Brooklyn - Vases and Vessels

The Mercury Series is comprised of blown glass vessels with a mirrored interior. Meant to mimic the different stages of a drop of mercury separating, the set of handmade vessels is c...

Royal Haeger urn form vase from the "Earth Wrap" series. Green base coat with abstract textured yellow and brown top glazes. Marked "Royal Haeger."

Petite, mid-century, West German, Fat Lava, art pottery, guitar vase by Roth Keramik in striking red and black.

Royal Haeger geometric form vase from the "Earth Wrap" series. Brown base coat with abstract textured yellow and orange top glazes. Marked "Royal Haeger."

This handcrafted ceramic vessel by Doris Josovitz, from Lost Quarry, is a beautiful expression of timeless artistry, designed to bring warmth and elegance to your space. Sculpted wit...

The Branded series is a set of modern design objects which each feature a hand impressed brand that highlights these wholly handmade vessels. For color, each piece features a transpa...

'Ol. Vaselini' pharmacy bottle / apothecary jar (circa late 1920s / early 1930s, Germany). Amber glass with button stopper and enamel label. "86" is etched into the bottle itself and...

Decorative, midcentury, frosted glass vase features gilt banded detail.

Battuto A Nido D’ape glass vase, designed by Carlo Scarpa and manufactured by Venini, was originally designed in 1940. Numbered edition per year. Indoor use only. Dimensions: Ø 23...

A captivating porcelain vase from the ALDO collection, designed by the acclaimed architectural firm Studio Fuksas for Alessi in 2012. A limited edition piece showcasing the innovati...

A fantastic pottery vase in the form of a female torso with a light tan textured glaze and dark brown decoration. Perfect as a decorative and it is glazed inside so can be used with...

A multitude of shapes and colours. Every bottle has its own, chosen with care by Paolo Venini in 1956. Skilfully etched to conceal their imaginary content, they pique the curiosity of the viewers, who just can’t refrain from taking the lid off to peek inside and find out the truth. Additional information: Material: Blown, engraved Color: Grass green...

For your consideration is this stoneware vase by California potter, Victoria Littlejohn. It features a naturalistic, organic form with a squat profile, surface with vertical ridges, ...

Bolle Glass vase series, designed by Tapio Wirkkala and manufactured by Venini, was originally designed in 1966. Iconic masterpieces available in 5 different shapes. Indoor use only....

Satin glass vase, designed and manufactured by Venini, features the same shape of the iconic opalino vase with a frosted finish. Indoor use only. Dimensions: Ø 17 cm, H 36 cm.     

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

original large Vannes crystal vase.

Incisi glass vase collection, designed by Paolo Venini and manufactured by Venini, feature an engraved surface. Originally designed in 1956. Numb...

A lovely opalescent glass vase designed by Larry Laslo in the 1980s for Mikasa. Very heavy glass with a pronounced beautiful swirl and colors that shift depending on the vantage poin...

Set of four rectangular planters, designed Willy Guhl for Eternit. These sleek modern architectural garden pots are made from strong fiber cement with mineral elements. Lovely patina...

Take note of the perfectly imperfect balance of a saucer teetering on a base of four rounded legs. The nearly imperceptible tilt brings an element of play to the smooth surface, with...

Ambrogio Pozzi for Rosenthal Studio-Line, Austria, white porcelain vase.

Fiberglass planters suitable for indoor or outdoor use. Made by hand in Vietnam. Lead time eight weeks unless in stock. Dimensions: Base 22”, opening 9”, height 20”.

Impressive, statuesque glass vase by Finnish designer, Tapio Wirkkala, for Rosenthal Studio-Line of Germany. Composed of thick glass sculpted to look like ice. Largest example manufa...

The beauty of Richard’s signature STACKED style is based entirely in the process. This Vessel, as with every STACKED object Richard creates is built, sculpted, and finished entirely ...

Kawa Vase 06 Tactile and organic black vase with textured raw porcelain exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind....

George J. Sowden, Bitossi Ceramiche Handmade Limited Edition Clay Triangle Vase. Numbered 057/299. George J. Sowden is a designer with experience in ...

Exquisite handmade canisters/lidded jars in solid walnut (Scandinavia, ca. 1960s). Beautiful grain, modernist form, and rich teak color. Excellent, vintage condition with only light ...

Fiberglass planters suitable for indoor or outdoor use. Made by hand in Vietnam. Lead time 8 weeks unless in stock. Available in: Sky Mustard Dusty Rose Dimensions: H 18 in. x D 9 ...

Scandinavian modern, art pottery "Kreta" pattern vase by Britt-Louise Sundell for Gustavsberg Studio, Sweden in ecru and brown. The mouth opening measures 2 inches.

Satin glass vase, designed and manufactured by Venini, features the same shape of the iconic opalino vase with a frosted finish. Indoor use only. Dimensions: Ø 20 cm, H 42 cm.  

Rustic bud vase by master ceramicist Guido Gambone. Hand-thrown in an alluring organic shape with an elongated neck. The vase depicts a pastoral scene of a shepherd with his herd pai...

Standing tall and proud, this sterling silver vase is stunning. A clean modern look with a tapered shape give it that young fresh appearance. Not too big and definitely not too small...

One of a kind ceramic side table. The table is comprised of two different clay bodies and is glazed with a white matte glaze on the top. This piece was inspired by seashells and smoo...

Large, decorative stoneware planter or vase by English ceramicist, David Lane of Abington Pottery. This studio piece, made in 1959, pre-dates Abington...

Artisti Barovier Murrine Cobalt Blue Floreali Vase with Handles, Italy, c. 1914. internally decorated glass with murrines and polychrome threads Heigh...

Two sterling silver vases; one larger than the other. An interesting combination for an end table or powder room, side by side with different heights. They have a clean look, no etch...

"Gummi Arabic." (Gummi Arabicum / Acacia) pharmacy bottle/apothecary jar (circa late 1920s/early 1930s, Germany). Amber glass with button stopper and enamel label. Good, vintage cond...

We are proud to offer this sterling and crystal vase by the Hawkes Glass Company of Corning, NY. Based in Corning, NY, T.G. Hawkes & Co. (circa 1880-1959) was established by Thomas ...

Historic vase designed by Napoleone Martinuzzi in opalino glass characterized by round horizontal ribs. The model is proposed in three shades of colour and in three sizes. Rhythm"...

This Single-Fluted Vessel is one part of a trio of vessels. The three vessels are all identical in their overall shape, but vary in the number of flutes; Single-Flute, Double-Flute, ...

Italian studio art glass, modernist set of 2 "Avec Grass" vases. Designed by Paola Navone and crafted by Simone Cenedese, the glass vases are realized by Arcade's glass masters in Mu...

Mid century modern, art glass vase by Tom Connally for Greenwich Flint Craft in brilliant, opaque orange with contrasting orange ochre top. The mouth opening measures 1 inch.

We are proud to offer this pair of sterling silver vases by Black, Starr and Frost from the early 20th century. They have fine etchings a...

Truly unique piece, perfectly wonky narrow rectangular vase built from slabs, and then raku-fired in a New Jersey back yard with 24 Karat gold Kintsugi repairs on face. Approximatel...

Gorgeous hexagonal crystal vase by Tiffany & Co. Signed and in very good condition with no chips or cracks. Heavy and solid. Decorative urn shape elegant on its own, also with ample ...

Satin glass vase, designed and manufactured by Venini, features the same shape of the iconic opalino vase with a frosted finish. Indoor use only. ...

Our beautifully crafted, one-of-a-kind Blue Moon Vase is a work of art. Use as a vessel to showcase a bouquet, or a single sculptural branch. Bright blue heavily textured glaze on a...

Oversized store display/advertising bottle for Three Feathers Whiskey (ca. 1940s, USA). Composed of amber glass with dual labels and original wooden stopper. Specks present to the gl...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

Vase A by Cesar Baldaccini for Daum, France, 1970s, is a magnificent work of art that seamlessly combines form and function. Designed by renowned French sculptor Cesar Baldaccini, this multi-faceted vase is a stunning example of his mastery of sculptural forms. Made by renowned French glassmaker Daum, this vase features a highly polished, multi-faceted surface that reflects and refracts light in fascinating ways. The veneers are perfectly aligned and flawlessly executed, creating a breathtaking sense of depth and texture. The vase is signed "Daum France", which adds a touch of authenticity and provenance to the piece. This is a true collector's item, sought after by art lovers and collectors around the world. Functional, the Argos vase is ideal for presenting flowers or other decorative objects. Its sculptural form and multi-faceted surface create a dynamic backdrop that enhances the beauty of any arrangement. Overall, the Argos vase by Cesar Baldaccini for Daum, France, 1970s, is a masterpiece of design and craftsmanship. Its striking form, impeccable craftsmanship and exceptional provenance make it a highly coveted piece that is sure to impress and enchant anyone who sees it. Cesar Badaccini (1921-1998) His parents, Omer and Lelia Baldaccini, Italians of Tuscan origin, ran a bar in Marseille where César was born, with his twin sister Amandine, in 1921 in the popular district of Belle-de-Mai, at 71 rue Loubon, in the 3rd arrondissement1. "I am basically an absolute self-taught," he will say2. At the time, he designed and tinkered with carts for his little brother with cans. Nevertheless, after first working for his father (he also helped a butcher neighbor for a meager salary after leaving school at the age of twelve), he followed the courses of the École supérieure des beaux-arts de Marseille from 1935 to 1939; in 1937, he obtained three prizes, in engraving, drawing and architecture3. Not mobilized during the war (he also escaped the STO), he lived on scams before settling in Paris to be admitted, in 1943, to the École nationale supérieure des beaux-arts with Michel Guino, Albert Féraud, Daniel David, Eugène Dodeigne and Philippe Hiquily, like him in the workshop of Marcel Gimond. In 1945, he returned to Marseille to marry Maria Astruc, with whom he set up a business (they divorced in 1959). He returned to Paris in 1946 where he occupied a studio in an old brothel at 21 rue de l'Échaudé, whose rooms, following the Marthe Richard law, had been assigned to students4. There he met Émilenne Deschamps, who would later become one of his muses. Faced with the impossibility for him to work the stone, because of its cost, he turned to other materials3. From 1947, he worked on plaster and iron. In 1949, he was introduced to arc welding in an industrial carpentry in Trans-en-Provence and used lead in pushed sheets and welded iron wires. In 1951, he visited Pompeii and remained marked by the casts of the bodies of the inhabitants caught in the lava3. In 1952, he used inexpensive recovered materials and made his first sculptures in welded scrap metal: his means were then still modest. Thus, for lack of money and to afford marble, César will recover in the scrap dumps the materials of his first sculptures: tubes, bolts, screws that become insects or end up in the powerful curves of the Venus de Villetaneuse (1962). In 1954, he exhibited at the Lucien Durand gallery in Paris and obtained the "collabo" prize for a sculpture entitled Le Poisson5, made in Villetaneuse, a city where he worked for a dozen years thanks to the help of a local industrialist, Léon Jacques6. He gained fame when his work was bought for 100,000 francs in 1955 by the State for the National Museum of Modern Art7. The same year, he exhibited at the Salon de Mai. The following year, the MNAM bought Chauve-souris from 1954 and the museum of modern art in the city of Paris Le scorpion from 1955. From 1954 (Torse, MOMA), he also made sculptures in welded metal, then in partially polished bronze, of busty women (Ginette, 1958, Victoire de Villetaneuse, 1965). In 1956, he participated in the Venice Biennale then in the São Paulo Biennale and in the Documenta II in 1959. In 1958, he signed a contract with the Parisian gallery Claude Bernard3. In 1961, he approached Marino di Teana and joined the group of Nouveaux réalistes, a movement founded by art critic Pierre Restany8, including Arman, Jean Tinguely, Niki de Saint Phalle and Gérard Deschamps. When he could afford a workshop in 1957, rue Campagne-Première in Paris, he married Rosine Groult-Baldaccini (met at the Beaux-Arts in 1948) with whom he had a daughter, Anna, a year later. He also begins to frequent the world of the In 1968, he created at the National Manufacture of Sèvres a porcelain Ashtray published in fifty copies. Made of porcelain with a semi-matt pearly cover, it represents a plaster mold used for the production of the pieces, and was produced from an original aluminum model. In 1971, during a premiere at the Lido, he found more media than him: Salvador Dalí, the master of extravagance. He debates the same year in Italiques with François Truffaut, Lucien Bodard and Asher Ben...

A sterling silver perfume bottle with a modernism design. It has swirls around the front and back with a scalloped edge. On top a lapis stone cr...

This bud vase has a very feminine silhouette with a tapered bottom. Around the top there is a ring of lattice work around the edge and beneath that heart-shap...

Bows, wreaths and flowers give this sterling silver vase a delicate, feminine feel. It’s wider on top and tapers in at the bottom; this allows the flowers to fill out nicely. Around ...

We are delighted to offer you this sterling silver vase. It is tall and slim with a tapered shape. A beautiful floral cartouche awaits your perso...

They say "great things come in small packages"; this bud vase is that "small great thing"! The square base with its straight lines is in contrast to the soft fluid shape of this bud ...