Florida - Color Photography

One Pink Rose, n.d. by Michael James O’Brien Printed on Hahnemuhle fine art photo rag paper Image size: 36 in. H x 24 in. W Edition of 7 + 2AP Unframed _________________ Michael ...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Photography helps Kevin Krag to freeze in time his one-of-a-kind sculptures capturing the spiritual dimension, vulnerability, and mortality of his ephemeral pieces. Using ethically s...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

The Gapstow Bridge in a snow blizzard in Central Park. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. Ot...

Dreaming Dali #2270 by Natasha Zupan, 2018 -1 /5 Limited edition archival pigment print blow-up photograph from the original collage image. Size; 63 in. H x 63 in. W _______________...

This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948. He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come. Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child's play in everyday Paris. In 1979 Riboud left the Magnum agency. Riboud's photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998. One of Riboud's best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud's images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element. An image taken by Riboud on 21 October 1967, entitled "The Ultimate Confrontation: The Flower and the Bayonet," is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America's involvement in Vietnam. Select Exhibitions 1958 Photographs From The Museum Collection (Museum of Modern Art, New York) 1959 30th Anniversary Special Installation - Towards the "New" Museum (Museum of Modern Art) 1960...

Color photograph, 2007, signed, dated and numbered 3 of 25 on the reverse. 14 x 11 in. (sheet), 20 1/7 x 16 1/2 in. (frame). It appears to be signed Laura Cohen or Laura Cohn Taped t...

Eternal Recurrence #33 by Natasha Zupan Archival Pigment Print on Photographic Paper Image size: 53.5 in. H x 60 in. W Edition of 5 2015 ____________________________ Natasha Zupan’s...

Crazy He Calls Me. From the series "Eternal Recurrence" by Natasha Zupan Archival Pigment Print on Paper Image size: 60 in. H x 53.5 in. W Frame size: 63 in H x 56.5 in W x 1 in D Ed...

This one depicts a sports wristwatch over an aerial landscape and is titled Clock Garden. it is signed and dated 1979. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/...

FLORA & FAUNA SERIES, c.1998, Fuji crystal archive paper. Hand-signed on verso. Photographer Jeffrey Rothstein focuses on different elements within Nature for his subject matter, ra...

"Wherever You Look, You See The Chrysler Building: Dumbo" is an exemplary work and part of a new epic exhibition, Mitchell Funk Photographs The Chrysler Building for 50 Years. The Ch...

Original photo transfer on acetate and colored paper mounted on paper. Hand signed on front by the artist. Authenticated by Andy Warhol Art Authentication Board...

Neal Slavin (American, b. 1941) The Wheelman, Swarthmore, PA Bicycle Riding Club. Antique Highwheeler Penny Farthing Bike club riders. Vintage C-print [Chromogenic development print; Ektacolor prints] Hand signed and numbered by the photographer 48/75 Photos made with 2.25 X 2.25 Hasselblad camera and 4 X 5 Calumet camera Contact printed on Kodak Ektacolor 74 RC-N paper Mat is 100% rag archival board Print measuring about 14 x 11 inches (33x26.7 cm.) or slightly smaller. image size varies a bit. Mat measures 18 X 14 In the 1970's, Neal Slavin captured a potpourri of various and sundry American groups of people: hobby groups, hot dog vendors, religious groups, social clubs, meetings, professional unions, and others. Neal Slavin (born 1941) is an American photographer and television/film director. He is the author of Portugal (1971), When Two or More are Gathered Together (1976) and Britons (1986). He directed and produced the film Focus (2001). Slavin was born in Brooklyn, New York. He graduated from the Cooper Union School of Art and Architecture in New York, where he obtained a Bachelor of Fine Arts degree. He was awarded an exchange student scholarship at Lincoln College, Oxford in the UK. Britons is a series of photographs of people from Britain, commissioned by the National Museum of Photography, Film and Television in the UK. It was published as a book in 1986 and exhibited at the International Center of Photography (ICP) in New York and at the National Museum of Photography, Film and Television that same year. His photography has been seen in publications and magazines, including The Sunday Times magazine, Stern, Town & Country, Esquire, The New York Times magazine, Life, House & Garden, and Geo Magazine. His photographs can be found in the Museum of Contemporary Photography in Chicago, USA. His work encompasses a professional career of over 40 years, during which he has photographed a myriad of subjects including such celebrities as Steven Spielberg, Harrison Ford, Barbra Streisand, and Phil Collins. He is most known for his group portraits, which have been a significant focus throughout his career. He recently created a group portrait for T Magazine of film celebrities that have their roots in NYC, which includes Willem Dafoe, Glenn Close, LaTanya Richardson, Ed Harris, and Loretta Devine, among others. Slavin has received a number of grants and awards. He was one of the first Fulbright Fellows in Photography. He received US National Endowment for the Arts grants and a number of awards from Communication Arts Magazine. In 1986, he was named as the Corporate Photographer of the Year by the American Society of Magazine Photographers. He was also awarded the 1988 Augustus Saint-Gaudens Medal and the 2005 President's Citation by his alma mater, the Cooper Union. He is among the first generation of photographers, along with William Eggleston, Stephen Shore, Richard Misrach...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Beachball. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Leopards. This one is hand signed and dated verso. Seasons explores the season...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: TV Gyroscope. This one is hand signed and dated verso. Seasons explores the se...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Fruits. This one is hand signed and dated verso. Seasons explores the seasons ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Children in water. This one is not hand signed although the rest in the portfolio wer...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

"Marvin Gaye'" framed color photograph. This photograph was originally displayed in a guest room of the original Hard Rock Hotel and Casino in Las Vegas, Nevada, and comes with a cer...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Archival digital pigment print on Hahnemuhle paper. Hand signed and numbered by the artist. This photograph appears in Jock Sturges: Notes. Sheet size 17 x 13 inches. Image size 13...

Rayas Two, by Ricky Cohete Archival Pigment print Image size: 30 in. H x 20 in. W Ed of 13 Unframed Throughout his exploration of the movement of the body, with modern and ballet...

Fernanda Naman Metamorphosis (Triptych) 94 x 55 inches (each) 94 x 165 (total) Edition of 9 Plexiglas Mounting Also available in: 50 x 30 inches (each) 50 x 90 inches (total) Edit...

Dart machine oil can in garage. The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak pro...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Leaf. This one is hand signed and dated verso. Seasons explores the seasons of...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Fish Bowl. This one is hand signed and dated verso. Seasons explores the seaso...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Globe. This one is hand signed and dated verso. Seasons explores the seasons o...

An iconic view of the Twin Towers shortly after completion are depicted with an angelic light. Signed dated and numbered on lower right, 3/15 printed later, on Hahnemuhle Paper Oth...

David Levinthal Title: Untitled Edition: 2/5 Hand signed, numbered and dated in ink on recto Date: 1997 Original Polaroid Large Format Print (Photo-Internal dye diffusion transfer) Location: Cambridge Massachusetts United States Dimensions: Image: 28 X 22 in. Framed: 36 X 30 inches This depicts a still life of African American Blackface iron toys from his provocative, controversial photo series. This body of work is drawn from David Levinthal’s project Blackface, dating from 1995-1998, it featured blackface Polaroids of his original memorabilia, drawn from the artist’s African American Americana personal collection, that are the Polaroid’s subject matter. Levinthal’s collection of black memorabilia evolved into Blackface, a stimulating and controversial body of work. The title, according to Levinthal, “makes reference to the many facades, poise and physicality of these figures.” The title is also taken from the name of a journal of a black film-making company and is a term referring to both blacks and whites. Traditionally associated with minstrel, these images were used to perpetuate negative stereotypes. Levinthal’s work was originally intended to be exhibited at Philadelphia’s ICA in 1997. However, the show was cancelled when it became a cause célèbre as a result of its controversial subject-matter. Subsequently, images from the series were exhibited at the International Center of Photography and at Janet Borden, Inc. in New York. Levinthal’s initial inspiration for Blackface was D.W.Griffith’s 1915 film “Birth of a Nation,” a groundbreaking film of its time and a watershed moment in the cultural wars. It’s extreme and racist depictions of African Americans fueled a debate over the efficacy and motivation of using racially charged images that continues to reverberate in our culture today. Levinthal’s Blackface was originally intended to be a series based on “Birth of a Nation,” but the focus of the work shifted to the inscription of racially charged identities – what these collectibles convey, how they function within society, and how they continue to polarize social attitudes – within material objects produced and packaged as consumer goods. Levinthal works using a 20 x 24 inch Polaroid Polacolor ER Land Film which results in a large format Polaroid...

Hatay is a visual artist, photographer, healer and a former Rock and Roll photojournalist. the yellow photocopied poster/info sheet is not included. Born in Scotland of a Hungarian...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

The artist's computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's w...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Robert Fichter Title: Jonah Date: 1980 Original Polaroid Large Format Print (Photo-Internal dye diffusion transfer) Location: Cambridge Massachusetts United States Dimensions: Image: 27 1/2 x 20 1/2 in. (69.9 x 52.1 cm), Paper: 29 1/4 x 21 1/2 in. (74.3 x 54.6 cm) This depicts a large mouth fish with a toy soldier and Asian art (tattoo art?) in an abstract assemblage collage. From "Five Still Lifes" New York: Paradox Editions, Ltd., 1980. 5 original Polaroid color prints. Each hand signed, titled, dated and numbered 37/40 in ink in the margin. Each approximately 24 x 20in (image size). Each is on original as there are no negatives in this process. The photographers included: Robert Cumming, Robert Fichter, Betty Hahn, Victor Schrager...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...

Deaccessioned from important corporate art collection Jim Dow, American, born 1942 Candlestick Park, 1982 Ektacolor Chromogenic print (Dye coupler print) Image: 7 3/4 × 29 3/4 in. (19.7 × 75.6 cm) Sheet: 10 13/16 × 34 in. (27.4 × 86.4 cm) Baseball Stadium Photograph by Jim Dow, a camera artist who has taught at Princeton, Harvard and Cooper Union, captured on film 12 National League and 14 American League stadiums in an unusual and powerful manner -- when they were empty. Throughout 1982 he roamed from Candlestick Park in San Francisco to the Toronto Blue Jays' Exhibition Stadium, from Wrigley Field in Chicago to the New York Mets' Shea Stadium and NY Yankees' Yankee Stadium. Fields of Dreams: North American Baseball Stadiums exhibit by photographer Jim Dow could not be more perfect for a summer viewing. Showcasing the subtle appeal of old-time baseball fields that are disappearing with increasing frequency across the country, it runs through early August. The exhibit features twenty-six panoramic photographs of major North American stadiums. According to Michael Beam, the museum’s curator of exhibitions and collections, Dow has always been concerned with capturing the essence of regional life before it fades. He has taken pictures of barbershops, private New York clubs, and English tobacconist shops that are now long gone. “These images are nostalgic to past generations,” Beam says. “People remember attending games at these historic parks. I believe only three are still in existence. The rest have been rebuilt, so the next generation will not have any memories or attachments to these past stadiums.” Dow’s pictures have been featured globally including the Museum of Modern Art in New York and the Stedelijk Museum in Amsterdam, The Netherlands. This exhibition in will feature panoramic color shots of well-known baseball venues including Comiskey Park, Yankee Stadium, Fenway Park...

Edition of 10 Mounted in Plexiglas Record Original Size Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turnta...

1981, Chromogenic Print. It is supposed to be signed lower right recto but has not been examined out of frame. Provenance: Bernice Steinbaum Gallery, New York; ARCO Chemical Company, Newtown Square, PA. Sonja Bullaty (October 17, 1923 - October 5, 2000) was a Jewish American photographer. Bullaty is known for her "lyrical composition" and strong use of color during her fifty-year collaboration with her husband, Angelo Lomeo. Bullaty and Lomeo's photographs appeared in LIFE, Time and Audubon magazines and journal.They have both exhibited at the Metropolitan Museum of Art, the International Center of Photography, the George Eastman House, UMPRUM Museum in Prague, in the Nikon House galleries and other venues. Bullaty was born in Prague to a Jewish banking family. Her family gave her a camera when she turned fourteen. Since Bullaty had been forced to leave school at the time, the camera was a "consolation gift." When Bullaty was eighteen, she was deported by the Nazis to Poland, where she was kept in the Lodz ghetto, and then later taken to Auschwitz and Gross-Rosen concentration camps. During a death march near Dresden, she and a friend successfully hid in a barn and were able to escape and return to Prague. When she got back to her home city, she discovered that no one else in her family had survived the Holocaust. Bullaty, "her head shaved," saw and answered an advertisement to be the helper to Czech photographer, Josef Sudek. As his assistant, she mixed chemicals for the darkroom, organized his negatives and learned from his sense of composition.[1] Sudek called her his "apprentice-martyr." Sudek's work often focused on the Czech landscape and windows, such as in the series The Windows of My Studio (1940-1954). Bullaty also photographed windows, but unlike Sudek, who photographed his own windows looking out, Bullaty photographed windows looking into buildings. Bullaty published a book, Sudek (1978), about her mentor, and it was the first publication of his work in the West. Bullaty found work with a photographer on her third day in New York. Also in 1947, she met Angelo Lomeo. They were brought together when she was inquiring about a darkroom in a building he managed. Lomeo was intrigued by Bullaty's accent and went to see her. They started photographing together a year later, traveling and sharing resources; during their time together, they became close. Bullaty and Lomeo were married in 1951. Later, when she was married, she and her husband would visit Sudek and bring him photography supplies. They visited him in Czechoslovakia "almost yearly." In 1971, she helped mount an exhibition of Sudek's work in New York. As photographers, Bullaty and Lomeo started using studio cameras...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

This one depicts an aerial landscape view of Saint Louis Missouri and is titled St. Louis, Mo SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American aviation pionee...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

View of the San Francisco skyline during a foggy morning from the Golden Gate Bridge. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed b...

Elio Uno and Dos, Diptych by Ricky Cohete From The Nostalgic Series Archival Pigment Print Overall size: 30 in H x 40 in W. Individual size: 30 in H x 20 in W. Edition of 13 + 1AP Un...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Nazareno #2, 2002 by Celso José Castro Daza From The series Buscando Papá. Photo Collage One of a kind photo collage Sheet size: 40 in. H x 27.5 in. W Unframed The root of these uni...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The artist's computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's w...