Victorian Prints

Émile Deyrolle Anatomical poster A wonderfully rare and decorative curio medical French (Paris) original lithograph on board anatomical poster in ...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteen...

William Henry Simmons (British, 1811-1882) Hand-tinted engraving after a painting by Anson Ambrose Martin. sight: 29 ½ by 20 ½ inches frame: 37 by 28 inches

"October Afternoon" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph illustrates two men and their dog with young son (hunting rifle over shoulder) in tow, returning from the rabbit hunt with their catch being presented to the lady of the house with baby in arms. The gated mansion is in the background while geese float upon the fertile pond in the background. In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in: The Metropolitan Museum of Art (Bequest of Adele S. Colgate, 1962) Museum of Fine Arts Boston (Donated by Lee M. Friedman) The Library of Congress The Yale University Art Gallery (Gift of Mabel Brady Garvan Collection) Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 21 1/4" h x 27 3/4" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some slight foxing to the cream border and minor fading (see images), The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

Vanity Fair “Spy Cricketeers-Men of the Day” # 543, Andrew Ernest Stoddart, “A Big Hitter”, chromolithograph by Jehu Junior, published July 09, 1892. ...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteenth-century John Gould (1804-1881)...

A framed set of 13 pages from "The Lu Lu Alphabet", a chapbook from 1851 published by Samuel Ragnot, NYC. This set comprises the first letters A through M, each with a short rhyming ...

"Pleasures of Winter" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph portrays a woman leaving her stately home with her two children, being escorted by two drivers to ride in a double seated horse drawn sleigh. In the background is a snowy field with other houses and a loaded horse drawn timber sleigh. In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in: The Library of Congress The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert) Metropolitan Museum of Art (Gift of Colgate 1962) Museum of Fine Arts Boston (Donated by Lee M. Friedman) Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 21 9/16" h x 27 1/2" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is minor foxing and a tideline upper center (see images). The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

Three mounted and giltwood framed chromolithograph plates from L'Ornement Polychrome: Motifs de tous les styles, art ancien et asiatique, Moyen Age, Renaissance, XVIIe et XVIIIe siècles, by A. Racinet, 1869-1873. Published by Firmin-Didot, Paris. Specifically, the three framed plates are Middle Ages, Renaissance and 17th century. This reference work “created to render major services to our industrial arts” brings the archeological art...

Amazing set of four equestrian mid 19th century aquatint plates that have been hand-colored. Fores' national sports series after John Frederick Herring who did commissions from Queen...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteenth-century John Gould (1804-1881) ...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteenth-century John Gould (1804-1881) w...

"Pocahontas Saving The Life of Captain John Smith" is a chromo-lithograph made by the "New Eng. Chromo Lith. Co. Boston" (printed on the lower left border). It is dated 1870...

An interesting depiction of the Korean Embassy as published in The Wasp, a weekly San Francisco newspaper started in 1876 by Francis Korbel. The Wasp had a very political and anti-im...

An evocative hand colored lithograph by N. Currier (American 1813-1888), after a painting by A.F.Tait, titled "Arguing the Point", depicting a group of rural men engaged in an appare...

1865 lithograph by Eduard Mandel of Raphael's Madonna della Seggiola. Beside the seated Madonna & Child is the young John the Baptist. Johann August Eduard Mandel, German, 1810-1882,...

A set of eight of exceptional quality 19th century hand-coloured lithographs, in beautiful early 20th century walnut frames From John Gould (1804-1881), The Birds of Great Britain...

Pair of antique late 19th century Currier & Ives hand colored lithograph prints: "The Miniature Ship Red, White, and Blue - On her Voyage from New York to London, August 1866, with C...

John Gould September 1804 – February 1881 Published by Thomas Rymer Jones / Dr Brehm, Cassells Book of Birds, volume III London C.1875. A set of four lithograph prints of parrots...

19th Century chromolithograph of a sailor boy, circa 1880, a colored print on canvas view of a young American sailor boy sitting astride a bowsprit. A class...

Classical bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteen...

A wistful, anthropomorphic scenic titled "When a Man is in Love" unfolds in this vintage artwork, depicting a man on his knees at the crest of a soft hill, his hands lifted and clasp...

An exquisite and rare engraving with vibrant original hand-colouring, from the rare first edition of British Wild Flowers, London: William Smith, 1849.  Why we like them Exquisitely hand-coloured, vibrant and succulent, these beautiful prints will fit perfectly into modern and classical interiors. The plates are sumptuously mouted and framed to a splendid decorative effect. Illustrated floral publications were extremely popular in the 19th century. Some of the most popular of these were created by Jane Webb Loudon...

19th Century Botanical Engravings: A Timeless Art Form The Legacy of John Curtis and 19th-Century Botanical Engravings 🖋 Provenance Story – 19th Century Botanical Engravings with ...

Titled " A Sketch of the Row in Parliment Street," this hand colored print was published in London by Thomas McLean, circa approximately 1830. Drawn by William Heath (1795 to 1840)...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

A Folio of Maison Quantin, Paris, 1891 first edition text and plates. Chromomo- lithographed plates by Gillot, colored and decorated in raised gold by hand. The sevres porcelain fa...

Set of 4 turn of the century American Lithographic framed prints. Controversial and illustrated in the typical turn of the Century American fashion. A set of four vibrantly coloured lithographic prints, framed in unusual Gothic pine frames. With brass hooks still attached, the reverse clearly show that these images have never been removed or replaced since they would have been framed in the 1900s. Depicting life’s process of the Afro American, from courting to creating a family. We have never seen the like and in this collection/condition, you are unlikely to see the same ever again. Dimensions in inches: H 14.5 x D 11.5 x W 1 Origin: America circa: 1900 - 1920 Condition: Aged Completely solid in structure and form, aged surface as shown with a deep natural patina across all areas. No breaks but the frames and prints are discoloured and faded as you would come to expect of item of this Material and age. The House of Antiques...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance:...

Mid-19th century hand-colored copper engraving of a Spotted Sandpiper. This is from his collection of British birds.

This framed and printed sheet Rule frame is very unusual because it actually features the rules of three games Billiards, Life Pool and Pyramid pool. Printed by the famous Glasgo...

19th century W.H. Lizars copper engraving which has been hand-colored. the subject of the engraving is a Common Guilemote displaying winter plumage. The engraving was expertly matt...

Presented is a charming, hand colored engraving of “The President’s House, From Washington.” The engraving is after William Henry Bartlett’s “The President's House, From The River,” ...

This handsome pair of 19th century hand-colored Lithographs of ducks is by John Gould and HC Richter and are titled "Casarca Tadornoides: Eyton" and "Nyroca Ferina." Site line 14 inc...

This beautiful, original hand-colored orchid lithograph of "Begonia Scharffii" Orchids by John Nugent Fitch is plate number 7028 from Robert Warner's publication 'The Orchid Album, C...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning pair of absolutely massive Engravings on Canvas of the Italian Trajan column and one other Rom...

This pair of maps featuring Oxford and Cambridge is beautifully preserved in custom black wood frames. These hand-drawn maps showcase exquisite lettering and a remarkable level of de...

The image is a photogravure print titled "At the Louvre" by French artist Henri Cain, created in 1893. It portrays a female artist Recreating a masters piece.

A rare and exquisite engraving with vibrant original hand-colouring, from the rare first edition of British Wild Flowers, London: William Smith, 1849.  Why we like them Exquisitely hand-coloured, vibrant and succulent, these beautiful prints will fit perfectly into modern and classical interiors. The plates are sumptuously mouted and framed to a splendid decorative effect. Illustrated floral publications were extremely popular in the 19th century. Some of the most popular of these were created by Jane Webb Loudon...

DOURAT - 'Notre-Dame No. 1' - Antique fine art colored sepia tone engraving on heavy cream paper - Notre Dame Cathedral in Paris - signed and titled -...

This piece is a framed chromolithograph dog print by Cassell, Petter, Galpin & Co, a renowned British publisher known for producing high-quality illustrated works in the late 19th ce...

This is a stunning set of 4 Greek Architectural steel engraved plates printed in 1850 with Olive colour hand cut mount with hand painted Gold line and professionally framed in 2014 i...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteenth-century John Gould (1804-1881) ...

We kindly suggest reading the entire description, as it provides detailed technical and historical information to ensure the authenticity of our items. The frame enclosing the two pr...

Presented is an original 1865 engraving Pres. Lincoln and Family, depicting the Lincoln family in April of 1865. The artist Francis Schell painted the original work, A. B. Walter eng...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteenth-century John Gould (1804-1881) ...

We kindly suggest reading the entire description, as it provides detailed technical and historical information to ensure the authenticity of our items. The frame enclosing the two pr...

John Skinner Prout (1805-1876) - 'the upper Goulburn, Victoria' - antique steel plate engraving after a painting by J. S. Prout - from 'Australia' by Edwin Carton Booth - hand colore...

Antique hand colored engraving - early morning street urchins by the River Thames in London - solid oak frame - old English paper label verso - vintage acidic matte board behind glas...

19th English Victorian color lithograph print titled 'Eminent Women' with the faces of prominent women crowded together in a large oval, in the original giltwood frame. Unusual and v...

PELLETIER - 45/150 - Antique sepia engraving on paper featuring children at a water well - numbered in pencil lower left - signed and dated in pencil l...

We kindly suggest reading the entire description, as it provides detailed technical and historical information to ensure the authenticity of our items. The frame that encloses the tw...

Victorian "Bird" Spider print mounted on a lovely faux marble paper ground showing large spider attacking a trapped bird. Black painted wood frame. Some p...

An English hand-colored lithograph of a Felis Pardina lynx by J.Smit after Joseph Wolf, printed by M & N Hanhart and set in a wooden frame. Created in England during the reign of Que...

Mr John Gould's tropical framed Bird prints 1955, taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteenth-century John Gould (1804-1881) ...

This piece is a framed chromolithograph dog print by Cassell, Petter, Galpin & Co, a renowned British publisher known for producing high-quality illustrated works in the late 19th ce...

19th century Great Exhibition of 1851 chromolithographic print in its original maple frame. Dickinson's Comprehensive Pictures of the Great Exhibition of 1851. London: Dickinson Brot...