Florida - Sculptures

Alex Gabriel Bernstein (b. 1972) Large Blue Half Moon, 2023 Cast and cut glass, fused steel 22 x 42 x 5 in

Bronze sculpture 102 x 85 x 85 inches on 16 x 48 x 48 inch base

Jennifer JL Jones (b. 1971) Forget Me Not, 2022 Mixed Media on Baltic Birch Wood Panel 54 x 72 x 2.50 in

TECHNICAL INFORMATION: Larry Rivers Webster Cigar Box 1964-66 Multiple of wood, canvas, paper, and plexiglass, with screen print, paint, and collage additions 13 3/16 x 15 15/16 x 1...

Hand Blown and Hand Carved Murano glass - 3 Layers 22.50 x 12.50 x 9.25 in

Hand Blown and Hand Carved Murano glass - 2 Layers 21.37 x 12.12 x 7.50 in

Hand Blown and Hand Carved Murano glass - 3 Layers 21 x 10.37 x 7 in

Hand Blown and Hand Carved Murano glass - 4 Layers 21 x 11 x 6.50 in

46 x 32 x 32 inch bronze sculpture on 32 x 16 x 16 inch black granite base

Gustavo Torres Sisters (Small) (2/75), 2022 Bronze 23 x 5 x 5 in

Gustavo Torres The Hunter (8/20), 2013 Bronze Sculpture 34.50 x 6.50 x 6 in

David Hayes (1931 - 2013) Harrowed Fields – Green, Red, Black, Orange, Blue, Yellow, 2000 Painted welded steel 32 x 24.50 x 14 in

David Hayes (1931 - 2013) Rouge et Noir Deux (Small) – Black, Red, 2008 Painted welded steel. 14.50 x 10.50 x 9.50 in

David Hayes (1931 - 2013) Screen Sculpture #83, 1997 Painted, welded diamond plated steel 60 x 53 x 21 in

David Hayes (1931 - 2013) Capricorn, 2004 Painted welded steel 66 x 55 x 45 in

David Hayes (1931 - 2013) Griffon, circa 1963 Bronze sculpture with black patina 28 x 8 x 4 in

Hanging Sculpture #22 David Hayes (1931 - 2013) Painted steel mobile 35 x 33 x 28 in

This unique piece by Margulis is from his latest body of works and is part of an edition of 9. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints t...

Suitable for Outdoor placement

Edition of 9 Bjorn Skaarup (Danish, b. 1973) holds a MA in History and Art History from the University of Copenhagen, and a PHD in History from the European University Institute in ...

Edition of 9 Bjorn Skaarup (Danish, b. 1973) holds a MA in History and Art History from the University of Copenhagen, and a PHD in History from the European University Institute in ...

Handmade by the artists - lacquered wood

Handmade by the artists - lacquered wood

Ceramic, maple

Handmade by the artists - lacquered wood

Ceramic, maple

Ceramic

Handmade by the artists - lacquered wood

Handmade by the artists - lacquered wood

Lacquered wood, handmade

Outdoor sculpture, the bunny is created in fiberglas with enamel and automotive paint, this was created for 365 outdoor placement in any environment...

Handmade wall sculpture created in ceramic

Handmade by the artists - lacquered wood

Handmade by the artists - lacquered wood

Handmade by the artists - lacquered wood

Handmade by the artists - lacquered wood

Handmade by the artists - lacquered wood

Michael Dweck - Mermaids in Montuak - hand made sculptural objects, metal wall brace

Created for the outdoors, 365, outdoor sculpture

Hunt Slonem, outdoor sculpture, metal and enamel

Vaadia says of his work, “By using the natural forces of rocks, my work awakens ancient ‘earth senses’ that were slowly abandoned by man during his evolution to civilization. By carv...

Very rare cast. (edition of 1 or 2) This work was featured in an article "The Appropriation of Marginal Art in the 1980s Author: Donald Kuspit Source: American Art, Vol. 5, No. 1/2 (Winter - Spring, 1991), pp. 132-141 Published by: The University of Chicago Press on behalf of the Smithsonian American Art Museum. This appears to be modeled after a figure by HR Giger. it was cast by Polich Tallix Foundry. Born in Brooklyn, 1953 Robert Longo became synonymous with American pictorial art during the 80s, his ambitious large-scale works seemingly synchronized with the booming economy and boisterous values of the Reagan era. In 1974, whilst studying at State University College, Buffalo, Longo co-founded Hallwalls. As a studio and exhibition space for contemporary art, Hallwalls was the precursor of Longo's ongoing concern for utilizing art's multi-disciplinary potential. His partner in this venture was Cindy ShermanAfter graduation Longo showed in 1979 at The Kitchen, a downtown space which encouraged artistic experimentation and collaboration. In the following year, he had his first one-person exhibition in Europe, at Studio d'Arte Cannaviello in Milan. Since then, Longo has shown continuously in Europe and America. However, it was his first solo exhibition at Metro Pictures, New York, in 1981 that brought him international critical acclaim. This installation of Men in the Cities presented his charcoal, graphite and dye studies of office workersThis interruption of a smooth linear reading, notably used in Dada and Surrealist collage, undermines assumptions, whether they be cultural, social or political. In 'Men in the Cities' Longo cuts anonymous people from their environments, then splices their portraits in amongst blocks of buildings. The association is made between the private and the corporate, the human and the industrial, the fragile and the impervious. Engagement with the social and political can be seen in Longo's work throughout the 80s, setting him apart from fellow artists David Salle and Julian Schnabel. Following a major retrospective at The Los Angeles County Museum of Art in 1989, Longo began to focus on single themes, rather than montages of associations. Furthermore, he moved to Paris the following year. The 'Black Flag' series resulted from this change in direction, and location. Taking the Stars and Stripes as his subject, Longo re-worked the treatment of the spangled banner by Pop artist Jasper Johns. J Longo is a multi talented artist who works equally successfully in a variety of media. He is equally well known as a sculptor and film director as he is as a draftsman/painter, and like the best of the contemporary film directors, his aim is to seduce, elucidate, transform, and instruct. SELECTED PERMANENT COLLECTIONS Art Institute of Chicago, USA Guggenheim Museum, New York Los Angeles County Museum of Art, Los Angeles, USA Musee d'Art Contemporain, Montreal, Canada Museum of Modern Art, New York Saatchi Collection, London Stedelijk Museum, Amsterdam, The Netherlands Tate Gallery, London Walker Art Center, Minneapolis, USA The Whitney Museum of American Art, New York SELECTED SOLO EXHIBITIONS 'Das Magellan Projekt', Kunsthalle Tubingen, Germany, 1997 'Das Magellan Projekt', Kunsthal Rotterdam, Rotterdam, The Netherlands, 1997 'Das Magellan Projekt', Kunsthalle Bielefeld, Bielefeld, Germany, 1997 'Robert Longo: Kreuze', Museum Fridericianum, Kassel, Germany, 1996 'Robert Longo: A Retrospective', The Isetan Museum of Art, Tokyo, 1995 'Robert Longo: A Retrospective', Ashikaga City Museum, Kirin Plaza Art Space, Osaka, Japan, 1995 'Faith in Zero' Project: Galerie Daniel Templon, Galerie Antoine Candau, Galerie Thaddaeus Ropac, A.B. Galleries, Galerie Gordon Pym et Fils, Paris, France, 1991 'Black Flags', Galerie Daniel Templon, Paris, 1990 'Robert Longo 1976 - 1989', The Los Angeles County Museum of Art, Los Angeles, 1989 'Robert Longo 1976 - 1989', Museum of Contemporary Art, Chicago, USA, 1989 'Robert Longo 1976 - 1989', Wadsworth Atheneum, Hartford, CT, USA, 1989 'Sequences/Men in the Cities', University Art Museum, California State University, Long Beach, USA, 1986 'Sequences/Men in the Cities', Contemporary Arts Museum, Houston, Texas, USA, 1986 'Sequences/Men in the Cities', Fort Wayne Museum of Art, Fort Wayne, Indiana, USA, 1986 Stedelijk Museum, Amsterdam, The Netherlands, 1985 Metro Pictures, New York, 1981 SELECTED GROUP EXHIBITIONS La Biennale di Venezia: XLVII Esposizioione Internationale d'Arte, Venice, Italy, 1997 'Views From Abroad: European Perspectives on American Art 3', Whitney Museum of American Art, New York, 1997 'Allegories of Modernism: Contemporary Drawing', The Museum of Modern Art, New York, 1992 'A Forest of Signs: Art in the Crisis of Representation', The Museum of Contemporary Art, Los Angeles, USA, 1989 'Documenta 8', Kassel, Germany, 1987 L?epoque, La Mode, La Morale, La Passion, 1977 - 1987', Mus'e National d'Art Moderne, Centre Georges Pompidou, Paris, France, 1987 "New York '85" (with Jasper Johns, Elsworth Kelly...

Bronze knot sculpture

TECHNICAL INFORMATION: Jesus Rafael Soto (June 5, 1923 - January 14, 2005, Venezuelan) Vibrations Metalliques 1969 painted metal with metal rod with nylon string 10 3/4 x 11 3/4 x 5...

UNTITLED FROM "DOME SERIES" (it is about 10 inches deep) Oil and mixed media assemblage on joined canvas panels over a geodesic dome. (He collaborated wi...

Rafael Barrios Movil Espiral Fractal (Código M597), 2019 Edition 3/3 Hand Fabricated Lacquered Aluminum 178 x 80 cm 70 x 31.4 in. This artwork is accompanied by a certificate of authenticity directly from the artist. RAFAEL BARRIOS is a Venezuelan artist born in 1947 in Baton Rouge, Louisiana, US. He studied Fine Arts in Canada, the United States, and Venezuela. His artistic trajectory dates back to a very early age. He studied drawing and painting at the Museo de Bellas Artes in Caracas, Venezuela, achieving his first recognition with the award “National Youth Painting” in 1963. Upon completing his basic studies in Venezuela and Canada, he received a scholarship from J. Walter Thompson International to attend the Ontario College of Art in Toronto, Canada, graduating with honors in “Pure Art” and “Communication and Design”. He received a scholarship from New York University (US) to attend its Graduate Program for “Fine Arts” and “Monumental Sculpture Techniques”. He was granted several national and international awards: “The Sculpture Award”, Ernesto Avellán Exhibition; the McLean Foundation Scholarship, the highest award offered by the Ontario College of Art, Canada; the “Excelentísima Diputado Pronvicial de la Frontera” Decoration, for his Monumental Sculpture titled “Tercer Horizonte”, to commemorate 500 years of America’s Discovery, in Palos de la Frontera, Huelva, Spain; “Second Prize” at the Sofia Imber Caracas Contemporary Museum’s Biennial of Visual Arts, in Venezuela; the “Conferry Award”, First Sculpture Biennial, Francisco Narváez...

Edgar Negret Mascara, 1994 Painted Aluminum 87 x 87 x 32 cm 34.2 x 34.2 x 12.5 in. The artwork is signed and dated on the back and illustrated as follows...

Edgar Negret El Sol Rojo, 1985 Painted Aluminum 250 x 244 x 80 cm 98.4 x 96.1 x 31.5 in. Carlos Jiménez Moreno, Negret Escultor: Homenaje. Villegas Edito...

Felipe Castañeda Desnudo, 1984 Marble 52 x 32 x 35 cm 20.4 x 12.5 x 13.7 in. Felipe Castañeda (Mexican, b.1933) began his artistic career working at...

Felipe Castañeda Mujer con Flores, 1982 Black Marble 52 x 32 x 35 cm 20.4 x 12.5 x 13.7 in. Felipe Castañeda (Mexican, b.1933) began his artistic ca...

Agustín Cárdenas El Violinista, 1989 Bronze. Ed. 4/6 54 x 36 x 22 cm 21.2 x 14.1 x 8.6 in. AGUSTIN CARDENAS (b. 1927, Matanzas, Cuba; d. 2001 Havana,...

Hunt Slonem Knowles, 2021 Handblown Glass, Velvet, Ornate Wood Frame 27 x 17 x 9 in

Hunt Slonem Nhean, 2021 Handblown Glass, Velvet, Ornate Wood Frame 27 x 17 x 9 in

Hunt Slonem Lucky Charm Blue, 2021, (1/100) stainless steel, pigmented polyester/epoxy 14 x 14 x 3.50 in

Hunt Slonem Opaline Blue, 2020 HandBlown Glass 16 x 10 x 9 in

Pietro & Riccardo Ferro 2021 Murano Glass 21 x 10.375 x 7 in (Plate #8) LA MOLERIA: Pietro & Riccardo Ferro Exhibition Catalog

Pietro & Riccardo Ferro 2019 Murano Glass 59 x 23.50 in (Plate #20) LA MOLERIA: Pietro & Riccardo Ferro Exhibition Catalog

Pietro & Riccardo Ferro 2021 Murano Glass 31.25 x 31.25 x 31.25 Plate #26 LA MOLERIA: Pietro & Riccardo Ferro exhibition catalog

Pietro & Riccardo Ferro 2021 Murano Glass 31.25 x 31.25 x 31.25 in Plate #27 LA MOLERIA: Pietro & Riccardo Ferro exhibition catalog

Pietro & Riccardo Ferro 2020 Murano Glass 19.50 x 31.25 x 2 in Plate #37 LA MOLERIA: Pietro & Riccardo Ferro exhibition catalog