Early 18th Century Wall Decorations

A large oil portrait of Victor-amédée king of Sardinia, circa 1718 "Victor Amadeus II" Victor Amadeus II (Vittorio Amedeo Francesco; 14 May 1666 – ...

Giuseppe Gambarini (Bologna, 17 March 1680 - Casalecchio di Reno, 11 September 1725) Loth and the daughters Oil on canvas; Measurements: cm H 73 x W 93; frame H 88 x W 108 x D 5,5 The painting, of beautiful pictorial quality, depicts the biblical scene of Lot and his daughters, with Sodom set on fire in the background, and is stylistically attributable to the italian painter Giuseppe Gambarini (Italy, Bologna, 17 March 1680 - Casalecchio di Reno, 11 September 1725). The canvas shows in the center Lot sitting and already drunk, depicted according to traditional iconography, old, gray and with long gray boat. With his left hand he grabs the wine flask that one of his daughters offers him. She is depicted kneeling and resting on large boulders of stone, described as an architectural base, dressed in a voluminous deep blue mantle, her hair covered with a humble headdress made of a knotted cloth; look at the viewer, as if to want to involve him directly in the scene. The other daughter is described on the left, from the back to the observer, with a bare back and dark hair gathered by a red ribbon. She too is intent on serving her father a cup in which to pour the wine. Around them a duck placed on a cloth, some bread and another wine flask enrich the composition describing a banquet in progress. The scene is set outdoors, where only a large tent supported by branches arranged in a hut serves as a shelter to the figures. In the background a forest landscape blends chromatically with the blue sky. To the right in the distance, is described the city of Sodom, already destroyed and on fire. Lot’s wife...

A carved architectural wall bracket. The carved compound moulded shelf is supported by a scrolled volute decorated with leaves and husks, fl...

Large religious icon made in Russia in the early 18th century depicting the Veneration of St. Michael. He is shown surrounded by Saints and Prophets. They are painted delicately in t...

Ancient etching from 1707 representing VALENZA, the Italian city in the province of Alessandria, famous throughout the world for its gold processing any jewelry factories. Author of ...

And engraving printed in Holland in 1710 by Lambert Visseher from a prominent Palm Springs, CA estate.. This charming image is of a neighborhood in Holland, on the edge of a river (o...

Each measuring 11 wide by 17.5 high, very good condition with slight tonig, suitable for framing. B. Montfaucon Bernard de Montfaucon, O.S.B. (French: [d? m?~fok?~]; 13 January 16...

Early 18th Century Limoges Enamel Plaque, painted with Saint Joseph being crowned by the Christ Child while an angel upholds a wreath towards the Child, the flowers in the corners ar...

A Flemish late 17th, early 18th century oil on canvas architectural painting attributed to Jacobus Ferdinandus Saey (1658–1725) set inside a carved giltwood frame from the 1700s. Pa...

Men desperately try from above to save the ruined vessel as the waves pound it into the cliffs, another galeone passes helplessly in the background with still another in the center b...

An early 18th century oil painting from the school of Jan van Neck (1635-1714), Amsterdam, depiction mythological subjects, probably Venus, Cupid and Mars wit...

Hand colored copper engraving "Ingleby Mannor the Seat of the Honble. Sr. Wm. Foulis Bartt.," by Johannes Kip. From Kip's most significan...

ENGLISH SCHOOL "Sea Port" 18th Century Oil on canvas, Dim: 37 x 62 cm ( without frame ) good conditions

This is an extremely rare and unique set of five oil on canvas paintings of naked puttis in either a reclining or flying pose surrounded by still life style flowers set against a bla...

Alms box Decorative wall-mounted element, in lacquered poplar with faux marble finish, with carved cartouche concealing a drawer for 'alms. Early 700' epo...

We are delighted to offer for sale this lovely pair of original copper plate prints dating to 1719 by Bernard De Montfauucon of Paris. Dom Bernard de Montfaucon, O.S.B. (French: [d? m?~fok?~]; 13 January 1655 – 21 December 1741) was a French Benedictine monk of the Congregation of Saint Maur. He was an astute scholar who founded the discipline of palaeography, as well as being an editor of works of the Fathers of the Church. He is regarded as one of the founders of the modern discipline of archaeology Montfaucon was born on 13 January 1655 in the Castle of Soulatgé, a small village in the southern town of Corbières, then in the ancient Province of Languedoc, now in the modern Department of Aude. Other sources claimed his birth date is in 16 January, the most accepted date. After one year he was moved to the Castle of Roquetaillade, residence of his family. When he was seven, he was sent to Limoux, to the college run by the Fathers of Christian Doctrine Montfaucon served in the French army as a volunteer and participated in the Franco-Dutch War of 1673. He was a captain of grenadiers and made two campaigns under the command of Marshall Turenne, participated in the Battle of Herbsthausen and fell ill in Saverne in Alsace. Because of his infectious illness he made a vow to Our Lady of Marceille to give one hundred livres to her sanctuary in Limoux and to become a monk, if he was able to return to his country as a result of her intervention. After the death of Montfaucon's father at the Château de Roquetaillade, in 1675 he entered the novitiate of the Benedictine monastery of Bream in Toulouse. There he learned several ancient languages: Greek, Hebrew, Chaldean, Syriac, and Coptic. In 1687 Montfaucon was called to the Abbey of Saint-Germain-des-Prés and he started to work on an edition of the works of the Greek Church...

18th century engraving by Huquier et fils in 1705 Title De Plantes des indies par M S Merian Custom frame by Jack A.Miller, Los Angeles. Huquier be...