London - Drawings and Watercolor Paintings

Suzanne Fabry Autoportrait au Petit Col Rond (Self-Portrait with a Small Round Neck), c.1925 Charcoal on paper 22 1/4 x 18 1/4 inches signed SUZANNE FABRY (lower right) Brussels-bor...

Oil on board Image size: 11 1/2 x 8 3/4 inches (29 x 22.25 cm) Contemporary style hand made frame Alike many painters at the start of the 20th century, this artist has recorded a s...

Watercolour and graphite on paper Image size: 15 1/4 x 11 1/4 inches (38.75 x 28.5 cm) This wonderful 20th century watercolour painting depicts a small boat yard that is filled with fishing and pleasure vessels. It is possible that this work was created by Dring just after World War Two, when he travelled extensively around Britain and spent some time painting subjects in Portsmouth and the surrounding area. William Dring Dring was born with the forenames Dennis William, but was known colloquially as John. He was the brother of the artist James Dring. He married the painter Grace Elizabeth...

Pencil and watercolour heightened with white, signed lower right and inscribed lower left Image size: 14 3/4 x 11 1/2 inches (37.5 x 29.5 cm) Mounted with handmade gilt frame Prove...

Oil on board, signed verso Image size: 40 1/4 x 29 inches (102.25 x 73.5 cm) Hand made contemporary style frame Here we see a smartly dressed woman sat on a park bench, feeding a group of pigeons that surround her. Lena Gurr had a prolific career in which she painted landscape scenes and still lifes but her most noted works are ones such as these, showing everyday city scenes that were laced with social commentary. Indeed, Gurr noted that her artwork always aimed to show "the joys and sorrows of everyday life." During the course of her career Gurr's compositions retained emotional content as they evolved from a naturalistic to a semi-abstract cubist style. Discussing this trend, she once told an interviewer that as her work tended toward increasing abstraction she believed it nonetheless "must have some kind of human depth to it." Lena Gurr  Lena Gurr, born in Brooklyn in 1897, studied at the Brooklyn Training School for Teachers, the Educational Alliance Art School, the Arts Students League with John Sloan, and with Maurice Sterne in Paris as well as in Mentone and Nice, France. Gurr was a member of the Artists League of America, the National Association of Women Artists, the New York Society of Women Artists, the Brooklyn Society of Artists, Audubon Artists and the American Artists Congress. She exhibited in numerous exhibitions held by these organizations as well as the Whitney Studio Club, National Academy of Design, Virginia Museum of Fine Arts, Brooklyn Museum, and the 1939 World's Fair. Her work is included in the collections of the Biro-Bidjan Museum, Russia and the Library of Congress, where she has been selected as a "Curator's Choice" in the Smithsonian Archives of American Art. In addition to her career as a painter, lithographer and serigrapher, she also taught art in the New York City public school system. She had three solo exhibitions at the ACA Gallery in 1935, 1939 and 1945, and a retrospective in 1963. Notable among Gurr's colleagues - many of them WPA artists - were Mary Cecil Allen...

Ink on paper, signed and dated '34 lower left Image size: 9 3/4 x 15 inches (24.75 x 24.5 cm) Mounted and framed A unique drawing, this work is typical of Brodzky's early nudes with its economy in the use of the line and the seemingly relaxed, informal pose of the model. The spontaneous feel of many of Brodsky's drawings does in a way indicate that the works, such as the present drawing, are purely sketches and studies. In fact, Brodsky was known for making perhaps twenty or thirty drawings at a sitting and of those he preserved perhaps only a handful, only those that 'pass his rigorous censorship sum up qualities resulting from the perfect collaboration of hand and eye and sensibility' (Forty Drawings by Horace Brodsky, by James Laver, 1935, p.15). Laver continued to write that 'Brodsky preferred a pose that showed the body from an unexpected angle, daringly foreshortened or with the weight of the various parts freed from the monotony of the standing pose. He liked to see his models from above, the limbs relaxed, and.... he made many of his drawings from a step-ladder drawn up close to the platform on which the model is lying'. Horace Brodsky Horace Ascher Brodzky (30 January 1885 – 11 February 1969) was an Australian-born artist and writer most of whose work was created in London and New York. His work included paintings, drawings and linocuts, of which he was an early pioneer. An associate in his early career of many leading artists working in Britain of his period, including Henri Gaudier-Brzeska, Mark Gertler, and members of the Vorticism movement, he ended his life relatively neglected. Brodzky was born in Kew, Melbourne in 1885 to the Australian journalist Maurice Brodzky (a Jewish immigrant to Australia from Poland), and his wife Flora, née Leon. In his youth he assisted his father in the production of the magazine Table Talk. Brodzky studied initially at the National Gallery School in Melbourne. In 1904 his father was bankrupted after exposing corruption, and Horace moved with his family to San Francisco. In 1908, Brodzky went to London where he studied during 1911 at the City and Guilds South London Technical Art School. He became an acquaintance and follower of Walter Sickert. Amongst his friends was Henri Gaudier-Brzeska who created in 1913 a portrait bust of Brodzky (now in the Tate Gallery, London), and whose biography he wrote in 1933. Brodzky is said to have been so engrossed in talk when he visited Gaudier-Brzeska's studio in the King's Road, that he missed the last bus to Herne Hill where he lived. Brodzky travelled to Italy with the poet John Gould Fletcher and this led to his first London exhibition, "Paintings and Sketches of Italian and Sicilian Scenes" (c. 1911), of which one painting was selected for the 1912 Venice Biennale. He was in fact the first Australian to be exhibited at the Biennale. In 1914 his work was exhibited along with that of other Jewish artists, including Mark Gertler and David Bomberg, in the Whitechapel Gallery. Brodzky became a member of The London Group. During this period he was a pioneer of the technique of linocut, in which medium he has been said to have "excelled". His early oils reveal the influence of both Gertler and Bomberg. Among his works of this period are portraits of Jacob Epstein and Jacob Kramer. In 1915 Brodzky moved to New York, with an introduction to the art patron John Quinn. There he worked as a poster artist and an arts journalist, and in 1917 helped Quinn organize a New York exhibition of Vorticist artists. In 1919 he married Bertha Greenfield; they were to have three sons. In 1920 Egmont Arens...

Pencil and wash Image size: 10 1/2 x 15 3/4 inches (27 x 40 cm) Mounted

Graphite and wash Image size: 10 1/2 x 15 3/4 inches (27 x 40 cm) Mounted

Watercolour on paper Image size: 4 1/2 x 3 1/2 inches (11.5 x 9 cm) Mounted and framed This is an arresting image featuring a head and shoulders portrait of a bearded man wearing a ...

Watercolour, ink and graphite on paper, signed bottom left Image size: 9 x 5 1/2 inches (23 x 14 cm) Mounted This is a bright and vibrant work that depicts a populated village fête - an event that many considered to be an archetypal feature of rural British life. Fairs have been a feature of life in Britain since medieval times, and were originally a marketplace for the buying and selling of stock, and the hiring of men. Many counties still hold these fairs, which have gradually evolved into agricultural shows...

Watercolour with bodycolour on card Titled 'Donn d'Albano' lower left and signed and inscribed 'Roma 1853' lower right Image size: 19 1/2 x 13 1/2 inches (50 x 34 cm) This is a full...

Graphite on buff paper 'Hales Abbey, Gloucestershire' initialled, inscribed and dated 1837 bottom left Image size: 8 x 13 1/2 inches (20 x 34.5 cm) 18th Century Hogarth frame and was...

Henry Moore Reclining Figures 1940 Chalk, pen and watercolour on paper 25.4 x 43.2 cms (10 x 17 ins) HM15852 Provenance: Willard Gallery, New York Private Collection, New York, ac...

Paul Cézanne Le Sentier ca. 1890 Watercolour and pencil on paper 34.6 x 51.5 cms (13 5/8 x 20 1/4 ins) PC16325 Provenance: Walther Halvorsen, Oslo Galerie Bernheim-Jeune, Paris Ju...

Robert Motherwell Automatism No. 11 1965 Ink and oil on paper 67.3 x 61.6 cms (26 1/2 x 24 1/4 ins) Part of the Beside the Sea series, a series of oil paintings influenced by Mother...

TSUGOUHARU FOUJITA 1886-1968 Edogawa Tokyo 1886-1968 Zurich (French / Japanese) Title: The Little Housewife Le petite ménagere, 1956 Technique: Original Hand Signed Pencil Drawin...

Lesser Ury (1861-1931) Auf dem Kanal 1912 pastel on board 49.2 x 34.9 cm signed and dated 'L.Ury.1912.' (lower left) Price: $25,000 USD Provenance: Sale: Christie's London, 30 June 2000, lot 42 Collection of Simone and Jean Tiroche (acquired at the above sale) Thence by descent Sale: Christie's London, 19 June 2013, lot 199 Private collection, UK (acquired from the above sale) Notes: Dr Sibylle Gross has confirmed the authenticity of this work. Lesser Ury, a German-Jewish Impressionist...

Signed in pencil at lower right.

Signed in pencil at lower right. Inscribed 'Que principio a abrir los ojos' ('Where to start when you open your eyes') in pencil at lower centre.

KATE EADIE, RMS (1880-1945) Fair Rosamond “Alas! Alas!” A low voice, full of care, Murmur’d beside me: “Turn and look on me: I am that Rosamund, whom men c...

Grayson Perry Untitled, 2004 Watercolour, crayon, pen, pencil, glitter & collage on paper 41 x 59 cm framed Provenance: Victoria Miro Gallery, London

Black ink on paper with photo collage. Signed and dated in ink.

Gouache on paper. Signed and dated in pencil.

David Hockney Shower Study 2, 1963 signed with the artist's initials, titled and dated 'Shower Study 2 DH. '63' (lower right) wax crayon and graphite on paper 12 3/8 x 9 7/8 in (31.4...