Art Nouveau Furniture

This vintage golden bronze French table lamp dates from the early 20th century. A realistically rendered sculpted bronze coiled snake is holding the top ring of a hand hammered lamp ...

Take a look at this fantastic and very rare Art Nouveau chandelier from the beginning of the 20th century around 1905. This lamp is something special, early Scandinavian Art Nouveau,...

A lovely set of 6 crystal bowls, attributed to the French manufacturer Daum Nancy. The bowls are beautifully painted with flowers and gold-coloured accents, entirely in Art Nouveau s...

We are delighted to offer for sale this Stunning Liberty Brass Bed This Antique Italian Brass Bed from the Art Nouveau Period, combines elegance and s...

Lamp in cubic shape with cutted glass and bronze connections designed by Adolf Loos circa 1915.

Evoking underwater views, this contemporary Art Nouveau carpet entitled Convergence measures 6’1” x 9’1” and belongs to the Orley Shabahang Art Nouveau Collection. Crafted using Orle...

Excellent original Viennese Art Nouveau centerpiece around 1900: A wide, round, trumpet-shaped silver pedestal, curved at the bottom, tapering upwards, on four lion's paw feet with f...

Created by Northwood, a leader in unique glassware, this stunning turquoise nautical shell bowl is a stunning example of what Northwood was producing in 1904, when this piece was cre...

Introducing the epitome of elegance and craftsmanship: the Black Stained Ashwood Cassina Chair by Charles Rennie Mackintosh. This exquisite piece, featuring a reupholstered seat cush...

Hallmarked in Sheffield in 1905 by Fenton Brothers Ltd., this handsome, Edwardian, Antique Sterling Silver Bowl, features Art Nouveau influenced detailing. The bowl measures 4"(10cm)...

Frosted glass pendant light in brass fittings. The frosted glass give a lovely, soft glow whilst the ribbed, floral design adds interest. Belgium, circa 1950s. Lighting is an inte...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and ...

A set of 2 Daum Pâte-de-Verre Cactus Goblets Designed by Hilton McConnico, 20th century Each signed Hilton McConnico, inscribed Daum France to the underside.

Moonage daydream is a modular sofa. The configurations can be made by choosing from four elements: central module, terminal module, wide terminal modu...

An exceptionally elegant and vibrant orange and brown Emile Galle cameo orchid vase predominantly in orange and brown layers but with a very rare mottled 'marbled' layer -giving the ...

Vintage French Art Nouveau Scrolling Wrought Iron Wooden Slat Seat Garden Patio Bench. Circa Early 20th Century. Measurements: 19.5" H x 51" W x 13" D.

Antique iridescent purple glass inkwell by Kralik in the "Pampas" decor, i.e. a Kralik decor shift on Loetz Pampas. Lobed square form with typical trailed...

A gorgeous turn of the century French armoire or cupboard door with original grain paint to replicated wood grain. Top and bottom medallions frame beautifully painted landscape scene...

Jugendstil mantel clock by Junghans Darmstadt. Professionally stained and repolished.

Silver Plated and Glass Honey Pot Bee by Mappin & Webb, England, circa 1900.

Rare set consisting of 3 identical French Art Nouveau double doors from around 1900. Unrestored condition. Solidly made of pine wood in frame construction with 3 panels each and p...

French Figural Bronze Lamp with a Lady Reading This charming piece has a good colour, the lovely lady is sitting beneath the flower shade to light up her book The lamp is in good co...

A very rare Art Nouveau Daum Nancy pate de verre 'Noisettes' vide poche in orange, reds, greens and yellows. Daum in Nancy was integral is ori...

French Art Nouveau pewter vase, ca 1900 A French Art Nouveau vase, made of pewter in beautiful Art Nouveau scene of flowers, raised on 4 legs. A tapered, but rounded model with two ...

Large Georg Hulbe Art Nouveau tooled leather three panel screen The central panels featuring a Sailing motif with superbly detailed tooled leather seagulls upper panels and classic ...

Say hello to the most stylish way to check your look before heading out the door! This seriously fabulous vintage Art Nouveau hall tree mirror is...

Daum, Nancy pâte de verre vase, early 20th century, Art Nouveau. A Daum, Nancy, Art Nouveau vase, 1900, in acid-etched pâte de verre. H: 27cm, D: 18cm

Art Nouveau Guimard chandelier with bronze nickel finish and dark blue glass.

Early 20th century Modernist footed trumpet frosted glass broad vase by french decorator and designer André Groult By: André Groult Material: glass Technique: glazed, cast, unglazed...

Meiji period, Large Satsuma Porcelain vase, decorated with dragon and floral pattern.  

1900s Jugendstil cold-painted bronze sculpture of an oriental woman with a fruit bowl by Franz Bergmann, Austria By: Franz Bergmann Material: bronze, copper, tin, metal, paint Techn...

This desk lamp by Tiffany Studios, dating from circa 1910, features a damascene favrile glass shade on an adjustable patinated bronze harp base. With dichroi...

An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base. ADDITIONAL INFORMATION Height: 30 cm Width: 19 cm Depth: 12 cm Condition: excellent original condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 35 SKU: 8773 ABOUT Villanis Cendrillon Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...

By Krieger, a important Parisian cabinetmaking, one of the most important of the time. Maison Krieger was created in 1826 by Antoine Krieger and his brother Nicolas in Paris. It fir...

An endearing early 20th Century patinated bronze study of a standing terrier with excellent textured surface detail and colour, raised on a bronze base and signed PB Parsons ADDITI...

This whimsical and sexy bronze (titled Treasure Seeker) was done by the noted Austrian Sculptor of many unusual and sexy and erotic bronzes, Carl Kauba. Signed on the base, and hav...

Thonet Mundes dining chairs Beech wood. Wicker seat. Design David Fischer for the Gebr Thonet Vienna Austria 1880.

A desk letter or mail holder with a peacock or pheasant bird design, in the Art Nouveau design style, circa early to mid-20th century. A desk letter mail holder with beautiful bird d...

Striking antique majolica pedestal bowl hand-painted in yellow, pink, green and black glazes by Eichwald, early 20th century. It features classic art nouveau decorative elements with...

Wonderful and rare Thonet stool, published already in the 1888 Thonet Catalogue on page 23 as Salon-Stockerl Nr 5 zum Polstern Material Beechwood black stained with gold colored not...

An exceptional quality Art Nouveau Egyptian revival Continental brass and copper desk stand raised on four puma feet and dating from the early 20th Century. Probably French the heavi...

A rare and important French Art Nouveau tea table with two shapely shelves. Engraved with lily pads petals & leaves. Decorative bronze handles.

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

Silver Brooch Josef Hoffmann Wiener Werkstätte Austrian Jugendstil Embossed Leaves 1912 Josef Hoffmann, a member of the Vienna Secession, was both the co-founder and one of the mo...

A beautiful pair of tall Tiffany Studios patinated bronze candlesticks. The candlesticks are both signed TIFFANY STUDIOS NEW YORK 1213. These are an early pair and have the original ...

LALIQUE - 'Muguet' (Lily of the Valley) - Vintage Art Deco style luxury crystal plate - featuring a striking frosted finish to the molded flowers from th...

Beautiful, evocative Pencil Drawing Still Life with Flowers and Butterfly Early 20th century Signed at lower right The painting is embellished by a beautiful nineteenth-century la...

This exquisite “Crabe” pâte de verre glass paperweight, by Amalric Walter and Daum Nancy is decorated with a relief of a reddish-brown crab poised upon a bright contrast of green and...

Art Nouveau glass vase with engraved silver overlay by historic Loetz, ca 1900. Baluster with silver meandering leafing branch. Glass iridescent gold and purple with vertical oleagin...

A Georg Jensen sterling silver and stainless steel bottle opener, item #271 in the Acorn pattern, design #62 by Johan Rohde from 1915. Additional ...

Vintage silkscreen print by Toulouse Lautrec, "Divan Japonais" circa 1960s framed without glass nice paper condition not faded.

Roy Lichtenstein The Paris Review: 1992 The Paris Review book, featuring an interior spread of Roy Lichtenstein's "__" (1992). Imagery features 8 detailed segments of this esteemed 1...

Incredibly stylish and great quality table lamp. This antique bronze table lamp is probably gilt, but we are not a hundred percent sure. Wha...

Hallmarked in Birmingham in 1924 by Mappin & Webb, this attractive, Antique, George V period, Sterling Silver Condiment Set, comprises 4 mustard pots with mustard spoons, 4 pepper po...

Large French majolica planter cache pot by Orchies. It represents a basket in osier with flowers. It has 2 handles. The inside is blue. So decorative. In good condition with a sligh...

This Terracotta Head of a Young Woman on a new iron base is a striking piece of sculptural art, blending the organic forms and stylized motifs characteristic of the Art Nouveau movem...

Art Nouveau silver and glass mounted walking stick French, c. 1900 Height 91cm, diameter 2.5cm Dating back to late 19th century France, this exceptional walking stick reflects the ...

Modernistic pendant-light. Important design for the underground lines of the Wiener Stadtbahn. There he combined visible structural details with contemporary elements of arts. The me...

Five-arm chandelier for the Welz Family in Vienna. Lit.: WW Archive at the MAK in Vienna. A three-arm version will cost about 2/3 of the five-arm version Length custom Most componen...

Each bronze wall fixture with three arms each supporting an art glass Lily, signed L.C.T. Electric is UL Certified