Rococo Revival Furniture

Antique KPM Porcelain Style Plaque "Madonna Della Sedia" After Raphael (Italian, 15th - 16th century). A fine quality porcelain plaque with hand painted enamel surface decorated wit...

This 20th Century Swedish Rococo Revival dining chair showcases the graceful, sculptural lines characteristic of the style, enhanced by a beautifully aged, patinated finish. The carv...

Stunning large antique Dresden porcelain vase in the shape of an urn, featuring a luscious pink color with gilded accents and a courting scene. Signed / hallmarked " Dresden " with w...

Beautiful Rosewood Bedroom Set, Queen size bed. Rococo styling with intricately carved medallions on the end of the bed and the door fronts. The trim work has rosettes along all of the edges. Detailed bottom edge, 4 finials, a large pediment, side boards, and carved ball feet. The nightstand and 2 door chest have the same detailing as the bed, each has a marble top, and shelves. Headboard is 64" tall, footboard is 47" tall, they are 65" wide, 83" total length, the inside measurement of the bed and side boards is 74" long x 56" wide. 2 Door marble top cabinet is 45" wide x 34 1/2" high x 22" deep...

Antique Italian Rococo Revival commode, hand carved in walnut and glowing with a rich, warm patina. Bold acanthus scrolls rise at each corner, gather into shell motifs, and sweep dow...

Exquisite gilded bronze chandelier from France Louis XV style / Rococo Revival 1880. Crystal glass drops combined with the gilded bronze rococo curves makes it feel & look very luxurious. The chandelier has an impressive size and is a true masterpiece of craftsmanship. The small details like the original chain and human figure are exceptional. The chandelier has been converted from gas to electric...

An antique carved Victorian settee in the Rococo Revival taste, circa 1860–1890, a medallion-back parlor seat crowned by a pierced crest of full-blown roses, smaller five-petalled bl...

This Louis XV style gilt bronze lamp resume the taste of Rococo period decoration. As this, vegetal motifs are all-over this piece and it features great elegance and opulence in the ...

This is a richly carved X-frame bench in the pliant form, believed to be Italian and dating to the 19th century. The sculptural frame features scrolling foliage, floral rosettes at t...

A pair of late 19th century French bronze three-light candelabra. Each candelabrum features three curved candle arms, floral detailing, and a decorative base. With their elegant silh...

Chandelier Swedish Venetian 19th Century Sweden. Tall venetian chandelier with 6 arms for light. Needs to be rewired for US use.

This decorative chandelier is designed in the Venetian style with Rococo Revival influences, featuring gracefully curved arms, floral details and an open crystal decorated structure....

A 19th century Hanau sterling silver presentation box or jewelry box with hinged cover. Large 800 silver box of quatrefoil form, impressive weight and a richly gilt interior The cove...

A fine Italian 18th century giltwood carved console with the original marble top.

An exceptionally fine pair of 19th century patinated & parcel gilt bronze figural candelabra, executed in the Rococo manner closely associated with works by Claude Michel (Clodio...

Very decorative Italian gilt roccoco style wall mirror from the 1950s in Venice. A real eyecatching mirror from the mid century period, modeled after the famous venetian roccoco/ bar...

A fine antique Dresden porcelain tazza or footed tray. Attributed to the Helena Wolfsohn factory. The center of the tray with a painted scene of a man taking off his hat to greet ...

This is a large pair of vintage display vases. An Italian, ceramic and gilt finished baluster urn, dating to the late 20th century, circa 1980. A bold and decorative pair, offering e...

This is a Royal Copenhagen Fauna Danica dinner plate featuring a hand-painted wild boar (Sus scrofa) in a woodland setting. The Royal Copenhagen Fauna Danica series is a specializ...

20th century Venetian Rococo throne armchair / chair walnut. Solid walnut. Pronounced rising backrest. The seat and backrest are processed with historic...

Carved convex gilt wall mirror This is a very attractive mirror has a 3” wide gilt frame which id carved and pierced and a convex looking glass The mirror is in good conditio...

The term Vieux Paris, or "Old Paris" porcelain does not refer to one particular maker, but is used to describe French porcelain pieces made by one of more than thirty manufacturers o...

Mid Century Cocktail Table, Cartouche with Gold Veined Mirrored Top, hand fashioned and stamped by maker.

A French majolica "barbotine" trinket box or catchall from the early 20th century, crafted in the shape of a crab. The lid, representing the crab’s shell, opens to reveal a storage c...

19th C. French Limoges Enamel Dresser Box with Rococo Pastoral Scenes An elegant late 19th-century French enamel dresser or trinket box, richly decorated with hand-painted Rococo-i...

Late 19th century Christofle Rococo Revival silvered metal decorative centerpiece of reclining child with Baccarat cut crystal compote bowls, Fr...

Bronze, dark-brown patina, unmarked. Measures: Height: 23” Width: 14” The notion of an “American Rococo” seems a contradiction in terms. The very word rococo is as French as Camembert. It connotes a style that reigned along with Louis XV in the aristocratic decadence of the 18th Century. It was garlanded, nonchalant, associated with erotic marshmallow nudes by Francois Boucher and foppish courtiers costumed as shepherds pretending they understood Jean-Jacques Rousseau when all they really wanted was romantic dalliance in the formal gardens of Versailles. In the history of painting it produced but one great artist, Antoine Watteau. By contrast, Americans of the period are remembered as the flinty inheritors of New England Puritans, full of rectitude and having not a moment for furbelow or frippery. Such few painters as were around included hard-nosed realists like John Singleton Copley and Charles Willson Peale. Well, as it turns out, life once again acts according to the principle of paradox. There was an American rococo. It came to us indirectly via England disguised under the name Chippendale. Now for the first time the style receives comprehensive survey in the exhibition “American Rococo, 1750-1775: Elegance in Ornament.” Jointly organized by New York’s Metropolitan Museum and the Los Angeles County Museum of Art, it opens here Sundaywith a spread of some 170 works of decorative art and a conscientious catalogue with essays by Met and LACMA curators Morrison H. Heckscher and Leslie Greene Bowman. There are at least two ways of looking at the decorative arts. Connoisseurs appreciate their design and craftsmanship. Those of sociological bent examine objects of material culture for their revelations of history and the temper of the times. Actually neither view is complete without the other. Stylistically the rococo reveals a longing for intimacy in its small scale and an urge to organic nature in its love of stylized vines, tendrils, tiny flowers and seashells. If it were a new manner being promoted by Madison Avenue today it would probably be called “Baroque Lite.” There is an ease about the style that makes it airy, but it has an underlying formality that bespeaks lives of gentrified cultivation rather than beer-bellied sloth. It’s fascinating to examine the flintlock firearms on view and find these weapons of death shaped and decorated with the most exquisite care by wood carvers and metal engravers. All of this is completely consistent with the main currents of 18th-Century European thought. In France, Rousseau sang the virtues of nature and the noble savage like a present-day ecologist. In England, John Locke...

Théodore Deck (1823-1891) French 19th-Century Turquoise Glazed Ceramic Planter, c.1880 An imposing French Neo-Rococo earthenware jardinière / centerpiece bowl designed by master cera...

Gilded Brass 5 Branch Rococo Style Chandelier The chandelier has 5 branches, and is decorated in the Rocco fashion, very decorative brass w...

A wonderful late 19th. Century Rococo Revival or Florentine inspired Bronze Wall Mirror with applied floral decoration of elaborate leaves. Great casting. No damage. Bronze has been...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

The vintage Meissen porcelain coffee or tea service set in the highly collectible "Indische Malerei Grün" (Green Indian Flowers / Green Indian Painting) pattern. -Meissen Porcelain...

A beautiful architectural accent with flowing floral garlands and the warm glow of aged giltwood. Measuring an impressive 63.7 inches in length, this antique wooden ornament brings ...

Italian parquetry-inlaid coffee table, distinguished by its beautifully figured burlwood veneers, contrasting satinwood inlay and graceful serpentine silhouette. The shaped rectangul...

Rococo Florentine Revival 1950's Gilt Bedside Accent Side Table, Italy Charming Mid-Century Modern side table in a lovely light tourquoise color with original gilt gold finish. Ce...

Antique Dovetailed Inlaid Carved Walnut Marble Top SideBoard Server Buffet MINT!

Meissen, grape boy figurine. Porcelain figurine depicting a boy carrying baskets filled with grapes, finely hand-painted and enhanced with gilded details. Produced in first quality p...

A Pair of Early 19th Century Meissen Porcelain Figures of Swans. This pair of swans portrays the graceful form of these birds with a level of artistry that is truly exceptional. The...

Elegant early 20th century console table crafted in richly carved wood with a beautifully shaped silhouette. The piece features graceful cabriole legs joined by a decorative stretch...

This early 20th-century five-arm Rococo-style bronze and crystal chandelier features porcelain plaques inspired by the works of Jean-Honoré Fragonard, a renowned French Rococo painter. The Rococo style is celebrated for its ornate elements, intricate curves, and nature-inspired motifs. The chandelier's cast bronze body is adorned with porcelain plaques and crystal prisms in various shapes and sizes. Encrusted crystal beads at the bottom enhance illumination and beauty. When lit, the faceted crystals create a brilliant display, complementing the exquisite bronze detailing. This chandelier blends seamlessly with another similar chandelier, which, while not identical, mirrors its aesthetic charm. The other chandelier, made of gilt bronze and brass, complements this one beautifully, despite lacking gilding. Gilt bronze, also known as ormolu, has been gilded with a thin layer of gold, giving it a more luxurious and luminous appearance than plain bronze, which retains its natural, darker patina. They also pair harmoniously with our tall early 20th-century French Giltwood Mirror featuring Fragonard porcelain...

Silver Sugar and Cream Set – GEWE & MEMA – Rocaille Decor – 1952 Code: BJ17-661 A charming four-piece silver service featuring exquisite Rocaille-inspired ornamentation. Crafted in ....

A large pair of acanthus carved giltwood stands. Each stand has a circular dished top above an acanthus carved base with trailing bell husks a...

Rococo oil painting signed Bruno Blätter around 1890 Oil on canvas painting. Rococo scene. Three gentlemen seated at the table, playing cards a...

A Swedish Rococo style armchair in black paint from the Late 19th Century, beginning of the 20th Century. This Scandinavian antique chair with its original seat is very comfortable t...

Solid wood carved frame, white painted. Partially gilded. Entire body decorated with rocaille ornaments. Extremely decorative, circa 1870. (M-23).

A fine old or antique Meissen porcelain figurine. Depicting Cupid sitting atop a rock with a sad expression, both hands and wings bound behind his back. Atop a circular gilt Rococo...

Add a touch of Parisian elegance to your interior with this captivating 19th-century French Louis XV style tiered accent table. Featuring a graceful, classic kidney-shaped form, this...

This Louis XV st. Cartel or wall clock in ormolu with its flowing rococo design and aquatic motif is in excellent condition having been refurbished and with its original key. Clock ...

Antique Louis Xv pompadour fireplace surround, circa 1870 Measures: External width 53? – 134.6 cm External height 43” – 109.2 cm Depth 15? – 38...

A stunning & superbly cast 19th century parcel gilt candelabrum in the Rococo taste, showing a sculptural central column of entwined bronze & parcel gilt bronze, rising from a pierce...

20th century fancy Rococo style Italian carved mahogany and glass and marquetry top console.

Carved Base Two Tone Burl Walnut Convertible Console Sofa Dining Table MINT

An elegant antique Meissen porcelain lady figurine, crafted in Germany during the late 19th century in the romantic Rococo Revival styl...

KPM, Berlin, Königliche Porzellan-Manufaktur Twelve vintage plates in curved porcelain with hand-painted fruits, berries, nuts, mushrooms and flowers. The edges have ornamental gold...

Striking seven-arm monumental wall sculpture or wall sconce.

This exceptionnal baroque fireplace is from Italy, dated as the end of the 18th century. It is an outstanding marble piece, and gathers two types of beautiful and distinct marbles; white statuary Carrara marble and Brocatelle marble, characterized by the rich and foliage patterns all over its swirling veining surface. The Carrara marble quarries found near the Mediterranean sea between Pisa and Parma, have been famous since roman times and add a distinct shine and refinement to objects carved out from this marble. A delicate marble bust is standing in the center of the fireplace and is balancing the richly detailed white and yellow decor...

Designed in a classic French Rococo-influenced style, the piece showcases a flared top and base with elegant scrollwork and decorative detailing. The ornate painted surface reflects ...

This sleek 20th-century stool features a round black cushion and minimalist design. Perfect for modern spaces, it adds both style and comfort to any room. The Fabric is from Singapore.

Elegant pair of Italian wall pedestals crafted in carved wood with a beautifully gilt finish. Featuring semi-circular tops supported by richly carved scrolling brackets, these decora...

An ornate Rococo‑revival mirror by Deknudt, crafted in Belgium during the 20th century. The frame, molded in resin with a gilt finish, features exuberant scrollwork and acanthus carv...