Pietro & Riccardo Ferro

Plate #22 - Murano Glass

2021

Medium Champagne Classic Wave, 2023

Red Vase, 2023

Tall Champagne Vase, 2023

Artist Statement: I fully believe a certain "luck factor" exists when working with glass; sometimes a piece turns out and others crack or break. Glass can be solid/liquid, can be...

Original Murano glass vase with inclusions of avventurina, (a mixture of glass and copper), colorful glass rods and other patches, Angelo Rinaldi, Murano 1975. Etched surface. It wea...

Thick, transparent glass with immersed stripes of red, yellow, blue and green, Fulvio Bianconi for Venini S.p.a., Murano 1991. Signed, dated, original label and original box. H. 12.7...

This marble sculpture is hand carved with Carrara Statuario marble! The Ball is available either with or without the showcase. Also the bottom of the showcase can be made in any col...

Olivia Steele Embrace The Mystery (Infinity Mirror Box), 2019 39.3 x 39.3 x 7.8 inches Hand blown and colored neon, two-way mirror, polished stainless ste...

Text by Terence Sharpe There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...

In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...

Dana Widawski’s ceramic works can be compared to the form of wild thinking. She transcends genre boundaries and one-sided classifications by repeatedly c...

Text by Terence Sharpe There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...