Fabric Contemporary Art

Stratton Mountain Resort flag depicting a cartouche formed vinyl decal surmounted on a red nylon field. The black decal with a bear paw logo. Presented in a custom black frame and gl...

Butterflies An original painting by Lynn Curlee, fine artist, and author/illustrator of award winning books for older children. The painting is acrylic on canvas. It is 48 x 48 x 1...

Exceptional oil painting on canvas of very intriguing subject of a man with great paint texture. Beautiful object of art for wall hanging. Fra...

Framed drawing on paper made by Enrico Della Torre. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina.

A set of four fiber prints by the American paintor William T Hillman portraying the galactic Milky Way. Created in 1992 these set is a second edition of five. Sined, dated and editioned found on the back of mount. Each piece fromt he set measures 40in by 40in. Property from esteemed interior designer Juan Montoya. Juan Montoya is one of the most acclaimed and prolific interior designers in the world today. Juan Montoya was born and spent his early years in Colombia. After studying architecture in Bogotá, he moved to New York where he graduated from Parsons School...

21st century hand dyed painting by Sandra Jackson. It is signed. Framed in pine frame.

Accent size Persian kilim from the late 20th century with a lion on a striped field Measures: 4'9'' x 7'7''. This was originally belonging to a private Persian collector who re...

Framed drawing on paper made by Enrico Della Torre. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina.

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

This painting is from Lisa Rhana's (a.k.a. Rose Silver) solo show "A Tribute to the Ballet" at the Hammer Gallery in New York in 1975. Lisa Rhana was born ...

Chrysler Building - Sky Club original painting by Lynn Curlee This painting was reproduced as an illustration in SKYSCRAPER, a non-fiction picture book for older kids by Lynn Curlee...

Accent size Persian kilim from the late 20th century with a purple lion on an ivory ground Measures: 4'5'' x 6'5''. This was originally belonging to a private Persian collector...

Christopher Lane (American,1937) This oil on canvas painting by Christopher Lane is very similar to one of his larger paintings that was displayed at...

Well done pink abstract by Brian Murphy 2014, signed and dated great colors reminds me 1980s Memphis style piece.

J. Paramé is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon. His work is represented in numerous private and public collections, national and international. Several exhibitions in galleries and public spaces have attracted public attention, allowing expose his work abroad, including France, Germany, Canada and USA. "Agora Gallery" in New York, writes about his "strong bold colors figures populate the paintings of J. Paramé, strange characters evolve in mysterious scenes, triggering a clash of primary colors. This type of palette and composition, resemble the latest works of Matisse and Miró, "quoted in the prestigious newspaper Express. "The Magical Colors...

Contemporary Fine Art Executed in 2023. original - only one - No Reproductions. signed by artist. ABOUT ARTIST Kelly-Ann BAPTISTE (1986), is a 5x Olympian, from Trinidad...

The famous sculpture of a horse head from the Parthenon in Athens. Original painting by Lynn Curlee. A beautiful rendering of one of the work’s most famous sculptures. This painting ...

A prime example of Charles Hinmans' shaped canvas series. Signed and dated 1983.

Likely 1990s Original collage in a nice classic square shape, simply framed in black. This retains the competition tag on reverse has artist and title of 'Face of the Future' by Sylv...

This beautiful Contemporary Abstract Painting on Canvas in Black and White by Felix Bachmann was made 2023. The pieces is painted on canvas with acrylic, pencil and chalk. A unique ...

A wall-mounted sculpture using an 18th century Italian gold distressed fragment with geode slices, chalcedony rosettes, crystal quartz points, and kyanite on a hand painted gallery 1...

This is a large scale signed oil on canvas with a modern interpretation of the relationship between Adam and Eve. The vivid colors virtually dance off of the canvas! The artist is Mi...

"Medusa" - A Captivating Oil on Canvas Masterpiece by Argentinian Contemporary Artist Diego Cabral (2021) Immerse yourself in the beguiling realm of cont...

2022 - CONTEMPORARY FINE ART Oil , Pastel, Canvas Artist paints in a free flowing fashion guided by feeling. Painting part of limited series; 1/10 ABOUT ARTIST Kelly-Ann BAPTIS...

Italian Surrealist oil painting on canvas after Modigliani. This interesting framed oil painting on canvas with a glass front is of an elongated mal...

Henry Coombes, British b.1977- "Umbrella" 2005; mixed media, oil paint on found umbrella, 84cm long, (ARR) Provenance: Purchased from Sorcha Dallas Gallery, Glasgow by the previous owner. Henry wrote: “The Umbrella was in my studio in 2005, being rainy Glasgow, I used it, left it open to dry. I was painting a series of oil paintings you can find on my website, ( oil painting section) Glen Golly, Ponker, Lady offering Cock to Fox. I loved what was happening on the pallet more than what was happening on the canvas. So the end of every day I would scrape it off and smear it on the umbrella. I am somewhat superstitious I believe in the notion of bad luck, I was afraid the open umbrella would upset the painting gods. So the ritual of putting the paint on the umbrella was to change into something new that would appease the spirits of bad luck, and bring good fortune to the painting. Paint is a fluid process will ultimately can not control, and if we try to hard it becomes dull illustration. I teach art in prison I see painting holding together the lives of life prisoners. I have huge faith in its power and same time I am humbled by it every time I go into the studio”. Henry Coombes’ distinctive art practice has received wide recognition since his graduation from Glasgow School of Art in 2002. He has a multi-disciplinary practice working in painting, collage, drawing, sculpture and film. Earlier film works like ‘Laddy and the Lady’ and ‘The Bedfords’ explored ideas of class, hierarchy, hunting for sport and Victorian...

Italian vintage scarf decorated with five 18th century Italian gold-leaf wood motifs, pressed to canvas with a surrounding antique coordinating Italian church braid. This piece is p...

Vintage Italian scarf decorated with a distressed 18th century Italian hand-carved, gold-leaf wood motif pressed to canvas and surrounded with an antique coordinating Italian church ...

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

Abstract Oil Painting by Costa Rica artist Cristian Navarro Rivera, in modern art style , signed and dated by the artist in the back . We have 3 more paintings by this artist on 1std...

Nijinsky as the Faun Life-size painting by Lynn Curlee A portrait of the famous dancer, Vaslav Nijinsky in one of his most famous roles, As the Faun...

The painting depicts a vibrant and expressive scene with three female figures amidst a grove of stylized trees. The figures are rendered in bold, colorful brushstrokes, creating a se...

Large beautiful oil on canvas of a flower setup by Ludvig Jacobsen from 1936. Great English country house style.

Gorgeous work by Power Boothe, dtd 1984. Titled "Leptotes Marina". Art. Oil on Canvas, Work is 72" x 72", with frame 73.5" x 73.25". From a Palm Beach, Florida estate.

Nicely framed contemporary oil on canvas abstract not signed dated 1998. With great texture cream and gold colors.

1974 Mid-Century Modern abstract artwork by Jonas Gerard.

Signed Don Andrus, acrylic art on canvas dtd 1980.

Painting by L.Gonzales, 1998. On canvas. Handsigned and dated. In original condition, with some visible signs of previous use and age, preserving a beautiful patina. Materials: Ca...

Abstract Square size Persian kilim from the late 20th century within an elephant's face Measures: 3'3'' x 4'5''. This was originally belonging to a private Persian collector wh...

Description: "Caterpillar Dreaming" painting by Lorna Fencer Napurrula Lorna is a Senior Warlpiri Custodian and she is among a small group of women who collectively produced the fir...

This large and important portrait contrasts a modern African American male nude with two other figures in an artist's studio: a life-size pl...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Nijinsky as Petrushka Original life-size painting by Lynn Curlee The famous dancer, Vaslav Nijinsky, as PETRUSHKA, one of his greatest roles. 1911. ...

“TWO FIGURES,” a wonderfully expressive painting in tones of fuchsia and lavender, late 20th century. Acrylic on paper, mounted on black linen and framed behind glass. Late 1980s but...

Abstract Oil Painting by Costa Rica artist Cristian Navarro Rivera, in modern art style , signed and dated by the artist in the back . We have 3 more paintings by this artist on 1std...

Particular painting signed "anna 86", made in collage with lace and satin elements and fabric applications, in shades of blue and pink Size 54 x 44 cm, complete with briar-effect ...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Painting on canvas of abstract sailboats by Jean-Pierre Collin (1979). Newly framed with a beautiful gold tone wooden frame.

Leo (Leo Castelli 90th Birthday Portfolio), 1997 is an etching by Richard Serra. The work measuring 27 x 37 inches is signed by the artist. Originally purchased from Martin Lawrenc...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Painting oil painting on canvas is made with mixed technique brush and spatula; the author used traditional brushes for a first draft giving shape to the whole drawing with an expert, loose wrist play and with sure and decisive brushstrokes; the representation, in this case, is not a pure exercise of virtuosity, in fact, the author communicates us his intimate essence manifesting it through the language of colors, shapes, and composition. The artist finished his work with the technique of spatula painting, named after the protagonist's instrument, redistributing the colors densely and consistently, making the painting take on a special body and depth. The painting is signed but we are unable to give definite information about the author, however, we confirm its extraordinary aesthetic and engaging vividness; the painting was made in 1989 in the author's studio in Paris whose intentions were to celebrate the 200th anniversary of the French Revolution (1789). The painter was inspired by both French Expressionism and Symbolism; Expressionism exalts the emotional value of art; it is the artist's desire to communicate inner feelings, while with Symbolism, painters tend to go beyond the objective representation of reality to focus instead on the subjective vision, in which inner feelings, emotions, and experiences are evoked above all. Our painting is overflowing with the symbolism of the French Revolution; it is practically an evocative essence of it. This important and overwhelming historical event is powerfully present in the soul of the artist who wanted to overbearingly communicate to us his deepest emotions by transposing them entirely in the painting with strong and vivid colors, he did not want to simply allude or hint but to express, indeed "shout" his own deep interiority. In his intentions, the painting schematically and symbolically represents a standard-bearer of the French Revolution wearing the classic "Phrygian" hat. The author used only the three colors white, red, and blue that characterized the flags of the French Revolution; they were the new banners, which opposed the traditional emblem of the monarchy, the lilies on a white field. Three were the colors because three were the goals of the Revolution: liberty, equality, and fraternity, and they represented the three classes into which French society of the time was divided: the clergy (blue), the nobility (white), and the third state (red). The "Phrygian" cap (Latin for pileus) painted in red in the painting also has a high symbolic value, In Roman times it was worn by the " freedmen" to show that they were now freed slaves but in the French Revolution it became the very symbol of Liberty; a similar cap was worn by the freed Marseilles convicts in 1792, and was the symbol of the Jacobins during the French Revolution. Due to this fact, in addition to its historical meaning of freedom, it was later adopted as a symbol of the revolution itself, a symbol immortalized on the "Marianne," the very emblem of France, in Eugène Delacroix's famous painting "Liberty Leading the People...

This contemporary abstract painting by Felix Bachmann, created in 2025, explores the tension between form and void through a striking black-and-white palette. Executed on canvas usin...

Title: 'Fishing Time' Technique: oil on canvas (vintage oil painting intervention) Artists: Tatsu & Horvikt Year: 2020 About 7710 studio: ...

Exceptional oil painting on canvas of very intriguing subject of human with great paint texture. Beautiful object of art for wall hanging. Frame is not included.

Parisian cityscape, signed and framed oil on canvas by Serge Belloni, ‘57 This painting has all the quintessential features of Belloni’s renowned Parisi...

Sailing out into the open creating misty ripples in the water. This beautifully oil planing on canvas give as the impression that we are in the ocean. Signed and dated by the artist.

These Christmas Stockings were made from mid 20th C. Uzbek Velvet Fragments. Please note these were made from vintage Uzbek Velvet fragments.

Explore the captivating simplicity of this abstract geometric drawing on paper by Enrico Della Torre. Crafted with pencil, this minimal composition showcases a delicate interplay of ...

Accent size Persian Kilim from the late 20th century with what looks like a colorful horse surrounded by small trees on a dark ground color Measures: 4'3'' x 7'2''. This was origin...