France - Sculptures

Large indoor/outdoor sculpture representing a charging bull. François Melin (1942-2019). Unique piece, produced in small brass plates welded, to an ...

Espalier was created in 2022 by French designer Eric de Dormael. Hancrafted in brass, this is a unique piece. Éric de Dormael is an unconventional artist, his trajectory far from the...

Tour was created in 2022 by French designer Eric de Dormael. Handcrafted in brass, this is a unique piece. Éric de Dormael is an unconventional artist, his trajectory far from the be...

Terracotta sculpture of elephants circa 1960 dimensions : 47x12x24cm ref : price : 390€.

1930 bronze by Irénée Rochard (1906-1984) representing two hunting dogs (spaniels) stopped on a black marble base. Dimension height 24 cm for a length of 53 cm and a depth of 18 cm. ...

Wave Sculpture by Twenty Second Factory Created by Alexander Volosenko Dimensions: D 23 x W 90 x H 42 cm Materials: Wood. Founded in 2017 by Bogdan Kryvosheya, a creative director f...

art deco ceramic mask circa 1930/1950, monogram, to identify

Interesting sculpture "Totem" in carved wood partially colored in red. Directly handcarved in a dead tree trunk.

Art Deco-period bronze statue featuring two flying gulls skimming the crest of a wave. The sculpture is set upon a black marble base. Signed H. Molins for Enrique Molins Balleste...

Mid-Century Modern Scandinavian ceramic by Gunnar Nylund: fish. Brown mat glazure, haze fur.

Tray, footprint, original designed by Piero de Vecchi, 1935. This piece is in silver metal, not solid silver, it is signed on the back by de Vecchi 1935. Authentic piece, modernist ...

Sculpture in concrete of a bather exiting her bath, 20th century.  

This unique piece by Lebanese artist Nayla Tabet is a tree sculpture combining high-quality metal wires and finely cut pink paper, giving birth to a one-of-a-kind work. The artist li...

Late 19th century bronze group featuring two young women with flowers on a small naturalistic terrace. Signed on the terrace: KINSBURGER. Sculptor and engr...

Dazed Sapiens by Twenty Second Factory Created by Roman Shcherbakov aka Dase X Vladislav Volosenko X Bogdan Kryvosheya Dimensions: D 52 x W 35 x H 60 cm Materials: Bronze. "Sapiens"...

Beautiful and rare collection of plaster casts, models from a school of fine arts, late 19th century, France.

Ionic capital model with inscr...

Chubac Albert (1925-2008), Sculpture, Large iron sculpture painted in primary colors, Signed, dated 1991 and numbered 3/3, France. Measures : Hei...

Superb French manufacture matrix for the Worthington company, from the 1960s. Very interesting work that doubles as a sculptural piece. Good condition. Signed. Dimensions in cm ( H x L x l ) : 43 x...

Horizontal sculpture in grey ceramic Mounted on White marble base Signed by the artist Spain circa 1970

The Gallery collection showcases exclusive designs by Reda Amalou. The pieces are crafted by some of the best artisans around the world and are edited as a series of 8 and 4 artist’s...

Charming female figure in grogged clay highlighted with oxides. Stamped signature on the back of the piece. Former student of the Marseille School of Fine Art, Ellen Blasi Van de W...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2007. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

Pair of two-tone metal waders. The body is made of anthracite-colored metal. The long legs, which allow these birds to move forward in shallow waters, are made of gilded metal, as a...

Set of 2 Bas Relief Sconces by Olivia Cognet Dimensions: W 25 x D 25 x H 50 cm Materials: Ceramic. Each of Olivia’s handmade creations is a unique work of art, the snapshot of a pre...

Bronze an glass abstract sculpture Numbered 1/1 Foundry BBC Circa 2010

Patinated terracotta sculpture from the Art Deco period, depicting a mother and her two children. The two toddlers, with plump cheeks, surround their mother, who displays a loving sm...

Golden mcon wall-mounted sculpture Edition 9/50 France Diameter: 150 cm Width: 20 cm

Woman with a Basket of Flowers - Kakuoka Akimitsu, Japan 1930-40 Woman with a Basket of Flowers, Kakuoka Akimitsu, Carved Wood, Japan circa 1930-40 This majestic sculpture, carved fr...

1900 bronze heron on block of Malachite.

Blind love bronze 19th century symbolized by a cupid seeming to play hackney jersey with brown patina on gilded bronze base. Note a difference in patina between the upper part and th...

Albert Chubac, Modular TOTEM, Iron and Plexiglass, circa 2008, France. Measures: Width 80 cm x Depth 30 cm x Height 200 cm. Albert Chubac was born in Geneva in 1920. After studying...

Parrot sculpture, in resin with copper microbead inclusions.

Between 1839 and 1849 (?) Chef-modèle made out of patinated bronze, base in Rouge Griotte marble. Signed « Fratin », « Fonderie de L. Richard Eyck et Durand » engraved on the base. D...

Beautiful bronze sculpture with a brown patina signed André Massoulle (1851-1901) and bearing the stamp of the founder Thiebaut Frères Paris. And...

Rider. Polychrome terracotta. Ming period. Removable head. H 40cm. L 29cm. W 11cm. 1400€.

Sculpture in direct maple or lemon tree carving of a reclining panther by Noël Ange Martini Art Deco period 7 cm wide and 22 cm high Additional in...

19th century Mouflon at rest bronze with medal patina by Christophe Fratin (1801-1864) signed on the terrace. Dedication on the back of the Fleur Quesnel terrace.

Zero Sculpture by Jérôme Pereira Dimensions: D 80 x W 200 x H 120 cm. Materials: Ash, oak tree Jérôme Pereira creates lighting sculptures with a rough and gracious presence. Coming...

Marisha Falkovich grew up in Moscow, Russia and lives and works in New York. She primarily works with ceramics and animation – her ceramic pieces are...

Three luminous sculptures « Planets » in resin. Unique pieces by Pauline Couble, Paris, France. Biography Pauline Couble (1979) Born in 1979, Pauline Couble is a visual artist livi...

This plate of natural real trilobites paradoxides sp. shows a nice density and aesthetic. Found in Morocco, near Erfoud, the piece weights 30 kilograms.

Decorative wall piece representing a French grape picking "hotte" - or basket. Adorned with the star of David and the vintner's tools: watering can, ...

Mandron Femme à la toilette Bronze sculpture with green patina Signed and numeroted 1/8 Blanchet Foundry.

P. Plumet « Woman with hat » 20th century Bronze green patina Lost Wax.

OSVALDO RODRIGUEZ, né en 1946 JEUNE FEMME, 1982 PROVENANCE : Atelier Atila du 22 octobre 2012. Œuvre originale en terre cuite représentant une jeune femme, signée en bas à dro...

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

Unique piece born from the artistic exploration of Jeremy Maxwell Wintrebert. An innovative exploration of glass through shape and colour making this piece a truly singular work. Cl...

Accolay, three animals in wire and ceramic: cat, pelican and rabbit. Signed.

Beautiful women teracotta bust according to Albert- Ernest Carrier-Belleuse (French 1824-1887), Signed A. CARRIER to the reverse. Green patina. Very elegant women. Perfect condition.

Whimsical and very decorative carved elephant, with a top "drawer", which opens onto a hollow space. Ebonized hardwood.

Serge Mansau - Sculpture " Bitter gourd" - 1990 For Rochas Alchimie Terracotta Measures: H 36 x L 30 x P 30 cm A part of the sculpture is fragil.  

Shelter I Decorative Object by Dora Stanczel One of a Kind. Dimensions: D 10 x W 18 x H 12 cm. Materials: Porcelain, colored glaze and gold. Dimensions are variable. Please contact ...

Mineral stone sculpture, brass support.

OTOMA_03 Vase by Emmanuelle Roule Unique piece. Dimensions: Ø 8 x H 38 cm Materials: Stoneware. Vase made of white stoneware, partially glazed. Not...

Burmese Buddha. Painted wood. 19th Century. Large lack of wood on the base, front and back.

Richard Orlinski - Signed sculpture Simba - The Lion King - Disneyland Out of print edition Dimensions : h18xw10xL10cm Price : 490€ for this sculpture

This porcelain bisque statue depicts a young woman in a ball gown, holding a mask and a fan, in 18th century taste. She is wearing an elegant dress à la ...