British Contemporary Art

Oil painting with Golf motive. Hand painted in England. In the set of gold wood frame. Very nice decoration for every interior. Only one unique piece.

These are a set of FOUR digitally remastered prints of Parrots, hand coloured framed prints, originally from Circa 1800s. Prints of this style we...

Damien Hirst wallpaper fragment from the famed Pharmacy restaurant in London. Fragment shows variuos pills and bottles all printed on silver metalli...

These are a set of FOUR digitally remastered prints of Grape studies, hand coloured and framed, originally from French drawings, Circa 1817. Prints of this style were originally pr...

Henry Moore lithograph, entitled Studies of Three Standing Figures, English, circa 1960s. Beautifully framed in a 22 karat gold reeded frame with silk...

'Three Siamese Cats' An Art Deco style contemporary painting by Vera Jefferson depicting Siamese cats stretching amongst a stylised background. Signed V Je...

'Pear Tree in Moonlight' An Art Deco style contemporary painting by Vera Jefferson depicting a pear tree bearing golden fruit amongst a stylised background. Signed V Jefferson to low...

"Love Saves The Day" Harland Miller, 2014 15 color silkscreen print on 410gsm Somerset paper 146 cm x 105 cm page size Edition 100 signed and numbered in pencil. One of the top three most desirable Harland Miller prints, this is a stunning large format print, mounted and framed in a white box frame. Frame size 162 cm x 121 cm Provenance: The Ingleby Gallery, Edinburgh, Scotland. purchased on 7th May 2016 In late 2012, Miller had his first solo show at Ingleby Gallery entitled "Overcoming Optimism" Harland Miller Harland Miller is both a writer and artist (his debut novel Slow Down Arthur Stick to Thirty was published in 2000) and his paintings of books simultaneously provide a subject for the painter and an outlet for the writer. They combine the emotive possibilities of abstract expressionism with the quick punch of words to deliver their message, and for all the macho grist of their making, and often overwhelming scale, they somehow express a frailty that hints at the human condition. As Miller has said: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve”. Harland Miller was born in Yorkshire in 1964. He has lived in New York and Berlin and currently lives and works in London. Biography 1964 Born Yorkshire, England 1984 – 1987 BA Chelsea College of Art, London 1987 – 1988 MA Chelsea College of Art, London Lives and works in London Solo Exhibitions 2020 York , So Good They Named It Once, York Gallery, York, UK - Millers largest Solo exhibition to date. 2019 Harland Miller, White Cube Hong Kong, China 2017 One Bar Electric Memoir, White Cube Mason’s Yard, London, UK 2016 Tonight We Make History (P.S. I Can’t Be There), Blain Southern, Berlin, Germany 2015 In Dreams Begin Monsters, Palacio Quintanar, Segovia, Spain 2013 Wherever You Are Whatever You’re Doing This One’s For You, Reflex Amsterdam, Amsterdam, The Netherlands A DECISIVE BLOW AGAINST IF., Other Criteria, London, UK 2012 The Next Life’s On Me, White Cube Gallery, London, UK On Overcoming Optimism, Ingleby Gallery, Edinburgh, UK Harland Miller, Galleria Marabini, Bologna, Italy 2011 Rocky VI, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Have You Ever Stopped To Wonder Why You’re Not Here, LAB Art, Beirut, Lebanon 2010 I'll Never Forget What I Can't Remember, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Butterside Down, Galleria Marabini, Bologna, Italy 2009 Harland Miller: Don’t Let the Bastards Cheer You Up, BALTIC Centre for Contemporary Art, Gateshead 2007 Siesta Forever – Come on and Sing My Song, The Fireplace Project, East Hamptons, USA 2005 Dear Son, This is one of the last of my few remaining pre marital possessions – look after it won’t you, Love Dad, Marianne Boesky Gallery, New York, USA 2002 To Jean, A Small Memento for a Great Effort, Love Alan, White Cube, London, UK 2000 First I was Afraid; I was Petrified, Fig.-1, London, UK 1995 Harland Miller, Enrico Navarra Gallery, Paris, France You Dig the Tunnel, I’ll Hide the Soil, Fakhoury Steinitz Gallery, Paris, France First I was Afraid I was Petrified, The Scotch House, Tel Aviv, Israel Group Exhibitions 2019 Summer Contemporary, Maddox Gallery, London, UK Art in the Culloden Estate and Spa, Gormley’s Fine Art, Holywood, UK Between the Lines, Maddox Gallery, London, UK Contemporary British Editions, Galerie Maximillian, London, UK 2018 TWENTY, Ingleby, Edinburgh, UK 2016 Daydreaming with Stanley Kubrick, Somerset House, London, UK 2014 What Marcel Duchamp taught me, Fine Arts Society, London, UK 2013 Once upon a time and a very good time it was…, Ingleby Gallery, Edinburgh, UK Sculpture in the Close, Jesus College, Cambridge, UK 2012 AKA Peace, ICA, London, UK Cool Britannia, Gallery Hyundai, New Space, Seoul, Korea 2010 Kupferstichkabinett: Between Thought and Action, White Cube, London, UK Exhibitionism, The Art of Display, Courtauld Institute of Art, London, UK 2009 Different Places, Different Stories, König-Heinrich-Platz, Duisburg, Germany Inspired, Mitchell Library (City Museum), Glasgow, UK TURPS BANANA 1, Galleria Marabini, Milan, Italy TURPS BANANA 2, Galleria Marabini, Bologna, Italy 2008 You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town Hall, London, UK Voewood Projects, High Kelling, Norfolk, UK 2007 Summer Exhibition, Royal Academy of Arts, London, UK 2006 The Portrait, V22 Ashwin Street, London, UK Summer Exhibition, Royal Academy of Arts, London, UK 2005 Summer Exhibition, Royal Academy of Arts, London, UK 2004 Direct Painting, Kunsthalle Mannheim, Mannheim, Germany The Charged Image, Collection of Douglas Cramer, Joseloff Gallery, West Hartford, CT, USA 1996 Bad August, Richard Salmon...

United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...

Unique oil paint and wax on paper by James Nares ( British, b. 1953 ). Untitled. circa 2008. Archivally framed in a 12-karat white gold frame.

Textile Art, Hand-crafted, Knit and Crochet Art Blanket, Knitted Tapestry, Wall hanging, Affordable Art. Small billow of clouds inspired by the weather, ya...

Textile Art, handcrafted, Knit and Crochet Art Blanket, Knitted Tapestry, Wall Hanging, Affordable Art. A pair of non identical multicoloured Pinkish red P...

Oil painting with Brighton Tennis Club motive. Hand painted in England. In the set of gold wood frame. Very nice decoration for every interior. ...

This is a digitally remastered print of a Banana Palm referenced from a French print dating to circa 1843 Prints of this style were originally printed in black and white and then ...

Textile Art, handcrafted, Knit and Crochet Art Blanket, Knitted Tapestry, Wall hanging, Affordable Art. A pair of non-identical multicoloured Psychedelic ...

Textile Art, Hand-crafted, Crochet, Knit, Art Blanket, Knitted Tapestry, Wall hanging, Affordable Art. Surreal and playful vase depicting a yacht against a sunset with highly texture...

Textile Art, Hand-crafted, Crochet Art Blanket, Knitted Tapestry, Wall hanging, Affordable Art. Multi coloured surreal vase with highly textured flowers ...

Handcrafted Wall-hanging /Blanket in the form of a giant mask-like face with graphic geometric patterning. Knit and Crochet Art Blanket, Textile Art, Hand-crafted, Knitted Tapestry,...

Handcrafted crochet and knit Mask Face Blanket inspired by psychedelic poster art. Textile Art, Hand-crafted, Knit and Crochet Art Blanket, Knitted Tapes...

Textile Art, Hand-crafted, Knit and Crochet Art Blanket, Knitted Tapestry, Wall hanging, Affordable Art. Multicoloured, abstracted, geometric face revealed...

1963 English artist Derek Middleton ( 1928 - 2002 ) extra large black and white painting with accents of rectangular shaped color. Can b...

Feather A piece of 3D sculptural wall art designed and made from two layers of olive leather, woven together by Louise Heighes. Measurements are 45 x 29 inches or 114 x 74 cm. ...

A square painting that will bring an immediate smile to your face of an egg cup designed in the shape of a pink pig with an egg inside and a silver polished spoon placed in front. The pig is from the Joie Egg Cup range of products. I have been unable to source exactly which exhibition or art fair it was sold but it dates around 4 years old. The original piece is signed on the bottom right hand corner by artist Christopher Green...

200 Meter cable rug by Tino Seubert. Dimensions: W 105 x L 160 cm (˜ 1.7 m2 surface). Materials: PVC electricity cable, cable clips, country specific plug and socket. Cable colour...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

This recent artwork from the w o o d p o p studio is an example of the type of modern marquetry that w o o d p o p is becoming synonymous with. Since its inception 10 years ago - the studio has specialised in marquetry and inlay work; meticulous art-forms where pieces of wood veneer are inlaid to create decorative designs or pictures. Emma Wood, who founded the studio 10...

Mixed Wood Factory Mould from the Mid-20th Century adds an industrial touch to your home or office. The mould dates back to circa 1960s and is made from mixed wood, providing excelle...

A factory Mould that can be attached to the wall, wall decor, industrial, abstract art, Mid-20th century, Circa 1960s. Excellent patina, solid and ready to use. Province & Histor...

Study for a man seated sculpture Michael Kenny RA Original Artist: Michael Kenny RA (1941-1999) Chalk numbers on verso Born in Liverpool 1941, he son of an engineer. Studied at Liverpool art school, alongside Stuart Sutcliffe (an early Beatle) and John Lennon. He then went onto Slade in 1961 to study under Reg Butler, who nicknamed his protege "the Liverpool Italian". His distinguished career began when exhibited in Oxford in 1964. Michael was one of the most influential British sculptors of his generation and his contemplative geometric stone works became increasingly well regarded. He was elected associate member of the Royal Academy in 1976 and a Royal Academician in 1986. Today his work is held in museums all over the world including the British Museum, The Tate Gallery and the V&A in London. He has had solo shows in Germany, Sweden, Milan, Paris, Los Angeles, London, Japan and Dubai. Subsequently many corporations and private collectors throughout the world hold examples of his work. On Michael Kenny's gravestone in Highgate cemetery is the title of one of his sculptures, More Loved Than Known. The legend has been prophetic. He has a passionate following among the thousands of students he taught, who include Antony Gormley and Damien Hurst. Michael Kenny: Sculpture & Drawings This was an exhibition of Michael Kenny’s recent sculptures and drawings, from 1975 to 1977. Kenny (1941-1999) first studied in his home city of Liverpool before moving to London to continue his studies at the Slade. Following a successful international career, he was appointed a Royal Academician in 1986, and in 1997, two years before his death, he had a solo exhibition at the Royal Academy. Several of the sculptures in this Serpentine exhibition derived from his earliest pre-occupation, the human figure. In the works displayed, Kenny took particular inspiration from the female figure, lying or sitting, occupying, and informing an intimate space. We can see the workings of the Artist and possible preparatory sketch for the included sculpture in the following images. Michael Kenny was a sculptor and a painter, a prolific draughtsman and a print-maker. His early sculptures are dramatic, dealing with the isolation and loneliness of the individual. In later years, he worked mainly in stone in a quest for a sculpture that is simple in form and rich in meaning. With over 60 illustrations and key excerpts from the sculptor's own notebooks, this book provides the first opportunity to examine in detail the progress of Michael Kenny's career. Peter Davies...

Nakol Art is an ironic intellectual, narrative, Ukrainian brand, that does not leave indifferent people for whom the concept of "style" is part of their lifestyle. The prints, on the basis of which the fabric for the collection is created, are independent author's works with a pronounced fantastic plot. Each illustration is painstakingly drawn by hand, sometimes taking up to six weeks to print a single design on the finest silk, These are large silk scarves...

The wonderful International advance film poster designed by James Jean for Daniels' sci-fi black comedy Everything Everywhere All At Once...

Sotheby's, London: Neo-Romantic & Surrealistic Art from the Collection of Pierre Le-Tan. October 25, 1995. 210 lots, Including artwork by: Beaton, Ber...

Contemporary, dated 2012, English black and white paper collage abstract. Vintage frame. Signed by the artist.    

Contemporary abstract black and white etching by English artist Oliver Gaiger. Matted and framed in a charcoal grey wood frame. Part of a large collection of black and white etchings...

Contemporary abstract black and white etching by English artist Oliver Gaiger. Matted and framed in a black wood frame. Part of a large collection of black and white etchings by th...

The iconic Porsche 911 RS 1973, pop art print in the style of Andy Warhol. Vibrant wall art, a great addition to your art collection. Probably 1980s, these are signed limited editi...

Nakol Art is an ironic intellectual, narrative, Ukrainian brand, that does not leave indifferent people for whom the concept of "style" is part of their lifestyle. The prints, on the basis of which the fabric for the collection is created, are independent author's works with a pronounced fantastic plot. Each illustration is painstakingly drawn by hand, sometimes taking up to six weeks to print a single design on the finest silk, These are large silk scarves that can be both an interior item and an accessory Authenticity Guaranteed, made Natalia Kolpakova, plump hand-rolled edges the designer’s Signature all worked into the design The scarf is in new condition unworn, boxed The scarf is 135cm x 135 cm (53.15x 53.15) DJ the dog had a dream to sail the ocean while playing music and entertaining surfers. One day, he met a friendly giant fish...

'Instrument' An Art Deco style contemporary painting by Vera Jefferson depicting various instruments amongst a stylised background. Signed V Jefferson t...

‘No Where’, circa 1994. Published on the occasion of the Richard Long exhibition at the pier arts centre Orkney summer 1994, whit assistance from the Henry Moore foundation. ...

Nakol Art is an ironic intellectual, narrative, Ukrainian brand, that does not leave indifferent people for whom the concept of "style" is part of their lifestyle. The prints, on the basis of which the fabric for the collection is created, are independent author's works with a pronounced fantastic plot. Each illustration is painstakingly drawn by hand, sometimes taking up to six weeks to print a single design on the finest silk, These are large silk scarves...

Regina Heinz B. 1957 WINDOW 1999 Regina's award winning work has been purchased by the National Art Collector's Fund and is presented in collections worldwide, including the Fitzwilliam Museum in Cambridge, the Museum of Contemporary Ceramics in Gifu, Japan, the International Ceramics Museum in Faenza, and the Yingge County Ceramics Museum in Taipei. With degrees in painting from the Academy of Fine Arts in Vienna and in ceramics from Goldsmiths’ College, London, Regina combines in her work the sensibility of a fine artist with outstanding expertise in ceramics. As an artist, Regina draws on her love for her native countryside and her background as a painter. Her passion for colour, form and beautiful ceramic surfaces led her to set up her architectural ceramics practice in 2011 to explore the integration of art, architecture and landscape. Regina regularly works with international interior designers, art consultants and private clients world-wide. Her portfolio includes an exclusive 3D tile line for the American tile retailer Ann Sacks...

'Healing' by British artist Jessica Zoob lives up to its title - a peaceful and tranquil place of sanctuary. Even when there are storms in evidence, metaphors for the turbulence of l...

A large and impressive oil painting of a male nude, by acclaimed British artist Alan Brassington. This dates from the late 20th century. Alan Brassington specialises in portraits an...

'Night Garden Dreams' by British artist Jessica Zoob has an other-worldly quality that is best described as dreamscape. Even when there are storms in evidence, metaphors for the turb...

Regina Heinz B. 1957 ENTRANCE 1999 Monumental wall piece made in six sections Regina's award winning work has been purchased by the National Art Collector's Fund and is presented in collections worldwide, including the Fitzwilliam Museum in Cambridge, the Museum of Contemporary Ceramics in Gifu, Japan, the International Ceramics Museum in Faenza, and the Yingge County Ceramics Museum in Taipei. With degrees in painting from the Academy of Fine Arts in Vienna and in ceramics from Goldsmiths’ College, London, Regina combines in her work the sensibility of a fine artist with outstanding expertise in ceramics. As an artist, Regina draws on her love for her native countryside and her background as a painter. Her passion for colour, form and beautiful ceramic surfaces led her to set up her architectural ceramics practice in 2011 to explore the integration of art, architecture and landscape. Regina regularly works with international interior designers, art consultants and private clients world-wide. Her portfolio includes an exclusive 3D tile line for the American tile retailer Ann Sacks...

'Of Mist and Magic' by British artist Jessica Zoob has an other-worldly quality that offers a tranquil place of sanctuary. Even when there are storms in evidence, metaphors for the t...

'Pale Blue Day' by British artist Jessica Zoob is light and airy, a tranquil place of sanctuary. Even when there are storms in evidence, metaphors for the turbulence of life, there i...

'The Edge of a Fairytale' by British artist Jessica Zoob is a spectacular diptych with each canvas measuring W270cm x H95cm. Each canvas is available as a separate purchase of £24,00...

'Mountain' by British artist Jessica Zoob draws the eye deep into a mysterious landscape. Even when there are storms in evidence, metaphors for the turbulence of life, there is optim...

'A Wish To Build A Dream On' by British artist Jessica Zoob offers a tranquil place of sanctuary. Even when there are storms in evidence, metaphors for the turbulence of life, there ...

'Autumn Triptych' by British artist Jessica Zoob is a monumental work by the artist comprising three canvases each measuring H120cm x W90cm. Its impact is...

'Beloved Hills' by British artist Jessica Zoob is evocative of the Sussex Downs in England close to the artist's home, a place of sanctuary and tranquilli...

'Whirlwind Triptych' by British artist Jessica Zoob is a monumental work by the artist, with each painting measuring H120cm x W90cm. It has an invigorating and dynamic energy that is...

'Flower Filled Water' by British artist Jessica Zoob is evocative of Asia where she has spent so much of her time in recent years. It also pays homage to Monet...

Nakol Art is an ironic intellectual, narrative, Ukrainian brand, does not leave indifferent people for whom the concept of "style" is part of the lifestyle. The prints, on the basis of which the fabric for the collection is created, are independent author's works with a pronounced fantastic plot. Each illustration is painstakingly drawn by hand, sometimes taking up to six weeks to print a single design on the finest silk,These are large silk scarves...

Regina Heinz B. 1957 SCENIC VIEW I 1999 Regina's award winning work has been purchased by the National Art Collector's Fund and is presented in collections worldwide, including the Fitzwilliam Museum in Cambridge, the Museum of Contemporary Ceramics in Gifu, Japan, the International Ceramics Museum in Faenza, and the Yingge County Ceramics Museum in Taipei. With degrees in painting from the Academy of Fine Arts in Vienna and in ceramics from Goldsmiths’ College, London, Regina combines in her work the sensibility of a fine artist with outstanding expertise in ceramics. As an artist, Regina draws on her love for her native countryside and her background as a painter. Her passion for colour, form and beautiful ceramic surfaces led her to set up her architectural ceramics practice in 2011 to explore the integration of art, architecture and landscape. Regina regularly works with international interior designers, art consultants and private clients world-wide. Her portfolio includes an exclusive 3D tile line for the American tile retailer Ann Sacks...

The 'Where Angels Dance' triptych is a monumental work by British artist Jessica Zoob (three canvases each W150cm x H120cm). It offers a tranquil place of...

Peter Blake "Bobbie Rainbow" Lithoprint in colours on tin, 2001. Limited Edition number 1258/2000. Unframed. Bobbie Rainbow is the fictional daughter of Babe Rainbow...