Italy - Wall Decorations

Modern wall unit that is more than a piece of furniture that serves you, it is a true piece of art. Realized only with the best materials, it is perfect for every luxury environment...

Lithograph titled "Abruzzo" by Michele Cascella, created in the 1960s. Ø cm 38 h cm 29 including frame Michele Cascella (Ortona, September 7, 1892 – Milan, August 31, 1989) was an ...

Satyr, ceramic satyr, ceramic maskerone Glazed satyr maskerone -wall maskerone - hand molded on refractory ceramic, decorated , glazed dimensions: h 29 x 18 x 9 cm kg 1.4 original c...

The category Antique Paintings Portraits of Dogs features a small painting, a Watercolor on paper with a portrait of a Black Poodle dog, late 1800s era.  This is a pleasant portrai...

An artistic wallcovering designed by Francesco Simeti, expertly enriched by Fabscarte, with white relief stucco workmanship and monochrome handpainted elements. Inspired images and ...

Made in Italy, 1960s. This item is made in lacquered earthenware and might show slight traces of use since it's vintage, but it can be considered as in excellent original condition a...

La categoria quadri antichi propone un Bel Ritratto di Giovane Donna che Legge, una pittura ad olio su tavola,  della Metà del Novecento.  Si tratta di un ritratto di ragazza in un...

- This product is priced per square meter. Please contact us for assistance with square footage calculations. - The lead time depends on the quantity of the order. As the name sugge...

Offered for sale is an extremely rare engraving by Italian modern and contemporary master Arnaldo Pomodoro, famed author of the well known discs, spheres and objects in bronze that u...

Splendid Italian Figurative engraved Earthenware Wall Plate, Woman bust with flowers on her head Illegible Signature. Italy 1950s.

This is an antique Landscape Oil Painting, Mountain Landscape Painting with Snow, early XXth Century.  It is an antique painting, from the 20th ce...

Color: Cream Designer: Magnus Gjoen Designed by hand in Digital Art Project Miscellanea Graphic dev: Frescoes Collection: Visioni Made in: Italy Printing support: Fine Art ( front 5...

Shipping policy No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). French school, 19th century Landsca...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

17th century Flemish oil on panel Monogrammist H. C. "Soldiers gambling for Christ's tunic" The fine painting depicts the biblical scene i...

Italian modern Red plastic shelves by Marcello Siard for Kartell, 1970s Set of fantastic six shelves with asymmetric profile in bright red plastic. There are two types of measures: o...

Important ink drawing representing animated landscape with ruins and aqueduct in the background Venetian school Every item of our Gallery, upon request, is accompanied by a certific...

"Corteccia is a wall shelf unit by Andrea Salvetti for Mogg, made of veneered with slabs of cedar wood, and drop down door. Corteccia is a wall she...

Japanese antique Silk tapestry with 5 foxes in bamboo forest, mid 1700s Rectangular silk tapestry. The subject of the painting are 5 white foxes,...

Italian modern Abstract mixed media painting on paper and metal frame, 1972 Abstract style mixed media painting on paper. The gestural painting is characterized by rounded lines and...

Signed Guido Coletti "Closed Windows" Plexiglas-Framed Mixed-Media Work, 1980s Transform your space with a daring mixed-media masterpiece by Friulian artist Guido Coletti. Crafted i...

This stunning set of two black and brown screens are totally hand made in Italy, they were made in 1990 in Milano. They are an example of great craftsmans...

- This product is priced per square meter. Please contact us for assistance with square footage calculations. - The lead time depends on the quantity of the order. This is a designe...

Very rare painting oil on canvas by the artist William Langley Title “View of Menton Cap Martin” It depicts a beautiful view of the French Riviera, in particular Cap Martin-Menton O...

A very finely woven wool veil used as a head cover in the wedding ceremony among the Ait Abdellah Berber people of the Moroccan Anti Atlas region. The pattern is obtained with the re...

Conceived as a modular room divider, Vertigo is an undulating multi-compositionof cylindrical lucite bars hooked through brass latches. By rotatin...

Large Italian console or wall shelf from the 1950s. The console is attributed to the great designer Melchiorre Bega because of its shape and line...

Dino Gavina was an Italian designer, entrepreneur, and publisher. He began his career in the 1940s working on stage sets. Visual arts were a great passion for Gavina. In 1960, Dino G...

This set of twelve hand-decorated porcelain plates, as a whole, forms the figure of Adamo. You can use the ensemble for ornamental purposes ...

Acrylic painting on canvas by Alessandro Guerriero for Alchimia in 2019. Signed and original label. Biography: In 1976 Alessandro and Adriana Guerriero established Alchimia, the first example of manufacturing designers in Milan. In 1978 and 1979 they presented the Bau haus and Bau haus II collections. Lamps, armchairs, chairs, tables, cabinets, and so on. Artists involved: Alessandro Mendini, Ettore Sottsass, Bruno and Giorgio Gregori, Michele De Lucchi, Andrea Branzi, UFO, Paola Navone, Daniela Puppa, Franco Raggi. The prevalent decorative material is laminated plastic. Alchimia’s culture, which is against the Italian design (Casabella magazine) changes the base of all previous design theories, resulting in a profound and radical change in the mindset of architects. Visual Alphabets, Redesign, Trivial Design, Cosmetics and Sentimental Robot are the slogans underlying the exuberant and vast production of Alchimia city. In the theoretical manifesto of the group, Alessandro Mendini writes “Alchimia is not interested in disciplines because they are considered to be within their rules. Indeed, it is important to look into the existing large free spaces between them. Alchimia weighs the assumption that conception and confused production methods should coexist where craftsmanship, manufacturing, information technology, techniques and current and obsolete materials can get mixed up. “They are handcrafted objects, recycled, mass, improbable, provocative, Kitsch, all very theory-laden. It operates and experiences in many sectors: the Pensione Ideale (Franco Raggi), the Copertine di Domus (Occhiomagico), the Abito Sonoro and the performance of Persone Dipinte (Anna Gili), the Stilismo della Moda (Cinzia Ruggeri...

Pietro Consagra, Prospetto di edificio frontale, Edition 58/100. Silk-screen printing on shaped cardboard, eg. 58/100, 65.5 x 57 cm 1999 Signature in pencil lower left Publisher BGS ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Old French painting...

- This product is priced per square meter. Please contact us for assistance with square footage calculations. - The lead time depends on the quantity of the order. Vite light blue (...

This is a portrait artwork of a woman portrait painting, woman in black dress reading a note, end of XIX century. This is a portrait of a young woman wearing a black dress in a 19th...

Dino Gavina was an Italian designer, entrepreneur, and publisher. He began his career in the 1940s working on stage sets. Visual arts were a great passion for Gavina. In 1960, Dino Gavina founded Gavina SpA, the company that would eventually manufacture the designs of the important Italian designers of the 1950s and 1960s, such as the Castiglioni brothers, Carlo and Tobia Scarpa, Cini Boeri, Vico Magistretti, and Mario Bellini; and in 1962, together with Cesare Cassina and industrialist Arturo Eisenkeil, Gavina founded FLOS, which is still one of the most important Italian lighting companies today. Here the Wall Decorative Panel mod. Venere, that has a steel structure with silk-screen printing. This one is a tribute to Man Rey...

Rare vintage African Kuba Textile, suitable for a modern wall panel, on a long table ; perfect as headboard. Handwoven and hand dyed raffia fabric. An IDEA: use this item as backrest...

Follower of Jacopo Da Ponte, called Jacopo Bassano (Bassano del Grappa, circa 1510 - Bassano del Grappa, 13 February 1592), 17th century Allegory of the Spring Measures: With frame: ...

Special slabs available Two-sided Curved Extra treatments Temper glass Non-slip finishing Special glasses Borosilicate glass Finishings Chrome, Opalescent, Satin Uses Wall or flo...

Italian painting, 20th century. Oil painting on cardboard depicting a wooded landscape with architectural elements on the background of good pictorial quality. Wooden frame with passe-partout and beautifully decorated protective glass. Small size painting...

Italian painting from the second half of the 20th century. Mixed media framework on canvas depicting a particular sea view from above with boat and swimmer. Beautiful and pleasant pi...

1962 Abstract Italian Painter Giuseppe Martinelli oil on wood and Cardboard Painting , titles " colloquio" ( interview). This abstract painting with brown, red and sand warm colors has been painted in 1962 by Italian Giuseppe Martinelli . Excellent conditions. Size 190x181 cm. The painting features a black metal frame. It shows the signature both on the back and the right bottom side. ******** Giuseppe Martinelli (Viareggio, January 19, 1930 - Milan, July 15, 2016) was an Italian painter.The first solo show was in his hometown in 1953, and in the same year he won the Viareggio Prize. In 1956 he moved to Milan, sharing a studio in via Procaccini with Scapaticci, Ferroni, Banchieri and Luporini ; in 1958 he exhibited at the Pagani gallery in Milan, with a presentation by Mario De Micheli. In 1959 he won the purchase prize at the Golfo della Spezia painting prize with a work that became part of the collection of the Modern and Contemporary Art Center of La Spezia , he was awarded ex aequo (with Nikos...

17th century Christ in chains Oil on canvas, 95 x 71 cm Frame 110 x 84 cm The figurative tradition representing Christ with chained hands can be traced back to the early Middle Ages, when an iconography of His pains spread widely. The need to translate the Passion into images aimed to raise awareness of the forgiveness that has occurred for all men, consequent to the Crucifixion. This painting depicts the moment before the audience before Pilate. Christ has not yet been cruelly mocked by the soldiers, despite the fact that he is already wearing the crown of thorns and the purple...

Marzio Masturzo, attributed (Active in Italy - in Naples and Rome- in the second half of the 17th century) "Battle between cavalry and vessels with fortified city on the left" ...

Print from the Collection Botanique representing Crinum Gigantum. Another different Crinum prints are available to create a colourful composition. Crinum Erubescens. print measure: ...

Dino Gavina began his activity as early as the 1940s with objects for theater sets, his great passion. Convinced of the need for design that was modern but also rich in poetry, he gr...

Italian Mid-Century Moden black bookcase Broolyn by Stoppino and Acerbis, 1980s Bookcase Brooklyn in black painted wood with 4 shelves supported by tie rods hooked to a white painte...

Composition performed with: English ceramic plate. Manufacture: feouers Porcelain ashtray. Manufacture: Limonges Porcelain figurine, plastic toys. Hanging system via metal ring and c...

A combination of special techniques and process has created glass sheets that capture the timeless and limitless beauty of precious stones, lava rock, as well as dream landscape. Th...

Wool tapestry by Enrico Accatino. Early geometric example of Accatino resarch, the piece features a dark background with yellow, orange, blue, gray sha...

19th century Roman painter Still life with cherubs, flower festoons and herma with faun Measures: Oil on canvas, cm H 78 x W 95 without frame Cm H 122.00 x W 106 x D 8 with frame. The work, painted in oil on canvas, octagonal in shape, represents a nature with three putti or cupids playing with flower festoons in a wooded environment in which is placed a herma with faun and, on the left, a large neoclassical marble vase...

Abstract - drawing made with china ink on paper, signed on back, illegible signature.

Very nice pastel on paper featuring a young girl noblewoman. This painting, never before on the market, comes from a private collection and is beautified by an impressive XVIII Cent...

Rare pen drawing by Giovanni Gariboldi for Paolo Buffa.

Wall-Mounted Artwork - Decorative Panel - Architectural Artwork - Contemporary Concrete Sculpture Contemporary artwork By Spinzi , mad...

SKY - Small ceramic bowl by Pantoù Ceramics, hand thrown and hand painted glazed earthenware. All unique pieces, Italy, 2021. Measure: 15 cm diameter. Different finishes availa...

Circle of Simone Cantarini known as the Pesarese (Pesaro, 1612 - Verona, 1648) St. Joseph Oil on canvas, 62 x 48 cm Frame 80 x 64 cm The sty...

Nerone & Patuzzi cculptural wooden wall panel for NP2, mahogany, Italy, 1973. This untitled sculpture panel, created around 1970, features linear, curved, concentric, and triangula...

20th Century Italian Signed Landscape Beautiful and important painting by the great artist born in Turin, but of the Roman school, Filiberto Petiti ...