France - Folk Art

Vase "Voie Lactée I" by Jean François Reboul (1952): Vase made out of enameled ceramic using Raku technique. "Certificate of Authenticity" provided by the gallery. Dimensions: D 10 ...

Kanuri-Hausa Headdress, "burtu" Kanuri-Hausa, Nigeria Headdress, "burtu Kanuri-Hausa, Nigeria wood leather horn. H 42 cm. Provenance : - Swedish private...

Ink and watercolor of beautiful dimensions signed Charles LEVIER (1920 - 2003) to frame. On the back, a futuristic pencil sketch. Young woman with bouquet of flowers at the port ...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2007. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

Gu Wenda (1955), "Oedipus Refound #9", Watercolor on paper, Signed, dated and titled in the bottom right corner, China, 1992. Measures: 56 x 75 cm. Gu Wenda (born 1955, Shanghai) i...

Jean Da Milano (1928-2017), Painting, Creased Kraft paper and collage, mixed media, Signed lower right, circa 2000, France. Measures : Height 100...

Jean Da Milano (1928-2017), Abstract composition, Mixed media on paper, Signed lower right, N°03449/91, n° 1251, 1991, France. Measures : Height 65 cm, Width 50 cm. Jea...

silhouette From a traveling cinema 1980-1997 Print on cardboard, wooden backing Dimensions: 190 x 70 cm.

1940's bronze " Egyptian Style " door handle Two pairs available. Pair can be sold independently Price given for two pairs.

Wooden Diptych, Lyre players, 19th century Painting on wooden panel Measures: L 30 x H 75 x P 2 cm Signed.      

A ceramic vase by Lucien Arnaud with glaze decoration. Signed under the base " Lucien Arnaud ". Circa 1920.    

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

Albert Chubac (1925-2008), Composition, Mixed media on paper representing a scale, Signed lower right and numbered 8/8, Framed, circa 1980, France. Measures : Width 85 cm, Height 127 cm. Albert Chubac was born in Geneva in 1920. After studying decorative art, then at the Beaux-Arts in Geneva, he obtained grants to travel to Italy, Algeria, Spain, Egypt and Greece, stages which will mark his work. He settled in 1964 on the Côte d ‘Azur in Aspremont in a very Spartan house, attracted by the light, the sun and the colors of nature. The year 1967 is the year of the establishment of the School of Nice. He will work and exhibit alongside Aman, César, Tinguely, Gilli, Ben, Rayse, etc ... In 1990, it was the consecration with the opening of MAMAC in Nice. Albert Chubac then becomes accessible to the general public. He will use solid primary colors, will develop modifiable structures and then develop the collages in three dimensions. Gradually, he broke away from his classical training and figuration to move towards abstraction through the encounters and influences of contemporary artists. Always in search of simplicity, He will radically limit the plastic means with a reduced palette, geometric shapes and simple gestures to concentrate on minimum conditions of possibility. His work, which lies between constructivism and geometric abstraction, is playful and imbued with the artist's joie de vivre. In 2004, following the major retrospective at the Museum of Modern and Contemporary Art in Nice, he donated around one hundred works to the City of Nice. Albert Chubac died in 2008 in Tourrette-Levens, near Aspremont. Bibliography: - Albert Chubac, MAMAC Nice, Cultures Nice Editions, 2004. - Albert Chubac: exhibition, Nice, Museum of Modern and Contemporary Art, January 29 - May 16, 2004. - Albert Chubac, Galerie Harter, 2013. - Albert Chubac, a lifetime of artist, Patrick Boussu and Cynthia Lemesle, South Art éditions, 2021. During the workshop auctions in Nice and Marseille, the Harter Gallery acquired the largest part of his work. Personal exhibitions: - 1950: Personal exhibition in Athens at the Zappéion museum. - 1954: Exhibition at the Arman Gallery in Geneva. - 1956: Exhibition at the Galerie Connaître in Geneva. - 1957: Exhibition at the Galerie La Palette in Zurich. - 1958: Exhibition at the Galerie L’Entracte in Lausanne. - 1960: Exhibition at the World House Gallery in New York. - 1967: Exhibition at the Galerie Loo in Geneva, at the Salon Comparaison in Paris, Aspects in Chexbres in Switzerland. - 1968: “Paintings” exhibitions from March 30 to May 11 at the Galerie Alexandre de la Salle. - 1970: Exhibition at the Maison des Jeunes et de la Culture de Magnan in Nice, at the Maison de la Culture Le Corbusier in Firminy entitled "Chubac recent works" and at the Galerie Royal Luxembourg in Nice. - 1971: Exhibition at the Galerie Germain in Paris and at the Fernand Léger School in Malakoff. - 1972: Exhibition on the village square of Aspremont, at the Galerie Royal Luxembourg in Nice. - 1973: Exhibition at the Galerie Ferrero in Nice. - 1974: Exhibition at Art-club in Antibes. - 1975: Exhibition at the Galerie Jacques Boudin rue de Dijon in Nice. - 1978: Exhibition at the Galerie Anne Roger in Nice. - 1980: Exhibition at the Galerie de la Salle in Saint-Paul de Vence from August 8 to September 9. - 1981: Exhibition at Lieu 5 in Nice from February 13 to March 20. - 1983: Exhibition at the Galerie d'Art Contemporain in Nice, at Anne Roger. - 1984: Exhibition "Lille Nice" at the Galerie GodArt in Lille from April 14 to May 17 and at the Galerie Luisella d´Alessandro in Turin. - 1985: Exhibition in Thonon les Bains at the Galerie Galise. - 1988: Exhibitions at Galerie Argéco in Nice and Galerie Triade in Barbizon - 1989: Exhibitions at the Galerie de la Salle, at Lola Gassin's in Nice, in galleries in Nice - 1990: he made four mobiles for the MAMAC in Nice, Exhibitions at the Galerie François Moulin in Lyon and Golden Gallery, ArtJunction in Nice. - 1991: Exhibition at the Galerie de la Salle in Saint-Paul. - 1992: Exhibitions at the Espace du consulat suisse in Nice, Besançon and opening of the Espace Chubac in Tourrette-Levens. - 1993: Exhibition at the Maison Comoni in Revest-les-Eaux, at the Galerie François Moulin in Lyon. - 1994: Exhibition at the Espace Caravadossi in Aspremont. - 1996: Exhibition at the Espace Dellile in Nice. - 1997: Exhibition at the Galerie de la Salle in Saint-Paul. - 1998: Last personal exhibition at the Galerie de la Salle in Saint-Paul. - 2000: Exhibition at Lympia college in Nice. - 2001: Exhibition at the Espace Chubac in Tourette-Levens. - 2002: Exhibition at the Galerie Scholtès in Nice and in Carcès in the Var entitled "Albert Chubac-Couleurs mobiles". - 2004: Great Albert Chubac retrospective at MAMAC in Nice. - 2011: Permanent exhibition at the Galerie Harter in Nice. - 2012: Exhibition at the Olympia Show in London at the Christopher Jones Gallery and at the Serge Castella Interiors Gallery in Bascara, Spain. - 2013: Exhibition at the Municipal Contemporary Art Gallery of Pochettes in Nice. - 2019/2021: Exhibition of works belonging to the permanent collection of MAMAC in Nice and exhibition "Geometry according to Albert Chubac" at the Galerie Harter in Nice. - 2021/2021: Permanent exhibition at Galerie Atelier 55...

Jacob Semiatin (1915-2003), Drawing Watercolor on paper, Signed, Circa 1950, USA. Measures: Height 92 cm, length 139 cm. Jacob Semiatin was born to Hungarian Jewish parents in ...

Interior territory - Elodie Huré Oil on paper mounted on linen stretcher 200x250cm 2016 Visual artist, videographer and collagist, also trained at ...

Mesnager - Man in White 2021 Gouache on wood panel Signed and dated Measures: 70 x 42cm.      

Poline- Elodie Huré Oil on canvas Measures: 50 x 120cm 2020 Visual artist, videographer and collagist, also trained at the theater school, Elodie Hur...

Troels Marstrand said Jacques Mars. Oil on canvas, Danish, circa 1970. Measures: Height 48 cm, length 69 cm, thickness 4 cm. Born June 20, 1919 in Copenhagen, died in Nice January 23, 1992. Great grand son of Wilhelm Marstrand great Danish painter. Jean March began a career as an illustrator at the age of 17 years. For over 50 years, he published worldwide magazine covers and other illustrations that charmed millions of players. These models in a style unique to Jac Mas often closer to Norman Rockwell conservent but the personality of the Northern School...

Blue and Grey Serge Rug by HARTO Dimensions: W 183 x D 1.5 x H 223 cm. Materials: 100% pure New Zealand wool hand tufted. Weight: 15.3 kg Serge is a large rug measuring 183 x 223 c...

Ophelism - Elodie Huré Oil on canvas mounted on wood Measures: 56 x 150cm August 2021 Signed on the back Visual artist, videographer and collagist, ...

Jean Da Milano (1928-2017), Abstract composition, Oil on paper, Signed lower right, N°2733-82, n° 1050, 1982, France. Measures : Height 65 cm, Width 50 cm. Jean Da Mila...

Albert Chubac, Character and horse composition, Mixed-media on paper, Signed lower right, circa 1960, France. Measures: Width 56.5 cm, height 43 cm. Albert Chubac was born in Gen...

"Roger Capron" tile set, Vallauris. Measures: 30x60 fresco. 8 Tiles of 15x15cm. In a perfect state. Beautiful thickness almost 1 cm.

Spring Circle 2 - Elodie Huré Oil on wood Diameter: 34cm February 2021 Signed on the back Visual artist, videographer and collagist, also trained at the theater school, ...

Artist VINC 4 CV Bibendum Acrylic on hood of 4CV from 1960 ( French car) Circa 2021 H 83 x W 100 X D 22 cms Signed by the artist Unique and original a...

The Ocean - Elodie Huré Oil on canvas (without stretcher) 290 x 200cm 2020 Signed on the back Visual artist, videographer and collagist, also trained ...

The song of the Amazons - Elodie Huré Oil on canvas Measures: 200 x 140cm 2017 Signed on the back. Visual artist, videographer and collagist, also trained at the the...

The 3 sisters - Elodie Huré Oil on canvas 2021 75x45cm Visual artist, videographer and collagist, also trained at the theater school, Elodie Huré exp...

Hypnos and Thanatos - Elodie Huré Oil on paper mounted on linen stretcher 195x250cm Visual artist, videographer and collagist, also trained at the t...

Talking to rocks 2 - Elodie Huré Oil on canvas 70x70cm 2020. Visual artist, videographer and collagist, also trained at the theater school, Elodie Huré expresses herself ...

Kyrielle - Elodie Huré Oil on canvas 100x200cm 2020 Signed on the back 2640 euros Visual artist, videographer and collagist, also trained at the th...

Jean Da Milano (1928-2017), Abstract composition, Oil on paper, Signed lower right, N° 844-74, n° 493, 1974, France. Measures : Height 65,5 cm, Width 50 cm. Jean Da Milano is an abstract painter from Nice who was cradled by the rich breeding ground of the School of Nice and its artists. Active from the 1960s to the 2008s, his works were forgotten and rediscovered by the HARTER Gallery, which today highlights his touch. According to Agnès Roux, Honorary Secretary for Culture, “Jean Da Milano is one of those modest painters who knew how to develop abstract painting alongside his contemporaries. In an infinite world, the kinetic object on an astral background gradually transforms into a pictorial relief, where the painting falsely becomes painting and invisibly paper. The humility of its formats does not give the work the fullness it deserves. But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which begins with an almost cosmic painting in the 70s, then what we could qualify as “implosions” in the 80s and finally, a real research on paper and pictorial relief. in the 2000s. According to Georges Braque "Everyone is a creator, the viewer is himself a creator, it is the way of seeing that gives life to the object. " Personal exhibitions: - 1992: Golden Gallery Nice - 1988: Acropolis Nice - 1982: Municipal Gallery Renoir Nice - 1977: Municipal Museum Saint-Paul-de-Vence Collective exhibitions: - 1992: Golden Gallery - 1991: Golden Gallery - 1990: Golden Gallery - Art Jonction - 1989: Nice university center - 1987: Acropolis - 1985: Chapel of Mercy Vallauris - 1984: CIAC Paris and Chapelle des Pénitents in Péone - 1983: Art Expo Dallas Texas and Art Expo New York - 1980: Galerie Waterlot Nice - 1971: Necrolium Nice - 1970: Maison de la Culture Magnan Nice and Musée de la Salle Marine Nice - 1969: Galerie Le Nombre d´Or Nice - 1968: Musée de la Salle Marine Nice and Galerie Salmon Nice - 1966: Paul Langevin Biot school group - 1965: Chapelle St Esprit...

Jean Da Milano (1928-2017), Abstract composition, Oil on paper, Signed lower left, N°859-74, n° 492, 1974, France. Measures : Height 65,5 cm, Width 50 cm. Jean Da Milano is an abstract painter from Nice who was cradled by the rich breeding ground of the School of Nice and its artists. Active from the 1960s to the 2008s, his works were forgotten and rediscovered by the HARTER Gallery, which today highlights his touch. According to Agnès Roux, Honorary Secretary for Culture, “Jean Da Milano is one of those modest painters who knew how to develop abstract painting alongside his contemporaries. In an infinite world, the kinetic object on an astral background gradually transforms into a pictorial relief, where the painting falsely becomes painting and invisibly paper. The humility of its formats does not give the work the fullness it deserves. But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which begins with an almost cosmic painting in the 70s, then what we could qualify as “implosions” in the 80s and finally, a real research on paper and pictorial relief. in the 2000s. According to Georges Braque "Everyone is a creator, the viewer is himself a creator, it is the way of seeing that gives life to the object. " Personal exhibitions: - 1992: Golden Gallery Nice - 1988: Acropolis Nice - 1982: Municipal Gallery Renoir Nice - 1977: Municipal Museum Saint-Paul-de-Vence Collective exhibitions: - 1992: Golden Gallery - 1991: Golden Gallery - 1990: Golden Gallery - Art Jonction - 1989: Nice university center - 1987: Acropolis - 1985: Chapel of Mercy Vallauris - 1984: CIAC Paris and Chapelle des Pénitents in Péone - 1983: Art Expo Dallas Texas and Art Expo New York - 1980: Galerie Waterlot Nice - 1971: Necrolium Nice - 1970: Maison de la Culture Magnan Nice and Musée de la Salle Marine Nice - 1969: Galerie Le Nombre d´Or Nice - 1968: Musée de la Salle Marine Nice and Galerie Salmon Nice - 1966: Paul Langevin Biot school group - 1965: Chapelle St Esprit...

Ceramic lamp in the style of Georges Pelletier, circa 1950/1960. Double lighting, interior, exterior.  

Albert Chubac (1925-2008), Airbrush on canvas, France, circa 1960. Measures: 90 x 206 cm. Albert Chubac was born in Geneva in 1920. After studying decorative...

Albert Chubac, Gouache on paper, France, circa 1970. Measures: 50 x 65 cm.

Albert Chubac, Painting on Wood, Geometric composition, Signed and dated at the back, France, 1985. Measures: 120 x 80 cm. Albert Chubac was born in Geneva in 1920. After studying decorative art, then at the Beaux-Arts in Geneva, he obtained grants to travel to Italy, Algeria, Spain, Egypt and Greece, stages which will mark his work. He settled in 1964 on the Côte d ‘Azur in Aspremont in a very Spartan house, attracted by the light, the sun and the colors of nature. The year 1967 is the year of the establishment of the School of Nice. He will work and exhibit alongside Aman, César, Tinguely, Gilli, Ben, Rayse, etc ... In 1990, it was the consecration with the opening of MAMAC in Nice. Albert Chubac then becomes accessible to the general public. He will use solid primary colors, will develop modifiable structures and then develop the collages in three dimensions. Gradually, he broke away from his classical training and figuration to move towards abstraction through the encounters and influences of contemporary artists. Always in search of simplicity, He will radically limit the plastic means with a reduced palette, geometric shapes and simple gestures to concentrate on minimum conditions of possibility. His work, which lies between constructivism and geometric abstraction, is playful and imbued with the artist's joie de vivre. In 2004, following the major retrospective at the Museum of Modern and Contemporary Art in Nice, he donated around one hundred works to the City of Nice. Albert Chubac died in 2008 in Tourrette-Levens, near Aspremont. Bibliography: - Albert Chubac, MAMAC Nice, Cultures Nice Editions, 2004. - Albert Chubac, Galerie Harter...

Albert Chubac, Double-sided painting, mixed-media on paper, Signed, circa 1965, France. Measures: Height 99 cm, width 43 cm, depth 3 cm. Bibliography: - Albert Chubac, MAMAC Nic...

Albert Chubac, Mobile, Collage and cutout, gouache, Signed, circa 1980, France. Measures: Height 15 cm, width 15 cm, depth 3 cm (without frame). Albert Chubac was born in Geneva...

Ceramic Mask attributed to Jean Austruy, France, 1960s Custom made pedestal.

Sculpture in bronze figuring a stylized African warrior composed by wheelworks, bolts and nuts. He wears a necklace around his neck and a large headdress in orange lacquered iron wir...

Albert Chubac, Composition, Airbrush on canvas, Stamped, France, circa 1960. Measures: Height 104 cm, width 69 cm. Albert Chubac was born in Geneva in 1920. After studying decora...

Albert Chubac (1925-2008), Oil on canvas, Framed, Signed and dated 64 on the back, France, 1964. Measures: 158 x 110 cm. Albert Chubac was born in Geneva in 1920. After studying decorative...

Albert Chubac, Composition, Collage and cutout, gouache, Signed, circa 1980, France. Measures: Height 89 cm, width 73.5 cm, depth 3 cm. Albert Chubac was born in Geneva in 1920. A...

Albert Chubac (1925-2008), Character composition, Mixed-media on paper, Stamped, circa 1965, France. Measures: Height 102 cm, width 76 cm, depth 3 cm. Albert Chubac was born in G...

Albert Chubac, Composition, Collage and cutout, gouache, Signed lower right, circa 1980, France. Measures: Height 62 cm, width 55.5 cm, depth 3 cm. Albert Chubac was born in Genev...

Great oil on canvas by René Allio (1924-1995). René Allio was a director, screenwriter, theatre designer. He will also paint some immense nonfigurative canv...

Albert Chubac, Composition, Collage and cut-out, gouache, Signed, circa 1980, France. Measures: Height 89 cm, width 73.5 cm, depth 3 cm. Albert Chubac was born in Geneva in 1920. ...

Patrick Danion, painting, Acrylic on wood, signed, 1987, France. Measures: Height 107 cm, width 88 cm.

Albert Chubac, Composition, Collage and cutout, gouache, Signed lower right, circa 1980, France. Measures: Height 15 cm, width 15 cm, depth 3 cm (without frame). Albert Chubac wa...

Semiatin Jacob (1915-2003), painting, Watercolor, circa 1950-1962, USA. Measures: Width 137 cm, height 94 cm. Jacob Semiatin was born to Hungarian Jewish parents in Dublin in 1915....

Troels Marstrand said Jacques Mars, Oil on canvas, Danish, circa 1970. Measures: Height 42 cm, length 61 cm, thickness 4 cm. Born June 20, 1919 in Copenhagen, died in Nice January 23, 1992. Great grand son of Wilhelm Marstrand great Danish painter. Jean March began a career as an illustrator at the age of 17 years. For over 50 years, he published worldwide magazine covers and other illustrations that charmed millions of players. These models in a style unique to Jac Mas often closer to Norman Rockwell conservent but the personality of the Northern School...

Accolay vase, circa 1960.  

Victor Cerrato Atelier, ten slabs in carved tuff. Made for the lobby of Hôtel Royal in Spotorno (Savona, Italy), circa 1960, Turin, Italy. Measures: Height 83 cm, width 637 cm, d...

Nuit Blanche #13 Stoneware Sculpture by Elisa Uberti Unique piece Dimensions: D 10 x W 20 x H 38 cm Materials: White stoneware, glaze. This product is handmade, dimensions may va...

Troels Marstrand said Jacques Mars, "Ingen", Oil on canvas, Danish, circa 1970. Measures: Height 46 cm, length 68 cm, thickness 4 cm. Born June 20, 1919 in Copenhagen, died...