Florida - Abstract Paintings

This unique large acrylic painting on canvas is an intricate and vibrant depiction of a lush floral scene, bursting with life and movement. The canvas is densely filled with swirling...

Mon Levinson (1926-2014). The Edge V, 1965. Plexiglass, acetate and paper. 24 x 24 x 3 inches. Minor scuffing on surface of plexiglass. Original gallery label affixed en verso. Biog...

Mixed Media, Watercolor and Gouache Bergner, Yosl (Vladimir Jossif) (b Vienna, 13 Oct 1920). surrealist, surrealism. belongs to the generation of people uprooted from childhood landscapes and forced by circumstance to build a life elsewhere. Uniquely, he became an Israeli without shedding his Jewish cosmopolitan-refugee identity, an identity he zealously guarded in the melting pot of Israel of the "fifties" and "sixties". In the years that have passed since he acquired his art education at the Melbourne National Gallery Art School in Australia, concepts in the art world have changed many times over. from the Jewish paintings and the depictions of Australian Aborigines through the children of safed, the wall paintings, the masks, the angels and kings, the still lifes, the "Surrealistic" paintings, the toys and flowers, the paintings inspired by the Bird-head Haggada, the Kafka paintings, the Pioneers, the Kimberley fantasy (about his father's excursion in 1933 to northern Australia, in search of a "territory for the Jews"), Brighton Beach and the seascapes inspired by Eugene Boudin, through the chairs in the "Kings of Nissim Aloni" episode to the "Zionists" and the recent "Tahies". "During the six years that Bergner has lived in Israel," wrote Eugene KoIb, Direct. or of the Tel Aviv Museum, in the catalog of the Bergner exhibit in 1957, "he has established himself among Israeli artists." Bergner was indeed one of the artists who represented Israel in the Venice Biennial (1956; 1958) and in the Sao Paulo Biennial in 1957; this, in spite of the fact that Yosl Bergner did not harness his art to serve the Zionist ethos, that being, at the time, the order of the day (his paintings were in fact rejected at first as being those of a "Diaspora Jew"); he didn't "naturalize" himself by alliance to the country's landscape or its special light, nor did he turn to abstract painting. Painter of "the Jewish condition". the painter involved in Nissim Aloni's theater and the popular illustrator of poetry books...

José Pedro Croft (born 1957 in Porto) is a visual artist. Considered as one of the main representatives of the revival of Portuguese sculpture, he is widely known for his geometric s...

A concoction of intersecting planes of colors, colliding and intersecting with each other as envisioned in the tube into which you peer and turn around to create different prismatic ...

colors- abstract original acrylic paper painting .. framed Original paper by the famous Spanish artist Josep Tharrats. Acrylic on paper. Perfect condition. Certificate of originality...

Original, oil paint and acrylic paint on canvas by the well known American artist, Syd Solomon. Signed bottom middle by the artist. Titled and dated verso 1983. Condition is excellent. Original gallery floating frame. Overall framed measurements are 38 by 42 inches. Provenance: A Sarasota, Florida collector. SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...

Stanley Boxer devoted nearly five decades to the development of an expressive, abstract practice, encompassing drawing, sculpture, and printmaking. “In the manufacture of my art, I u...

"black" original abstract acrylic canvas painting Original work by the Spanish painter Rafael RUZ. Acrylic on canvas . Perfect condition. RUZ, Rafael (Barcelona 1956) While contempla...

Joseph Kardonne (1911-1985). Nude Woman, 1966. Watercolor on paper, sheet measures 8 x 12.25 inches. Signed, dated and titled lower right. Excellent condition. Born in Newark, New...

Original painting on canvas.. Hand signed on front; signed, dated and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

"black" original abstract acrylic canvas painting Original work by the Spanish painter Rafael RUZ. Acrylic on canvas . Perfect condition. RUZ, Rafael (Barcelona 1956) While contempla...

Licenciado en Bellas Artes por ISPEJV, en la Habana en 2002, especialización en Restauración y Conservación de pintura Mural y caballete. Ha ejercido como profesor de pintura en e...

Original acrylic on aluminum. Frame size 94 X 46 Inches. Artwork is in overall excellent condition. A few minor stains to lower left side panel. All reasonable offers will be consi...

Original painting on canvas. Hand signed on front; signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of Authenticity in...

Interior Landscapes - Abstract Acrylic on paper Painting.framed While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same sense that Ju...

Artist: Jack Graves III (American, 1988-) Title: "Tibetan Flame" Series: Abstract *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2025 Medium: Orig...

"black" original abstract acrylic canvas painting Original work by the Spanish painter Rafael RUZ. Acrylic on canvas . Perfect condition. RUZ, Rafael (Barcelona 1956) While contempla...

Set of 2 paintings, 2023 by Rosario Briones Overall size: 330 H x 105 W cm. Individual size: 165 H x 105 W cm. Mounted on a stretcher Signed by the artist The ''Natural Flow'' serie...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

drops effect abstract. original. acrylic paper painting Artwork by Spanish artist ISIDRO CAHUE. The personality of the artist is reflected in different fields of art. His concern ...

Grapevine 2023 Artist signed acrylic on canvas. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from...

die-cut, lithograph, colored with guoache CASTILLO, Jorge (Pontevedra, 1933). Since childhood, Jorge Castillo is passionate about drawing, and takes only ten years, with crayons, yo...

Yari Ostovany is an American abstract artist of Iranian origins. He has lived in Tehran, Cologne, Los Angeles, San Francisco and in Reno. He is currently based in New York City. His ...

Cosmical landscapes, the paintings - always powerful - are witnesses of the artist’s emotions felt during his fictional intergalactic travels. Instant shot filled with serenity whic...

Francis, Shingo (Japanese/American, born 1969), W3 , 1999 Encaustic and watercolor painting on Arches paper, 23.5 x 22.5 inches, Hand signed and dated verso Provenance: Garner T...

Kevin Larmon, (American, b. 1955), 1985-1986, oil on canvas; hand signed, titled, and dated on the reverse Provenance: bear a Curt Marcos Gallery label verso This is one of a pair we are offering for sale Kevin Larmon (1955-) is an American artist and was assistant monitor of painting at Syracuse University. Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School. In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight. Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings. Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture. Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art. Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois. Over the years, Hudson and Larmon would work together on many exhibitions. As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino. Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin. During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner. Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal. From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado. Exhibitions curated by Tricia Collins and Richard Milazzo Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces took place at International with Monument in New York from March 28 – April 21, 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, and Laurie Simmons. Natural Genre: From the Neutral Subject to the Hypothesis of World Objects took place at Florida State University Gallery & Museum in Tallahassee, Florida from Aug. 31-Sept. 30, 1984. Larmon was accompanied by artists Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack. Still Life With Transaction II: Former Objects, New Moral Arrangements, and the History of Surfaces took place at Galerie Jurka in Amsterdam during November 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Peter McCaffrey, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Laurie Simmons, Tyler Turkle, Meyer Vaisman, and Oliver Wasow. Final Love took place at the C.A.S.H./Newhouse Gallery in New York from March 15 – April 14, 1985. Larmon was accompanied by artists Ross Bleckner, Peter Halley, Jonathan Lasker, Allan McCollum, Olivier Mosset, Peter Nadin, Bonnie Nielson, Meyer Vaisman, Wallace & Donohue, James Welling, and Stephen Westfall. Cult and Decorum took place at Tibor De Nagy Gallery in New York from December 7, 1985 – January 4, 1986. Larmon was accompanied by artists Ross Bleckner, Sarah Charlesworth, David Diao, Peter Halley, Jeff Koons, Jonathan Lasker, Peter Nadin, Joel Otterson, Ricardo Regazzoni, Robin Rose, Laurie Simmons, Haim Steinbach, Gary Stephan, Philip Taaffe, and Meyer Vaisman. Modern Sleep took place at American Fine Arts Co. in New York from October 17 – November 16, 1986. Larmon was accompanied by artists Saint Clair Cemin, John Dogg, Tishan Hsu, Jonathan Lasker, Annette Lemieux, Olivier Mosset, Joel Otterson, and Jeffrey Plate. Art at the End of the Social took place at The Rooseum in Malmö, Sweden from July – October, 1988. Larmon was accompanied by artists Donald Baechler, Ford Beckman, Gretchen Bender, Ross Bleckner, David Carrino, Lawrence Carroll, Saint Clair Cemin, Sarah Charlesworth, Charles Clough, David Diao, John Dogg, Suzan Etkin, Peter Fend, Robert Gober, Peter Halley, Claudia Hart, Tishan Hsu, Jon Kessler, Jeff Koons, Jonathan Lasker, Annette Lemieux, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Joel Otterson, Richard Prince, Holt Quentel, Sal Scarpitta, Nancy Shaver, Haim Steinbach, Gary Stephan, Philip Taaffe, Tyler Turkle, Meg Webster, and James Welling. Exhibitions at Feature Inc. Head Sex took place at Feature Inc. in Chicago, Illinois from July 7 - August 7, 1987. Larmon was accompanied by artists Kathe Burkhart, General Idea, Mike Kelley, Lillian Mulero, Raymond Pettibon, Johnny Pixchure, Richard Prince, Kay Rosen, Rene Santos, and Kevin Wolff. Strung Into the Apollonian Dream... took place at Feature Inc. in New York, New York from January 20 - February 24, 1995. Larmon was accompanied by artists Michael Banicki, Nancy Chunn, Tom Friedman, Felix Gonzalez-Torres, Jenny Holzer, Peter Huttinger, Mike Kelley, Louise Lawler, Sherrie Levine, Allan McCollum, David Moreno, Hirsch Perlman, Raymond Pettibon, Adrian Piper, Richard Prince, David Robbins, Rene Santos, Nancy Shaver, Jim Shaw, Cindy Sherman, Elaine Sturtevant, Tony Tasset, James Welling, Kevin Wolff, and B. Wurtz. I Gaze a Gazely Stare took place at Feature Inc. in New York, New York from March 9 - April 14, 1995. Larmon was accompanied by Jeanne Dunning, Robert Flack, Jason Fox, Tom Friedman, Jim Isermann, Pruitt-Early, Brett Reichman, Richard Rezac, David Robbins, and Nancy Shaver. THOUGHTS took place at Feature Inc. in New York, New York from April 14 – May 19, 2007. Larmon was accompanied by Pam Golden, Jonathan Heartshorn, Andrew Masullo, Tracy Miller, Travis Molkenbur, David Moreno, Oren Slor, the unnameable, and Tyler Vlahovich. Tom of Finland and then Some took place at Feature Inc. in New York, New York from June 25 - July 31, 2010. Larmon was accompanied by Tom of Finland, Richard Kern, Judy Linn, Bastille, Jerry Phillips, Martin of Holland, Joe Brainard, Fred Esher, Larry Clark, Robert W. Richards and Brian Kenny, Sean Landers, Richard Prince, Robert Fontanelli, GB Jones, Jeff Burton, Mie Yim, Raymond Pettibon, Catherine Opie, Carl Ferrero, Jared Buckhiester, Judy Rifka, Jeffrey Pittu, Scooter Laforge, The Hun, Tyler Ingolia, David Frye, Kinke Kooi, Juan Gomez, Rex, and Gengoroh Tagame...

Tactile Memory #154, 2018 by Natasha Zupan From the series Tactile Memory Oil, and mixed media on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Natasha Zupan be...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

original neo-expressionist acrylic painting . framed contemporary work by the mallorquin artist Toni CALDENTEY Painting on paper CALDENTEY, Toni - (Portocolom, Mallorca - Spain) The ...

A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...

Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee and Abstract Expressionist master Sam Francis. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...

112. AIRE 120 x 120 cm acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de...

This is a unique original acrylic painting on board in a fantasy cartoon style by Serg Graff Titled "Happy Capybaras". It comes signed, dated, and with a COA (Certificate of Authe...

John von Wicht (American, 1888-1970) Oil on Japanese Rice Paper. Hand signed and dated in pencil lower right. Sheet Size: 21 x 29.25 in. Johannes Von Wicht was born in Holstein, ...

Bernard Segal (1907-1986). Cubist portrait, ca. 1960. Gouache and watercolor on paper, sheet measures 10 x 13.5 inches; 12.25 x 15.25 inches framed. U...

This is a one-of-a-kind original acrylic painting on canvas by contemporary artist Serg Graff, titled "Funny Octopus on Vacation." Painted in a fantasy abstract style with bold textu...

Watercolor on paper, sheet measures 12 x 17.5 inches. Unframed. Signed and dated lower right. Estate stamp on verso. EVE PERI (1897-1966) Born in Bangor, Maine, Eve Peri worked...

Jean-Claude Gaugy (French, b. 1944) Very large oil on hand carved wood board "Au Dessus et au Dessous, La Meme". Hand signed titled and date 1997 verso. Measures 51" x 51", frame ...

Lyrical abstraction Gestural Abstraction

Thomas Edward Nozkowski (American, 1944-2019). Original mixed media abstract composition art utilizing colored rock gravel. Titled, "Gravel Piece." Hand signed on verso, dated 5/73. Provenance: Collection of the Bass Museum of Art, Miami Beach, Florida (Museum Inventory No. t.13.2000.053.) Thomas Nozkowski was an American contemporary painter. He achieved a place of prominence through his small scale paintings and drawings that push the limits of visual language. His work appeared in more than 300 exhibitions over the past 40 years. He had more than 70 solo exhibitions, and 24 of his paintings were featured in a large-scale retrospective in 1987 at Corcoran Gallery of Art in Washington, DC Nozkowski was born in Teaneck, New Jersey and raised in Dumont, where he graduated from Dumont High School in 1961. He spent his youth in the New Jersey suburbs, admiring New York culture from afar before moving there after graduating high school. His father worked in an Alcoa Aluminum factory and then as a postman. His mother worked in factories and as a bookkeeper. One of his aunts was a schoolteacher who gave him and his younger sister art supplies. When he was a senior in high school he won a scholarship to attend a painting class at New York University's School of Education, where he studied with Robert Kaupelis and Hale Woodruff. While he earned his BFA at Cooper Union, Nozkowski was making sculpture. He graduated in 1967. He later transitioned to large scale abstract expressionist painting, and exhibited some of his earliest works in group shows at the storied Betty Parsons Gallery. Richard Tuttle had his first show a year after he began assisting Betty Parsons. Thomas Nozkowski worked for her after graduating from Cooper Union. Between 1949 and 1951. In the course of 36 years, the Betty Parsons Gallery mounted important early shows of Robert Rauschenberg, Kenzo Okada, Richard Pousette-Dart, Leon Polk Smith, Forrest Bess, Sonia Sekula, Herbert Ferber, Seymour Lipton, Eduardo Paolozzi, Alexander Liberman, Barbara Chase-Riboud, Richard Lindner, Agnes Martin, Ellsworth Kelly, John Walker, Patrick Ireland...

after works. original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de la...

Liquid Life N4 and N2, Diptych, 2024 by Rosario Briones From the series “Liquid Life” Mixed technique (inks and acrylic paint) on 118gr Ahlstrom absorbent paper. Overall size: 106 He...

Joseph Kardonne (1911-1985). Tarleton Landscape 1967. 9 x 12 inches. Watercolor on paper, sheet measures inches. Signed, dated and titled lower right. Excellent condition. Born in...

Ruz. original abstract original abstract acrylic painting Original artwork by Spanish artist Rafael Ruz. Acrylic on canvas in perfect condition. While contemplating the painting...

I love to observe water lilies in the water and in the canvas, these are my water lilies. Ready to hang. :: Painting :: Abstract :: This piece comes with an official certificate o...

Joseph Kardonne (1911-1985). Nude Woman, 1966, 9 x 12 inches. Watercolor on paper, sheet measures inches. Signed, dated and titled lower right. Excellent condition. Born in Newark...

35.-Couple in colors 100 x 75 cm acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company ...

At a time when Abstract Expressionism was raging, realist painterJohn Atherton nods his head to the movement with a semi-abstract work. Meticulously rendered and carefully thought o...

Jesse Redwin Bardin (1923-1997). Untitled, ca. 1960. Oil on canvas, 18 x 31 inches; 21.5 x 36.5 inches framed. Signed lower right. Provenance: Private collection, Philadelphia; F...

Udo Nöger aims to bring out the luminescence of paint in his practice. The artist is known for monochromatic gray works that give the impression of emitting light. Nöger achieves thi...

Original artwork by Spanish artist Rafael Ruz. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in ...

Rosemarie Beck (1923-2003). Yaddo Portrait of a Man (possibly Larry Osgood). Oil on canvas, 18 x 22 inches. Without frame. Minor rippling of canvas with...

My Best Friend is a painting made by Evelyne Ballestra, a French contemporary artist. This orange and yellow tons expressionist painting is the representation of the artist's other-self, an unalterable presence which is an eternal smile of a bursting light...

In Mr. Zox's sigrrature works of the mid- to late 1960s, flatly painted diamonds, triangles and other hard-edged shapes were orchestrated into brilliant symmetrical and asymmetrical ...

As there are no labels and this came out of an estate I am selling this as an attribution. It is a lovely piece reminiscent of Jean Dubuffet and the American Abstract Expressionism of Milton Resnick. Frame measures 28 X 24 board measures 24 X 20. Georges Noel...

Pasquale Carenza was born in Bari, Southern Italy and lived and worked in London for thirty years. In 2004 he moved to live in Beirut. Mainly self-taught, he attended the Saint...

Raccoon Watching Fish, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.