this Pair of Antique Napoleon III Ebonized Demilune Shaped Side Cabinets, a remarkable display of opulence and craftsmanship. These cabinets are more t...

Pair of early 20th century Venetian Baroque nighstands in massive gilt hand-carved walnut, black laquered. Gilt bronze handle. Restored and polished to wax. Measure cm: H 64 x W 6...

An Early 20th Century Gilt Bronze Mounted Louis XV Style Chest of Drawers By François Linke François Linke Surmounted by a Brèche d’Alep marble top above a pair of short drawers, a...

A 20th century Queen Anne style gilt-gesso display cabinet The display cabinet is c. 20th century, with foliate carvings and intricate guilloche mouldings present throughout. The re...

A wonderful late 19th century Napoleon III gilt bronze mounted carved ebonized cabinet. By J.B.A. Lanneau. Top drawer surmounted by a black portor marble-top, large single door with floral bronze designs, centered by a carved shield. Gilt bronze lion paw feet. Stamped Lanneau to the carcass. The firm was founded by Lanneau Pere circa 1855-1880 at 9, rue Saint-Ambroise. They exhibited at the Paris Exposition Universelle in 1867 and Vienna World Exposition...

This elegant cabinet is a striking example of the refined aesthetic that characterized the Napoleon III period in France. The cabinet showcases a masterful combination of materials a...

Two Chinese Qing Dynasty period fruitwood stackable side cabinets from the 19th century with carved gilt motifs, priced and sold $1,600 each. Created in China during the Qing Dynasty...

PAIR of Contemporary commode cabinets with a black lacquered exterior and two cabinet doors with circular gilt metal door handles that open to reveal two upper drawers and three inte...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

A very fine French 19th century Louis XV style Ormolu Mounted Kingwood, Satinwood and Vernis Martin Decorated Single-Door Vitrine, in the manner of François Linke (1855-1946). The wh...

An Interesting Late 19th Century Gilt Bronze Mounted Transitional Style Chinoiserie Cabinet by L. Bontemps L. Bontemps The rectangular breakfront pink quartz top above three high d...

The “Eggs” cabinet was designed and handcrafted with an emphasis on an initial impression of simplicity, yet both the act of opening its storage compartments and the interiors themse...

A Chinese elmwood side cabinet from the early 20th century with carved panels and hidden drawers. Created in China during the early years of the 20th century, this elmwood side cabin...

French Art Deco cabinet by Rousseau et Lardin, circa 1940, in rosewood with gilt-detailed parchment doors and bronze mount. Side vitrines lined in figur...

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

A very fine French 19th century Napoleon III Ormolu Mounted Ebonized wood and Pietra Dura Meuble d'Appui à Hauteur with a grey marble top. The single front-door black-lacquered cabin...

An important side cabinet By Henry Dasson Constructed in amboyna and purpleheart, with ebony and boxwood stringing, dressed with fine ormolu mounts. Rising from tapering and bron...

Late 19th Century Gilt Bronze Mounted Louis XVI Style Inlaid Marquetry and Parquetry Cabinet By Theodore Millet By Theodore Millet The large marble t...

Dimensions- H: 84 1/4in W: 58 3/4in D: 18 1/4 inches This 19th century French Louis XVI Style cabinet signed Linke With Ormolu Mounts i...

Brass and tortoiseshell inlaid Boulle style ebonised wood cabinets French, late 19th Century Height 142cm, width 127.5cm, depth 49.5cm The ma...

A very fine pair of French Napoleon III figural ormolu and porcelain (probably Sevres) mounted tulipwood Meuble A Hauteur D'Appui. The rectangular shaped body fitted with a white mar...

Antique and Small Corner Display Cabinet, made of lacquered and gilded wood. It has two doors with glass, the base and the top are in lacquered wood with a fake marble effect and the...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

This corner unit, crafted from mahogany and gilt bronze, functions as a cabinet and a tiered shelf. The cabinet, quarter-circle shaped in profile, is supported by paw feet and features, to the front, twin curvilinear doors. The doors, which open to a single shelf, feature gilt bronze trellises backed by drapery. Above the cabinet unit are two shelves, the shelves supported by three gilt bronze columns, the columns terminating in gilt bronze pinecone...

A Rare and Palatial Late 19th Century Gilt Bronze Mounted Louis XVI Style Marquetry and Parquetry Cabinet A heavy marble top above a bronze frieze with three paneled doors decorated with inlaid floral marquetry designs. The center door with gilt bronze bearded men faces, the bottom is centered by a mask of a beautiful woman with two lion paws on her sides and a pair of floral cornucopia above her. The sides of the cabinet are quartered veneered, standing on six spiral bronze...

A sensational French 19th century Napoleon III period ebony, brass, ormolu, semi precious stone and marble cabinet. The cabinet is raised by mottled topie shaped feet with a fine wra...

A fine Chinoiserie red lacquered cabinet or armoire from the early 20th century, featuring a moulded top over a frieze of two paneled doors, each with decorative gilt palace scenes a...

A unique lacquered paper cabinet on gilt bronze bamboo stand, designed by Studio Glithero for Gallery Fumi, London. Labelled. Les French Series 1. Circa 2...

These wonderful vitrines (display cabinets) were created in France in the early 20th century. They are designed in an elegant Art Nouveau style which was in vogue in this period. ...

The cabinet with two doors opening to an interior fitted with drawers. Two drawers with reverse painting on glass of a country house and gardens, another drawer with a stump work...

This magnificent Boulle-style cabinet originates from the Napoleon III period of the 19th century, showcasing the finest craftsmanship and luxurious design of its time. The piece is ...

A superb and rare pair of Louis XV style ormolu-mounted side cabinets having the original breche marble tops, wonderful marquetry inlaid panels to the doors and sides. Scrolling ormo...

A matched pair of 19th century French Louis XVI style double door side cabinets with intricate multi-wood floral motif marquetry and gilt-bronze details. The central oval image area ...

A fine pair of 19th century English Regency mahogany and parcel gilt cabinets with White marble tops.

An extraordinarily beautiful masterpiece in Rococo from 1754, created by Mathias Tiberg (Master Cabinetmaker in Stockholm, 1755-1775). The cabinet is veneered in walnut and burl waln...

A Fine French 19th-20th century Louis XV style ormolu-mounted tulipwood vitrine with marble top, in the manner of François Linke (1855-1946). The slender single door cabinet fitted w...

A Fine French 19th Century Louis XVI Style Gilt-Bronze Mounted Meuble d'Appui Cabinet with Marble Top. The serpentine walnut and satinwood body with three front drawers and a rolled ...

This elegant commode is a fine example of 19th-century French craftsmanship, executed in the style of André-Charles Boulle, the renowned 17th-century cabinetmaker. The commode featur...

This very fine English late 19th-early 20th century (probably Victoria or Edward VII period) Georgian style chest on stand or highboy is made of the most finest burl walnut featuring...

A late 18th century small Chinese black lacquered wood cabinet decorated with a raised animal scenery in a traditional landscape d...