Fabric Wall Decorations

A cottagecore Jung-Koch-Quentell pull-down wall chart showing black-headed gulls. Used as teaching material in German schools. Colorful print on paper reinforced with canvas. Publish...

Beautiful handmade woven tapestry featuring a design inspired by Edvard Munch’s Young Woman on the Beach. This unique textile artwork captures the essence of Munch’s melancholic yet ...

A pink-yellow, antique French still life oil on canvas painting, depicting a white ceramic vase with many roses, painted by Dominique Hubert Rozier in a handcrafted, original gilded ...

Needlepoint Wood Framed Artwork of Tulips from Chelsea Textiles One-of-a-kind needlepoint artwork from Chelsea Textiles. This framed artwork features tulips in rust, orange, yellow and green colors. This classic piece of art would make a suitable piece to add to a bookshelf or wonderful displayed as part of a wall gallery art collection.

Jack Nicholson's character rightfully takes centre stage in the visually impressive Italian 70s re-release 2 sheet. The simple but effective artwork and size of the poster combine to...

Oil on canvas painting in the style of Mark Rothko depicting a color field in mostly warm tones. Unsigned. Mounted in a gilt wooden frame. Excellent condition.

A colorful flower still life in impressionistic style. Oil paint on canvas, in a gilt frame. Signed right under: Arthur de Geest. Arthur de Geest. Belgium, 1894-1968 Painted mainly...

An eye catching classic Hermes silk scarf shown in an elegant custom gilt wood frame. Makes a graphic luxurious piece of art. The scarf is...

Vintage oil painting on canvas depicting a softly hued European city nestled in a lush hilly landscape off the coast. Carved giltwood frame with white linen border. Dimensions: 28....

Fantastic US film poster for The Beatles much-loved classic Yellow Submarine. Featuring the iconic and colourfully psychedelic Edelmann artwork. A rare and collectible poster. Heinz ...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Still Life Oil On Canvas Painting of Garden Flowers in Table Top Vase, Giltwood Framed, 20thC Measures- 27''H x 31.5''D x 4.75''D; 23.5'' x 19.5''D

Early 18th century Italian Venetian inland painting, a large size oil on canvas Baroque mountain landscape with stream, bridge, waterfall, wayfarers and a village in the background. The woodland is animated by figures, a caravan with horsemen fishermen. This monumental Italian Baroque landscape painting has a strong impact and an excellent composition balance, as it depicts in the center the luminous perspective of a fortified village, whose side wings consist of two mountain rocks with dark wooded vegetation crowded by characters, horsemen, paths, streams.On the left side, with respect to the observer, there is a path that runs alongside a stream that flows into a waterfall in the center of the composition. from a caravan of travelers on foot and on horseback traveling along it in both directions: going up the slope on the mountainous coast you can see a church and a village near the top. The right part of the painting depicts a more sparse and dry vegetation, painted in the chromatic tones of ocher, inside of which there are dead plant, dry branches and a smaller number of figures on the rugged mountain. The iconographic inspiration of this wooded representation seems to be in the large trunk of the withered conifer in a central position, which represents a dead tree, as a? reminder of the transience of everything in life, whose phases are summarized in the two mountainous coasts. In the background a village painted in light and soft blue colors, in stark contrast to the previous scene, seems  to reassure and project us into a future season. With a suggestive theatrical effect, more than 250 cm wide, this Baroque Italian painting comes from a private collection of Milan, the canvas has been lined and shows minor painting retouches at a horizontal seam of the canvas. It is unframed, it has just a wooden profile covering the canvas edge. It is an antique Italian landscape, the perfect opportunity to make a statement. Get the perfect size painting for a great living room, to create that eye-catching focal point. You can make an impact with a single large work by hanging this early 18th century Italian Baroque painting...

French vintage 20th century framed oil on canvas painting of a seaside harbor in an exotic locale of indeterminate time and place. The scene is dominated by a large schooner whose sa...

1960s French abstract oil painting No 4 from a series of four from the same source and by the same hand, Pierre Havret (b.1913) These four oils were fram...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

Exquisite Japanese contemporary framed oshie wall decorative art piece, recreating a famous painting from Meiji period featuring a Japanese dancer holding a net with cherry blossom ...

Vintage traditional style watercolor and ink landscape painting on silk (applied to paper backing) - hand painted - silk damask textile border - signed with a red seal lower right (u...

Beautiful oil on canvas of reclining blonde nude on a white bed sheet. Framed. Signed (see attached photo). 20th century. Painting dimensions: H. 20...

Nice tribal Baluch Afghan rug with geometrical design and nice colors, entirely hand knotted with wool velvet on wool foundation.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Bulgaria. Ready to go on a wall. Fra...

Antique Japanese Recycled Saki-Ori Farmer’s Jacket This early 20th C farmer’s jacket from the northern Japan sea coast region was strip woven from repurposed cotton scraps in a tech...

Superb macramé wall tapestry made in Spain in the 1970s. Large format. Handmade tapestry composed of different textures and materials creating unique patterns and reliefs. All the ro...

Framed Village Landscape with Houses, 1920's France. A beautiful Parisian painting on canvas depicting a peaceful village landscape with a row of houses on a street featuring a scene...

Postmodern Lee Reynolds. South Western design. Great visual impact as with most of Lee Reynolds work. Soft muted colors.

French school "Impressionist landscape" oil and pastel highlights on canvas representing a forest in a full moon night. France, XXth c.

Iwase Hirotaka (1808-1877) Koi and Water Plants Hanging scroll, ink, color, gold wash and gold flecks on silk Inscription: Hirotaka Seal: Ille...

"Experience the timeless elegance of this exquisite French Aubusson style tapestry, capturing the essence of an 15th century tapestry with a design titled « bord de L’eau » (water's...

Okashi was born in Israel and studied painting while working as a Shepard in Galilee. His early work was figurative and his later work featured bold abstracts, which established hi...

Called portière, these antique wall hanging tapestries were handwoven in Aubusson, France in the late 17th Century (c 1680s). They both feature floral and foliage decor in a beige pa...

Very beautiful and antique Chinese embroidery with beautiful design with birds, dogs, symbols and scriptures, and with nice natural colours with a red brown background, entirely hand...

Nice French modern Art Deco tapestry, with cock and sun design and beautiful colors with green field, red, blue, yellow and purple, entirely han...

Four panel wall sculpture that measures 48" x 30". Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and tencel fringe detailing in white, grey and tan. Ha...

Navajo rug flat woven rug tapestry beige Measures: 4' x6' (3'11" x 5'7") 119cm x 170cm Circa 1920 "The woolen rug has a white background color on which are three stylized figures on each side of a center cornstalk. All are surrounded on three sides by a "guardian "figure - one side is the head and the body - the other side are the legs. The rug is a Navajo Yei rug...

Raphael Soyer (American, 1899–1987) Portrait of a Young Woman, c. 1940s Oil on canvas - Signed lower left "Raphael Soyer" This intimate and introspective portrait by Raphael Soyer ...

American sampler of silk floss on linen with a modest zig-zag border framing an uppercase letter alphabet, followed by a cursive alphabet, a lower case alphabet, and the numerals one...

Very large Aubusson Tapersty Circa 1720's. ‘Verdure’ (foliage) tapestries were woven throughout the 17th and 18th Centuries, featuring wooded landscapes, reflecting the interest in b...

Michael Hedges "Farmhouse Revisited" oil on canvas 32" x 26" (outer frame size). dated 2022. Michael Hedges, born 1976. Michael's art connects on a c...

Antique Japanese Kurume Indigo-Dyed Double Ikat Futon Cover Kurume double-ikat weaving was established over 200 year ago on the southern island of Kyushu, and has long been celebrat...

This stunning 19th-century French decorative fan is a testament to exquisite craftsmanship and artistic elegance. The fan leaf is meticulously hand-painted on vellum or silk, featuri...

A Vintage Cuzco Spanish Colonial Archangel Arcabucero Oil Painting, Mid 20th Century Provenance: Private Australian Collection. Dimensions: Height: 59.5cm. Width: 39.5cm. Depth: 2cm.

A modernist wool woven tapestry designed by French artist and designer Mathieu Mategot (1910-2001) circa 1960s. The piece is signed with Matégot and monogrammed TMP fino (Manufactur...

Stunning Large Swedish Tapestry from circa 1920s. In the style of same era Märta Måås Fjätterström tapestries, it has a repetitive geometric design in blue, green, yellow and red aga...

Lovely Baroque Revival Mid Century Yardage from a high end upholsterer who carried a lot of Scalamandre textiles. On its original bolt, it is is marked 32-33 yards on end. Feels like...

Antique French Scenic and Tranquil Wall Tapestry probably made in the early 1900's. There are no signs of prior repairs, although there is the normal sun...

Peder Brøndum Sørensen (1931-2003), Danish painter. Oil on board. Figures and Houses. 1960s/70s. Signed PBS. In perfect condition. Dimensions: 74.0 cm x 64.0 cm. Total with frame: 93...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Ottoman Turkey Ready to go on a wall....

A significant contemporary aboriginal painting by Kathleen Petyarre (1940-2018) in 2010. The painting was a rare oversize piece, exceptionally executed in earthy colors, showcasing m...

Victorian Sampler, 1840, By Elizabeth Ann Fox. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. Meandering strawberry border. Colours green, dark brow...

Vintage still life painting features a large vase with bouquet of spring flowers, including lilacs, narcissi, tulips, and a peony, with a small flower posy placed next to it. Charmin...

17th century, Italian oil on canvas painting with battle between Christian and Turkish cavalry The oil on canvas painting depicts a battle between Christian and Turkish cavalry. C...

French Vintage Tapestry Gallant Scene from the mid-20th century. A beautiful French tapestry in Aubusson style, within a leaf border featuring a gallant scene - a romantic scene in a...

Unique wall tapestry by Jean Leuenberger

Geoffrey Bowman (1928-2009) "Black Diamond", Oil and Mixed Media on Canvas, 1984 Beautiful colorful and textural smaller scale painting by California artist Geoffrey Bowman. Measures 21-1/2" high, 21-1/2" wide as framed. Canvas measures 21" high, 21" wide. Signed and dated on reverse. Retains partial artist tag. Geoffrey Bowman was born in San Francisco on December 29, 1928. In 1946, he quit high school and joined the Navy and traveled to China, Korea, the Philippines, and Hawaii. In 1948 after being discharged from the Navy, Bowman earned his high school equivalency diploma. Five years later he met and married his first wife Mill, and graduated from San Francisco State University with a BA in Social Science. During this time he also became intensely interested in art and printmaking and began to study art formally. By 1957 Geoffrey had earned his graduate degree in art and began to teach art in San Quentin. In 1960 Bowman left his teaching job at San Quentin to spend more time working on his art and examining Asian philosophy at the American Academy of Asian Studies in San Francisco. During this time to support himself and his wife Geoffrey drove a taxi at night so that he could have his days free to work in the studio. In 1964 he joined the art faculty at San Jose State University and moved to San Jose and became a full professor in 1973. Geoffrey taught at SJSU for twenty-nine years, specializing in lithography and intaglio printmaking techniques. At the same time he was deeply involved in his own work and accumulated an impressive professional exhibition record and his work was exhibited regionally, nationally, and internationally. Bowman’s work is in several public permanent collections including the San Jose Museum of Art, San Francisco Museum of Art, Achenbach Foundation of Graphic Arts San Francisco, Lannan Foundation New York, and Crown Press Berkeley. After retiring from teaching in 1994 Geoffrey turned to painting as his primary medium of expression. Although there was a media shift he continued to focus on one subject: the consistency of change. This he accomplished in part with combinations of paint and an assortment of reflective materials such as metallic flake and leaves, glass beads, and light-refracting pigments. Bowman became quite private in his later years and had his last one-man public exhibition in 2001 at the Fredrick Spratt Gallery in San Jose. Bowman died in San Jose, California on October 9, 2009. Source: The Annex Galleries

"Port à Venise" by Lasson Oil on Canvas Signed This stunning oil painting, "Port à Venise", offers a vibrant and slightly impressionist portrayal of the Venetian harbour. The artis...

A silk collar from China dated to late Qing Dynasty circa 19th century. Known as Yunjian (Cloud Shoulder or Cloud Collar), this two-tiered, five-lobed textile piece was a detachable collar worn around the shoulders as part of the traditional Chinese garment...

Large original oil on canvas painting of Christ's crucifixion, as the Roman soldiers prepared to nail him to the cross (seen lying on the ground). Just under 4' tall with frame. Has ...

Remarkable over 12’ handwoven tapestry by American artist Janet Taylor depicting red canyon mountain ranges with a distant light yellow sunset along the h...

Moroccan Orientalist oil on canvas painting of a 19th century Moroccan market scene with an old men seating on a carpet selling old coins and a Moorish...

In 1665, Louis XIV gave workshops in Aubusson (France) the royal charter, making them responsible for producing tapestries for the King and nobility. A beautiful example of such an Aubusson tapestry is our verdure bleue wall hanging that depicts four grape harvest...