Hudson - Art

Minimalist landscape photograph of black and white lilies on water "Lily Pond", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Abstract landscape painting of a white cloud in a light blue sky over a dark country field "Hayfield Two Thirty," painted by David Konigsberg in 2019 oil o...

Encaustic on board 10 x 12 inches This monochromatic encaustic landscape on board was created by Hudson Valley-based artist Leigh Palmer. Once a hard edge realist painter, the artist eschews those details, letting the stroke of his brush and moody palette leave an abstract implication of the landscape. The main image is bordered by white to give the impression of a window. About the artist: In the Openings series, Palmer integrates the frame into the painting. This element contributes to the narrative, suggesting the viewer is inside looking out. We are not a part of the landscape, rather we are a peaceful witnesses to nature that will transcend even our own existence and continue to change with the seasons long after we have passed. We are romanced by Leigh Palmer's unique ability to pare down and find the true essence of the landscape, gently veiled through his own soul. We are proud to have exhibited his work since the inception of Carrie Haddad Gallery in 1991. Today, the artist continues to work with both encaustic and oil paint. He is currently developing a new series in his studio right across the street from the gallery. We hope to reveal his new work to the public sometime in 2021. Artist Statement: My paintings are based on observation of the landscape in the Hudson River Valley where I live, and are improvised in the studio; the images are found or discovered in my memory of familiar places and developed during the painting process. Human beings do not appear, but their presence is felt in the marks left on the ground (furrows, fence rows, roads), and sometimes in the air (smoke, haze). About the artist: In 1987, Leigh Palmer moved with his family from suburban Duxbury, Massachusetts, to Tivoli, New York, a quiet town on the Hudson River, north of New York City. His subject matter shifted to the sprawling hills and countryside of the Hudson Valley. “I wanted to respond to the new landscape I was seeing, to catch something of the feeling I had just before dark,” says Palmer. “I took a lot of photographs, but I was happier with the paintings I created from memory.” Leigh Palmer has been represented by Carrie Haddad Gallery in Hudson, NY for over 25 years. Resume: EXHIBITIONS 2013 - 2017 Carrie Haddad Gallery, Hudson NY 2011 Graficas Gallery, Nantucket MA 2010 Carrie Haddad Gallery, Hudson NY 2009 Bachelier-Cardonsky Gallery, Kent CT 2008 Bachelier-Cardonsky Gallery, Kent CT Four Starr Gallery, Stonington CT 2007 Carrie Haddad Gallery, Hudson NY 2005 Bachelier-Cardonsky Gallery, Kent CT 2004 Segalas Gallery, Bernardsville NJ 2003, 04 Bachelier-Cardonsky, Gallery Kent CT 2000, 01, 03 Carrie Haddad Gallery, Hudson NY 1999 Barbara Singer Fine Art, Cambridge MA 1999, 98 Carrie Haddad Gallery, Hudson NY 1997 The Main Street Gallery, Nantucket MA 1996 Randall Tuttle Fine Arts, Woodbury CT 1995 James Cox...

Photo-realist oil painting of a classic brick building exterior in New York City 28 x 50 inches, oil on canvas painting Wire backing for easy hanging Unframed with white painted sides This contemporary, realistic oil painting of a New York City brick building exterior was painted by Richard Britell in 2019. Employing his mastery of the troupe l'oeil technique, Britell paints the smooth red colored stone building in extreme detail assuming a three-dimensional quality with close attention paid to shadow and perspective. This building is reminiscent of neo-classical architecture, popularized in the mid-late 1800's and the striking red exterior contrasts against the white stone window trim, further accentuating the painting's troupe l'oeil qualities. The painting on canvas is complete with wire on reverse for seamless hanging. About the artist: Richard Britell, a career painter, studied at Pratt Institute with Philip Pearlstein and Walter Erlebacher. His first show in NYC at Staempfli Gallery was sold out, and reviewed in the New York Times. Britell’s new works revolve around large, dreamy cityscapes tending toward abstraction. The artist currently lives in Pittsfield, MA. Born Utica, New York, 1944 Education 1962 – 1964 Pratt Institute, Brooklyn, NY 1964 – 1966 Syracuse University, Syracuse, NY B.F.A. 1970 – 1972 University of Massachusetts, Amherst, MA, M.F.A. Solo Exhibitions 2011 “Measuring the Universe” Lauren Clark Fine Art, Housatonic, MA 2010 “And Now For Some things Completely Different” Lauren Clark Fine Art, Housatonic, MA 2010 “The Figure, The Figure, The Figure and The Figure” Lauren Clark Fine Art, Housatonic, MA 2009 “A nest of robins in her hair” Lauren Clark Fine Art, Housatonic, MA 2007 “NY, NY” Lauren Clark Fine Art, Housatonic, Ma 2003 “Image and Text” Tokonoma Gallery, Housatonic, MA 1999 “From Architecture to Abstraction” Tokonoma Gallery, Housatonic, MA 1998 “New Work” Carrie Haddad Gallery, Hudson, NY 1998 “New Figures” Ute Stebich Gallery, Lenox, MA 1995 “Richard Britell, New Work” Katharina Rich Perlow Gallery, New York, NY 1993 “New Work on Gilded Panel” Phyllis Kind Gallery, New York, NY 1985 “Fresco Panels...

Joe Wheaton I'll Wait Here...Cool?, 2019 46" X 15" X 5" Oxidized Steel (Lightweight contemporary three-dimensional wall sculpture) Joe Wheaton’s unique sculptural designs welded fr...

Framed still life photograph of a pastel orange and pink rose flower on a crisp white background “Untitled 21” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” s...

Framed still life photograph of an indigo blue Morning Glory flower on a crisp white background “Untitled 58” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” se...

Graphic, abstract fruit still life painting in a bold palette of green, orange, and blue Oil on canvas 54 x 44 inches This vertical, abstract-style still life painting was created by Hudson Valley-based artist Christopher Engel in 2010. The composition features broad, confident brush strokes in crimson, royal blue, black, emerald and orange against a varied light and dark green background. Some strokes are bold and crisp, while others appear drizzled on the canvas, resulting in a varied, almost tactile surface texture. About the artist and work: Calm and confident brush strokes sweep over each canvas in a selection of abstract paintings by Christopher Engel. His work vibrates with the energy of bold, gestural lines that intersect at points between the foreground and background. These fields are bridged together in a web of kinetic, interconnecting lines which create a remarkable sense of three dimensionality. The close examination of space, or how we create it and replenish a void, is a study that Engel has pursued since he started as a landscape painter in the early 70s. “I was deeply affected by the relationship between the elements of the landscape; trees, shrubs, bushes, and elements on the periphery,” he states, “everything worked to define the space that contained and moved me.” Engel currently works out of a studio near Roxbury, NY, where a pellet stove warms the high ceilings and sunlight penetrates through sky-lights. Nestled in the Catskill mountains, he continues to honor the influence of the natural landscape and remain enamored by the impact of color. With several canvases standing over four feet tall, the surfaces are rich in a sophisticated palette of earth tones; greens, browns, blacks, blues and occasional use of bright red and orange allude to an aesthetic that straddles both landscape and abstraction. Yet despite representational titles such as “Canyon,” Ice Storm”, and “Clear Skies”, Engel’s vision immerses the viewer in suggestions of horizon lines or tree branches rather than orient them directly toward a conventional depiction. Tensions of push and pull are achieved with both opacity and transparency, as well as the natural flow of the medium. Ultimately, the point of departure is radically transformed and the end result is nothing short of powerful. SOLO SHOWS: 2017 Carrie Haddad Gallery, Hudson, NY 2016 Carrie Haddad Gallery, Hudson, NY 2014 Commons Gallery Margaretville, NY 2014 Zoom Gallery, Fleishmanns, NY "Selections" 2006 Erpf Gallery, Arkville, NY “A Selection of Works” 2004 The Commons, Margaretville, NY “Survey from the 1980s to 2004 1991 Roxbury Arts Group, Roxbury, NY 1987 Soho Gallery, Seattle, WA, “Selected Works” 1986 Hundredwaters Gallery, Seattle, WA, “New Works” 1982 Hallwalls Gallery, Buffalo, NY, “Rites of Passage” GROUP SHOWS: 2017 WAAM Woodstock, NY “Abstract Evocative” 2014 Zoom Gallery, Fleishmanns, NY "Summer Show" 2011 Byrdcliffe Members Show 2010 Byrdcliffe Members Show 2010 Byrdcliffe Small Works Show 2010 Woodstock Artist Association and Museum Show 2008 Woodstock Artist Association and Museum Gray Matter Show 2008 Woodstock Artist Association and Museum Inside/Outside the Box 2008 Woodstock Artist Association and Museum Small Works on Paper 2004 Roxbury Arts Group, Roxbury, NY, “Now, Then and Before” 2003 Roxbury Arts Group, Roxbury, NY, 1994 Hallwalls Gallery, Buffalo, NY, “Men in Suits” 1989 Print Show, Ward-Nasse Gallery, NY 1988 Hundredwaters Gallery, Seattle, WA, “Art and Religion” 1987 New York Print Fair, Eldindean Press 1986 Summit Show, Seattle, WA 1986 Pierot Gallery, Seattle, WA 1985 Donnally Books Gallery, Seattle, WA, “Woodcuts” 1985 Fourwalls, Hoboken, NJ 1983 Sharpe Gallery, NY, “Self-Image” RESIDENCIES: 2012 and 2011 Byrdcliffe June Artist’s Residency Programs HONORS: Elected to the board of Woodstock Artist Association and Museum AWARDS: 2011 Woodstock Artist Association and Museum 3rd Annual Regional Show Honored for Best Abstract Painting in Show 2011 Woodstock Artist Association and Museum March Group Show Honorable Mention 1985 Grant from Change, Inc. Full Tuition Scholarship, Art Center College of Design COLLECTIONS: Bruno Bischofberger, Zurich, Switzerland Carol Pulin, Print Curator Smithsonian, Washington, DC Elizabeth Hahn, Print Specialist Christies, NYC Mary Lou Knode, Print Department MOMA, NYC Kathy Caraccio, Print Maker and Publisher of Etchings, NYC Leslie and Stuart Reiser, Wayne, NJ. Rouse Corporation, New York, NY Robert Heller...

Joe Wheaton My Shadow Was Always Ahead of Me, 2019 Oxidized Steel 37 x 16.5 x 3.5 inches Joe Wheaton’s unique sculptural designs welded from dark, oxidized brass or brilliant silver...

Contemporary color still life photograph of purple and green vegetables 30 x 37.5 inch image size, 33 7/8 41 5/8 inch paper Edition of 10 This horizontal color still photograph of ...

C-type archival print, edition of 25 20 x 16 inches unframed 29.5 x 25 inches in ornate wood frame with engraved gold detail This Renaissance inspired photograph was created by London based photographer Nick Simpson in 2005. It is based off of the c. 1540 painting "Venus, Cupid, Folly and Time" by Forentine painter Agnolo Bronzino...

36 x 48 inches oil on canvas, unframed (thin wood stripping only) Contemporary Hudson River winter landscape oil painting, horizontally oriented. A snowy, iced over river is lined ...

Panel with Snakes, Turtles, and Dove, 2010 40 x 15.5 inches, edition of 30 (Pictured Gallery view shown - 94 x 36 inches, edition of 15) archival digital print, unframed This contem...

Contemporary still life photograph of faint orange wall with white plaster patches archival pigment print, ed 2 of 10 22.25 x 40 inches unframed 28.75 x 46 inches in dark wood frame with non-glare glass In this series, Halliday captures the interiors of his home and studio. The photograph depicts a light orange painted wall with white plaster patches over a mantelpiece. The artist likens the patches to clouds hovering over a horizon. Light blue styrofoam resting in the foreground provides an elegant detail of color. This still life photograph is complimented with a dark wood frame with non-glare glass. About the artist: American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior...

Barn with Birds, 2018 pigment print on watercolor paper, signed dated and numbered on face 13" X 16 1/4" edition #4/25 $1,500.00 21 x 27 inches framed - $1650 This Black and White ...

White What's Left (Contemporary Abstract Painting with Colorful Paper Collage) 20 x 20 x 2 inches encaustic, collage on wood panel Signed on rev...

Allee, Tuxedo Park, 2018 pigment print on watercolor paper, signed dated and numbered on face 16 1/4 X 13 edition of 4/25 $1,500 24 x 20, edition of 25, $2...

Archival digital scanograph 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

"Chair, Napkins and Sheets" by David Halliday, 2020, archival pigment print, edition of 10 35 3/4" X 22 1/4" Image size 38.25 x 24.75 inch paper size Contemporary Still Life Color...

Panel with Snakes, Turtles, and Dove, 2010 54 x 20.75 inches, edition of 20 (Pictured Gallery view shown - 94 x 36 inches, edition of 15) archival digital print, unframed This conte...

Color still life photograph of figurative fig branches with green leaves, measuring stick, and colorful nautical rope against a white and light beige background 'Flotsam and Fig Limb...

Framed aerial landscape photograph of pine green forest and warm yellow sunset ''Autumn Tamaracks & Sunset' Archival digital print, Edition of 25 Image size 18 X 12 inches unframed ...

Archival digital print, edition of 25 (#161) Image size 19.3 x 29 inches with 2 inch border $2000 Image size 26 x 39 inches with 2 inch border $3200 Image size 32 x 48 inches wi...

Contemporary color still life photograph of long black fishing boots on a white background archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image s...

Archival digital print 18 x 13 inches, edition of 225 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographer, ...

archival inkjet print on watercolor paper 10 x 13 inches unframed 2016 Photographed in Maine, this black and white archival pigment print by Betsy Weis captures a trees in a meadow. The serenity of the sky and grassy meadow in soft grays are contrasted by the leafy tress in the distance. This photograph is available unframed. The image measures 10 x 13 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Contemporary aerial photograph of Iceland landscape archival digital print, edition of 25 Image size 19.3 x 29 inches with 2 inch border $2000 Image size 26 x 39 inches with 2 inch...

Price for UNFRAMED item The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year...

Vertical charcoal drawing on Arches paper 18 x 13 inches unframed 25 x 20 inches in black metal frame with AR non-glare glass & 8-ply mat This contemporary, abstract charcoal drawin...

8 x 8 inches oil paint on wood panel This contemporary, abstract oil painting in graphic black, white, & red was completed by Vermont based artist, Paul Katz, in 2016. Studying li...

C18-13 (ABC), 2018 16" x 20" x 1" each acrylic on three panels 16" x 64" x 1" (hung horizontal) 48" x 20 x 1 (hung vertical) Abstract triptych made of three horizontal, rectangula...

Oil on canvas 44 x 55 x 2 inches Contemporary white artist made floater frame This listing is available from Carrie Haddad Gallery, based in Hudson, NY. Golden color fills the canva...

Duratran print on LED illuminated panel 17 x 15 x 2 inches overall Image size: 10 x 8 inches This antique style figurative photograph was created by London based photographer, Nick Simpson, in 2012. Here, a seated figure clad only in a peculiar headdress poses for the camera. The figure clutches a skull to their chest, and rope is wound loosely around their ankles. Mysterious masks and other props litter the background. Simpson includes a slight patina around the sepia toned photograph's edge to accentuate its antique inspired quality. The Duratran print is paired with a dark wood frame and is mounted on LED illuminated panel attached to a power cord. About the work: London based artist, Nick Simpson, is celebrated for his fictional series entitled The Bumforth Man Collection. The series consists of archival prints inspired by a mythical story concerning a quantity of glass photographic plates discovered in an old oak chest on the Bumforth Manor estate in rural England, the family home of the Gascoigne-Simpson's for over nine generations. These plates, which had laid gathering dust for over a hundred years, were supposedly the work of Simpson’s great grandfather, Samuel Heracles Gascoigne-Simpson, a disciple of William Henry Fox Talbot, commonly considered to be the father of photography. To bring this story to life, Simpson starts by building a set, authentically styled and dressed to re-create the Victorian photographic salons of the late 1900s. This becomes the stage upon which he places his eclectic choice of models and actors, all following his original tight narrative to create a richly detailed tableau. The scene is then captured in a single sitting using an original 1867 'Petzval' lens mounted on a mahogany plate camera...

Minimalist aerial landscape photograph of trees in a snowy white field Archival digital print, Edition of 25 (#121) Image size 23.5 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs a barren orchard and popular trees in a snowy white field above Sodus, New York. The shadows from the trees cast a dramatic shadow against the white field while the brown colored paved road provides a striking contrast in composition. When seen from above, the aerial landscape photograph looks like a minimalist abstract canvas. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...

archival pigment print, edition of 10 32 x 60 inches unframed, $4200 Fish on Blue is a contemporary still life photograph of small, silver fish strewn across an icy blue farm table...

30 x 40 inches horizontal photo realist oil painting on canvas of neo-classical architecture Mr. Britell's subject matter is drawn from the world of pre-modernist architecture. Wha...

Figurative, Polaroid transfer of a young boy in vintage cowboy costume against an orange background PT 25, Made in 1998 Edition 1 of 6 9 x 7 in...

18 x 12 inches 24.25 x 18.25 in. framed ($950 price includes frame) John Griebsch learned how to fly an airplane when he was just fourteen years old. Since then he has combined his ...

Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland) by Betsy Weis black and white archival inkjet print on watercolor paper 10 x 15 inches unframed 16.5 x 21.5 inches framed $1250 Photographed in Finland, this black and white archival pigment print by Betsy Weis captures trees in the mist during winter. The forest is softened by the snow and mist that envelopes them and there is a serenity despite the cold conditions of this landscape. This photograph is also available unframed for $950. The image measures 10 x 15 inches. 16.5 x 21.5 inches framed $1250 Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Plaster Clouds, 2016 Archival pigment print 22 1/2 × 40 in; 57.2 × 101.6 cm Edition of 10 In this series, Halliday captures the interiors of his home and studio. The photograph depicts a plaster wall that has been patched, creating cloud like designs on this raw bit of painted wall over the mantle piece. Pops of a soft mint green of the pieces of insulation on the mantle compliment the overall color palette. The white and golden yellows blur the line between photography and abstract art. About the artist: American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior...

Contemporary pigment print 36 x 45.5 inches unframed Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, four blue and white panels...

Eucalyptus with Turtles and Honeycomb, 2010 40 x 15.5 inches, edition of 30 (Pictured in Gallery View - 94 x 36 inches, edition of 15) archival digital print, unframed This contempo...

Eucalyptus and Framed Birds, 2010 40 x 15.5 inches, edition of 30 (Pictured in Gallery View - 94 x 36 inches, edition of 15) archival digital print, unframed This contemporary, arch...

Eucalyptus and Framed Birds, 2010 54 x 20.75 inches, edition of 20 (Pictured in Gallery View - 94 x 36 inches, edition of 15) archival digital print, unframed This contemporary, arc...

Archival digital scanograph 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

24 x 24 inches oil paint and sand on canvas This contemporary, abstract oil painting in graphic black, white, grey & red was completed by Vermont based artist, Paul Katz, in 2015. S...

Nautical color still life photograph of a white oar and coiled rope archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image size This contemporary nautical still life photograph was made by Hudson Valley based photographer, David Halliday. The antique white oar image is part of the artist's 'Portal' series photographed in an old fish shanty...

Archival digital print, Edition of 25 (#259) Image size 19.3 x 29 inches with 2 inch border $2000 Image size 26 x 39 inches with 2 inch border $3200 Image size 32 x 48 inches with...

Abstract painting on curved canvas in dark brown palette oil on canvas on unique artist made stretcher 36 x 74 inches This vertical, curved canvas was painted by abstract artist, Ch...

Contemporary nautical seascape photograph of blue ocean waves 36 x 33 inches unframed Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches Je...

10 x 10 inch image on 11 x 17 inch paper, $900 unframed All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks available in editions of 25 in...

70 x 40 x 1.5 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of r...

48"x60" oil and graphite on canvas (signed on reverse). This large scale oil painting by Mark Masyga created with a stunning linear abstract composition. A neutral cool grey groun...

Abstract landscape photography for a snow filled creek bed during winter Archival digital print 36 x 32 inches, edition of 30 Additional sizes available This contemporary, archival ...

8 x 8 inches oil paint and sand on canvas This contemporary, abstract oil painting in graphic black, white, grey & red was completed by Vermont based artist, Paul Katz, in 2016. St...

archival chromogenic digital print image size: 19 x 23 inches unframed Elliott Kaufman describes New York City as a laboratory in constant movement. In his series “Street Dance,” Kaufman photographs repetitive actions of passersby – such as riding a bicycle or entering a subway station – from a single vantage point and arranges the images in a grid. Key to his series, Kaufman explains, was calculating how changing light would affect the environment. “The bicycles had to be back-lit at the very end of the day,” he says. “The subway steps were calculated so that the light would cast perfect north/south shadows.” He also shot a varying number of exposures at each scene to relay the “staccato rhythm” he sought – as many as 225. “The camera catches the commonality of movement,” he says, “until what endures is a patter of dance and motion.” A number of artists have led him in this direction, including the Bauhaus and the collaborative media which they pioneered, the 1977 film Powers Of Ten, which depicts the relative scale of the universe in factors of ten, Mike Figgis...

sepia toned archival pigment print, edition 1 of 10 50 x 40 inches, 53 x 43 inches framed This modern, sepia toned landscape print was made by artist, David Halliday in 2000. The se...

18 x 14 inch drawing on 20 x 16 inch Aquarelle Arches Paper 24 x 20 x .5 inches framed Thin profile black metal frame, 8 ply white mat Ralph Stout's works on paper reveal a drau...