European Wall Decorations

Beautiful and colorful mid century modern painting of a flower still life. The painting dates from circa 1960 and is framed in a simple black wooden frame. The painting is signed low...

French Majolica Bee Wall Pocket signed Sarreguemines circa 1900.

19th century large blue and white French transferware platter signed Utzschneider & Cie (Sarreguemines) Model Helvetia. Scene with fisherman, cow...

This antique and charming early 20th Century scenic wallpaper by French Zuber manufacture is made up of five rolls of wall coverings hand painted with...

A Classic vintage Finnair travel poster circa 1958 by Erik Bruun, a noted Finnish graphic designer. Erik Bruun (born 1926 in Viipuri) is a Finnish graphic ...

Original antique winter travel poster for the Palace Hotel St. Moritz Switzerland featuring a stunning design by the notable Swiss artist Emil Cardinaux (1877-1936) depicting a group...

1930s Italian Signed Still Life Painting Still life with cactus Oil on canvas signed Piccari. On the back the artist's address Via Maddalena 2 Rom...

Fabulous original vintage French alcohol advertising poster for Old Manada Rum. This French poster is from the 1930’s and features a stunning image...

This is a sublime piece by the hugely influential and world renowned Belgian artist Marc d'Haenens. The quality and scale of this piece cannot be overstated, a single enormous slice ...

A pair of framed equine fox hunting scene lithographs in the manner of Francis Calcraft Turner. This lovely set has been professionally framed and is ready to hang. Each piece is mat...

Original vintage Swedish movie poster for the black and white German silent film Her Dark Secret / Ihr dunkler Punkt / Hennes Morka Punkt directed by Johannes Guter and starring Lili...

In 1665, Louis XIV gave workshops in Aubusson (France) the royal charter, making them responsible for producing tapestries for the King and nobility. A beautiful example of such an Aubusson tapestry is our verdure bleue wall hanging that depicts four grape harvest...

Midcentury Octogonal Plate Robert Picault Vallauris. Robert Picault (1919 - 2000) was born in Vincennes, Paris and studied at the School of A...

This antique Italian embroidered panel is a finely handwoven work in wool, showcasing exceptional craftsmanship and decorative richness. Likely dating from the 18th century, the vert...

This expressive oil on canvas captures the timeless charm of Montmartre, one of Paris’s most iconic and romantic neighborhoods. Signed “Dalian” and dated 1968 in the lower right corn...

Large Caribou Antler Skull Mount Taxidermy Cabin Decor Skull Antlers Item e7355 A great antique caribou (Rangifer tarandus) trophy on a wooden plaque. Th...

ART NOUVEAU France 1899 Very rare gouache depicting flowers in the full Art Nouveau spirit. Very close and typical to Henry Van De Velde Works H.25"1/2 x w.23"1/2 with mat H.20...

Wonderful pair of curtains from late 19th century, with a nice silk velvet tissue and a needlepoint band applied on it. Size of each piece is 105x295 cm ✨✨✨ "Experience the epitome o...

This is a mid-century European school oil on canvas depicting a Paris street scene. It is signed somewhat illegibly. The framing is vintage and in good condition. Nicely done!

A stone's throw from the Eiffel Tower We are a family business specializing in the purchase, sale and expertise of old, modern and contemporary tapestries, rugs, kilims and textiles....

This is an amazing set of antique Art Nouveau handmade tiles with an image of yellow rose in relief on a soft yellow background. These tiles would be charming displayed on easels, fr...

This is an engaging art work by the well known Italian artist Ugo Nespolo and it is clearly influeced buy this American period and by the Pop Art. Its vibrant colors are a joy for li...

An incredibly rare Italian due fogli teaser poster for Roger Vadim's 1968 sexy science fiction comedy 'Barbarella', with spectacular psychedelic artwork by Mario De Berardinis. Based...

TWO-BE The harmony of feeling as one For over 22 years, we have been committed to offering unique collections in terms of design and quality. We continue to honor the hand-made by ...

Modernist Fishes Oil on Canvas, Europe, 1970s. Beautiful modernist painting of fishes - semi abstract. Very colorful and elegant. Fits in various interior styles. Comes in a good ...

Ernst Schneider Photography Of Elsa Kruger Berlin 1930s

Lithography by Joan Miro, circa 1950 Signed on the stone. In original condition, with minor wear consistent with age and use, preserving a beautiful patina. Joan Miró i Ferr...

60s Vintage Ege Rya Rug Wool Danish Modern Cubist Etruscan Horses & Riders Textile Art Wall Hanging Extraordinary and very rare 1960's Mid Century...

Large original limited edition lithograph poster with linen backing by Razzia, titled Bugatti Atlantic. This rare piece is custom framed in clear museum acrylic...

Military portrait Oil on canvas Colonel William Flint 1731-1795 Dimensions are of frame This 18th-century portrait captures Colonel William Flint, a distinguished gentleman and o...

Step into the timeless brilliance of Pablo Picasso with this extraordinary color cliché, expertly edited by Editions du Chêne in Paris, France, in 1943. Adorned by a stunning solid w...

Transform your space with this exquisite, handcrafted abstract wood art panel—a true testament to modernist design. Created by renowned French artist Maxime Tendero (1927-1998) in 19...

An original British School Regency Period watercolor study of a Willow Wren’s nest and egg, mounted in a Georgian Period fruitwood frame – Dated 1863. These watercolors were large...

French green Majolica oyster plate signed Proceram, circa 1950.

Voided Olive Green silk velvet showing the Ferronerie pattern Left and Right panels from a dismantled Chasuble Joined and made up from several sections Florence or Venice dating...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Rowland Fade, 1939-2017 is best known for his abstract forms and innovative approach to art. This painting was created around 1969, is a mixed media piece...

An incredibly rare and charming British Double Crown poster for the 1967 Walt Disney animated classic 'The Jungle Book,' based on Rudyard Kipling's 1894 book of the same name, and th...

1960s modern abstract artwork. This piece was purchased in a gallery in Paris in 1981.

Charles D. Hartley (British/American, 19th Century) Scottish Highlands landscape oil on canvas canvas: 30 by 18 inches Frame: 33 ½ by 21 ½ inches

Piero Fornasetti Adamo or Adam porcelain plate number 7. Signed. Excellent condition.

Great poster of the heavens. Original color. Good condition. Published by Alexander Gross Unframed.

Pair of Italian Giltwood Shell Motif Wall Brackets, Attributed to Palladio, Circa 1960s A striking pair of Italian giltwood wall brackets or shelves, carved in bold relief with styl...

Town landscape by Bernard Labbe (French mid 20th century) original ink and watercolor on paper size: 11.75 x 8.5 inches signed, stamped verso Condition: very good and ready to be enj...

As found in Europe, this very serene landscape of a stream feeding into a lake has been painted in oil. Cotton-like clouds and tall trees surround the wa...

Original antique LNER train travel poster for The Broads featuring a great design by Tom Purvis (1888-1959) depicting a group of playing music and singing on a boat in front of sun w...

French School, 18th century. Oil on Canvas painting set in an antique giltwood frame. Unsigned. An 18th century portrait painting of a young Philip V or at this time Duke of Anjou....

Allegorical Scene of the Lewis and Clark Expedition (1804–1806) Attributed to Léon Cogniet (1794–1880) This ambitious and romanticized composition captures a defining moment in Amer...

Ceramic hand painted artwork of a fish by Catalan artist Diaz Costa, circa 1960. Framed. Signed. In original condition, with minor wear consistent of age and use, preserving a be...

Zoology Print of Octopus, Slugs, Sea Shells and Marine Mollusks by T Bromme c1865 This beautifully hand-colored lithograph, published circa 1865 by German geographer and educator Tr...

French Majolica iris wall pocket Longchamp, circa 1880.

Antique Alexandre Louis Leloir Engraving of the Temptation of St. Anthony Offered for sale is an engraving of the original oil painting by Alexandre-Louis Leloir (1843-1884). Lel...

Large French majolica oyster platter with handle Orchies, circa 1900.

An Hispano-Portuguese 19th century oil on board depiction of "The Crucifixion". The baroque icon style painting depicting the Crucifixion of Jesus Christ outside the city walls of Jerusalem, north of Mount Zion...

Excelente obra de temática costumbrista donde podemos observar una conversación entre bellas telas, instrumentos y armas firmado por el pintor Sánchez. Dimensiones marco: 59 x 49 cm ...

Art Deco poster created in 1926 by Jean Carlu for the promotion of the Oceanographic Museum / Aquarium of Monaco. Artist: Jean Carlu Title: Aquarium de Monaco – Musée Océanographique Date: 1926 Size (w x h): 30.7 x 42.1 in / 78 x 107 cm Printer: Editions d’Art Robert Lang...

"Love Saves The Day" Harland Miller, 2014 15 color silkscreen print on 410gsm Somerset paper 146 cm x 105 cm page size Edition 100 signed and numbered in pencil. One of the top three most desirable Harland Miller prints, this is a stunning large format print, mounted and framed in a white box frame. Frame size 162 cm x 121 cm Provenance: The Ingleby Gallery, Edinburgh, Scotland. purchased on 7th May 2016 In late 2012, Miller had his first solo show at Ingleby Gallery entitled "Overcoming Optimism" Harland Miller Harland Miller is both a writer and artist (his debut novel Slow Down Arthur Stick to Thirty was published in 2000) and his paintings of books simultaneously provide a subject for the painter and an outlet for the writer. They combine the emotive possibilities of abstract expressionism with the quick punch of words to deliver their message, and for all the macho grist of their making, and often overwhelming scale, they somehow express a frailty that hints at the human condition. As Miller has said: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve”. Harland Miller was born in Yorkshire in 1964. He has lived in New York and Berlin and currently lives and works in London. Biography 1964 Born Yorkshire, England 1984 – 1987 BA Chelsea College of Art, London 1987 – 1988 MA Chelsea College of Art, London Lives and works in London Solo Exhibitions 2020 York , So Good They Named It Once, York Gallery, York, UK - Millers largest Solo exhibition to date. 2019 Harland Miller, White Cube Hong Kong, China 2017 One Bar Electric Memoir, White Cube Mason’s Yard, London, UK 2016 Tonight We Make History (P.S. I Can’t Be There), Blain Southern, Berlin, Germany 2015 In Dreams Begin Monsters, Palacio Quintanar, Segovia, Spain 2013 Wherever You Are Whatever You’re Doing This One’s For You, Reflex Amsterdam, Amsterdam, The Netherlands A DECISIVE BLOW AGAINST IF., Other Criteria, London, UK 2012 The Next Life’s On Me, White Cube Gallery, London, UK On Overcoming Optimism, Ingleby Gallery, Edinburgh, UK Harland Miller, Galleria Marabini, Bologna, Italy 2011 Rocky VI, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Have You Ever Stopped To Wonder Why You’re Not Here, LAB Art, Beirut, Lebanon 2010 I'll Never Forget What I Can't Remember, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Butterside Down, Galleria Marabini, Bologna, Italy 2009 Harland Miller: Don’t Let the Bastards Cheer You Up, BALTIC Centre for Contemporary Art, Gateshead 2007 Siesta Forever – Come on and Sing My Song, The Fireplace Project, East Hamptons, USA 2005 Dear Son, This is one of the last of my few remaining pre marital possessions – look after it won’t you, Love Dad, Marianne Boesky Gallery, New York, USA 2002 To Jean, A Small Memento for a Great Effort, Love Alan, White Cube, London, UK 2000 First I was Afraid; I was Petrified, Fig.-1, London, UK 1995 Harland Miller, Enrico Navarra Gallery, Paris, France You Dig the Tunnel, I’ll Hide the Soil, Fakhoury Steinitz Gallery, Paris, France First I was Afraid I was Petrified, The Scotch House, Tel Aviv, Israel Group Exhibitions 2019 Summer Contemporary, Maddox Gallery, London, UK Art in the Culloden Estate and Spa, Gormley’s Fine Art, Holywood, UK Between the Lines, Maddox Gallery, London, UK Contemporary British Editions, Galerie Maximillian, London, UK 2018 TWENTY, Ingleby, Edinburgh, UK 2016 Daydreaming with Stanley Kubrick, Somerset House, London, UK 2014 What Marcel Duchamp taught me, Fine Arts Society, London, UK 2013 Once upon a time and a very good time it was…, Ingleby Gallery, Edinburgh, UK Sculpture in the Close, Jesus College, Cambridge, UK 2012 AKA Peace, ICA, London, UK Cool Britannia, Gallery Hyundai, New Space, Seoul, Korea 2010 Kupferstichkabinett: Between Thought and Action, White Cube, London, UK Exhibitionism, The Art of Display, Courtauld Institute of Art, London, UK 2009 Different Places, Different Stories, König-Heinrich-Platz, Duisburg, Germany Inspired, Mitchell Library (City Museum), Glasgow, UK TURPS BANANA 1, Galleria Marabini, Milan, Italy TURPS BANANA 2, Galleria Marabini, Bologna, Italy 2008 You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town Hall, London, UK Voewood Projects, High Kelling, Norfolk, UK 2007 Summer Exhibition, Royal Academy of Arts, London, UK 2006 The Portrait, V22 Ashwin Street, London, UK Summer Exhibition, Royal Academy of Arts, London, UK 2005 Summer Exhibition, Royal Academy of Arts, London, UK 2004 Direct Painting, Kunsthalle Mannheim, Mannheim, Germany The Charged Image, Collection of Douglas Cramer, Joseloff Gallery, West Hartford, CT, USA 1996 Bad August, Richard Salmon...

Norman C Black Surrealist Painting Clean Surface Norman Black was an English Painter born in 1920 and died in 1999

Located a stone's throw from the Eiffel Tower in Paris, we are a French family business specializing in the purchase, sale, expertise, cleaning, restoration and conservation of tapes...

Beautiful oleograph of Mary and Jesus. Flowers on border. On bottom reads "Ave Maria". Embroidery still in great shape with gold thread. Original wonderful big tassels and bar on top...