Italy - Wall Decorations

Round wall-mounted mirror in sand casting of patinated aluminium for Dilmos Milano. Reproduces the interrupted moment, the suspension in space and time that is created when one makes...

This is an amazing Swedish kilim woven circa 1900! It has a beautiful special design field with wool pile and cotton warp and weft. The production style of this kilim is handmade loo...

Italian modern red, brown, green, light blue, orange, black and white abstract painting from an milanese house-studio, 1970s Beautiful and simple, medium size abstract painting from ...

Silvano Bozzolini Italy, 1969 Set of 3 Plate Enamel Metal h 4 cm / diam 46 cm h 3 cm / diam 40 cm h 2.5 cm / diam 32.5 cm

Attr. Jacobus or Iacomo Victors (Amsterdam c. 1640 - 1705) Still life with birds Oil on canvas, 112 x 133 cm The still life examined here is a rare example of the simultaneous presence of live and dead animals in a single composition. On two rocky levels different ornithological species are neatly arranged, reproduced with the utmost fidelity and adherence to life. Mallards, doves, sparrows and a partridge placed on their backs can be recognized. The soft mantles with different chromatic tones, with the characteristic streaks and spots of color, together with the precise investigation of the various ornithological typologies, denote an observation of the real datum typical of the seventeenth-century Flemish tradition. Another mallard, this time alive, seems to have just settled on the rock, as if to observe the rich composition moving its neck. Its characteristic colors, the bright green of the head and the upper part of the neck, the yellow of the beak and the orange of the legs characterize the painting and capture the viewer's attention. The flight of the dove in the foreground is splendid, seen from above, the virtuosic pose and the brightness of its feathers, in an elegant modulation of grays tending to white, denote the stylistic quality of this work. It was probably created by a Flemish artist working in Italy in the second half of the seventeenth century: close analogies can be found with the game of Jacobus Victor...

These wall coverings are built starting from a honeycomb frame on which the cotton-pad is fixed. The printed fabric covers the structure. The cotton pad below gives softness and soun...

Italian painting from the mid-20th century. Work oil on canvas (applied on board, see photo) depicting bucolic landscape with characters and city in the background of good pictorial ...

Engraving on paper of an articulated mannequin by F. Fambrini. (active in Lucca, 1764 – 1780), Italy, second half of the 18th century.

Italian antique bronze pheasant claw game-holder with hook, 1800s Bronze pheasant claw game-holder. The structure is made up of two parts rese...

In the present work small handcut tiles of pure white Carrara marble are the background of this interesting contemporary mosaic which represents one of the most celebrated landmark in Florence. The facade of the church of Santo Spirito (Holy Spirit), designed and built by Brunelleschi, is created with precious beige-colored Botticino marble tiles and surrounded by a frame of small black glass glazed paste tiles. Carrara and Botticino are among the most famous Tuscan marbles that’s why the local mosaic artist and craftswoman- who creates this superb work of art- decided that the mosaic featuring the most important symbol of Florence should be made of these materials. To make the composition more interesting, two different types of Carrara marble were used: the statuary white marble is matte and the white Carrara marble called "zuccherino" (sugary) is more sparkling. The random alternation of these two marbles give a pleasant vivid and three-dimensional effect to the entire mosaic tile. Each small rectangular and squared tesserae are hand cutted and each one of these mosaic is one of a kind. The mosaic plaque has a wood panel as support and the tile is housed in hand painted giltwood frame. The tile on sale and immediately available now is 15x15 cm and reproduces the church of Santo Spirito (Holy Spirit)- as you can see in the main image- but many other mosaic with the most important symbols and monuments of Florence are available as the Old Bridge, Santa Maria Novella, Florence's Cathedral with the Brunelleschi's dome or the Lily symbol of the city and so on, as showed in the photos. These white and black marble mosaic tiles...

A color print, depicting a siamese cat. Gladys Emerson Cook. Solid cherry wood frame, polished and beeswaxed. USA circa 1940.

attributed to Gucci rare barometer and clock year 1960 vintage design. Measure h 17 inches x L12" x deep 3".

Boiserie realizzata con sei pannelli in carta dipinta posta su tela. La boiserie è stata composta su misura per l’appartamento moderno dell’ultima proprietà, inserendo i sei pannelli...

“My work is a sort of “fight for the image” of which the gesture and the color are the protagonists. Color is space, time and light at the same time.” Roger Selden This piece is cra...

1120- Classic floral design for this elegant vertical tapestry, also suitable as a runner - pastel colors on a ivory background, with many roses all ...

A chromolithographic print on paper by P. Dybdahls, depicting an anatomical table (Pl. 33) of birds. Fir wood frame, walnut briar veneer, with gilded ramin wood edge. H. Aschehoug & ...

O/8272 - Italian school about 1920 - This pair of still life oil paintings depict flowers on copper are in their original frames. They ...

Were I, all of a sudden, to find myself lost in a dream, I would search in the horizon for the right moment to make it come true. Even if everything seems frozen in time, it’s actua...

This pair of wall brackets or little shelves come from a private house here in Florence, the owner commissioned them to match them with the design of a pair of antique 17th century w...

This is an antique Indonesian textile woven during the end of the 19th century circa 1890-1900 and measures 100x 54CM in size. This unique ...

Lam Lee Group - ATTRA Set of three back-decorated sculpted resin panels by Lam Lee Group, 1990s. They can be placed on the floor or wall, either vertically or horizontally. The sing...

Monumental early 18th-century Italian fresco depicting Dominican Friars by Francesco Malcotto, who made this painting for Milan, for the Renaissance basilica Santa Maria delle Grazie...

BYZAS Wall decor Dimensions: Single tile 30 x 16 x 2 cm Materials: Bas-relief in Bianco Carrara marble, hexagons in pink marble polished finish, rhombu...

18th century, French School Gallant Scenes (2) Oil on panel, 24 x 19 cm Framed, 44 x 36 cm This pair of works attributable to the artistic context of the French eighteenth centu...

Roman school, second half of the 17th century Composition with lemons and small dog Oil on canvas, 97.5 x 74.5 cm Framed, 120 x 95 cm The work we describe here can be framed in t...

Mantuan school, 18th century Madonna suckling the Child Oil on panel, 27.5x22 cm The softly collected and intimate dimension suggested by the present painting underscores the cert...

Scuola emiliana, XVII secolo Evangelists (4) oval oil on copper, 9 x 11.5 cm Framed, 12.5 x 15 cm The four small copper ovals presented here depict the four evangelists Mark, Mat...

Folk vintage Nagaland necklace - ceramic, metal and bone. Nagaland is in India, near Birmania. I've mounted on wooden panel cm. 55 x 55, like a sculp...

18th Century, Russian School Icon depicting the relics of St. Spiridon of Trimiton preserved in the temple of Kerkyra Tempera on panel, 26.5 x 19 cm Applied on gilt wood panel, c...

Domenico Carnevale (Sassuolo, 1524 - Modena, 1579) Adoration of the Shepherds Oil on copper, 42 x 28 cm Frame 54 x 36 cm Expert opinion of Prof. Emilio Negro The painting represents the Adoration of the Shepherds, the Child in the center, next to the Madonna kneeling in prayer and an angel behind her; towards him in the foreground a woman with a child in her arms, a shepherd with a sheep on the right, a bagpiper on the left and various other male and female characters turn to him. The architectures of the background, between which a glimpse of the landscape can be glimpsed, are hidden in the upper part by the clouds, where a "celestial glory" encamps with three flying angels. The painting shows mannerist characters that can be traced back to the second half of the sixteenth century, and can be traced back to an author from the Modena area, with stylistic references to the Bolognese Samacchini (1532 - 1577) and Passerotti (1529 - 1592). More precisely, it can be attributed to Domenico Carnevale (1524-1579), one of the most important masters of the sixteenth century active in the local area. The Carnival was formed in Emilia, his homeland, where he worked for many years. However, his works also show a clear Roman influence, dictated by a long experience in the city, during which he also dedicated himself to the restoration of the Sistine Chapel. Trained in the late-mannerist environment of Modena, he is also linked to the Parmesan Corrorese and Ferrarese Dossesque tradition; Carnival also always maintains a slight archaic sentiment in his work, The main stylistic reference must be identified in a work similar in subject and iconographic setting, coming from the church of the Pio Istituto Orfanelle di San Geminiano di Modena, currently part of the Art Collection of the Province, attributed to the same influence as the Carnival. Another interesting comparison should be identified with A Presentation of Jesus in the Temple...

17th century, The condemnation and martyrdom of the four crowned saints by Giuliano Dinarelli Mid-17th century, Italy, Bologna Oil on canvas, frame ...

Giovanni Panza (1894-1989) remained faithful to the romantic-naturalistic tradition in his painting, taking inspiration from the nineteenth-century Neap...

Large Decorative Mid-century Chinese Fan in Paper Decorated Painted Wooden Structure. Decoration on gold leaf, of swans, herons and plants. very stylish. It has some wear, as shown...

Vintage map, planisphere by Antonio Vallardi Editore, was placed in the Municipality of Milan, late 19th century, origin Italy. With wooden sticks. Measurements cm w 300 x H 170

ST/487 - Three "Shells" and one "Crostaceus animals" from 1820 - Watercolor hand-colored prints - Published by Alexander Hogg at the Kings Arms N° 16 Pater...

Beautiful, important painting of the Neapolitan school signed, dated and located. It has a metal plate on the front with the inscription ‘PAESAGGIO NAPOLETANO NUCCI Agosto 1893’. I...

A 19th century large oil on canvas painting, a mountain landscape signed and dated on the lower right Ed.Cohen Weimer, 1866, depicting a beautiful mountain landscape, an Italian Alps...

Pair of Italian prints , collected from "Winter Flowers" and "Autumn Flowers" dated 1894 - authors: Arnaldo Ferraguti and Tito Chelazzi. Now I have only these two prints, because ...

Favo bookshelves and containers, modular wall elements in fibreglass. The individual modules can be juxtaposed, turned around and multiple, 2 elements but various combinations of shapes. Favo positioned in a seemingly casual pattern allows everything to find its ideal place. Designer: Verter...

Pair of original Kartell shelves designed by Marcello Siard in the 1970s — a true gem for lovers of Italian plastic design. Made in glossy thermoformed plastic, these iconic wall-mo...

Still life with apples - Walter Speidel Oil on canvas - 1913 50 x 55 cm - dimensions referring to the canvas only 60 x 65 cm - frame size included Category: Ancient Still Life Paintings...

Oil painting on canvas from 20th century. French painting depicting an oriental landscape, a village on stilts, of great charm. Silvered frame with some signs of wear complete with p...

Japanese screen with two doors painted with mineral pigments on rice paper. Early Showa period.

Beautiful and important painting by the great Neapolitan artist Ezelino Briante. Serene and enchanting marine scene, while the anchored boats reflect the play of light of the sunset ...

Paolo Monaldi (Rome, 1710 - after 1779), attr. Genre scene Oil on canvas, 34 x 25 cm With frame, 36 x 46 cm The canvas describes a moment of rest taken from the rural world: the strings of a lute plucked by an elderly man in the foreground cheer a woman with her child and a passer-by with his mule stopped to listen. The subject is typical of Paolo Monaldi, a painter born in Rome in 1710 and a pupil of the landscape painter Paolo Anesi...

1950s Madonna and Child Ceramic Plaque in Carved Wooden Frame - Italian Religious Masterpiece Add a touch of sacred beauty to your home with this stunning ceramic depiction of the "...

A rare couple of French anatomical lithographs of the fetus skeleton, in a vintage metal frame. Great quality and artistic composition. Printe...

According to the Japanese tradition, the year is divided into 24 periods and 72 kos, each one representing one of the small transitions that the Nature undergoes during a year. This ...

Glass Sculpture in Murano Glass - Wall Decoration "Eterna" is an arwork concept that celebrates the beauty of art glass, its vivid colours and its upcycling possibilities, that all...

From our hand-painted Furniture Collection, we are pleased to introduce you to our Santa Croce Shelf. Finished in an elegant deep sea blue with sweet monochromatic decors, this beau...

Materic silkscreen print “Ondate di gelo” (Frost Waves) by Mario Schifano. Signature and numbering in pencil on front side. Dry stamp of the artist on front. Edition F.C. (Not for sale) 23/30. Framed work. The artwork for sale is part of the collection 'Best Seller: 31 graphic works by Mario Schifano' edited by Edizioni Torcular Edition on handmade paper with Torcular watermark by Cartiera Magnani of Pescia Printer: Egiziano Piersantini This artwork, never before on the market, comes from a private collection and is beautified by an impressive original frame in natural wood, in almost perfect condition. The painting is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Mario Schifano (Homs 1934 - 1998) was an Italian painter and filmmaker. Together with Franco Angeli and Tano Festa he represented a fundamental point of Italian and European Pop Art. Perfectly integrated in the international cultural scene of the 1960s, he was reputed to be a prolific, exuberant and drug-addicted artist. A keen student of new painting techniques, he was among the first to use computers to create works and was able to process images from the computer and transfer them onto emulsified canvases. Mario Schifano was born in Italian Libya and after the end of the war returned to Rome where, due to his restless personality, he left school early to follow in his father's footsteps who worked at the Etruscan museum of Villa Giulia as an archaeologist and restorer. Thanks to this experience, he approached art, initially producing works that were influenced by Informal Art. His first solo exhibition was at the Galleria Appia Antica in Rome in 1959. In the late 1950s, he participated in the artistic movement Scuola di Piazza del Popolo together with artists such as Francesco Lo Savio, Mimmo Rotella, Giuseppe Uncini, Giosetta Fioroni, Tano Festa and Franco Angeli. The group met at Caffè Rosati, a Roman café then frequented by Pier Paolo Pasolini, Alberto Moravia and Federico Fellini, among others, and located in Piazza del Popolo, from which they took their name. In 1960, the group's works were exhibited in a group show at Galleria La Salita. In 1961 he exhibited in a solo show at Galleria La Tartarugadi Plinio De Martiis in Rome. In the meantime, he had met, among others, his future lover Anita Pallenberg at the Caffè Rosati, with whom he made his first trip to New York in 1962, where he came into contact with Andy Warhol and Gerard Malanga at the Factory. During this period he participated in the New Realists exhibition at the Sidney Janis Gallery, a group show that included most of the young artists of Pop art and Nouveau Réalisme, including Andy Warhol and Roy Lichtenstein. He then had the opportunity to participate in the New York social scene, which led to his first experiments with LSD.[6] On his return from New York, after participating in exhibitions in Rome, Paris and Milan, he took part in the XXXII International Art Exhibition in Venice in 1964. During this period, his paintings defined as 'Anemic Landscapes', in which it is memory that evokes the representation of nature with small details or allusive inscriptions, and the reinterpretations of art history that later led to his famous pictorial works on futurism appear in embryo. In Rome, he met and frequented Marco Ferreri and Giuseppe Ungaretti to whom, already in his 80s, he offered an evening at Peyote. But one of the acquaintances of this period that most influenced him was that with Ettore Rosboch, with whom he formed a deep friendship, based on a shared passion for music. In those years, also thanks to their constant trips to London, the two became friends with the Rolling Stones, to whom they introduced Anita Pallenberg, who in 1965 began a relationship with Brian Jones, and years later became Keith Richards' partner. In 1969, the flat in Piazza in Piscinula in Rome that then belonged to Schifano was used by Ferreri as the set for the film Dillinger is Dead, on the walls of which some of the artist's paintings can be seen. In 1969, the Rolling Stones dedicated the song Monkey Man to Mario Schifano. In 1971 some of his paintings were included by Achille Bonito Oliva in the exhibition Vitalità nel negativo nell'arte italiana 1960/70. Many of his works, the so-called 'monochromes', present only one or two colours, applied on wrapping paper glued on canvas. The influence of Jasper Johns was manifested in the use of numbers or isolated letters of the alphabet, but in Schifano's way of painting analogies can be traced to the work of Robert Rauschenberg. In a painting from 1960, one can read the word 'no' painted with drips of colour in large capital letters, as in a wall graffiti. The influence of Pop art can be seen in all the artistic production of Mario Schifano, who was fascinated by new technologies, advertising, music, photography and experimentation. In particular, the artist's closest works to Pop Art are those of the 1980s. Among the most important works of this period are the Propagande, a series dedicated to advertising brands (Coca-Cola and Esso) in which we have a clear example of the conveyance of commonly used and easily recognisable images quoted in multiple ways or details of them, bicycles, flowers and nature in general (among the most famous series are the Paesaggi anemici, Vedute interrotte, L'albero della vita...

Dish in pure gold porcelain with decorations of Zodiacal signs, 1960, Italy. Arte Morbelli. Porcelain engraved to etching.

Color: Brown Bronze Designer: Costantino Gucci Designed by hand in Digital Art Project Miscellanea Graphic dev: Pattern Collection: Racconti Dimensions: customizable Made in: Italy ...

Bronzino by Alessandro Zambelli Dimensions: D 28 x W 6 x H 21 cm Materials: Solid Casting Bronze. Also available in different dimensions and in sets. Please contact us for more information. This essential yet precious collection is highly refined in its clear, defined lines: a series of small bronze sculptures which are able to combine typical renaissance taste in terms of perfection of form, with the minimalist aesthetic refinement of the Art Deco movement. A series of small home furnishing accessories in which a collection of flowing lines, at times clean and linear, at times softer and more rounded, follow after each other to delineate original geometric surfaces. Their mirror-like finish gives back glimpses of images, light and colours to the environment. in a skilful game of perfect formal harmony which seems embellished, and at the same time accentuated, by the metal's shininess. /Bron-zì-no/ Created following Donatello's wonderful work on the Pontifical Basilica of Saint Anthony of Padua, and popularised during the renaissance as an expression of admiration for antiquity, bronzetti are small bronze objects - small-scale reproductions of classical sculptures and bas-reliefs - or, more simply, objects created with the function of picchiotti, the door knockers which had been placed at the entrances to noble residences since ancient times. Lorem ipsum. Alessandro Zambelli Alessandro Zambelli lives and works in Mantua, Italy. He studied industrial design and materials engineering at the Cova School of Design in Milan, and his career took off at bathroom designer Agape in 2000. A few years later, in 2003, he founded Alessandro Zambelli Design Studio. In 2006 he worked on the Estetico Quotidiano project, marking the start of his co-operation with the design house of Seletti. Zambelli’s Palace Collection and School Joke Chair...

Elegant hand-watercoloured botanical prints representing some different types of flowers Lilium Narcissus. Each print is an artisanal Florentine product, reproducing images of the...

Luigi Mussini Portrait Of Dominican Father 1860 taken frontally, half-length, with dark green background. Dressed in a buttoned smock and a white cassock rendered with a masterful b...

ST/247 - It's a particular portrait, with an intense gaze. There is a reference name, but i couldn' décipher it. The character is wrapped in a cloak, typical of nineteenth - century...

A stupendous pastel of considerable size executed by Jaak Van Den Seylbergh in the 1940s-50s, the author falls into an exquisitely academic type of production, within a conception in...