Rococo Revival Furniture

A 19th-century Rococo Revival terrine by Edme Samson, delicately crafted in polychrome porcelain with a white and pink background. This terrine piece is adorned with hand-painted fl...

This is a vintage terracotta from Italy representing a seated Cat. You can see realism in the mouth the eyes and the teeth. The colors are Brown white and blue. This sculpture has b...

This is a vintage terracotta from Italy representing a seated Cat. You can see realism in the mouth the eyes and the teeth. The colors are Brown white and blue. This sculpture has b...

Pair of large upholstered stools in rococo style made during the rococo revival in the late 19th century. The stools are unusually large and h...

A Pair of Louis XV Style Rococo Revival Ormolu Three-Light Candelabra. Finely cast in the Rococo Revival style this fine pair of English candelabra...

Circa 1850 Gaudy Welsh "Grape" Pattern Teapot, English, Staffordshire District. Rococo revival form with original cover. Slight discoloration to lid floret knob & wear to the lustre ...

This antique Castle pattern sterling silver table box was made by The Loring Andrews Company of Cincinnati, Ohio. The hinged box is quite ornate and bears highly detailed all-over r...

A Dutch walnut Rococo Revival bombé vitrine from the late 19th century, with glass doors and single drawer. Created in the Netherlands during the last decade of the 19th century, thi...

Rococo Revival Walnut Parlor Set Circa 1890 Dating back to the late 19th century, this set features pieces crafted from walnut wood, with spring seats fil...

Antique valuable silver box or Decorative sugar bowl with lid pressed, cast and chased, gold gilding on the inside. Oval, domed body on short, curved feet with hinged, vaulted lid. A...

Fine quality 1960's ormolu, mahogany and marble top commode. Single drawer below the top, with a drop down front that conceals 2 fitted drawers. Beautifully applied ormolu and brass...

Chandelier or ceiling lamp, Louis XVI style. Bronze, glass. France, 19th century. Ceiling lamp made of gilded bronze with transparent glass elements that has sixteen lights in total...

Pair of vintage Florentine beaded gilt metal and mirror framed three light sconces adorned with cut crystal garlands and drops. Wired for USA. Takes three candelabra size bulbs up to...

French Majolica tobacco jar onnaing, Circa 1890. Decorated with a medallion and flowers.

Heavy Wrought Iron Base 46x30" Thick Granite Top Outdoor Dining Table MINT

German Rococo 800 silver centerpiece, ca 1900. Ovoid and bellied bowl with leaf and flower-capped split-mounted double-scroll end handles, and four scroll-mounted supports. Exuberant leafing scrolls, layered scallop shells, and open flower-strewn diaper. Two scrolled and bead...

Pair of silver paint decorated Italian Rococo dining side chairs. Chairs are wonderfully carved in the Grotto fashion with arched backs supported...

19th century French Rococo Revival silver plate oval shape footed centerpiece plateau. The plateau features a curvilinear cartouche with 6 leaf-mou...

A Swedish Rococo Revival painted wooden side table with carved apron and cabriole legs from the turn of the century. This Swedish side table features a rectangular top with rounded e...

Meissen, Germany. A pair of large antique Blue Onion pattern candlesticks in porcelain. 19th century. H 24.5 cm x D 16.0 cm. First factory quality. In perfect condition. Marked.

Nice brass Rococo Revival Style fireplace andirons. Brass is in good condition with nice details in the casting. Measure 18" tall x 10" wide (each) x 22" overall depth. Cast iron bar...

Each bombe form with two drawers with brass handles. Cabriole legs.

A pair of Italian 19th-20th century Florentine cut-clear and color glass four-lights girandoles table lamps. The scrolled bronze frame with four scrolled candle-arms, surmounted with...

A set of dining table decorative objects including an antique silver cup, decorative fruit cup or sugar bowl on foot, and a pair of silver candle holders...

Beautiful Rosewood Bedroom Set, Queen size bed. Rococo styling with intricately carved medallions on the end of the bed and the door fronts. The trim work has rosettes along all of the edges. Detailed bottom edge, 4 finials, a large pediment, side boards, and carved ball feet. The nightstand and 2 door chest have the same detailing as the bed, each has a marble top, and shelves. Headboard is 64" tall, footboard is 47" tall, they are 65" wide, 83" total length, the inside measurement of the bed and side boards is 74" long x 56" wide. 2 Door marble top cabinet is 45" wide x 34 1/2" high x 22" deep...

A late 19th century New York armchair in the early 18th century Dutch-Style in mahogany decorated with inlays in other woods of bows, birds, rinceau ...

A very charming milk jug or creamer in the “melted snow” shape, pink ground with gilding and little blue bluebells and forget-me-nots. Pattern 2054 Year: ca 1825 Size: 16cm (6.25“) ...

This Italian-made Rococo secretary desk is a bright and beautiful example of 20th-century craftsmanship inspired by 18th-century elegance. With its curvaceous bombe form, delicately ...

Elevate your interior with this magnificent 19th-century Dutch Rococo / Louis XV fireplace mantel, masterfully carved from luxuriously rich white marble. This exceptional piece showc...

Ferdinand Wagner II (German, 1847-1927) A very fine and charming triptych group of three oil on canvas laid on board titled "An Allegory to Spring" each panel depicting different playful and joyous scenes of putti and a cherubs reminiscent of spring, love and peace. The center panel depicting a seated putto, crowned with flowers, a standing putto behind him holding a sack of arrows and a seated cherub facing him next to a watchful peace dove on top resting of a flower bouquet. The left panel depicting a seated putto next to a standing putto with a freshly harvested apple. The right side panel depicting a standing cherub holding a fig branches with leaves. All three-in-one panels within individually carved giltwood frames. All panels signed at the lower left: Ferd. Wagner, circa 1890. Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr...

Incredibly articulated mirror, in the Rococo style; having an octagonal mirrorplate, surrounded by a mirrored relief border, inset with ribbons, fra...

German Rococo silver coach. Imported to England by Berthold Muller in 1903. Cupid (Love) is in the driver’s seat but struggles to control the reins of a harnessed goat. A frisky meta...

This is a beautiful plate with a warm grey and beige border of flowing acanthus leaves and pebble design with elaborate gilt, and a beautiful pink flower in the centre. Pattern: 810...

Late 19th century carved oak rococo revival vanity mirror circa 1890. Rectangular shaped mirror with carved oak frame, supported by a frame of carved swags and leaves.  Standing on ...

A Fine Italian 19th-20th Century Florentine Rococo Revival Style Gilt Wood Carved Over-Mantel Mirror Frame. The ornately carved rectangular frame with scrolls, leaves and acanthus, a...

French console has festoon with leaves, flowers, and shells; plus highly scrolled feet and cabriole legs. The stretchers are joined In the center by a shield cartouche. The border of...

Antique Meissen porcelain figure. A noble gentleman with a gold watch. Late 19th century. Measures: 19 x 9 cm. In excellent condition. Signed. 1st F...

Made in Italy, 1960s. This scene sculpted by Carlo Mollica recalls the mythological figures of Leda and the Swan (Zeus). It is made in polychromed porcel...

A Rare Pair of 19th Century Meissen Porcelain Yellow Ground Puce Watteau Scene Decorated Covered Vases, with Front and Back Cartouches. Each vase features a graceful baluster form,...

This is a lovely mirror with gold painted scroll and leaf raised and cut out carved patterns, surrounding a wonderful orange painted mirror frame which is all topped with cutout circ...

Italian carved marble coffee table 1920s Stunning vintage Italian marble-top coffee table with a heavily carved base. Richly veined black marble...

An enchanting masterpiece of mechanical artistry, this rare two-bird singing automaton embodies the romance and refinement of Europe's fascination with automatons at the turn of the ...

Hallmarked in London in 1870 by Robert Hennell IV (with one branch bearing marks for Robert Hennell III in 1840), this wonderful, Antique, Sterling Silver Pair of Candelabra, are sup...

This is a set of Steuben Glass Creamer and Sugar Bowl. It depicts an oval shaped clear glass bowls with snail-scrolls handles. Below the round base is the acid etched hallmark of Ste...

This elegant pair of mid-20th-century decorative garniture vases by renowned maker Jacob Petit showcases the timeless beauty of French porcelain. Each vase is crafted in a unique cor...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Iconic vanity tray with handles; the rectangular top is a mirror with rounded corners and has been skilfully ground with stone wheels from underneath depicting a courtship scene showing a courtly couple dressed in all their finery in a landscape or formal garden with architectural elements creating a complete and lively image; the upper edge of the mirror is decorated with a glass cord...

Demilune Very Fine Inlaid Console Server Cabinet Porcelain Plaque Pulls Dresser

Very unusual white cased over vibrant red Harrach enamelled and gilded serving dish or small tray shaped like a Scallop shell. Enamelled and gilded with fine branches and birds. The ...

Early 1900s large Venetian Rococo mirror by Testolini-Salviati giltwood, hand-carved walnut. Measures cm: H 178 W 117 D 10

Antique Dovetailed Inlaid Carved Walnut Marble Top SideBoard Server Buffet MINT!

Pair of Danish Rococo sterling silver 7-light candelabra, 1914. Each: Central socket with detachable finial mounted with six scrolled arms, each terminating in single socket; twisted...

A fine and rare Italian Venetian 19th century giltwood carved Rococo "Vernis Martin" style decorated credenza vitrine cabinet with a marble top. The upper single door vitrine with a ...

Antique Meissen plate in hand-painted porcelain. Romantic scene, blue border with gold decoration. Late 19th century. Diameter: 22 cm. In ex...

Neo-Rococo Inlaid Dresser Veneered with Mahogany, circa 1930 A dresser, circa 1930, resembles furniture in the Louis XV style. This piece of furniture ...

Exceptional Rococo style serving, bar rolling cart having a cast brass structure, with a black glass lower shelf, and a removable black glass serving tray top. We believe the cart wa...

Bistro dining table in bentwood and cane designed by Michael Thonet. Originally designed in the 1860s and produced by Thonet in the 20th century by multiple factories. Size: chairs: 57x49x96.5 seat height 46 Arm height 67 centimeter table: ø85.5 height 75 centimeter Condition: used. The lacquer has worn out on some places. The stained beech wood has discoloration. Cane in the table top is good. The cane in two seats is damaged. The cane in one back is damaged. One arm has a crack in a curve. Some small wood details are missing. The cane can be repaired or replaced professionally on request. Michael Thonet The development of bentwood for use in furniture is one of history’s most significant innovations in design. A range of renowned mid-century modern designers such as Alvar Aalto, Arne Jacobsen, and Charles and Ray Eames drew heavily on this technological advancement, and the success of their enduring works owes to the efforts of pioneering German-Austrian industrialist and designer Michael Thonet — founder of Thonet and widely considered the father of bentwood furniture. Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century cabinetmaker and master of parquetry Michael Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there, the bentwood look skyrocketed to furniture fame. He experimented with bending birch rods into rounded shapes — forming delicately seductive, curving Art Nouveau creations that were a daring departure from the heavy, hand-carved designs attributed to his contemporaries. The Boppard-born Thonet honed his carpentry skills in his father’s workshop, where he carried out experiments with plywood and modified the Biedermeier chairs that populated the studio. He received an invitation from Austrian Chancellor Prince Metternich to contribute Neo-Rococo interiors to the Liechtenstein City Palace in Vienna. From there, the cabinetmaker gained international recognition, including at London’s Great Exhibition of 1851, which featured works created by members of the Arts and Crafts movement as well as industrial products. Thonet showed a range of furniture at the fair and won the bronze medal for his bentwood chairs. He ​​incorporated his family’s company, the Thonet Brothers — or Gebrüder Thonet — with his sons in 1853. Considered the world’s oldest mass-produced chair, Michael Thonet’s ubiquitous Chair No. 14 demonstrated that his patented bentwood technology made it possible to efficiently produce furniture on an industrial scale. Often called the Coffee House chair — the company’s first substantial order was for a Viennese coffeehouse — the No. 14 remains an icon. Thonet originally designed the chair in 1859, and it is considered the starting point for modern furniture. Composed of just six parts, the chair, with its simple, lightweight design, belies its durability. The No. 14 was followed by the No. 18, or the Bistro chair, in 1867, and the 209, or the Architect’s chair, of which Le Corbusier was a fan. (The influential Swiss-French architect and designer used Thonet furniture in his Pavillon de l’Esprit Nouveau at the 1925 International Exposition of Decorative Arts in Paris.) The business began mass-producing furniture. By the end of the 1850s, there were additional Thonet workshops in Eastern Europe and hundreds of employees. Michael Thonet’s reputation attracted the attention of notable architects including Otto Wagner, Marcel Breuer and Ludwig Mies van der Rohe. Thonet’s patented bentwood technology also yielded an improvement to rocking chairs for his company — in the middle of the 19th century, Michael produced a series of rockers in which the different curved parts were integrated into fluid, sinuous wholes. Thanks to Thonet, the humble rocker acquired something unexpected: style. And bentwood furniture was embraced by a series of design greats — the innovation can be found in the seating that Josef Hoffman designed for Thonet, in the elegant Superleggera chair created by Gio Ponti and Alvar Aalto’s expressive Paimio armchair...

This is a rather stunning pair of one-handled low comports with pierced rims, a warm grey ground with elaborate gilt foliage, three very fine flower reserves each, and a large mounta...

Antique KPM Porcelain Style Plaque "Madonna Della Sedia" After Raphael (Italian, 15th - 16th century). A fine quality porcelain plaque with hand painted enamel surface decorated wit...

This exquisite pair of Italian Rococo style commodes from the 1930s showcases the elegance and artistry of early 20th-century craftsmanship. Each dresser features a finely shaped ser...

An impressive 20th-century octoganal shaped vintage Italian mirror. Its frame is meticulously sculpted from textured giltwood in Art Deco style. This beautiful piece is a testament t...