Hudson

A very nice large-scale William IV pedestal sideboard made of choice mahogany solids and crotch mahogany veneers. The sideboard still retains many o...

This three tired dumbwaiter made in the late Edwardian period in the style of William IV has fine details and an interesting long lean profile. The con...

Sparrows ravish freshly harvested rice, drying on stakes, beyond wild chrysanthemum. Mineral pigments on silk. Signed in the lower left corner, signature reads: Soetsu. With a simple...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

This carved marble center table comes from Italy and was made in the late 19th century. Bought as an outdoor table buy us this could and might have been used at one point as an indoo...

Elegant Jansen crystal and brass four arm adorned with crystal finials, faceted drops and crystal garland.

Budd Hopkin's Mahler's Castle paintings exemplified a shift away from his holistic single image paintings of 1971 and 1972 to a new hieraticism. Both Mon­drian and Newman, for instan...

ABOUT After 30 years of only exhibiting fine art photography, the Robin Rice Gallery is pleased to present a group exhibition featuring a selection of her gallery photographers and three visual artists new to the space: Erica Hauser, and Matt Kinney. The selected works of these well-established Beacon, NY artists blend with the gallery’s fine art photography. Upon entering the gallery, viewers will encounter figurative sculptures, abstract paintings, and ink wash drawings alongside fine art photography. Since Robin Rice’s move to Beacon, NY, this concept developed organically; the group exhibition is a fusion of artistic mediums inspired by chance encounters between Rice and friends at art events in Beacon. After spending time with creatives who've spent lockdown in studios, Rice carefully chose works most apropos with her edited inventory of framed photography. Through these chance encounters Rice found inspiration to create this exhibition unlike anything seen before at the gallery and curated an immersive experience. Maintaining her expert aesthetic, Rice has brought together a mosaic of mediums that seamlessly fit together like pieces of a puzzle. Kinney's collection of ink wash paintings in Japanese Sumi ink and watercolor paintings on hand-torn paper render fleeting glimpses of figures and animals as well as primal symbols. Tasmania Spiral is a hypnotic work that resembles a gyre. Also in focus is Hauser’s collection of abstract paintings featuring an alluring vintage color palette...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

John Whorf captures one of the thrilling moments of fishing in this watercolor – when the fish is on the line, but still trying to escape. One of the fastest fish in the world, marlin fishing...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. CURRENT EXHIBITION - runs through September 11th, 2016. Any framed photographs purchased during the show will be available after September 11th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In the hazy, warm New York summer, little is more refreshing than reclining on the beach in the mist of the icy ocean waves or enjoying a family trip to the country house. Each summer, Rice curates her favorite show, the Summertime Salon, which reminds us of this exact seasonal sentiment. The two, long walls of the gallery become mosaicked, top to bottom, side to side, in photographs that evoke all the preeminent feelings and memories of summer. Each year, the Summertime Salon matures and Rice’s annual masterpiece comes into fruition. This year is no exception. The show is a haven of what the Robin Rice Gallery stands for, a community of art and experience. As the largest annual exhibition, the Summertime Salon is carefully pieced together, the results are staggering. The works of the 53 gallery artists come together communally, reinforcing the overall sense of unity that the show creates as a whole. In knowing the photographs so fluently, Rice strategically places them together in a way that will enhance the individual stories contained in each. Details from one image flow from into the next, elevating every photograph in a distinctly unique way. This year’s invitational image, “Surf Club” by Silvia Lareo-Vasquez, features a woman in a vintage sun hat reclining in the pool with a drink. The black and white image evokes an extreme sense of nostalgia in its cinematic portraiture and supple texture. Though the figure of the woman is tauntingly beautiful, the drink is the darkest tone, nearing black, and is centered in the frame. With this, we are reminded of the refreshing notes of summer and the utter serenity of taking the day off to relax. The show’s imagery is evocative of all eras of summer, thus any viewer can relate or connect to one of the images. As Rice likes to say, “There’s something for everyone.” One image by Benjamin Heller details a strong owl flying...

A pair of white table lamps made of gesso over ceramic form. USA, circa 1970. Rewired with new sockets, brass hardware and French black sil...

The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...

Orange textured ceramic pottery table lamp with brass hardware by Raymor. Signed. Italy, circa 1960. Dimensions: 38 inches tall to finial 27.25 inches tall to socket 8 inches...

On mulberry paper with silk brocade. From the estate of Andrea Bollt. Artist's seal reads: Mitsushito (died 1922).

Lauren by Ralph Lauren bone china gravy boat and separate underplate in the Hastings Ebony pattern. Signed. Dimensions: 8-1/8” L x 5-1/4” D x 3-1/4” H.

White helmet-shaped pendant light fixture with original twisted silk hanging cord and matching canopy. Italy, circa 1960. Wired for U.S.; takes a standard bulb, 75 watts max. Di...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

This fine painted decorated planter in the manner of Angelica Kauffman was created in England circa 1890 to 1900. Hepplewhite in style the planter was made in England during the Edwardian era. This time saw a great rise in revival styles and culminated with the out break of the first world war. Hepplewhite design is most often associated with fine detail contrasting wood veneers and inlay , delicate painted details and a definite reference to historical precedents. Referencing Kauffman herself the piece is reminiscent of works in her historical painterly style. She i known to have painted a number of commissions on furniture while living in England as well a being one of only two female founding members of the Royal Academy. She classified herself as a painter of historical imagery but is also known for her many significant painting and portraits and scenes of late 18th century upper class life. Many engravings used as pattern survive giving her style and work a great reach in paint decorated furniture...

The pair of vintage nightstands, shown here, are designer by T.H. Robsjohn-Gibbings for John Widdicomb. Finished in an ebony finish, each nightstand features one large bottom drawer...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs. The rhinoceros head is an art piece made of resin; Heal says that she does not condone hunting, and collects taxidermy as homage to the animals. Taxidermy can found throughout her home, including a raven standing alert upon one of the aforementioned chairs in her living room. Patricia Heal was born in England, where she studied art and theater. After receiving her degree in photography, she moved to New York City. Currently, Heal works for leading editorial and commercial clients, and shares a studio with her husband, fellow photographer Anthony Cotsifas, and their bulldog, Moses. She has received numerous awards, including the Society of Publication Designers Award for Photography, the Communication Arts Photography Award, a Nikon/PDN Award, the IPA Lucie Fine Art Award, and a Fuji Film Promotion...

This is printed on canvas , series of three Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary ev...

Metal Deco look console with large scale gilt scroll detail and gilt leaf under glass top. Circa 1980's.

Signed and dated "© D. Christensen 1989" with an orientation arrow verso. Medium "Acrylic on Canvas", title "Java", size "22 x 20" are all inscribed verso. Dimensions of this artwo...

A strong pair of sculptures by Italian American artist Marco Celotti. Created circa 1970. This highly animated pair of characters can only bring to mind thoughts of storytelling. P...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Elegant side table with removable serving tray. Wood base with bead detail and tapered legs available in medium mahogany. Tray available in leather or parchment. (PARCHMENT TOP chan...

Listing is for UNFRAMED print. Inquire within for framing. Edition 3 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Reupholstered with custom embroidered fabric. Provenance: sold Sotheby's, early 20th century, The Estate of Charles Ryskamp. From an estate in Corning, NY.

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Wonderfully large and bold tiger painted in ink and mineral pigments on silk mounted with silk brocade border. Seal reads: Miyaguchi (alternative reading: ...

Really well done collage in black and white with a few subtle touches of deep red. Collage is done on a box board and ready to hang.

This marble pedestal constructed from three separate types of stone is a form seen through the 17th to the 19th centuries, circa 1880. Of white marble, the inset formal front panel i...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 40. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

The work done circa mid-late 1960s is subtle in execution but vivid and almost wet with moment and shading. The colors are not cold and mod but warm and inviting creating a deeply hy...

This listing is for the unframed photograph. The gallery has brought together the works of 60 gallery artists and nearly a hundred photographs for this salon-style exhibition. Fro...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

This finely made English regency period metamorphic bookcase-desk is also of an interesting and useful small scale. The mahogany construction is done in a clean simple straight-grain...

This is a photograph of a Swiss made Pilatus PC-12 airplane. There are other images in this series as well. A self-taught photographer, Phelps has won numerous awards for his photog...

A very unusual mahogany chair in light stain with an almost sleigh-like feel. The height of the back and depth of the sides make a dramatic impact when upholstered.

Listing is for framing. UNFRAMED print. Inquire within for CURRENT EXHIBITION - runs through March 1st, 2020. Any framed photographs purchased during the show will be available after...

This sculpture created by Ken Butler is a bass guitar made from a naked female mannequin torso and leg. On the wall the torso is upside down, with the neck of the bass running along ...

Handsome mid-century modern sideboard in a distressed matte black finish. Three center drawers and side cabinets with built-in shelves provide abundant storage. The X-crossed nicke...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

This listing is for the unframed photograph. This editioned print is #17/25 . The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featurin...

A very nice pair of six-light Baroque style sconces with the frame made of cast zinc and having cast details all made in bronze. These sconces are very dramatic and have a large numb...

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note that this painting was never ...

Highly animated bronzes of Apollo (left) and Vulcan (right). 17th century bronze copies of 16th century Venetian marbles by Alessandro Vittoria. Patina is a rich nut brown. Apollo...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room...

A finely carved and finished alabaster grand tour copy of the classical statue of the Cretan princess Ariadne, wife of the god of wine Dionysus and mistress of the Labyrinth seated o...

Set of 1940's stylized white painted Italian carved dining chairs with newly upholstered seats. Seat depth - 16"

Listing is for framing. UNFRAMED print. Inquire within for Any framed photographs purchased during the show will be available after March 1st, 2020. If the exhibition piece is sold ...

Italian Mid-Century faux bamboo gilded metal occasional table with glass top.

Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a...

The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...

A vintage ceramic table lamp with a textured design in green, yellow and black. Italy, circa 1950. Includes paper shade. Dimensions: 28 inches total H with shade 14 inches H to sock...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...

This is a photograph of a Swiss made Pilatus PC-12 airplane. There are other images in this series as well. A self-taught photographer, Phelps has won numerous awards for his photog...