Brussels - Sculptures

Bronze crabe Padua, 18th century bronze 2 x 10 x 7 cm (One of the crab’s legs is missing its end) This finely cast bronze sculpture of a crab reflects the enduring interest in natur...

Frosted Glass Sculpture "Lion", Lucienne Bloch, by Glasfabriek, Netherlands, 1929

Rare Jean Legros (1917-1981) sculpture, composition, 1976, France. Wood pannel painted on both sides, yellow-black and red-green. Signed and dated undersid...

Superb pair of rams in polychrome carved wood from Scotland-19th century Very elegant and unique pair of rams which are almost carved at life size which come from a Manor in Scotl...

Small reclining lion in finely chased bronze Italy, 15th century Traces of gilding H 4,8 x L 6 x P 2 cm Delicately worked bronze depicting a lion in repose, characteristic of early ...

Cercle of Juan Martinez Montañés (1568-1649) Infant St John the Baptist Spanish, 17th century H 74 cm Saint John the Baptist is here represented naked, sitting on a rock, with...

lovely pair of Saint Mark in walnut from the 16th century - Venice Very beautiful pair finely carved representing Saint Mark with a book in his hand a lion at his side This is a pen...

Exceptional altarpiece representing the annunciation circa 1600, fruitwood rare altarpiece from the North of Portugal, unique due to its large size representing the scene of the annunciation, where the Archangel Gabriel (represented on the bottom left), sent by god (represented on the top left) announces to Marie (bottom right) that she will give birth to Jesus. Very good state of conservation, carved on three panels Dimension: Height 1m51 Width 1m03 Very nice colour and exceptional dimensions Restorations of use We placed the altarpiece on a red velvet base and a Spanish occasional...

Elegant carved wooden horse from the 19th century in polychrome wood from England Very beautiful movement which has a lot of charm Beautiful patina The dimensions include the bo...

A terracotta bust "Ecce Homo" Florence, 15th century 53 x 44 x 31 cm

niche in gilded wood from the 17th century from Italy Lovely niche with a carved wood in its center from the Italian Renaissance Beautiful original gild wood Dimensions excluding ba...

Telamon Northern Italy, late 12th - early 13th century Reemployed Roman marble H 32 x L 18 x P 17 cm « Sono coloro che hanno dimenticato che l’uomo é solo un bruco, destinato a dive...

Mid-Century Modern Bronze Sculpture

A polychrome sculpture depicting the Virgin and the Child Mosan region, second half of 13th century Polychrome wood 73 x 29 X 12 cm Provenance : Former Belgian private collection from the beginning of the 20th century This remarkable early artwork portrays the Enthroned Virgin and Child, also known as Sedes Sapientiae, which translates to the 'Seat of Wisdom...

ravissant angelot en bois sculpté du 18° siècle d'époque Louis XV anciennes traces de polychromies qui lui donnent beaucoup de charme

Rare pair of monks from the 18th century-Ayutthaya-Thailand Superb pair of large lacquered and gilt bronze monks very beautiful face and expression ...

small bronze sculpture, by "L'Art du bronze"

Side Cubes by Pol Quadens Limited Edition Of 24+4 Pieces. Dimensions: D 30 x W 60 x H 60 cm. Materials: Polished stainless steel. Pol Quadens was born in Brussels. His father was a...

Group of altarpiece representing the life of a Saint, Saint Renualde? Engraved by the sign of Antwerp hand on the hat of the central character Carved oak, traces of polychromy Fir...

Flint VIII Sculpture by Pol Quadens Unique Piece. Dimensions: Ø 20 x H 40 cm. Materials: Polished stainless steel. Dimensions may vary. Please contact us. Pol Quadens was born in ...

Renaissance Harpy bronze Italy, 16th century 15 x 12 x 5,5 cm This expressive bronze figure represents a harpy, a mythological creature with the body of a bird and the head and tor...

Flint IX Sculpture by Pol Quadens Unique Piece. Dimensions: Ø 10 x H 40 cm. Materials: Polished stainless steel. Dimensions may vary. Please contact us. Pol Quadens was born in Br...

Christ from the 18th century in oak -France Very fine work of good quality Beautiful patina and in perfect condition.

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

Flint X Sculpture by Pol Quadens Unique Piece. Dimensions: Ø 20 x H 110 cm. Materials: Polished stainless steel. Dimensions may vary. Please contact us. Pol Quadens was born in Br...

Very nice Murano sculpture Signed Perfect condition.

Unusual piece of art showing a puzzle head Hand made carved wood Circa 1970's

Midcentury Bronze Flower Sculpture signed Michel Zadounaïsky, France, 1989.

Flint V Sculpture by Pol Quadens Unique Piece. Dimensions: D 55 x W 75 x H 250 cm. Materials: Polished stainless steel. Pol Quadens was born in Brussels....

Small Art Deco brass cat box Karl hagenauer, Brass, Austria.   

Ceramic Sculpture

Victor Joseph Ghislain Demanet (1895-1964) "The Hammerer". We are delighted to present a work of rare emotional and technical power: "The Hammerer" by Victor Joseph Ghislain Demanet...

Plaster Sculpture by Jean Canneel (1889-1963), Belgium.

Marble bowl "Paros L" by Enzo Mari, 1964.

Collis vase by Cosmin Florea. Unique piece. Dimensions: W 29 x D 30 x H 21 cm. Material: stoneware. Please note that this item is handmade and therefore unique; variations are ...

Very elegant sculpture reprenting a Putti (angel) from the German renaissance period -16 century Rare sculpture in walnut of great quality with a very beau...

Followers of Jean de la Huerta, Jean de Blany ? Saint Jerome Limestone Burgundy, second half of the15th century 60,5 cm ALR Ref : S00248050 This exquisite sculpture of Saint Jerome, carved from soft, nearly white limestone typical of eastern France, exemplifies the exceptional craftsmanship of 15th-century Burgundian art. The figure of Saint Jerome, a key figure in Christian history renowned for translating the Bible into Latin, is depicted wearing a cardinal’s hat and holding the Vulgate Bible...

Pair of squirrel bookends attributed to Jozef Peeters - Belgium 1930s.

Butter plate by Marta Bonilla Dimensions: D9 x H9 cm Materials: Metal Butter plate: Piece modelled by hand, enamelled with matte white enamel and de...

Dove vase by Cosmin Florea Unique piece Dimensions: W 40 x D 15 x H 45 cm Materials: Stoneware Inspired by my love for pristine nature, this sculptural vase...

Carlo Marcellini (Florence 1644 – 1713) Putto White and green marble 41.5 x 73.5 cm This marble putto carved in high relief, almost a tutto tondo, and set on an elegant green marble background, appears almost naked, sitting on a cloud. His peculiar pose, in adoration, suggests that the work was a part of a larger composition including other figures in devotion. Published in 2007 by Sandro Bellesi in the monograph dedicated to Gioacchino Fortini (pg.155), this beautiful marble putto was included in the catalog of Carlo Marcellini, a prominent figure in the baroque renewal of Florentine art. Born in Florence in 1644, Carlo Marcellini received his artistic education in the city of the lily, specializing in stone sculpture and stucco modeling under the guidance of Bartolomeo Cennini before continuing his studies in Rome in the Accademia Medicea founded by the Grand Duke Cosimo III in order to familiarize some more promising artists with the essential “ taste of Rome ”. Under the guidance of Ercole Ferrata and Ciro Ferri, Giovan Battista Foggini...

Large base of molded hexagonal pilaster in burgundy stone carved with vines, grapes and rosettes in high relief. Burgundy, 15th century 28 x 63 x 30 cm Provenance : collection De...

Mid-Century Modern ceramic by Knud Kyhn - Denmark 1950s.

Marble Roman relief representing a Christogram Roman relief - 4th century 25 x 22 x 8 cm Provenance : Collection of the Château de B. À Nevers by Georges C.S., scholar born in 1833 and deceased in 1909 The entire castle and its collections were acquired in 1938 by the current owners of the estate A christogram is a monogram or combination of letters that forms an abreviation for the name of Jesus Christ. This rare fragment combines chi (X) and rho (P), the first two letters of Christ's name in Greek and it is one of the oldest and most popular early christian symbol. The monogram of Christ, or chrismon, is also a powerful symbol of imperial victory: it appeared to Emperor Constantine the Great before his battle against Maxentius in ad 312, promising victory in the name of Christ. In Plato's Timaeus, it is explained that the two bands which form the "world soul" (anima mundi...

Set of 4 elephants by Fratelli Mannelli, Italy, 1970s.

Hercules holding a coat of arms Flemish, XVII century White and black marble Measures: 67 x 32 x 19 cm Hercules is depicted naked, holding a coat of arms with the right hand an...

School of fish glass sculpture attributed to Livio Seguso, 1970s Italy New Wooden Base Base : 40x40cm fish 1 : 55h x 14 x 3 cm fish 2 : 59h x 20x 3...

Huge sculptures from 1970's Can be sold one by one

Sculptural horse in glass by Pino Signoretto, signed by the artist, Black glass from Murano. Pino Signoretto 1944-2017 Murano art glass sculpture. One of a kind.... circa 1980.

Aquilla vase by Cosmin Florea Unique piece Dimensions: W14 x D 30 x H 66 cm Materials: Stoneware Please note that this item is handmade and therefore unique; variations are to ...

Linaria Vulgaris vase by Cosmin Florea Unique piece Dimensions: W 50 x D 13 x H 50 cm Materials: Stoneware Inspired by my love for pristine nature, this sculptural vase channel...

Sculptural Piece by Karystios Dimensions: D 46 x h 15 cm Materials: Concrete (with reinforcing rods), marble and stone debris. The sculptural piece studies debris in a paradoxic...

Renaissance Marble Relief Emilia Romagna, Faenza ? 1470-80 H 30,2 x L 33 x P 3,5 cm The carved marble relief depicts the Virgin accompanied by a winge...

Mid-Century Helio Rodrigues Sculpture, Brazil

Ciconia vase by Cosmin Florea Unique piece Dimensions: W 14 x D 31 x H 66 cm Materials: Stoneware Please note that this item is handmade and therefore unique; variations are to...

Bear ceramic by Knud Kyhn, Denmark, 1950s.

Venini Egg by Ludovico Diaz De Santillana, Italy, 1960s

Contemporary bronze sculpture by Boschetti, Italy.

Marble nautilus shell sculpture, signed.

Cav. F. Palla, Marble Sculpture "Vénus Accroupie", Italy, 19th