British Contemporary Art

'Calibrated to Balance' is a unique red, green, yellow, teal and amber hand-blown and cut glass hanging artwork with steel frame by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Exquisitely handblown and cut to the highest quality and refinement, the elements have been composed and suspended on a steel frame ready for wall hanging. Increasingly the artists have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, primarily through blown glass, but also using steel, and constructions in other materials. Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

Regina Heinz B. 1957 ENTRANCE 1999 Monumental wall piece made in six sections Regina's award winning work has been purchased by the National Art Collector's Fund and is presented in collections worldwide, including the Fitzwilliam Museum in Cambridge, the Museum of Contemporary Ceramics in Gifu, Japan, the International Ceramics Museum in Faenza, and the Yingge County Ceramics Museum in Taipei. With degrees in painting from the Academy of Fine Arts in Vienna and in ceramics from Goldsmiths’ College, London, Regina combines in her work the sensibility of a fine artist with outstanding expertise in ceramics. As an artist, Regina draws on her love for her native countryside and her background as a painter. Her passion for colour, form and beautiful ceramic surfaces led her to set up her architectural ceramics practice in 2011 to explore the integration of art, architecture and landscape. Regina regularly works with international interior designers, art consultants and private clients world-wide. Her portfolio includes an exclusive 3D tile line for the American tile retailer Ann Sacks...

This is a digitally remastered print of Bulldogs referenced from a Victorian print originally dating to 1881. Prints of this style were originally printed in black and white and t...

 Altar, from Sanctum Etching in colors with photogravure and hand coloring on wove paper, signed in ink and numbered 42/59 in pencil, verso, Published by Paragon Press, London Measur...

Presenting an original black and white photograph captured in the 1980s by Liverpudlian photographer John Stoddart, featuring the iconic Liverpool band, Frankie Goes To Hollywood. This signed print, produced in 2008, is a testament to the band's era-defining presence in the music scene. The photograph captures Holly and Paul, members of the band, adorned in leather S & M attire, confidently posing for the camera. This striking image, recently featured in the National Museums Liverpool Pride & Prejudice LGBT+ collection, offers a glimpse into the bold and unapologetic side of self-expression within the LGBTQ+ community. This photograph, part of a limited edition of 10, is a large archival rag print, with the artist's signature adorning the bottom. John Stoddart, renowned for his portraits of famous personalities, skillfully captures the essence of this historic moment. Hailing from Liverpool and a former Grenadier Guard...

For sale a fabulous Limited Edition signed print of "Bowie's Eye" by the legendary photographer RANKIN. Photographed in 1995 for "The Changing Faces of David Bowie" feature for Dazed & Confused Magazine, Issue 14. Edition 33/500. The print is framed and comes with a signed, numbered & stamped Certificate of Authenticity from Rankin, together with a signed, numbered & stamped sticky label which can be affixed to either the back of the print or the back of the frame. Description: “The chorus of “No Control”, one of the outstanding tracks for the new album Outside, co-produced by Brian Eno, echoes around the sparse, hangar-sized photographic studio. Heavy, black curtains...

This recent artwork from the w o o d p o p studio is an example of the type of modern marquetry that w o o d p o p is becoming synonymous with. Since its inception 10 years ago -...

Irradiant Bloom III is an oval sculptural wall mounted artwork by the British artist and Blown Away II series winner, Elliot Walker. The artwork features hand-sculpted iridescent flo...

A collection of eight 1960s/70s tinplate and plastic ray guns mounted in a white box frame on a gold background.

A large equestrian embossed copper plaque. Rectangular plaque with the heads of three rearing horses, surrounded by meadow detail. Dimensions: H 55cm...

This piece is titled 2 Cats and a Bone, painted in 2020 during lockdown and using an abandoned car park sign as the medium. Measuring 152cm wide x 84cm Height Drew is an 'Outsid...

British artist Grace Watts (b. 1990) works on hand-stretched linen in her east London studio. With its expressive mark-making, this piece in oil and graphite is typical of her distin...

James Rosenquist by Carter Ratcliff, Scott Rothkopf and Sarah Bancroft. Publisher Haunch of Venison, 2006. 1st Ed hardcover (1/2500) exhibition catalog. For an Exhibition at Haunch o...

British artist Grace Watts (b. 1990) works on hand-stretched linen in her east London studio. With its expressive mark-making, this piece in oil and graphite is typical of her distin...

A fine impressionist gilt framed oil on board 'Sponge Man, Khan El-Khalili Cairo' dated 1993, Signed by British artist Roy Pettitt (b.1935) ...

Contemporary abstract black and white etching by English artist Oliver Gaiger. Named " Here We Are". Matted and framed in a black wood frame. Part of a large collection of black and ...

Largely considered to be the founder of the British Pop Art Movement of the 1960s, Sir Peter Blake made a name for himself with colorful prints, collages, and paintings that combined the past and present. While best known for designing the iconic album cover to The Beatles' Sgt. Pepper's Lonely Hearts Club Band, "Leo '79" is part of his highly desirable print series titled, "Six French Postcards". Hand-signed and numbered 73 out of 75 by the artist. This piece is a wonderful investment that will impress and intrigue for years and years to come. Great for collectors of pop art, Beatles memorabilia...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

This recent artwork from the w o o d p o p studio is an example of the type of modern marquetry that w o o d p o p is becoming synonymous with. Since its inception 10 years ago - the studio has specialised in marquetry and inlay work; meticulous art-forms where pieces of wood veneer are inlaid to create decorative designs or pictures. Emma Wood, who founded the studio 10...

Contemporary abstract black and white etching by English artist Oliver Gaiger. Matted and framed in a charcoal grey wood frame. Part of a large collection of black and white etchings...

United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...

Artwork by Gordon Cheung, sculpted with Bamboo, the Financial Times and adhesive, 2020 Windows Traditional Chinese windows made from financial newspaper and bamboo refer to hom...

Blossom: A piece of 3D sculptural wall art designed and made from two layers of grey leather, woven together by Louise Heighes. Measurements are 50 x 30 inches or 127 x 77 cm. ...

A factory Mould that can be attached to the wall, wall decor, industrial, abstract art, Mid-20th century, Circa 1960s. Excellent patina, solid and ready to use. Province & Histor...

This recent artwork from the w o o d p o p studio is an example of the type of modern marquetry that w o o d p o p is becoming synonymous with. Since its inception 10 years ago - the studio has specialised in marquetry and inlay work; meticulous art-forms where pieces of wood veneer are inlaid to create decorative designs or pictures. Emma Wood, who founded the studio 10...

These are a set of FOUR digitally remastered prints of South American Palm Trees, hand coloured and framed, originally from French drawings, Circa 1843. Prints of this style were o...

Wild flower: A piece of 3D sculptural wall art designed and made from two layers of cream leather woven together by Louise Heighes. Measurements are 19.5 x 19.5 inches or 49 x 49...

A fantastic and striking original oil on board painting by the renowned artist John Mackay. This is signed and dated from 2012. It is a great size and b...

British artist Grace Watts (b. 1990) works on hand-stretched linen in her east London studio. With its expressive mark-making, this piece in oil and graphite is typical of her distin...

Contemporary abstract black and white etching by English artist Oliver Gaiger. Named "Below The Horizon". Matted and framed in a black wood frame. Part of a large collection of black...

British artist Grace Watts (b. 1990) works on hand-stretched linen in her east London studio. With its expressive mark-making, this piece in oil and graphite is typical of her distin...

Picasso, The Cubist Years, 1907-1916 A Catalogue Raisonne of the Paintings and Related Works. Published by Thames & Hudson, London, 1979. 1st Ed hardcover with dust jacket. A catalog...

Royal House Antiques Royal House Antiques is delighted to offer for sale one of two antique Crystoleum Victorian hand carved wooden frame pictures...

Obsidian II is a unique bronze & clear glass wall-mounted artwork by the British artist Wayne Charmer. Taken inspiration from the moment that a mass of rock is literally cracked o...

These are a set of TWO digitally remastered prints of Citrus Fruit studies, hand coloured and framed, originally from American water colours from Circa 18...

Basil Nubel ARCA, British 1923-1981 : Village in the Rain Signed & Dated 1969 lower right, reverse canvas inscribed 1.12.69 and varnished In the original wooden box frame The reverse bearing remains of Gallery Petit, Marble Arch, London W1 - Colourful, decorative, impressionistic work capturing the refreshing quality and colour refraction of light rain - The composition is beautifully balanced the houses either side of the lane, with a strong foreground and light background recreating the visual depth of the landscape - The purple, blue, green, pink, and earth tones of the palette create liveliness and softness within the work and the light tones of the water on the lane have the strong reflective quality of a water - Injecting colour and atmosphere into the interior Height: 24.81 in. (63 cm)Width: 30.71 in. (78 cm)Depth: 1.19 in. (3 cm) Basil Nubel was a landscape painter in oil and watercolour born in Great Yarmouth, Norfolk, to an English mother and German father. Nubel studied at Leeds College of Art under Alfred Daniels and Maurice de Sausmarez, then at the Royal College of Art under Carel Weight, Robert Buhler...

Regina Heinz B. 1957 SCENIC VIEW I 1999 Regina's award winning work has been purchased by the National Art Collector's Fund and is presented in collections worldwide, including the Fitzwilliam Museum in Cambridge, the Museum of Contemporary Ceramics in Gifu, Japan, the International Ceramics Museum in Faenza, and the Yingge County Ceramics Museum in Taipei. With degrees in painting from the Academy of Fine Arts in Vienna and in ceramics from Goldsmiths’ College, London, Regina combines in her work the sensibility of a fine artist with outstanding expertise in ceramics. As an artist, Regina draws on her love for her native countryside and her background as a painter. Her passion for colour, form and beautiful ceramic surfaces led her to set up her architectural ceramics practice in 2011 to explore the integration of art, architecture and landscape. Regina regularly works with international interior designers, art consultants and private clients world-wide. Her portfolio includes an exclusive 3D tile line for the American tile retailer Ann Sacks...

Grayson Perry’s *Scale* at the Victoria and Albert Museum (V&A) is a striking exploration of the intersection between art, society, and the aspirations of emerging artists. Perry, known for his provocative and thought-provoking works, utilizes the concept of a silk scarf as both a functional item and a metaphorical guide. This scarf serves not only as a visual piece but also as a social and cultural map, designed to assist aspiring artists in navigating the challenging landscape of the art world. The work reflects Perry’s unique ability to blend personal narrative with broader cultural commentary, encouraging dialogue about the challenges and triumphs faced by those striving for recognition in the arts. The text accompanying the silk scarf reveals its historical significance, referencing World War II when pilots were provided with silk maps for escape in enemy territory. Perry draws a parallel between this notion of survival and the struggles faced by contemporary artists. He emphasizes that the art world can often feel like a hostile environment, filled with obstacles that must be overcome. The scarf represents a navigational tool for these artists, offering guidance through a landscape populated by influential figures and established norms. By presenting the journeys of both renowned artists and the paths aspiring creators might take, Perry crafts a narrative that resonates deeply with anyone familiar with the pressures of artistic validation. Perry’s choice of silk as the medium further enhances the piece’s thematic richness. Silk, with its connotations of luxury and fragility, reflects the delicate balance that artists must maintain between their personal vision and the expectations of the establishment. The inclusion of notable artists who have paved the way for others along the route serves to inspire and motivate aspiring creators. By using this metaphorical scarf, Perry invites viewers to consider the complexities of artistic identity and the ongoing quest for acceptance, making *Scale* a powerful commentary on the nature of success and the shared experiences within the artistic community. The artwork details a fictional artist’s journey from birth to success, naming the artists, experiences and influences they encounter along the way. The text of this journey reads: Start here, Walt Disney, Play, Vincent Van Gogh, Rolf Harris, John Constable, Anish Kapoor, Louise Bourgeois, Inspirational Teacher, Rachel Whiteread, Picasso, Rene Magritte, Edward Hopper, Teenage Pupation, David Hockney, Jackson Pollock, Art School, Trainee Bohemians, Marcel Duchamp, Banksy, Beryl Cook, Jack Vettriano, Sex, Drugs & Rock & Roll, Francis Bacon, Bridget Riley, Gilbert & George, Art Dealer, Hirst, Money Celebrity Fashion Drugs, Networking, Carl Andre, Choices, Takahashi Murakami...

This recent triptych from the w o o d p o p studio is an example of the type of modern marquetry that w o o d p o p is becoming synonymous with. Since its inception 10 years ago - the studio has specialised in marquetry and inlay work; meticulous art-forms where pieces of wood veneer are inlaid to create decorative designs or pictures. Emma Wood, who founded the studio 10 years ago in Wales' Black Mountains has gained a reputation for pairing this traditional art-form with contemporary subject matter and its application on to non-traditional surfaces. This triptych is made up of 3 marquetry artworks...

Fantastic original print for, arguably, the best film of 2022. Everything Everywhere All At Once is a signed and numbered James Jean...

This recent artwork from the w o o d p o p studio is an example of the type of modern marquetry that w o o d p o p is becoming synonymous with. Since its inception 10 years ago - the studio has specialised in marquetry and inlay work; meticulous art-forms where pieces of wood veneer are inlaid to create decorative designs or pictures. Emma Wood, who founded the studio 10 years ago in Wales' Black Mountains has gained a reputation for pairing this traditional art-form with contemporary subject matter and its application on to non-traditional surfaces. This "ATOMS OF THE UNIVERSE" artwork is inspired by the Platonic...

Oil painting with Golf motive. Hand painted in England. In the set of gold wood frame. Very nice decoration for every interior. Only one unique piece.

One experience. Original Artwork of Michael Jackson by Gianni Vive Sulman, Michael Jackson’s costume designer and perfumier. Gianni Vive Sulman would design amazing outfits for Mic...

These are a set of FOUR digitally remastered prints of Grape studies, hand coloured and framed, originally from French drawings, Circa 1817. Prints of this style were originally pr...

Grasses: A piece of 3D sculptural wall art designed and made from two layers of putty coloured leather, woven together by Louise Heighes. Measurements are 50 x 30 inches or 127 x 77...

Sotheby's, London: Neo-Romantic & Surrealistic Art from the Collection of Pierre Le-Tan. October 25, 1995. 210 lots, Including artwork by: Beaton, Ber...

This piece is titled Smile Through The Chaos, painted in 2021 during lockdown and using an abandoned car park sign as the medium. Measuring 183cm wide x 93cm Height Drew is an 'Outsider' artist based on the Romney Marsh in Kent.Painting from his self built studio in the rural village of Lydd, Drew's creativity sees the use of found and salvaged materials and media throughout his work. This sustainable creativity sees the recycling of abandoned paints, varnishes and substitute base materials such as metal and wooden panelling...

An interesting charcol drawing print limited edition by Toni Martina He was a highly-acclaimed artist, winning many prizes including the Prix de Rome S...

Ruslan Kotev a London based artist etching "Casual Look Upwards" limited edition #1 of 10 done in 1995. Beautiful intricate detail with linen border and gilt frame. His etchings conv...

Christie’s Post-War and Contemporary Art Auction, part of ‘20th/21st Century at Christie’s’, March 6, 2018. 1st Ed softcover catalog. The season will be le...

We love this striking limited edition screenprint by Shepard Fairey. Stunning colours and superb, powerful graphics depicting the iconic Statue of Liberty against a growing seering sun and drowning in rising sea levels. Fairey created it for the 2014 People’s Climate March – To Change Everything We Need Everyone. Signed, edition 108 of 300, September 18, 2014. A major figure of the contemporary street art movement, Shepard Fairey rose...

Joan Miró 1917–1934: I'm Going to Smash Their Guitar by Agnes De La Beaumelle. Published by Paul Holberton Publishing, DACS London, and Paris: Editions du Centre Pompidou, 2004. 1st ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60 x 110 cm (giltwood Frame - 76 x 126 cm) Private collection. Framed.

The wonderful International advance film poster designed by James Jean for Daniels' sci-fi black comedy Everything Everywhere All At Once...

This picture was taken in 1977 by the young Dennis Morris at the age of 17, backstage after a gig in Penzance Cornwall (UK), during the infamous S.P.O.T.S. tour. Bromide fibre print,...

This signed and numbered lithograph was done by the very well known British artist and sculptor Henry Moore in approximately 1980-1982 in his Modernist style. This lithograph comes f...

A rare, unique and very unusual sculptural hand carved wooden plaque depicting a nude couple in bed signed John Baldwin (b. London, 1937) and dated 1985. ...

Study for a man seated sculpture Michael Kenny RA Original Artist: Michael Kenny RA (1941-1999) Chalk numbers on verso Born in Liverpool 1941, he son of an engineer. Studied at Liverpool art school, alongside Stuart Sutcliffe (an early Beatle) and John Lennon. He then went onto Slade in 1961 to study under Reg Butler, who nicknamed his protege "the Liverpool Italian". His distinguished career began when exhibited in Oxford in 1964. Michael was one of the most influential British sculptors of his generation and his contemplative geometric stone works became increasingly well regarded. He was elected associate member of the Royal Academy in 1976 and a Royal Academician in 1986. Today his work is held in museums all over the world including the British Museum, The Tate Gallery and the V&A in London. He has had solo shows in Germany, Sweden, Milan, Paris, Los Angeles, London, Japan and Dubai. Subsequently many corporations and private collectors throughout the world hold examples of his work. On Michael Kenny's gravestone in Highgate cemetery is the title of one of his sculptures, More Loved Than Known. The legend has been prophetic. He has a passionate following among the thousands of students he taught, who include Antony Gormley and Damien Hurst. Michael Kenny: Sculpture & Drawings This was an exhibition of Michael Kenny’s recent sculptures and drawings, from 1975 to 1977. Kenny (1941-1999) first studied in his home city of Liverpool before moving to London to continue his studies at the Slade. Following a successful international career, he was appointed a Royal Academician in 1986, and in 1997, two years before his death, he had a solo exhibition at the Royal Academy. Several of the sculptures in this Serpentine exhibition derived from his earliest pre-occupation, the human figure. In the works displayed, Kenny took particular inspiration from the female figure, lying or sitting, occupying, and informing an intimate space. We can see the workings of the Artist and possible preparatory sketch for the included sculpture in the following images. Michael Kenny was a sculptor and a painter, a prolific draughtsman and a print-maker. His early sculptures are dramatic, dealing with the isolation and loneliness of the individual. In later years, he worked mainly in stone in a quest for a sculpture that is simple in form and rich in meaning. With over 60 illustrations and key excerpts from the sculptor's own notebooks, this book provides the first opportunity to examine in detail the progress of Michael Kenny's career. Peter Davies...