Continental US - Abstract Prints

Joel Shapiro For the Archives, 2008 Epson inkjet print on cotton etching paper Hand-signed by artist, Hand signed and numbered 171/175 by Joel Shapiro on the front Bears label from T...

Artist: Jim Dine Title: ART Year: 1968 Medium: Lithograph, signed and numbered in pencil Edition: 92/144 Paper Size: 35 x 24.75 in. (88.9 x 62.87 cm)

Hand signed rf Lichtenstein in pencil and numbered 270/280 lower right margin. Published by Leo Castelli Gallery, New York, Printer Chiron Press, New York. The Prints ofRoy Lichtenst...

Geometric shapes in yellow, red, green and blue on a soft gray background. Available unframed, please inquire with the gallery for framing costs. Signed on recto, titled on verso. ...

Hilliard Dean, '#4', color lithograph, 1970, edition not stated but small. Signed, titled, and annotated 'AP' in pencil. Dated 'May 1970' in pencil in th...

Hommage by Johnny Friedlaenderm German (1912–1992) Date: circa 1965 Aquatint, signed in pencil Edition of EA Size: 30 in. x 22 in. (76.2 cm x 55.88 cm) Frame Size: 36 x 28.5 inches

Terry Winters Lines of Communication (from Doctors of the World portfolio), 2001 Abstract expressionist digital pigment print 28 × 33 inches Pencil signed, dated and numbered on the front from the edition of 100 Printer: Universal Limited Art Editions, East Islip, New York / ULAE & Brand X Editions Publisher: Doctors of the World / Art of this Century, NY (Medecins Sans Frontieres) Unframed This stunningly prescient work is a pencil signed and numbered digital print that was part of the 2001 “Doctors of the World” portfolio. This series also includes works by artists such as Sol LeWitt, Elizabeth Murray and Chuck Close. In this work for the Doctors of the World portfolio, Winters explores the connections between the lines of communication and illness in a world where you can instantly speak with someone anywhere via the internet and airborne illnesses are the latest form of modern warfare. More about Terry Winters: Over the last four decades, Terry Winters has expanded the concerns of abstract painting by engaging contemporary concepts of the natural world. Many of his earliest paintings depict organic forms reminiscent of botanical imagery. Over time, his range of themes expanded to include the architecture of living systems, mathematical diagrams...

YURA ADAMS Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 signed and numbered in pencil by the artist on ver...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O lll by Eri...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 166, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

ABOUT THIS PIECE- Unframed Print FRAMING OPTIONS ALSO AVAILABLE: 23.5x17.9, edition of 25-This piece is available FRAMED with or without a mat in a white, black, natural, walnut, ...

Gottfried Honegger Parmenides: Das Herz der Wahrheit. Fragmente. Folio with 3 Original Etchings on handmade Velin d'Arches Year: 1990 Size: 8.25x5.5.5in on 11.625x7.75in Edition 26 S...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 5 (double) Juin 1955,...

Artist: Alexander Calder Title: Skybird Portfolio: Flying Colors Medium: Lithograph Year: 1974 Edition: Unnumbered Framed Size: 27" x 33" Image Size: 20" x 26" Sheet Size: 20" x 26"...

Ray Parker Ray Parker at Molly Barnes: Rare vintage 1960s LA exhibition poster, 1968 Offset lithograph Printed by Contemporary Art Lithographers, Minneapolis, Minnesota 36 × 24 inche...

This limited edition print by Ned Martin is a contemporary abstract portrait. Part of his Spirits Through Time series, it features a woman in profile - her face and hair are rendered...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 50. The paper size is 37 inches h x 35 inches w and an image size of...

Robert Indiana Decade: Autoportrait, 1969 (Sheehan, 78), 1973 Color lithograph on off white wove paper Signed and numbered 84/125 in pencil on the front Frame included: This work is...

Piero Dorazio Abstract Composition (Bank of New York Corporate Collection), 1971 Lithograph on wove paper Pencil signed, numbered 73/75 and dated on the front. The back bears a label from Bank of New York's Corporate Art collection. Frame Included This is an exquisite, uncommon abstract lithograph from the early 1970s by Piero Dorazio. It was acquired from the Bank of New York Corporate Art Collection, and bears their inventory label on the back of the frame. It is framed in an elegant museum frame, with UV plexiglass, bearing the date of the framing (2008), and the name of the Manhattan frame...

Screen print on hand torn archival paper. Artwork size 22.5 x 30 inches. Frame size 30 x 37 inches. Hand signed lower right front with thumb print and date on verso by Hijack. Ha...

Artist: Terry Allen, American (1943 - ) Title: Details from the Text - G Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 20/32 Size: 31 x 23 in. (78.74 x 58.42 ...

Large scale abstract photographic sections of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Japan's famous Arashiyama Bamboo Grove Bamboo Forest by Erik Pawassar 48 x 175 inches (122 x 444cm) six prints of 48 x 29 inches signed edition of 7 The work is also available as a single panoramic photograph: 42 x 118 inches (107 x 300cm) signed edition of 7 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ About the artist: Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado, Raghubir Singh...

ABOUT THIS PIECE: A 1 inch white border is included in the listed image size (W x H) as per the artist's request. Inspired by the warm light, open vistas, and saturated colors of he...

Richard Serra (American, B. 1938) Stop B S (G. 2024), 2004. From the portfolio 'Artists Coming Together' Lithograph on wove paper Signed in pencil and numbered 127/250 (there were al...

Nevelson, Louise. UNTITLED. Baro 36. Tamarind Number 801. Lithograph, 1963. Edition of 20, plus 2 Printer's Proofs, 1 Trial Proof, and 3 Artist's Proofs. Inscribed "Tamarind Impressi...

Richard Serra, Equal, 2015 (Hand Signed) Offset lithograph poster (hand signed by Richard Serra) Boldly signed in black marker on the front Published by David Zwirner; Designed by McCall Associates 24 × 36 inches Unframed Acquired from David Zwirner Gallery Richard Serra Biography: Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite...

This woodcut print evokes the peacefulness of ocean waves depicted in bright pink and deep, dark cobalt blue bringing2 to mind the tradition of Japanese printing while being distinct...

The poster titled Tapies Monotypes was produced for an exhibition showcasing the works of the renowned Catalan artist Antoni Tàpies at Galerie Maeght in Paris, held in June 1974. Thi...

Untitled - III Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

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Joan Miró One plate from Derrière le Miroir no. 128: Peintures Murales de Miró Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an editi...

ABOUT THIS ARTIST: Ioannis Lassithiotakis aims for an abstract universality: He uses the simplest visual materials because he wants to broach th...

"June A" - 1975 Surrealist Lithograph on Paper 1975 surrealist figurative lithograph on paper by Jim Crabb (American, b. 1947). Black spotted figures appear to be ascending upward, ...

Namiko Prado Arai (Mexico, 1963) 'Untitled 3 (Buril)', 1998 etching, aquatint on paper Deponte 400g. 20.9 x 24.5 in. (53 x 62 cm.) Unframed ID: PRA-305 Hand-signed by author

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, La mélodie acide, 14 lithographies originales de Joan Miró, 1980. Published...

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a warm, earth-toned palette. Printed on canvas, this giclee ships framed in a warm si...

This collectible work on paper by Murakami is edition # 78 of 300. It comes unframed. One of the most acclaimed artists to emerge from post-war Asia, Takashi Murakami is known for h...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. A "Certificate of Authenticity" issued by the artist is included. We are the only...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10 'Musee du Louvre' blindstamp. Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Man and Woman in the Garden of Pleasure is an original lithograph from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Riz...

Carlos Garcia De La Nuez (Cuba, 1959) 'Pausas', 2006 silkscreen on paper 19.7 x 23.7 in. (50 x 60 cm.) Edition of 99 Unframed ID: GAR1649-006-104 ____________________________________________ "Carlos García de la Nuez. Born in Havana, Cuba, 1959. Lives and works in Mexico City, Mexico. He is a member of the renowned 1980s generation of Cuban artists, whose works differentiated from other contemporaries, noticeably in their intentional distancing from political criticism as a form of expression. This generation was interested in establishing and legitimizing new values of art for art’s sake, gathering inspiration from art movements happening outside of Cuba. Born in Havana, Cuba in 1959, the artist’s paintings explore abstraction and semiotics through the use of color, texture and scale. García de la Nuez participated in the historic 1982 exhibition titled 4x4 with colleagues Gustavo Acosta...

This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon ...

Artist: Jonathan Borofsky Title: The Balance of Love and Work Produces Energy Year: 1994 Medium: Screenprint, Signed and numbered in pencil Edition: 50, AP Paper Size: 37.5 x 29 inch...

ANCIENT HEBREW WRITING by the Israeli artist Moshe Castel (1909-1991) is an original etching and aquatint printed in colors with carborundum using traditional hand intaglio technique...

Sam Francis, American (1923 - 1994) - Chicago International Art Exposition, Year: 1989, Medium: Poster, Size: 56.5 x 36.5 in. (143.51 x 92.71 cm), Printer: Black Box Collotype ...

Signed lower left, 'Roger Bezombes' (French, 1913-1994) and titled, 'Poisson bleu' with number and limitation, lower right, '25/150'. Roger Bezombes first attended the Ècole des Beaux-Arts (1934) and was the recipient of numerous prizes, medals and juried awards including the Grand Prix de Rome...

ABOUT THIS ARTIST: Kimmie B is a designer and artist based in New York City. She creates bold and graphic shapes with organic lines and inspirational colors. Kimmie makes each form f...

Original Arabic Art – Spain vintage travel poster. Artist: Jose Ortega. Size: 24.5" x 39.5". C. 1950. Original vintage European travel poster...

ABOUT THIS ARTIST: Ioannis Lassithiotakis aims for an abstract universality: He uses the simplest visual materials because he wants to broach th...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°44, 1975. Published and printed under the direction ...

Francesco Clemente Francesco Clemente Watercolors (Hand Signed), 1992 Offset Lithograph exhibition announcement (Hand Signed) 23 × 18 inches Hand signed in...

JOAN MIRO (1893 – 1983) Maravillas con Variaciones Acrosticas en el Jardin de Miro Lithograph in colors on Arches paper c. 1975 Signed in pencil by artist, lower margin Impression...

Screenprint Signed and dated to lower right Edition 63/100 to lower left One of the most sought after prints by Invader fans as this was his last release with Steve Lazarides. Mr. Lazaride's is a legend in his own right having represented everyone from Banksy, Paul Incest and many others. This is a must have for any Invader Was Here Fan! This print is special to us as it represents our childhood sitting around arcades and playing the famous Arcade Game SPACE INVADERS. Being a product of the 70's/80's please and thank you...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 2 (double) Janvier 19...

Original Abstract Color lithograph by Dutch artist Karel Appel (1921-2006). Created 1969. Edition size is 53 of 200. The work is signed in pencil lower right. The image size is: 25 5...

This exhibition poster for "Image after Image" at the Louisiana Museum of Modern Art, held from February 4 to May 29, 2005, was originally printed by Verlag der Buchhandlung Walter K...