Hudson

Listing is for UNFRAMED print. Inquire within for framing. Edition of 7. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Your Nearest Exit May Be Behind You, a reference to the traditional pre-flight instructions of airline hostesses, is fine art photographer Micheal McLaughlin's collection of the sights found universally in the act of travelling between countries and continents. From dark Hong Kong skylines...

This finely carved and robust Baroque urn made as a lamp standard, though now unwired, was made in Italy. The gilding is very good and shows nice wear and patina with traditional red...

People dressed in ceremonial robes and masks celebrate the New Year. On New Year's eve a traditional Japanese custom is to ward off evil spirits by pretending to chase away people w...

Vintage wooden newel post, now used as decorative pillar. Beautiful details , patina and charming wear and tear makes it a unique piece.

with applied gold and silver roof, light color and pigment on paper with gold flake and red frame.

Peonies, irises, lillies, paperwhites, cockscombs, thistle and other various seasonal flowers in mineral pigmnets on mulberry paper. Oxblood lacquer trim with beautiful bronze mount...

This unusual pair of sphinxes resting upon rocky large bases are French we believe. Modeled and cast around the time of Carter's discovery of the tomb of Tutankhamun and showing some...

This very nice carved plaque of good size comes from China and was made circa 1900. The stone is a rich combination of dark, light and emerald green. Sliced from a boulder washed and...

This globular jar of a large size is traditionally called a Hu. Created in the Han dynasty and fully authenticated by the Chinese Government for the collective Group “Hong Kong Art C...

This pair of candelabra made in France, circa 1880 are designed in the Renaissance Revival style. Well cast in a large number of separate parts and patinated and polished to create drama and decorative detail the pair is of a nice scale without being overly large. Cast as a central column raised on a pyramidal pierced base. The base is centered by grotesque masks and foliate sprays raised up on feet. The shaft leads up to four large branched arms also cast with corresponding foliate sprays issuing from more grotesques. The combination of color and casting create a lively play of light. Condition Disclosure: While we do our best to carefully inspect and give a full report on the condition of any item we sell, pointing out any repairs or alterations that may have been done to the best of our knowledge, as is the case with any antique and vintage item, there is a possibility that at some point in the life of the piece that there may have been damaged which has been professionally repaired and as such a repair undetectable, it is therefore impossible for us to disclose... we recommend that you also read and agree to the 1st dibs user agreement...

Japanese two-panel screen: Peony and Cherry, Edo period (circa 1800) painting, formerly fusuma (Japanese sliding doors), executed in the Kano school style, featuring a cherry tree in...

signature reads: Nishiura (opening: 4 7/8" diameter). About the artist: Nishiura Takeshi was born in Fukui prefecture in 1941, and graduated the Tokyo University Law Department in 19...

This nicely carved bird figure is done in an 18th-century style but is from the very late 19th century to early republic period. The stone is a soft mellow celadon green with dark br...

The Ming period or Great Ming Period is the last Han ruled dynasty in Chinese history. Considers a high mark culturally and influenced by great events at ho...

Geese amongst the reeds under a full moon. Mineral pigments on oxidized ground with silk brocade border. Signature reads: Yoshichi hitsu.

This modern abstract painting by Peter Keil is on a smooth masonite board with a painted Tiffany Blue background, black abstract portrait with many ...

Earthly (Still Life Cornucopia of Summer & Fall Vegetables with Impasto Detail) 48 x 36 inches, oil on linen Signed right bottom corner Ann Getsinger is an oil painter with a home ...

Japanese Six Panel Screen: Silver Moon Rising Over Summer Field. Rimpa Style painting of a moon rising over summer flowers and grasses, including cockscomb and blue bellflowers. Pa...

Recycled textiles, thread, batting, welded steel, found objects, polymer clay, rope, snap hook 48 x 32 x 20 inches Artist Statement I hand-sew compound sculptural forms that are con...

(no image) on lattice frame. Pair available; Sold seperately.

Louis Philippe secretary with marble top.

Elegant round side table with decorative rings hanging from the apron, and cloven feet. Refined details and quality.

This work is one of a group of over 100 works personally selected by the artist, and gifted to a close personal friend in 1969. Exhibited: 1967 National Academy Annual Exhibition -...

Imbued with the clean lines and classical proportions of modern minimalism, the Laird sets a crisp, cubist silhouette. Set on on a circular, swiveling base, the chair's deep, envelop...

Mid-century square polished chrome and wicker coffee table. Sleek and shiny chrome with a wicker touch on the table base, under a perfectly fitted glass. Normal wear and tear with ag...

Ottoman recently reupholstered with tiger stripe fabric and feather down cushion in 2015.

Expressionist style encaustic landscape on green mountains against a stormy grey sky "Approaching Storm" by Regina Quinn, made in 2024 oil paint and encaustic on panel 24 x 36 inches...

Contemporary nautical seascape photograph of blue ocean waves in a simple white frame 36 x 44 inches unframed, 41 x 49.5 inches framed in white wo...

This Chinese cast bronze urn was made to pay honor to the fine vessels produced in the Shang, Zhou and Han periods. This work cast in the late 18th into the early 19th century (circa...

A large and handsome neoclassical style carpet. Handmaid in the same style that the Aubusson carpets of the eighteenth century were produced. I...

Beautiful, large-scale, Neoclassical-style bronze octagonal entrance lantern with acanthus leaf detail, 1920s U.S.A.

New to the foley&cox HOME custom collection is the Warren sofa, shown here. Featuring clean lines and low profile, the contemporary sofa is made with solid wood frame, feather wrap ...

This lovely pair of sconces, handcrafted in the early part of the '20s show great movement and style. Though made to resemble 18th-century style pieces these are capable of being use...

This piece is featured in Bruckner’s 2024 solo exhibition at Susan Eley Fine Art titled, “Keeping Memories”. Artist Biography: Karin Bruckner was born in Zurich, Switzerland and...

The metal wall art, shown here, happens to be a salvaged tractor hood panel from the 1950s. Having weathered the elements and time, the molded metal hood takes on a distinctive look...

Art Deco dining table with leaf. Extends to 62" long.

The bold texture of this artwork engages the viewer. The textures Ottesen created are not as apparent until seem from close up. A subtle stunner. Framed this piece measures 29.25" ...

Pair of Neoclassical fruitwood side chairs with ebonized arrow details. Newly upholstered in a charcoal and grey striped linen velvet. Seat height - 18"

Measures 22" x 18" and framed 27" x 24" x 3". About this artist: Born in Galatz, Romania, John Barber became a modernist painter of figures and scenes of...

The Moroccan-inspired Masinissa Hand-Knotted Wool Rug is soft and dense with a subtle geometric pattern. This plush rug provides maximum comfort and takes center stage in living room...

Small three drawer cabinet designed by Hans Wegner for Johannes Hansen. Accented with polished chrome drawers.

Delicately painted on mulberry paper, signature and seal read: Shiko. The artist, Sakakibara Shiko, (1895-1969) was born in Kyoto. Measures: 28.5" H X 73.5" W 72.39 X 186.69 (in ...

The bardot wing chair, shown here, from Bunny Williams is distinctive for its scale and curvaceous styling. Made with a kiln-dried, solid maple frame, the bardot wing chair features ...

Monumental empire style marble top, gilt accented, center table with carved cabriole legs and paw feet over a shaped platform base.

Japanese two-panel screen: Peony, Wisteria, cherry and bamboo on soft silver, Meiji period (1868-1912) painting of a garden in spring. Painted in mineral pigments on oxidized silver ...

Modern Luminist, Hudson River School landscape painting on canvas of a creek and river meeting around a forest bend with mountains in the distance "Where Creek Meets River" by Jane Bloodgood-Abrams, painted in 2021 Horizontal landscape painting, 36 x 48 inches unframed with white painted sides wired on reverse for easy hanging Artist's signature is located on lower left This modern Hudson...

Nadeshiko, also known as fringed pinks is a flowering plant native to Japan. Ink, mineral pigments and 18th century gold leaf, with good veining, on mulbe...

Seven graceful Egrets perched upon very vibrant pine. Representing strength, luck, and longevity. A harmonious balance in nature. Mineral pigments on Mulberry paper with dark brown ...

Abstract Yellow and Green (Yellow, Green and Black Tablescape Oil Painting) by New York School Painter and WPA artist, Lionel Gilbert Signed, lower left This horizontal painting was...

Fauvist-style, Modigliani inspired, abstract portrait of a man in a dark brown antique wood frame with linen inlay "Portrait III" by Hudson Valley based artist, David Dew Bruner 20 ...

Mid-Century garden table with spiral legs and plate glass top. Beautiful patination throughout. Matching chairs available. Small 3/16" chip on corner of glass top.

Chinese carved garden sculpture of welcoming, happy Buddha. Carved white marble.      

This fine pair of decorative mantel ewers or urns are French and were made, circa 1870. Cast in bronze the pair has been carefully patinated all-over then gilded in decorative areas ...

Jefferson Hayman is an artist whose work explores the themes of nostalgia, common symbols, and memory. Each photograph is handcrafted as a silver gelatin, platinum or pigment print, ...

This pair of mirrors crafted in England circa 1870 have been fully restored with a completely new surface and structurally supported as the mirror plate is very thick and heavy. Made...

Acrylic on Gessoboard

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1950 University of Illinois at Urbana "Contemporary American Painting" 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 36" x 2". About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

with elegant clawfeet and grey and white variegated round marble top.

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts The Thunderbolt roller coaster, which was built in 1925, abandoned in 1982, and demolished 2000. It ...

Summer Lawn (Elegant Collage of Three Female Figures Playing Croquet) by Olan Quattro 2025, gouache, paper, and acrylic on wood panel, 24 x 18 inches Olan Quattro's subtle and sophi...