Rococo Revival Furniture

This 19th century tea set was crafted by the prestigious Manufacture Nationale de Sèvres, one of France’s most esteemed porcelain factories. The set includes a gracefully curved teap...

Hanging Fine Carved Antique Gold Gilt Base Marble Top Console Table Credenza

The new Rococo polished wood carved armchair, adorned with intricate carvings and exuding timeless elegance, is a stunning testament to the craftsmanship of the late 19th century. C...

A fine French 19th century whimsical Rococo style white marble carved planter jardinière with figures of playful Putti 'Children' playing with a goats among trees and vines, raised o...

Gilt and silver wood Venetian Grotto style table, Italy, circa 1890. Pauly et Cie manufacture.

A pair of Italian 19th-20th century Florentine cut-clear and color glass four-lights girandoles table lamps. The scrolled bronze frame with four scrolled candle-arms, surmounted with...

Wonderful matched pair of triangular carved walnut Rococo Revival occasional tables, Italian or Spanish in origin, circa 1920s beautiful warm original finish.

It is rare to find all 3 pieces intact and this one is the exception. A gorgeous Baccarat 19th c. example with the tumbler, water bottle and stand, each piece is decorated with hand ...

Large mirror probably Franz Xaver Fortner with inlays in brass, copper, pewter, mother of pearl and partly colored lacquer inlays on the base and mirror frame, which can be tilted.

A large and rare pair of French 20th century Rococo Revival style patinated metal three light wall sconces. The urn shaped wall lights in a dark brown patina with three scrolled cand...

Pair of Murano glass sconces. Italy, early 20th century.

This large painting by Louis Jacques Gallet (1873-1955) beautifully captures the idealized female form, influenced by the Pre-Raphaelite movement. The subject, a nude woman holding ...

A fine pair of French 19th century Rococo Revival style gilt bronze and Rouge Griotte marble six-light candelabra attributed to Ferdinand Barbedienne (French, 1810-1892) After a mode...

German sterling silver place card holders. This set comprises 8 holders in 3 designs. One holder features an elegant courtly couple ...

A fine English gilt wall mirror in the Rococo Revival style, featuring a beautifully gilded carved design around the circumference, with a shell accent crowning the top. Dimensions:...

Pair of 19th century Seven Lights Weathered Italian Candelabras in Amazing Condition

1940s Wall gilded wood mirror probably from Spain with some French Influences.

A characterful tall Victorian dresser unit boasting its original glazing and beautiful red brown lacquer.  An original piece is very good order, feat...

20th century Venetian Rococo throne armchair / chair walnut. Solid walnut. Pronounced rising backrest. The seat and backrest are processed with historic...

Rococo Revival center table attributed to the prestigious New York firm of Joseph Meeks. Heavily hand carved rosewood featuring floral bouquets and rosettes, graceful serpentine legs...

A fine Tall giltwood trumeau mirror with figural uprights. This impressive and tall trumeau mirror has a shaped scrolling cresting above a painted panel depicting a nymph holding...

Late 19th century carved oak rococo revival vanity mirror circa 1890. Rectangular shaped mirror with carved oak frame, supported by a frame of carved swags and leaves.  Standing on ...

Bronze, dark-brown patina, unmarked. Measures: Height: 23” Width: 14” The notion of an “American Rococo” seems a contradiction in terms. The very word rococo is as French as Camembert. It connotes a style that reigned along with Louis XV in the aristocratic decadence of the 18th Century. It was garlanded, nonchalant, associated with erotic marshmallow nudes by Francois Boucher and foppish courtiers costumed as shepherds pretending they understood Jean-Jacques Rousseau when all they really wanted was romantic dalliance in the formal gardens of Versailles. In the history of painting it produced but one great artist, Antoine Watteau. By contrast, Americans of the period are remembered as the flinty inheritors of New England Puritans, full of rectitude and having not a moment for furbelow or frippery. Such few painters as were around included hard-nosed realists like John Singleton Copley and Charles Willson Peale. Well, as it turns out, life once again acts according to the principle of paradox. There was an American rococo. It came to us indirectly via England disguised under the name Chippendale. Now for the first time the style receives comprehensive survey in the exhibition “American Rococo, 1750-1775: Elegance in Ornament.” Jointly organized by New York’s Metropolitan Museum and the Los Angeles County Museum of Art, it opens here Sundaywith a spread of some 170 works of decorative art and a conscientious catalogue with essays by Met and LACMA curators Morrison H. Heckscher and Leslie Greene Bowman. There are at least two ways of looking at the decorative arts. Connoisseurs appreciate their design and craftsmanship. Those of sociological bent examine objects of material culture for their revelations of history and the temper of the times. Actually neither view is complete without the other. Stylistically the rococo reveals a longing for intimacy in its small scale and an urge to organic nature in its love of stylized vines, tendrils, tiny flowers and seashells. If it were a new manner being promoted by Madison Avenue today it would probably be called “Baroque Lite.” There is an ease about the style that makes it airy, but it has an underlying formality that bespeaks lives of gentrified cultivation rather than beer-bellied sloth. It’s fascinating to examine the flintlock firearms on view and find these weapons of death shaped and decorated with the most exquisite care by wood carvers and metal engravers. All of this is completely consistent with the main currents of 18th-Century European thought. In France, Rousseau sang the virtues of nature and the noble savage like a present-day ecologist. In England, John Locke...

A 1950s Rococo style carved walnut glass tray top oval side table in good vintage condition. Measures 29" in width, 22" in depth and stand 20" tall.

A finely cast six light silvered bronze chandelier. The center column leading to six arms all newly wired. The finely Rococo frame all over d...

Decorative French Gilt Brass Lantern Pendant Light A superb quality brass lantern, the light has 6 glass panels each etched with a star at the centre. The Lamp is decorated in the F...

A Large French Four-Fold Mirrored Dressing/Privacy Screen or Room Divider A beautifully carved four-fold screen of generous proportions in the Rococo style, crafted from limed oak ...

Victorian Rococo sterling silver mustard pot. Made by Edward, John, and William Barnard in London in 1845. Open sides with leafing scrollwork applied at base with leaves forming irre...

A wonderful pair of early nineteenth century porcelain urns probably made by either Coalport or Minton circa 1810. The elaborate gilded handles add a touch of extra elegance to an al...

Direct from Paris, A Magnificent 198-piece Sterling Silver and gold plated sterling silver Flatware Set by One of France's Premier...

Pretty 19th century French painted serpentine front commode with a marble top, 1880. Dimensions 47.5 inches (121 cms) wide 20 inches (51 cms) dee...

Hand Paint Decorated Plaque Carved Walnut Queen Size French Bed Headboard FootBaord Rails MINT!

Elaborate Atsonea Rococo Gilt Wall Mirror The Mirror is decorated in the Rococo style with a Wide Pierced Gilt Frame, it has a large scroll design to the top The mirror glass is ori...

A late 19th century French gilded bronze clock on a gilded wood base. On the left side of the Rococo-style base which resembles rolling wave...

Large Decorative Gilt Wall Mirror This is a lovely old bevelled mirror, it is set in a large Decorative Gilt 5” wide Frame, The mirror is in good used condition and a very decorativ...

Carved convex gilt wall mirror This is a very attractive mirror has a 3” wide gilt frame which id carved and pierced and a convex looking glass The mirror is in good conditio...

Elegant antique signed Philippe H. Mourey table lamp, bronze with gilt. Features beetle accents along the bottom and cherub accents along the sides. Measures 15.75 inches from the bo...

French Oil Canvas Still Life with Hare - David De Noter - 1818-1892 Gorgeous painting purchased in France. Age appropriate wear, see detailed photos. Message us with any questions.

This is a finely hand carved monumental Italian Rococo Revival giltwood mirror, dating from the late 20th century. It features a large exaggerated central multi directional pieced...

This English 1930s mirror-framed dressing table mirror could also serve as a frame for a photograph. On the cresting are three acid-etched plumes...

Set of three neo Rococo sugar castors in silver (830S). Northern Europe, early 20th century. In very good condition. Stamped. Largest measures: 19.5 x 7.5 cm.

This is a superb, hand-carved Italian made screen. The screen features angels and figures and elaborate carving and gold gilt elements as well. The screen has a backing of a gray uph...

Antique bronze crown / chandelier Rococo, circa 1900 Solid, beautifully chased bronze body, gold-plated. Heavily decorated baluster shaft, starting wit...

A Pair of Early 19th Century Meissen Porcelain Figures of Swans. This pair of swans portrays the graceful form of these birds with a level of artistry that is truly exceptional. The...

Antique Meissen flowerpot in porcelain. 19th c. Motif of faun. Face in relief. Hand-painted bucolic scenes in Neo-Roccoco style. Gold decoration. Rare flowerpot. In excellent conditi...

Add an air of regal charm to your interior with this stunning set of French Rococo Revival chairs — an exquisite blend of craftsmanship, comfort, and decorative artistry. Set includ...

A beautiful pair of early English Derby vases dating from the early 1800’s. With elaborate hand encrusted flowers, each one separately made to form a large bouquet in the manner of M...

Antique silver plated footed jewelry box, features cast and engraved motifs reminiscent of the Rococo Era. The hinged and scalloped lid opens to reveal a black velvet felt interior....

Lovely mid century Murano mirrored glass tray/ plate with gilt handles from the 1960s in Italy. Artfully designed, this beautiful Murano mirror tray...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

A fine eighteenth century carved and gilt mirror with foliate cresting, crowned by carved feather plumage and bearing flower heads and with original mercury mirror plate and border. ...

Antique bronze crown / chandelier Rococo, circa 1900 Solid, beautifully chased bronze body, gold-plated. Heavily decorated baluster shaft, starting wit...

Bringing a modern edge to classic design, the acrylic Rococo coffee table from the custom Tara Shaw Maison collection will make a statement in any space

This fabulously designed Rococo Revival dining table has maple veneer marquetry and crochet mahogany in the center.

Original heavy Atsonea table mirror, featuring rococo style decoration in shades of gold with flowers, leaves and swags. It has a textured backing. There is a decorative folding supp...

Rich in detail and decorative presence, this pair of 19th-century giltwood carvings presents a lush cascade of roses and foliage in full relief. Originally conceived as architectural...

Dip into Rococo reverie and illuminate your surroundings with the dazzling duo of Sterling Candelabras by Anton Michelsen. With their every Rococo-inspired detail, they stand as sile...

Splendor wall mirror Napoleon III, Paris, circa 1870 Wooden frame, carved and gilded. Rocaille-shaped mirror frame with flowers. Old mirror glass. Extremely high quality handcraft...

Nice decorative pair of late 19th cast iron planters French circa 1870’s 12 inches high 16 inches diameter

Small French Majolica cache pot Onnaing, Circa 1890. Decorated with ram heads and pink flowers.