France - Folk Art

Hand-Knotted Ivory Wool Rug – Low Pile Berber, Rectangular 425 by Mohebban Dimensions: W 425 x L 305 cm Materials: Wool. The Berber collection is inspired by the tradition of Morocc...

Patrick Danion, Painting, Acrylic on Paper, Signed on the bottom right corner, France, 1989. Measures: Width 142 cm, Height 102 cm.

Very large scandinavian rug from the 60s. Flat weaving technique (rillakan), wool on linen. Traditional geometrical patterns in pink, white and ...

Ceramic Mask attributed to Jean Austruy, France, 1960s Custom made pedestal.

Glazed stoneware dish with floral decoration produced by the Søholm workshop in Denmark in the 1960s/70s. Located on the famous island of Bornholm off the coast of Denmark, which has...

Kinetic sculpture "Spray" - Jean Camuset Circa 1970 Steel rods Dimensions: H 73 x base D 10 x L 95cm.

Porcelain sculpture entitled "Solstice" . Unique piece. Signed under the base. 2022.

Monforte Terrazze Rug by Mohebban Dimensions: W 300 x L 230 cm Materials: Wool. With Terrazze, the collaboration between Mohebban and Elena Caponi, which began with the Nomadismi co...

Artisan Blush Touch 360 Rectangular Rug in Hand-Loomed Viscose by Mohebban Dimensions: W 360 x L 270 cm Materials: Viscose The rugs of the Touch collection are elegant monochromatic...

Original exhibition poster of Picasso, Framed, Edition of 2000, Printed by Schwenk-Wilk, Francfort, 1965, Germany, 1965. Measures: 58 x 84 cm. Bib...

Neutral Light Gray L16 Patchwork 365 Hand-woven Rectangular Rug by Mohebban Dimensions: W 365 x L 275 cm Materials: Wool. Old Anatolian carpets, aged between 20 and 50 years, are bl...

Sandy Neutral PL104 Plano Rectangular 400 Rug in Hand - Knotted Wool by Mohebban Dimensions: W 400 x L 300 cm Materials: Wool. Milan is a city with a secret and hidden life inside m...

H4006 Heriz 365 Wool Rectangular Rug with Ornate Medallion Pattern by Mohebban Dimensions: W 365 x L 275 cm Materials: Wool. Classic taste with a contemporary feel: Heriz collection...

Hand-Knotted Ivory Wool Rug – Low Pile Berber, Rectangular 275 by Mohebban Dimensions: W 275 x L 185 cm Materials: Wool. The Berber collection is inspired by the tradition of Morocc...

Hand-Knotted Ivory Wool Rug – Low Pile Berber, Rectangular 365 by Mohebban Dimensions: W 365 x L 275 cm Materials: Wool. The Berber collection is inspired by the tradition of Morocc...

Black Puzzle Wooland Rectangular 240 Rug in Hand-Knotted Wool by Mohebban Dimensions: W 240 x L 170 cm Materials: Wool. In the Wooland collection, designed by Elena Caponi's studio,...

Earthy Tone Terre Nomadismi Rectangular 240 Hand-made Rug by Mohebban Dimensions: W 240 x L 170 cm Materials: Wool. Made with old overdyed hemp fabrics, the Nomadismi collection des...

Artisan Hand-woven Off-White 300 Round Rug by Mohebban Dimensions: D 300 cm Materials: Wool. The Feel collection is made of precious hand-woven banana silk and worked with a cut-loo...

Sandy Neutral PL104 Plano Rectangular 250 Rug in Hand - Knotted Wool by Mohebban Dimensions: W 250 x L 200 cm Materials: Wool. Milan is a city with a secret and hidden life inside m...

Sandy Neutral PL104 Plano Rectangular 300 Rug in Hand - Knotted Wool by Mohebban Dimensions: W 300 x L 250 cm Materials: Wool. Milan is a city with a secret and hidden life inside m...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2007. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

Hand-Knotted Denim Blue Wool Rug – High Pile Berber, Rectangular 360 by Mohebban Dimensions: W 360 x L 270 cm Materials: Wool. The Berber collection is inspired by the tradition of ...

Blue Tactile 300 Rug by Mohebban Dimensions: D 300 cm Materials: Wool, bamboo silk. The individual, in the exploration of reality, merges perceptual data coming from the visual func...

Dark Gray L2 Lines 360 Rectangular Rug in Hand-Loomed Viscose by Mohebban Dimensions: W 360 x L 270 cm Materials: Viscose A succession of hand-carved, vertical lines in relief is in...

"Roger Capron" tile set, Vallauris. Measures: 30x60 fresco. 8 Tiles of 15x15cm. In a perfect state. Beautiful thickness almost 1 cm.

Palanquin and its bearers Glazed terracotta 5 pieces Ming period (1368-1644) Figure: h31 x w 6.5 x d 6.5 cms Palanquin : h 29 x w 16 x d 12 cms Thermoluminescence test Rare Very ...

Gu Wenda (1955), "Oedipus Refound #9", Watercolor on paper, Signed, dated and titled in the bottom right corner, China, 1992. Measures: 56 x 75 cm. Gu Wenda (born 1955, Shanghai) i...

Black Puzzle Wooland Rectangular 400 Rug in Hand-Knotted Wool by Mohebban Dimensions: W 400 x L 300 cm Materials: Wool. In the Wooland collection, designed by Elena Caponi's studio,...

Neutral Light Gray L16 Patchwork 300 Hand-woven Rectangular Rug by Mohebban Dimensions: W 300 x L 250 cm Materials: Wool. Old Anatolian carpets, aged between 20 and 50 years, are bl...

ART104 Gil Jourdan Renault Juva 4 after Maurice Tillieux 185/444 Cardboard dimensions :49x23x21cm Dimensions :33x12x12cm Ref : DVPM/24 Price : 490

Olive Linear PPF6 Papiroflexia Area Rug in Hand-knotted Wool by Mohebban Dimensions: W 250 x L 250 cm Materials: Wool. The Papiroflexia collection is born from the parallelism betwe...

Rare and original ceramic bottle, signed and located in Vallauris, circa 1950/1960.

Neutral Light Gray L16 Patchwork 400 Hand-woven Rectangular Rug by Mohebban Dimensions: W 400 x L 300 cm Materials: Wool. Old Anatolian carpets, aged between 20 and 50 years, are bl...

Artisan Hand-woven Off-White 250 Round Rug by Mohebban Dimensions: D 250 cm Materials: Wool. The Feel collection is made of precious hand-woven banana silk and worked with a cut-loo...

Artisan Hand-woven Off-White 360 Rectangular Rug by Mohebban Dimensions: W 360 x L 270 cm Materials: Wool. The Feel collection is made of precious hand-woven banana silk and worked ...

Albert Chubac (1925-2008), Oil on canvas, Framed, Signed and dated 64 on the back, France, 1964. Measures: 158 x 110 cm. Albert Chubac was born in Geneva in 1920. After studying decorative...

Earthy Tone Terre Nomadismi Rectangular 250 Hand-made Rug by Mohebban Dimensions: W 250 x L 200 cm Materials: Wool. Made with old overdyed hemp fabrics, the Nomadismi collection des...

Flores Profumo Rectangular 240 Rug in Hand - Knotted Bamboo Silk by Mohebban Dimensions: W 240 x L 170 cm Materials: Bamboo Silk, Wool. In the Profumo collection, designed by Marta ...

A big ceramic covered jar with glazes decoration by Alain Gauderbert. Perfect original conditions. Signed under the base " Gaudebert ". Circa 1...

Artisan Greige Pure 250 Rectangular Rug in Hand-loomed Bamboo Silk by Mohebban Dimensions: W 250 x L 200 cm Materials: Bamboo Silk The Pure collection is made of fine hand-spun and ...

CH44 Highland 365 Hand-Knotted Wool Rectangular Rug in Plaid Pattern by Mohebban Dimensions: W 365 x L 275 cm Materials: Wool. The charm of tartan lies in its extraordinary traditio...

Dark Gray L2 Lines 240 Rectangular Rug in Hand-Loomed Viscose by Mohebban Dimensions: W 240 x L 170 cm Materials: Viscose A succession of hand-carved, vertical lines in relief is in...

Hand-Knotted Ivory Wool Rug – Low Pile Berber, Rectangular 305 by Mohebban Dimensions: W 305 x L 245 cm Materials: Wool. The Berber collection is inspired by the tradition of Morocc...

ARS05 Spirou & Fantasio Zantafio and his henchmen Turbot 3000 @Dupuis, 2008. Morvan and Munuera Spirou 115/444 Cardboard dimensions : 57x24,5x23,5cm Dimensions : 40x17x15cm Ref: ...

Flores Profumo 300 Rug by Mohebban Dimensions: W 300 x L 200 cm Materials: Wool. In the Profumo collection, designed by Marta Giardini, vibrant shades of color in bamboo silk and so...

Albert Chubac (1925-2008), painting, paint on canvas and collage, France, circa 1960. Measures: Height 131 cm, width 194 cm, depth 3 cm. Albert Chubac was born in Geneva in 1920...

Barona Terrazze Rectangular Rug in Hand-knotted Wool with Fringe by Mohebban Dimensions: W 300 x L 200 cm Materials: Wool. With Terrazze, the collaboration between Mohebban and Elen...

Cadorna Terrazze Rectangular Rug in Hand-knotted Wool with Fringe by Mohebban Dimensions: W 300 x L 230 cm Materials: Wool. With Terrazze, the collaboration between Mohebban and Ele...

ARS05 Spirou & Fantasio Zantafio and his henchmen Turbot 3000 @Dupuis, 2008. Morvan and Munuera Spirou 115/444 Cardboard dimensions : 57x24,5x23,5cm Dimensions : 40x17x15cm Ref: ...

Original untitled sculpture by Patrice Cadiou Assembly of wood, leather, canvas Dimensions : h230x20cm 1990 Ref : J24 Price : 1200€ for this piece.

Grey Diagonal PPF5 Papiroflexia Area Rug in Hand-knotted Wool by Mohebban Dimensions: W 280 x L 180 cm Materials: Wool. The Papiroflexia collection is born from the parallelism betw...

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

Jean Da Milano (1928-2017), Abstract composition, Oil on paper, Signed lower right, N°2733-82, n° 1050, 1982, France. Measures : Height 65 cm, Width 50 cm. Jean Da Mila...

Rita Alaoui seeks to explore and rethink our relationship with the wild world and to imagine connections with the extraordinary. Fascinated by the power of nature and concerned about...

Vide-poche by Roger Capron, black ceramic, signed

ARD01 Olivier Rameau Colombe, Olivier et Majestor Dany & Greg - Joker Éditions 2004 059/999 Dimensions carton : 56,5x25x22,5cm Dimensions :37x15x16cm Réf : Prix : 690€