Items Similar to CALLED BY SAKE (C.70)
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Jim DineCALLED BY SAKE (C.70)1993
1993
About the Item
Woodcut, collagraph and photo-engraving in colors, on Rives Lightweight Cream paper, with full margins. Hand signed, dated and numbered lower front by Jim Dine. From the edition of 36. Published by Pace Editions, Inc., New York. Elizabeth Carpenter 70. Image size 22 x 17.75 inches. Sheet size 30 x 23.5 inches. Frame size approx 35 x 28 inches.
Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.
About the Artist: Jim Dine is an American artist and poet known for his contributions to the formation of both Performance Art and Pop Art. Employing motifs which include Pinocchio, hearts, bathrobes, and tools, Dine produces colorful paintings, photographs, prints, and sculptures. “I grew up with tools. I came from a family of people who sold tools, and I’ve always been enchanted by these objects made by anonymous hands,” Dine has said. Born on June 16, 1935 in Cincinnati, OH, he studied poetry at the University of Cincinnati before attending the University of Ohio where he received his BFA in 1957. After moving to New York in 1958, Dine became part of a milieu of artists which included Allan Kaprow and Claes Oldenburg, with whom he began to stage performances at sites in the city that later became known as “Happenings.” By the early 1960s, he had switched his focus towards painting, drawing on his interest in popular imagery and commercial objects. Though he was shown alongside Roy Lichtenstein and Andy Warhol, Dine never considered himself a member of the Pop Art movement. The artist currently lives and works between New York, NY and Walla Walla, WA. His works are included in the collections of The Museum of Modern Art in New York, the Tate Modern in London, the Bilbao Fine Arts Museum, and the Walker Art Center in Minneapolis, among others.
Jim Dine
The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.
Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.
More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.
Find Jim Dine prints and other art on 1stDibs.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1990
1stDibs seller since 2017
832 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Ships From: Aventura, FL
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- NOTES (KASSEL)By Claes OldenburgLocated in Aventura, FLHand signed and numbered by the artist. Edition of 100. Sheet size 23 x 15 in. Framed. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable of...Category
1960s Pop Art Figurative Prints
MaterialsPaper, Lithograph
- LITHO/LITHOBy Roy LichtensteinLocated in Aventura, FLHand signed, dated and numbered by the artist. Lithograph in colors on Special Arjomari with the Gemini G.E.L. blindstamps, Los Angeles. Sheet size 35 x 48 in. Image size 28.25 x 43....Category
1970s Pop Art Abstract Prints
MaterialsPaper, Lithograph
- FOR THE YOUNG ARTISTBy James RosenquistLocated in Aventura, FLScreen print in colors on wove paper. Hand signed, dated, numbered and titled by James Rosenquist. Edition 65/80. Artwork size 35 x 36 inches. Frame size approc 39 x 40 inches. Near the top of the dot filled image hangs the outline of a light bulb followed by a series of letters numbers and symbols: ICU2RA Star (symbol). Decoded: I see you too are a star. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: James Rosenquist (American, 1933–2017) was an artist known for his monumental paintings and prints. Often appropriating commercial imagery, his montage-like works combined popular culture, Surrealism, and historical painting methods. “Much of the aesthetic of my work comes from doing commercial art,” the artist once said. “I painted pieces of bread, Arrow shirts, movie stars. It was very interesting. Before I came to New York I wanted to paint the Sistine Chapel. I thought this is where the school of mural painting exists.” In his politically charged multi-panel painting F-111 (1964–1965), the artist offered a visual critique of the Vietnam War, with a medley of mushroom clouds, advertising, and populist imagery. Born on November 29, 1933 in Grand Forks, ND, Rosenquist went on to attend the University of Minnesota, before studying at the Art Students League in New York under George Grosz, Morris Kantor, and Edwin Dickinson...Category
1990s Pop Art Abstract Prints
MaterialsPaper, Screen
- NO GLOVE NO LOVEBy Ronnie CutroneLocated in Aventura, FLSerigraph in colors on paper. Hand signed, numbered and dated by the artist. From the edition on 98. Artwork is in excellent condition. Certificate of Authenticity is included. A...Category
1980s Pop Art Figurative Prints
MaterialsPaper, Screen
- THE VERY BESTBy Peter BlakeLocated in Aventura, FLSigned and numbered on front. Artwork is in excellent condition. Certificate of Authenticity included. Image: 19 X 16 inches; Sheet size: 27 x 23 inches. Framed. Additional images av...Category
21st Century and Contemporary Pop Art Figurative Prints
MaterialsPaper, Screen
- &By Peter BlakeLocated in Aventura, FLSigned and numbered on front. Artwork is in excellent condition. Certificate of Authenticity included. Image: 19 X 16 inches; Sheet size: 27 x 23 inches. Framed. Additional images av...Category
21st Century and Contemporary Pop Art Figurative Prints
MaterialsScreen, Paper
You May Also Like
- Face of a Woman, Figurative Abstract Pop Art Woodcut Portrait on Handmade PaperBy Paula WalzerLocated in Soquel, CAFace of a Woman, Figurative Abstract Pop Art Woodcut Portrait on Handmade Paper Bold pop art woodcut print on handmade paper of a woman's face in black and red, repeated in 4 vertical registers like a film strip, by Monterey Bay artist Paula Walzer...Category
Late 20th Century Pop Art Figurative Prints
MaterialsPaper, Handmade Paper, Woodcut
- Victor Guadalajara, "Intersections", 2009, Woodcut 16x12inBy Victor GuadalajaraLocated in Miami, FLVictor Guadalajara (Mexican, 1965) 'Intersecciones', 2009 Woodcut and Aquatint 100.00 x 185 cm. (39.4 x 72.8 in.) Edition of 30 UnframedCategory
Early 2000s Modern Abstract Prints
MaterialsPaper, Ink, Engraving, Etching, Woodcut
- American Dream (EAT / DIE / HUG / ERR) (Sheehan 136) UNIQUE Proof Love Food LifeBy Robert IndianaLocated in New York, NYRobert Indiana American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986 Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper 37 inches × 21 inches ...Category
1980s Pop Art Abstract Prints
MaterialsMixed Media, Drypoint, Etching, Aquatint, Stencil
- Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.By Andy WarholLocated in New York, NYAndy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...Category
1960s Pop Art Abstract Prints
MaterialsPlexiglass, Screen, Engraving, Mixed Media
- ERR (Sheehan 29)By Robert IndianaLocated in New York, NYRobert Indiana ERR (Sheehan 29), 1963 Photoengraving and Etching on off-white Rives BFK paper Hand signed, dated and annotated on lower front with artist's blind stamp from Coenties ...Category
1960s Pop Art Abstract Prints
MaterialsEngraving, Etching
- Donald Baechler Flower 2005 (Donald Baechler flower prints)By Donald BaechlerLocated in NEW YORK, NYDonald Baechler "Flower," 2005: Medium: Aquatint and dry-point on Somerset paper. Sheet size: 25 1⁄2 x 18 inches. Image: 17.25 x 11 inches. Edition of 34 +5 AP. Hand signed, dated a...Category
21st Century and Contemporary Pop Art Figurative Prints
MaterialsDrypoint, Aquatint
Recently Viewed
View AllMore Ways To Browse
Vintage Tools Collection
Vintage Tool Collection
Collection Of Vintage Tools
Cream Vintage Paper
Pop 70
Engravings Photo
Vintage Tools Other
Vintage Artist Tools
Dine Jim
Heart Sculpture Print
Jim Dine Artist
Jim Dine Signed
Oldenburg Signed
Engraving Tool
Modern Print By Roy Lichtenstein
Jim Dine Signed Prints
Claes Oldenburg Signed
Cream Vintage London