England - Sculptures

'Vug in Smokey Topaz & Olive' is a unique handblown sculpture by the British artist, Samantha Donaldson. Created by layers of coloured glass, the transparent colours merge and creat...

'Vug in Dark Amber & Olive' is a unique handblown sculpture by the British artist, Samantha Donaldson. Created by layers of coloured glass, the transparent colours merge and create ...

'Chroma Vug in Smokey Topaz' is a unique handblown sculpture by the British artist, Samantha Donaldson. Created by layers of coloured glass, the transparent colours merge and create...

The Chariot of Aurora. Aurora, Apollo. Aurora is shown in her chariot, accompanied by the hours and heralded by Apollo; Gilded patina. Signed; Auguste Moreau (1834-1917) was a famous...

An impressive large scale sculptural wooden shelf art with good form and a beautiful rich warm wood colour tone. These would have been originally carved fo...

Pair of antique Victorian quality Staffordshire poodles having lovely curly poodle hair, gold collars, black nose with unusual open legs in a seated position. A quaint pair in perfe...

A rare C19th English pottery figure of a seated Japanese gentleman in traditional robes, with a nodding head which is lead weighted inside to make his head rock, with a bottle and cu...

A fine 19th century full length portrait of St Michael standing with his sword raised. South American Cuzco school 19th century and earlier. Unsigned Oil on canvas, 56 by 78cms. Fram...

Antique grand tour patinated bronze model of the She Wolf feeding the twins Romulus and Remus who were to become the founders of the city of Rome, the "Lupa Capitolina". The original...

A very fine early 20th Century Art Deco cold painted bronze figure of a naked beauty in the midst of a graceful movement, with excellent colour and fine hand finished detail, raised on a shaped onyx base and signed Lorenzl ADDITIONAL INFORMATION Height: 21 cm Width: 15 cm Depth: 7 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8698 ABOUT Lorenzl Veronica Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Veronica – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

The unusual model bronze dating to the late 19th century cast as a patinated bronze cherub holding two large strawberries with the vine looping over the back of the cherubs neck as i...

A unique mid 19th century encaustic tile by W Godwin, Lugwardine (stamped) depicting a stylised dove. The dove is captured in an unusual illustration with a neutral buff tone on a d...

An Art Deco patinated bronze sculpture of a nude woman with arms outstretched in a striding pose. Set over a marble and onyx base. Signed F. Preiss to base. fine original condition, ...

Art Deco gilt bronze sculpture of the 'Theban Dancer' by CJR Colinet French, circa 1925 Measures: Height 55cm, width 59cm, depth 23cm The important Fr...

For sale, Jake and Dinos Chapman's 'Hell Souvenir', a grotesque selection of 1:35 scale figures from the artist's purgatorial dioramas 'Hell', 'F*cking Hell', 'End of Fun' and 'The S...

'Paradise 10 Arabica' is a unique glass sculpture created using hybrid hand-made glass techniques by the British artist, Amy Cushing. Combining mouth blown glass with kiln formed gl...

Fabulous Art Deco display female shop mannequin. She's in good vintage condition with the usual bumps and bruises one would expect but no serious damage...

Set of four spelter plaques by Ferdinand Barbedienne French, late 19th century Measures: Height 45cm, width 12cm, depth 0.5 cm This set of four pla...

Two lighting components harmoniously balanced, framing this unique ceiling light. Composed by patinated brass plates and finely brushed brass framework, the Orbit Solo ceiling light ...

This superb Japanese Meiji period bronze study has exceptionally good detailing. It portrays a figure group of a large muscular bull elephant being attacked and fighting with two tig...

This is an antique decorative piper figure. A Scottish, plaster statue in the manner of a Scots Guard, dating to the late Victorian period, circa 1900. ...

A beautiful large Star Rose quartz polished sphere from Madagascar on acrylic stand. This was originally purchased from Venusrox in Notting Hill and comes with original Venusrox label which details the energy properties of Star Rose Quartz: The Star Rose quartz is a Super-Charged Rose Quartz, and is the stone of love. Love for oneself, family, friends, the planet and the universe. It releases stress and anxiety and dissolves anger and fear and brings hope and love. It encourages compassion and kindness. We have another smaller sphere and very large Amethyst...

Very nice organic wood sculpture of natural form, areas of the wood are charred. Wonderful texture to the piece. ST1536  

We are delighted to offer for sale this absolutely sublime new old stock original Liberty’s London Omersa style brown leather hand dyed Sausage dog footstool...

Antique early 20th Century French Art Deco bronze on a stone base, realistically cast as a roaring jaguar. Signed EUGENE CARTIER. Eugène Cartier (1861–1943) was a French painter and ...

This gorgeous geode section is egg-shaped in form, with a beautiful field of grass like green druzy stalactites and several larger cut stalactite “ey...

the first was modelled as a female nude with a robe draped over her shoulder, 44cm high, signed R Cameron Like Asian Yin and Yang, this large erotic sculpture merges masculine Renais...

A very elegant and original 1930s Art Deco figurine of a lady in cold painted Spelter. She stands on an alabaster base which is circular and stepped. Wearing fashion of the day (1930s) body stocking...

A Patinated Bronze Figural Group of ‘Gloria Victis’ (‘Glory to the Vanquished’), Cast by Ferdinand Barbedienne from the Model by Marius-Jean-Antonin Mercié (French, 1845-1916). ‘Gloria Victis’ (‘Glory to the Vanquished’). Bronze, gilt and dark brown patina. Signed 'A. Mercié', with foundry inscription 'F. BARBEDIENNE, Fondeur. Paris.' and A. Collas reduction cachet. The integral base titled 'GLORIA VICTIS'. This cast is part of a limited edition by the Barbedienne Foundry. France. Circa 1880. ‘Gloria Victis’ is one of the most recognisable and important works of sculpture of the nineteenth century and a definitive image of France’s historic national identity. The figure of glory, winged and wearing armour, carries a dying young warrior heavenwards towards fame and immortality. The compositional daring of the group must be admired for balancing two figures on the minimal support of one foot, wings spread in the moment before taking flight. Mercié was a student at the French Academy of Rome when the Prussians invaded France in 1870. Shortly after the war had begun, he executed a group depicting the figure of Fame supporting a victorious soldier. When news reached Mercié in Rome that the French had surrendered, he decided to alter his group, replacing the victorious soldier with a defeated casualty, thus transforming an allegory of ‘Glory to the Victors’ into one of ‘Glory to the Vanquished’. Completed in 1872, a year after the defeat of French soldiers against the Prussian army, the statue personifies a defeated but heroic France. The title is also a reversal of the famous formula, ‘Vae Victis’ (Death to the Vanquished), which the Gallic general Brennus exclaimed upon defeating the Romans in 390 BC. The figure of the fallen soldier was thought to represent Henri Regnault, a fellow sculptor of Mercié who was killed on the last day of fighting. Measuring 317 cm. high the original group of ‘Gloria Victis’ was unveiled in plaster at the Salon of 1872. It was bought by the City of Paris for the sum of twelve thousand francs and then cast in bronze by Victor Thiébaut for eight thousand five hundred francs. The bronze was exhibited at the Salon in 1875 and first placed in Montholon Square in the 8th arrondissement. In 1884 it was transferred to the courtyard of the Hôtel de Ville and in 1930, it entered the collection of the Musée du Petit Palais, where it can be seen to this day. The Thiébaut Frères foundry also cast Gloria Victis bronzes for the cities of Niort (requested 1881) Bordeaux (requested 1883), Châlons-sur-Marne (today, Châlons-en-Champagne; requested 1890), and Cholet (requested 1901). In 1905, the Danish brewer and art collector Carl Jacobsen was permitted to have an exact cast made of the original sculpture in Paris, on condition that the base was made 2 cm lower and bore the inscription “Original tilhører Paris By” (The original belongs to the City of Paris). It too was cast by the Thiébaut Frères foundry. Gloria Victis was one of Jacobsen’s most important and his last acquisition. Today it has been returned to its original position in the Winter Garden at Glyptoteket, Copenhagen, Denmark. The full-size plaster was shown again at the Paris Expositon universelle of 1878 alongside a bronze reduction by Barbedienne. By this time Antonin Mercié had entered into a commercial edition contract with the Ferdinand Babedienne foundry to produce bronze reductions of Gloria Victis, his most famous work. Gloria Victis is first recorded to have been produced in three sizes and by 1886 Barbedienne’s ‘Catalogue des Bronzes D’Art’ lists six sizes measuring 3/5, 9/20, 7/20, 3/10, 6/25 and 2/10, of the original. These reductions were produced by an invention of Barbedienne’s business partner Achille Collas. The Collas reducing machine was a type of complex mechanical pantograph lathe that enabled sculpture to be mathematically measured and transcribed to scale, in the round, thus making a reduced size plaster from which a bronze could be cast. Mercié's modern sculpture had become an instant classic, even receiving an entry in the Nouveau Larousse Illustré. The success of the group undoubtedly lay in the fact that it was admired not just on an aesthetic level, but also on a patriotic level, particularly in its commemoration of heroism in defeat. Immediately ‘Gloria Victis’ was recognised as a national artwork, capable of arousing patriotism and casts were ordered from Barbedienne as local memorials commemorating the war’s dead for cities across France. ‘Gloria Victis’ was considered so much a part of France’s national identity that for the 1900 Paris Exhibition, Ferdinand Barbedienne’s nephew Gustave Leblanc, loaned a bronze example to feature as part of l’Exposition centennale de l’art français. Literature: For an interesting account of the process of creating a reduction in bronze of the Gloria Victis by Barbedienne and illustrations of the casting and finishing of the bronze see: 'Ferdinand Barbedienne': Theodore Child; Harper's new monthly magazine, Volume 73, Issue 436, September 1886. ‘Contemporary French Sculptors’: The Century, Volume 33, Issue 3, Jan 1887. ‘Modern French Sculpture’: Harper's new monthly magazine, Volume 76, Issue 452, January 1888. S, Lami, ‘Dictionnaire des sculpteurs de l'Ecole française au dix-neuvième siècle’, Tome III. G.-M., Paris, 1914, p. 432. Peter Fusco and H.W. Janson, The Romantics to Rodin: French Nineteenth Century Sculpture from North...

A one of a kind beautiful abstract sculpture in white. Only one piece of this particular design remains from the 'White Symphony' series. This intricate unusual form is handcraft...

An intricately designed, and well-made, Arts & Crafts iron screen, attributed to and almost certainly designed by Richard Riemerschmid (1868-1957) in Germany. Circa 1910. The iron screen has a one large rectangular panel with two smaller stabilising flaps on either side. An arched insert...

A German bronze model of the medieval Brunswick lion, mounted on a black marble plinth, late-19th century, The German prince, Henry, Duke of Saxony an...

A rare and unusual studio pottery head sculpted by renowned ceramic artist Eric James Mellon (British, 1925-2014) and dated 1963. Trained at the Central S...

Early 20th Century Terracotta Italian Dog Statue A slender and refined shape, this hand-crafted early 20th century terracotta dog statue would hav...

This is a charming pair of antique Victorian silver plated salts each in the form of an eagle and in Baroque taste, circa 1880 in date. The beautifully cast salts each feature a de...

This is a small vintage Oriental warrior bust. A Chinese, hand-carved obsidian portrait sculpture, dating to the mid 20th century, circa 1950. Fasci...

Stunning Art Deco bronze sculpture of a gladiator with spear and shield Circa 1925 signed Desire Grisard , bronze Mounted on black Belgian slate base and veined black marble L. 86 cm...

A Meiji period bronze sculpture of a mother and son by Atsuyoshi, she is shown seated on a gnarled rootwood base, with her arm round a crying boy standing by her knee and offering her breast, wearing a short robe, trousers and a cloth incised with Mount Fuji around her head, and bare feet. Signed Atsuyoshi saku, Maruki Shachu seisaku (??????????? (??????????). Japanese, circa 1880. Footnote: Atsuyoshi is known for a number of finely modelled bronze studies of both wild and domesticated animals, almost all of them made for the Tokyo based Maruki Company. This is therefore an unusual subject matter for him and Japanese bronzes in general , however Oliver Impey and Joyce Seaman, in ‘Japanese Decorative Arts of the Meiji Period’ (in the Ashmolean Museum Collections), pp. 68-69, include a bronze group of a woman who has just finished breast feeding...

The latest edition to arrive at THE FOSSIL STORE™ is our famous and exquisite series of designed mount. The ammonites are truly exquisite specimens excavated from the high Anti-Atlas...

A pair of cut and polished ammonites with crystalline chambers originating from Madagascar. Once living creatures, these ammonites have developed their flowing colours and patterns displayed in their chambers over millions of years of compression, transforming into striking gemstones. Ammonites from Madagascar tend to be Triassic to Cretaceous in age, with several different species being available sporadically. Ammonite/s, which have variable features including crystalline, sediment or calcified segments. These fossils have been well preserved for millions...

A large sterling silver model of a male golden pheasant, made in Germany and bearing import hallmarks for London, 1924. The model is finely detailed and the silver game bird has clea...

A beautifully detailed Italian brass sculpture of a stallion in motion.  

An almost life size plaster statue after the antique titled 'The Wrestlers". The Two young men are engaged in the Pankration, one of the most ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely sublime very rare and original, small sized 1930’s Liberty’s London Omersa brown leather han...

A surprising frosted glass figure of a scorpion with its tail raised, ready to strike its prey. The frosted glass surface with excellent hand finished detail, signed Lalique France Additional information Measures: Height: 7 cm Condition: Excellent Condition circa: 1950 Materials: Hand Finished Frosted Glass SKU: 6008 DESCRIPTION The Scorpion...

Antique Angel Painting, Religious Angel Painting, Antique Angel Sculpture, Antique Dummy Board, Antique Religious Painting, Antique Religious Sculpture, Gothic Antique. 19th Century Religious Dummy Board Oil Painting of Angel...

A rare antique child mannequin, circa 1880, French. Losses to the outer fabric consistent with age and a dent to the metal top. The boots are cast iron so there mannequin ...

These are a truly special piece of early Religious art. These are a pair of 16th century carved wooden bishops from the Picardy region in France. T...

An excellent early 20th Century Art Deco cold painted bronze figure of a young boy in shorts holding a book under his arm with his hands in his pockets. The bronze has excellent cold painted gilt colour and is raised on a rectangular shaped black marble base, signed F Preiss & with original Foundry label. This is the large version of this popular and sought after subject ADDITIONAL INFORMATION Height: 32.5 cm Width: 17 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Ivory Book Ref Ferdinand Preiss by Alberto Shayo Page No 130 SKU: 9274 ABOUT Sonny Boy...

Juvenile carved wooden carousel horse carved in the style of Charles Loof. Lions carved into the back of the saddle. Requires little restoration. Started to paint 40 years ago but...

An unusual and stylish Kenneth Breeze Studio Pottery chess pieces and board sculptural installation comprising of six chess pieces and a hand-painted cut-out board. The chess pieces ...

An unusual and unique hand crafted English abstract sculptural crucifix made from 15th century hand wrought iron nails recovered during the restoration of an ancient East...

Hallmarked in London in 1968 by Edward Barnard & Sons Ltd, this handsome pair of Elizabeth II period, Sterling Silver Fighting Cockerels, are cast in the traditional fighting pose. T...

Mid-19th century carved and painted wooden Tang dynasty horse This is a superb piece of Chinese Folk Art, superbly carved in wood, in the classic statue...

A fine and early to mid 19th century plaster depiction of Flora the Goddess of Spring, possibly by Humphrey Hooper Flora, the Roman goddess of spring, through the chaplet of flowers...

Wonderful highly sculptural found object or architectural element with an ethnographical/Industrial feel to it. Although it is ceramic ( a type of stoneware ) it has a lovely metal...

A silver-gilt and enamel Austro-Hungarian horse drawn carriage model Austro-Hungarian, Early 20th Century Case: 28cm high x 89cm wide x 44...

This striking brass antelope/kudu bust is very reminiscent of noted designer Karl Springer's work. An impressive and heavy brass sculpted antelope's head sits on a double ogee black ...