Italy - Wall Decorations

Cezanne Collections are three material paintings, drawing inspiration from the past in three different shapes and designs. The three paintings are characterized by the strong dialogu...

- This product is priced per square meter. Please contact us for assistance with square footage calculations. - The lead time depends on the quantity of the order. A tribute to natu...

BUTTERFLY The free dance movement For more than 22 years, Sabrina Landini pays homage to glass surfaces in her expression of silvered masterworks, the hallmark of her collection. S...

Piedmontese painter of the second half of the 18th century Two "Still Lifes with composition of flowers, fruits and mushrooms" Measurements: Frames: cm W 63 x H 74 x D 8.5 frames...

Rare and vintage Tunisian carpet, embroidered like a tissue for wall - Private Italian collection - IDEA: use this item as tapestry on the wall or on ...

Elegant hand-watercoloured print representing Starfishs, from the Japanese Sea Life Series This marine style print is available in 2 different natural representations to create a br...

VENARIA REALE II, TORINO 2017, photo by Carlo Carossio from series Grande Bellezza for Compendio Gallery, Roma fuji ultra HD edition of 10 +2 ap Measure: 180 x 120 cm signed and numb...

Francesco Chiarottini (1748-1796) Roman Architectural Capriccio Oil on glass, cm 52 x 67 without frame, 63.5 x 79cm with frame The valuable painting, attributed to the Italian p...

Francesco Simonini (Parma, 16 June 1686 - Parma, 1766) “The rest of the soldiers” and “The march of soldiers” oil on canvas cm 40 x 58 and 40 x 60 ; frame: h 52,5 x W 70,5 x D 6 an...

18th century, Italian oil on canvas still life by Pietro Navarra Oil on canvas, canvas measures: cm H 103 x W 164, framed measures...

1887 calendar prints mounted on solid Bamboo frames 1950s

Period Italian Signed Grand Tour Watercolor Beautiful watercolour depicting the ancient Roman colony Timgad Signed, dated and located in the l...

Beautiful print that is part of a series of two, representing 2 different views of an ancient Italian vase of Villa Ghigi. It is printed with an antique press and colored by our best...

Square print optical Pop Art Victor Vasarely attributed 1970s.

1930s Italian Signed Still Life Painting Still life with cactus Oil on canvas signed Piccari. On the back the artist's address Via Maddalena 2 Rom...

Color: Cream Designer: Magnus Gjoen Designed by hand in Digital Art Project Miscellanea Graphic dev: Frescoes Collection: Visioni Made in: Italy Printing support: Fine Art ( front 5...

Snowy Landscape – Alex Weise Work dimensions: 60 x 80 cm Measurements with frame: 64 x 84cm Technique: oil on canvas Period: 1930s One of this artist's favorite subjects: snow in t...

Wall-mounted eagle-shaped ceramic flower holder shelf made by Ginori - Shower. Majolica earthenware, decorated with polychrome glazes. Present imperfections as shown in photos. Ø cm...

Square modernist Brutalis wall sconce Murano Mazzega glass iridescent. 1 light bulb E27 Max 100 watt.

Elegant hand-watercoloured print representing Jellyfishs, from the Japanese Sea Life Series This marine style print is available in 6 different natural re...

Italian painting dated 1977. Oil painting on canvas depicting a country view in the Impressionist style. Beautiful and pleasant framework signed and dated in the lower right corner (...

Set of four hands watercoloured and press printed botanical print with black wooden frame. Each print is entirely printed and coloured in Italy by our master craftsmen. The complete ...

Art Deco metal embossed pewter panel sculpture representing a naked boy with eagle, signed by Foma.

Sculpture Plate Arnaldo Pomodoro Ceramiche Rossicone, Milan Italy, 1982 Lusterware Ceramic Plate Limited Edition 30/50 Artist Sign under the base Excellent Condiction

Print from the Collection Botanique Bulbacee representing Iris Latifolia, enriched with blue colors and nuances of watercolor. Another different Bulbacee flowers prints are availabl...

The title of this work is "Evolution" in this panel the artist Lodovico Cupioli represented a river in his particular vision. From the primordial Era after the game of time, the orig...

A stunning example of modern abstract art, this superb wall sculpture blurs the lines between abstraction and figuration to create a bold work of art. Dominated by sleek lines and co...

Silvio Poma Landscape With Shepherds oil on canvas painting depicting a dirt road in the middle of a tree-lined countryside with farmers grazing a flock of sheep. On the left side of...

Silver-colored bas-relief wall panel with metal leaf handmade in Italy by Cupioli. Subject: "Capricci Musicanti" This exquisite bas-relief panel is part of our exclusive collecti...

Background: Black and White Designer: Magnus Gjoen Designed by hand in Digital Art Spazio Miscellanea Graphic dev: Frescoes Collection: Visioni Made in: Italy Printing support: Fine...

Pencil-drawing by Riccardo Cavigioli in the early 1920s depicting a two-seat biplane airplane for reconnaissance Caudron G III, French production of 1914, equipped with a Le Rhone 80...

Splendid oil painting "Still Life" executed in the early 1900s.The manner in which this still life was executed shows a pictorial conception devoted to a total realism that takes int...

Maximilian Pfeiler (active Rome, circa 1694-circa 1721 Budapest) Still life with peaches, grapes, figs and pomegranate Oil on canvas, Measures: cm H 63,5 x W 47. With frame cm ...

Alexander Calder Catalog "Derrière Le Miroir" No. 156 - February 1966 - Complete with all pages, including seven Calder lithographs "Derrière Le Miroir" is a portfolio of lithographs...

Francesco Aviani (Italy - Venice, 25-11-1662 / 1715) att. Couple of paintings depicting Capricci Oil on canvas, 135 x 183 cm, without frame The two large and fine paintings depict two illusionistic architectural renderings, with views of colonnades and arched buildings, animated by figures. The compositions are characterized by the harmony with which the painter introduces the sumptuous architectural monuments, the mirrors of water, the buildings in the distance and the views of the landscape. Dominates with a color on the tones of brown and ochre that stands out on the blue sky, marked by some cloud of steam. The insertion of the figures to enliven the architectural views also balances with the set. The Capriccio, an artistic genre that has made its way into Italian painting since the 17th Century, is characterized by the representation of fantastic architectures or prospective inventions, sometimes combined with elements drawn freely from reality. The two paintings are an example of this type and they are a very interesting and Fine artwork. The remarkable pictorial quality emerges both from the composition of the ensemble and from the way in which the artist describes the views with great attention to detail, highlights and refined, perfectly realistic, chiaroscuro. The same must be recognized for the figures: these are described with a wise brushstroke, quick and quick touches give the dynamism of the moment that is captured, as if time had stopped to show and narrate what is happening. The painting on the right represents a large Baroque building in stone and paved with marbles, two floors, with moving façade, large columns with corinthian columns, a large portal with a staircase with large footsteps, a balustrade with string, from which some figures appear, and two equestrian monuments in bronze. The sumptuous building overlooks a large POOL of water, with a gushing fountain, around which some characters sit. In the second floor is described a white palace from which rises a tower crowned by a structure with wrought iron loggia. In addition there is a bridge and some architectural ruins behind which some mountainous reliefs fade towards the horizon. On the staircase is described a particular scene. The people seem to be part of a very precise story. A woman, in the shadow of a parasol supported by a servant, would seem to drive out of the palace a man, who, taken under his arm by two maidens with a determined attitude, is led to a boat. The scene could be identified with the biblical episode of the parable of the prodigal son (Luke 15,11-32), at the moment when the prodigal son is robbed and driven away by the harlots. The episode tells of a man with two children. The youngest said to his father: “Father, give me the part of my inheritance”. And the father divided the substances. After not many days, the youngest son, collected his things, left for a far country and there he lost his substances with prostitutes and living as a debaucher. When he had spent everything, there came a great famine in that country and he began to find himself in need. Reduced to hunger, he was forced to be a pig herder to survive. He therefore meditated in his heart to go to his father and ask for his forgiveness and to be welcomed anew, even as a servant. While still on the road, however, the father saw him and ran towards him, receiving him with open arms. He then ordered his servants to prepare a great feast for the occasion, killing for the purpose the "fatty calf". The firstborn did not understand why his brother was given such treatment, and reminded the parent that he, who had always obeyed him, had never received a single kid to celebrate with his friends. The father answered him: «Son, you are always with me and everything that is mine is yours; but it was necessary to celebrate and rejoice, because this brother of yours was dead and came back to life, was lost and was found». The parable of the prodigal son was often portrayed in painting and the scene he finds most is certainly that of returning home in his father’s arms. Among the many is a canvas by the famous painter Giovanni Paolo Pannini (or Panini) (Italy – Piacenza, 1691– Rome, 1765) kept at the Hallsborough Gallery in London. Rather rare, however, is the scene of the prodigal son driven and robbed by harlots. There is an engraving by Hans Collaert II (1561-1620) in which this moment is described in the background compared to the moment, narratively later, in which he is penitent among the pigs. The second painting, certainly pendant of the first, represents a similar palace, with some characters overlooking the balustrade marcapiano and other figures around the large bathtub quadrilobata. In the foreground is described a monument with two large stone sculptures. In the distance some architectural elements and, beyond, the mountains are lost on the horizon. The studies related to the numerous painters of architectural views and caprices, active in Italy, and the archival documents found, which could better clarify commissions, biographies and certain works, are scarce and sporadic. Therefore there are still many difficulties in reconstructing a catalogue of autograph works for each author. Through paintings in private collections, in museums and paintings passed on the antique market it is however possible to advance some attributions in order to better delineate the various artistic figures. The style of the works studied here leads to a dating that runs between the 17th and 18th Centuries, with obvious influences dictated by the perspectives of the brothers Galli Bibiena. The analysis of the architectures and the chromatic palette suggests that we are in the presence of a northern Italian and Venetian author. Observing the decorations and the volutes, the brightness and the perspective disposition in fact, we find several analogies with those used by the Vicenza painter Francesco Aviani, excellent in pictorial perspective and architectural views. The biographical profile of Francesco Aviani (Italy - Vicenza, 1662-1715) was essentially traced in 1956 by Andreina Ballarin, then re-visited by Federica Spadotto in 2014 and Giancarlo Sestieri in 2015. Certain documents about his life are scarce, as are the documented works. He was born in Venice, probably on 25 November 1662, to Bernardo and a Magdalene whose surname is unknown, and was baptized on 3 December 1662. Between 1701 and 1703 he worked, together with his brother MarCo, sculptor, for the fresco decoration (now illegible) of the church villa in Soella (Vicenza). On October 16, 1703 he married Isabella Carcano. On March 26, 1715 he made a will and died on April 3 of the same year, in Vicenza. The frescoes in the refectory of the sanctuary of Monte Berico in Vicenza are considered authentic works by Aviani, probably made in 1708; the paintings preserved in the Civic Museum of Vicenza: “Landscape with Lazzaro and the rich Epulone”; “Christ among the doctors”; “The miraculous fishing”, works not datable but with attribution corroborated by style. In addition, the frescoes in the east and west corridors of the Villa La Rotonda, near Vicenza; the fresco in the apse basin of the chapel of the church S. Croce, Vicenza, now destroyed; the frescoes of the central hall of Villa Camerini a Montruglio (1714) and a painting of a “Porto Regio”, of which we have a print engraved by Dall'Acqua. From his works emerges the artistic background that animated the Venetian culture in the early eighteenth century. The scenic grandeur with which Aviani treats the architecture also suggests a stay in Emilia of the painter, in which he could have come into contact with the environment of the Bibiena. These contacts would be confirmed by the press of Cristoforo Dall'Acqua (Vicenza 1734-1787), “Il porto regio”, after a painting of Aviani. The press was part of a group of engravings, representing royal buildings, reproducing paintings of the Bibiena. In the eyes of Dall’Acqua, therefore, Aviani’s work was not foreign among those of the Emilians. Inside the sumptuous architectural whims, Aviani often depicts biblical scenes, in which the characters share the space and the narrative rhythm, along with figures drawn from everyday scenes, memories of the Veronese and Bassano heritage. Also in the works covered by this study the author does not seem to want to give up a biblical subject, though the purpose of the paintings appears to be clearly a staging scenography-architectural within which the characters are relegated to the role of extras. From the examination of the architectural Capriccio gathered under the name of Aviani then emerge common elements. The comparison between these works and the works in question highlights the proximity of the compositions. The imposing and scenic architectures are in fact equally characterized by the perspective-scenographic ability diffused in emilian “quadraturisti” and in Bibiena work. In fact, you can see the spectacular slender architecture in the lower part, the loggias that create chiaroscuro games with arches and binate columns placed on massive bases and overhung by projecting cornices. Significant also the comparison with two paintings with architectural whims in a night vision attributed to Francesco Aviani. In Aviani’s works it is possible to find a certain knowledge of the Roman Codazzi paint nd its early development of the eighteenth century, developed with the Locatelli, the Pannini and the less known Domenico Roberti. To Roberti have been recently attributed two works that have some compositional affinity with the canvases in question. The same can be done for a work on the antique market, attributed to Pietro Francesco...

- This product is priced per square meter. Please contact us for assistance with square footage calculations. - The lead time depends on the quantity of the order. A wallcovering design that was the result of a collaboration with Martyn Thompson, a world-famous photographer...

ST/487 - Three "Shells" and one "Crostaceus animals" from 1820 - Watercolor hand-colored prints - Published by Alexander Hogg at the Kings Arms N° 16 Pater...

1600s Paintings of French Nobility 1600s Portraits of Nobility: Seventeenth-century Paintings Size: 18.5 x 14.6 inches French Artist Featured here are six oval paintings depicting ...

Print from the Collection Botanique Vegetables representinga group of three different types of artichokes enriched with green colors and nuances of watercolor. Another different veg...

Print from the Collection Botanique Vegetables representing a big Cedar Citrus enriched with green and yellow colors and nuances of watercolor. This print is paired with Lemon Citrus...

Tableau is a functional painting, a wall decoration designed to frame everyday objects. Materials: Iron with brassed details Dimensions: Ø 55 cm.

Rare poster designed by Enzo Mari "Ontwerp en Produktie. Voorwerpen van Angelo Mangiarotti, Enzo Mari, Bruno Munari. Produktie B. Danese" exhibition held in 1966/67 at Stedelijk muse...

Set of 2 hand-colored avian engravings, Italian, c. 1770, with figures of wild ducks, the mallard and the cicada, taken from Xavier Manetti's Natural History of Birds. They are on v...

The bar cabinet wall piece is the second piece of the collection Una (Articolo Indeterminativo) by Stefano Marolla. The name of the collection comes from the Italian grammar where the indeterminative article precedes a non-identified noun. The objects play on the ambiguity of the matter than can deceive the eye: a sturdy element like wood, hand-curved and levigated, looks like a light tapestry. The curves and the soft drapery of the wood are inspired by a long and attentive study on the usage of drapery in art’s history, going back from the ancient Greece to Bernini’s sculptures...

Elegant hand-watercolored print representing an Hippocampus Guttulatus in light blue nuance, Image reproduced from ancient and famous illustrations, with a simple gold squaring. Thes...

German tapestry hand-woven in 1968 with dimensions 200 cm. x 150 cm. dominant color warm red. The tapestry is generously sized, with a well-defined weave that reflects the craftsmans...

Beautiful black and white lithograph by the great 20th century Italian artist Umberto Mastroianni. This work best represents the work of one of the greatest artists of the European a...

Straordinaria copia seicentesca de La regina di Saba offre doni a Salomone, (1584) dipinto Paolo Caliari detto Veronese appartenente ai Musei Reali alla Galleria Sabauda. Di notevoli...

An eye-catching mid-century Italian wall unit or bookcase made from gilded metal and walnut shelves that can be adapted to any setting due to its lightness and refinement. The bookcase is composed of N.5 track supports, N.16 shelves brackets, N.4 shelves length 60 cm,n.4 walnut shelves length 110 cm. Its originality lies in its ability to be assembled according to your needs (both in terms of length and shelving arrangement), even if you want you can get two divided wall units, a module with two supports and another with three supports. During the restoration, it was decided to remove the old screw holes on the shelves in order to have more options...

Background: OrangeCinnemon Subjects: Beige & Black Designer: Leonardo Dini Designed by hand in Digital Art Project Miscellanea Graphic dev: Pattern Colle...

Michele Antonio Rapos (Turin 1733-1819), Still life of flowers and fruits, Oil on canvas frame: cm H 133 x W 124 x D 8 (canvas: cm 108.5 x 108.5) The painting depicts a triumph of ...

French oil painting "Female Nude" from the 1930s signed Chavarot,the author succeeds in excellently depicting one of the characteristic motifs of the period,female sensuality,using a...

Unusual color for this vintage Uzbekistan Suzani, suitable as bedspread, wall decoration or table cover. There are little stains, but I'm asking less than its cost (I want to cl...

Black cat painting in chalk and acrylic on advertising cardboard. My friend the painter. Shipped in a wooden case Thank you

This is an extra-large antique Indian Kashmir textile woven during the end of the 19th-century circle 1900 and measures 310 x 162 cm in size. This pie...

A round swarm of butterflies as delicate as lace in white bronze, lost wax cast by master craftsmen in Italy. A wall sculpture for both indoor and outdoor use. This listing is for t...

Reinterpreting sacred Byzantine mosaics, these refined tiles from the Bisanzio collection are made of Pietra Fenice stone and Bianco Fenice stone with honed finish, enriched with circles in polished pink marble, rectangles in polished azul macauba marble, and copper strips with a satin finish. The name Hagia translates to "holy" and celebrates ancient sophistication. Each single tile...

This magnificent wall hanging tapestry, measuring 204 × 141 cm (6' 8" × 4' 7"), is a breathtaking representation of classical elegance and artistic mastery. The scene captures a roma...

Modern Blue wall decorative panel handcrafted in Italy by Cupioli Available. Artistic wall panel, a tribute to the artist Alfred Roller. This art...

A charming pair of Italian winged putti wall brackets, exquisitely carved and gilded, with shell form tops coming from a Milanese private collection, of Italian origin. Good age r...