London - Sculptures

Circular travertine sculpture 40cm diameter (16 inch) aprox

A life-size hand carved 20th century Roman Torso. The torso is carved from weathered statutory marble on a travertine base. One of the most striking objects on display in the Mary a...

Figurative bookends hand carved from hardwood circa African West-coast 1950's depicting a man and women.  

An artisanal hand carved wooden lion sculpture believed to be German from the early 20th Century. Impressive large scale, heavy in weight and featuring excellent craftsmanship with...

This sumptuous sculpture by François Gueneau is a striking piece crafted from porcelain, showcasing a unique design that features four putti heads. Each head reflects exquisite detai...

Four antique bronze plaques depicting water-nymphs, by Ferdinand Barbedienne French, 19th century. Measures: Height 47cm, width 12cm, depth 2.5cm Finely cast in relief from patinated bronze with parcel gilt patina, these French 19th Century panels each depict a Classical female water-nymph. The relief structure and design is after four panels from the important marble fountain from the Renaissance period in Paris called the Fontaine des Innocents. This was created by the French sculptor Jean Goujon...

Expressive wall relief of abstracted human figures is dynamically sculpted in rough white clay, which shows its texture by the hand markings of the artist almost into a three-dimensi...

French nineteenth century bronze of Napoleon Bonaparte, the bust mounted on socle and pedestal base.

Lejan Art Deco pair of swimming fish in green crackled glaze. Signed in the hollow

Carrying import marks for Chester in 1901 by Berthold Muller, this charming, Antique Sterling Silver Model of a Partridge, has a removable head, and moveable wings. The partridge m...

One of a two of abstract sculptures by Dutch artist Rien Goené (1929-2013) circa 1980, signed. The asymmetrical concertina shaped bronze sculpture is colore...

Ammonites High-quality ammonite fossils are prized by collectors and paleontologists alike for their intricate beauty and significant scientific value. Ammonites, cephalopods closel...

Wonderful marble bust of the Roman God of the water Neptune. Gorgeous piece standing on a black marble pedestal base. We've pictured it on a marble column which is not part of the li...

An impressive Austrian bronze study of a muscular fencer in mid lung with excellent golden patina and very fine hand finished surface detail, raised on a decorative integral base, si...

This large antique porcelain figure depicts a Jewish Rabbi with a siddur (prayer book). It is a charming piece of 19th century European porcel...

This is a superb antique gilt bronze and sienna mable sculpture of Reine Isabella, the Queen of Spain, by Eutrope Bouret (1833 - 1906) , and circa 1870 in date. This exceptionally e...

Pair of figural candelabra by Elkington, Mason & Co English, circa 1860 Height 44cm, width 26cm, depth 20cm This pair of three light figural candelabra is made of silvered-bronze. The candelabra take the form of a male and female figure in exotic dress...

A pair of Empire gilt and patinated bronze candelabra. Each with a winged Victorian female figure carrying a torchère on their hea...

For sale a magnificent early 20th Century gilt bronze sculpture, cast using the Lost Wax (in French, 'Cire Perdue') process. This fine sculpture is a cast of Richard Alexander Hudnut's hand and was produced by the renowned Montagutelli Frères foundry in Paris in 1912. The sculpture is in very good vintage condition, signed "Richard Alexander Hudnut 1912" and carries the oval "Montagutelli Freres Paris Cire Perdue" foundry stamp to the underside. Richard Alexander Hudnut (1856-1928) was an American businessman recognised as being the first American to achieve international success in cosmetics manufacturing. After graduating from Princeton University, he toured France and returned with the idea of introducing French-style perfumes and cosmetics to American women. The Richard Hudnut company once maintained separate US and European headquarters on Fifth Avenue in New York City and on the Rue de la Paix in Paris, respectively. Although his fortune had been built around cosmetics and beauty products...

Charming mid 19th Century French gilt bronze study of two rabbits standing in alert positions outside their burrow. The bronze exhibiting excellent han...

A dramatic clear and frosted glass study of an Orietnal dragonwith a ball within its mouth exhibiting very fine satin finish and excellent surface detail heightened with gilding, sig...

"Biblio John"; steel bookcase by Stephane Ducatteau, signed by artist, France, 2011 This bookcase rejects the idea that books and magazines should either ...

Trio for three, a unique ceiling light composed by a cluster of lighting components. Combining patinated brass plates and finely brushed bronze framework, the Orbit Trio ceiling ligh...

Abstract biomorphic plaster sculpture called 'Mediterrania' by acclaimed Italian sculptor Gino Bogoni (1921 - 1990). Near its final stages, the work is uncompleted and includes a sig...

"Elevation" Sculpture by Bertrand Créac'h, 2021 Bronze with black patina, cast iron with sand core, chiseled and patinated. 1/8 print, signed. Dimensions: H 80 x 18.5 x 7 cm This ...

This striking pair of life size 20th-century Art Deco revival bronze seated Greyhounds/Whippets would be a stunning and sophisticated addition to any interior whether a Manor House o...

Contemporary sculpture of a large buffalo or bull emphases on the elaborate horns and powerful body. It is hand carved from hardwood circa 1970. The water buffalo, also called the do...

Roman Marble Fragment of jupiter Circa 2nd-3rd Century A.D. Measure: Height: 19.7 cm This beautiful Roman fragmentary statuette depicts Jupiter, the king of the gods, here recognisable from his two chief attributes, the eagle with outstretched wings - according the Pseudo-Hyginus, singled out by Jupiter because ''it alone, men say, strives to fly straight into the rays of the rising sun'' - and the base of the scepter, which remains at the side of the left foot, an aspect likely borrowed from the statue of Zeus at Olympia, once one of the Seven Wonders of the World. Though much of the original piece has been lost, the subtle anatomical detail in the feet mark this out as a piece of exceptional quality, and the work of an artist of particular talent and patience - as Johann Winckelmann once said of the famous Belvedere Torso, ''if you contemplate this with a quiet eye [...] the god will at once become visible in this stone.'' This fragment once caught the eye of Henry Howard, 4th Earl of Carlisle (1694-1758), a Knight of the Garter and among the most prolific collectors of his day. The piece, acquired during his travels to Rome, was proudly displayed on an alcove of the Western Staircase of Castle Howard...

This pair of silvered bronze models show semi-clad classical male attendants restraining their rearing horses. They are modeled after the 1739 sculptures in marble by Guillaume Coust...

An endearing early 20th Century Spanish patinated gilt bronze study of a young girl sitting upon a stool whilst putting on her shoe. The surface of the bronze with excellent rich ...

A very large tessellated marble sculpture of a shark, at 111cm wide an impressive piece. The movement captured very well, jaws agape and aggressive posture. Greta scale, size and for...

This 20th-century bronze figure of Wellington in military attire depicts Arthur Wellesley, 1st Duke of Wellington, a prominent military and political figure in British history. Art...

'Carnivale' is unique glass artwork by the British artist, Peter Bowles. Initially studying glass at Stourbridge College of Art and Design, Peter Bowles went on to work with some o...

A surprising frosted glass figure of a scorpion with its tail raised, ready to strike its prey. The frosted glass surface with excellent hand finished detail, signed Lalique France Additional information Measures: Height: 7 cm Condition: Excellent Condition circa: 1950 Materials: Hand Finished Frosted Glass SKU: 6008 DESCRIPTION The Scorpion...

A stunning bronze sculptures of one of Britain's greatest ever military heroes,  dating from the late 20th Century. On 21 October 1805, the Franco-Spanish fleet came out of port and...

An early 19th Century well-cast bronze statue of Napoleon in full uniform, standing on square socle with applied ormolu laurel leaf wreath, ending o...

A very fine bronze study of Venus taking an arrow from Cupid her son, who at times would shoot his arrows without meaning or reason into the hearts of men, igniting their desire. Exhibiting excellent rich brown patina and good detail, signed Sul Abadie and stamped. Additional information Height: 93 cm Condition: excellent condition Circa: 1885 Materials: bronze & marble SKU: 4979 ABOUT Jean Sul-Abadie Jean Sul-Abadie (Born 1850 ~ Died 15th April 1890) was a French artist, a pupil of Jouffroy and Falguière. Specialising in bronze sculpting in the Art Nouveau style. He made his Salon debut in 1872. Cupid & Venus Different tales exist about the origin of Venus and Cupid. Some say that Venus, the goddess of love and beauty, had a love affair with Mars, the god of war. Out of this relationship, Cupid was born. In the following painting you see Venus with Mars, who is being disarmed by Cupid. Cupid has attributes from both of his parents. Like his mother he is considered to be the god of love, or more precisely, the god of falling in love. He is portrayed as an innocent little child with bow and arrows. He shoots arrows to the heart, and awakening a love that you’re powerless to resist. In classical mythology, Cupid (Latin Cupido, meaning “desire”) is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the war god Mars, and is known in Latin also as Amor (“Love”). His Greek counterpart is Eros. Although Eros is in Classical Greek art as a slender winged youth, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid’s arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons he experiences the ordeal of love. Although other extended stories are not told about him, his tradition is rich in poetic themes and visual scenarios, such as “Love conquers all” and the retaliatory punishment or torture of Cupid. In art, Cupid often appears in multiples as the Amores, or amoriniin the later terminology of art history, the equivalent of the Greek erotes. Cupids are a frequent motif of both Roman art and later Western art of the classical tradition. In the 15th century, the iconography of Cupid starts to become indistinguishable from the putto. Cupid continued to be a popular figure in the Middle Ages, when under Christian influence he often had a dual nature as Heavenly and Earthly love. In the Renaissance, a renewed interest in classical philosophy endowed him with complex allegorical meanings. In contemporary popular culture, Cupid is shown drawing his bow to inspire romantic love, often as an icon of Valentine’s Day. Venus is the Roman goddess whose functions encompassed love, beauty, sex, fertility, prosperity, victory, and desire. In Roman mythology, she was the mother of the Roman people through her son, Aeneas, who survived the fall of Troy...

" Famille I " Bronze sculpture by Bertrand Creach, 2021. Limited edition 1/8, hand-crafted adorned in a black patina. ______ Dimension: H 35 x 15.5 x ...

The expressive model featuring a toy cannon at the child's feet, all set on a circular marble base The cannon signed 'Adriano Cecioni', with cartouche to the base inscribed 'ENFANT AU COQ...

This exquisite mantel clock was designed in the 19th century in France, inspired by an earlier model by François Vion, a famous Parisian metalworker of the 18th century. In this design, as in Vion’s, the Three Graces are depicted holding up a spherical clock...

Very elegant hollowed terracotta sculpture of a nude young man kneeling, 1950s French. The artist achieved a smooth terracotta finish for the young man by contrast with the textures ...

A 1960 vintage stunning and rare Sculptural Light shaped as “ Venus of Milo “ ancient classical Greek sculpture. This sculpture functions equally we...

A very fine Mid-20th Century clear and frosted glass figurative study trophy in the form of a jazz musician playing a saxophone with excellent crisp handcut detail, signed and with original sticker. Additional information Height: 21 cm Condition: Excellent Condition circa: 1950 Materials: Clear Glass SKU: 5954 ABOUT Cristallerie de Sèvres is born in 1750 by the initiative of Madame Pompadour. However, it was not until the reign of Charles X when the true splendor of Cristal de Sèvres occurs. This has only been possible thanks to the remarkable quality of its products, including his famous “Opalines”, crown jewel, or the wonderful pieces set in silver and gold and released in the Universal Exhibition of 1878. In just a century and a half, Cristal de Sèvres and their luxury glassware conquer the “art de la table” lovers, with its aesthetic with the times, its timeless sophistication and its famed crystal Craft...

A pair of mounted vintage swordfish bills on black museum stands. Dimension is for the largest one.

This wonderful patinated bronze work is designed to function as both a water fountain and a superb piece of sculpture. The item will be well-suited to either an indoor or outdoor setting. The piece takes the form of two herons...

A lovely English Regency object, the subject that of an exhausted stag after a model made by Pitoin for Madame du Barry in 1772. The well finished stag sits on a superb ormolu base, ...

A very unusual trinket or bathroom dish in the form of a swan with double clam shell wings, in the style of Gabriella Binazzi and made in Italy c. 1970. This is a wonderful example ...

A very fine late 19th century bronze figure of a young lad dressed in period attire holding a broken jug, with excellent rich brown patina and fabulous hand finished surface detail, signed & titled ADDITIONAL INFORMATION Height: 20 cm Condition: excellent original condition Circa: 1890 Materials: Bronze SKU: 8279 ABOUT Charles Anfrie...

A superb antique Italian Grand Tour patinated bronze sculpture of St Peter seated on a bronze throne, circa 1880 in date. This patinated bronze sculpture of St. Peter is after the original by Arnolfo di Cambio (1245-1302) in St. Peters basilica in Rome. It features St. Peter seated upon a carved marble throne...

A Gorgeous French Art Nouveau style statue in bronze showing a semi nude moon girl. The Patina is superb to the bronze as is the ornamentation to the moon. A Black marble for pedesta...

Colonne Morille by Agnès Debizet, 2019 Floor lamp Sculpture made of stoneware and porcelain slip, unique piece signed and dated. Dimensions: H 147 x 38 cm The lighting sculpture alludes to a morel...

Hallmarked in London in 1880 by Jane Brownett, this very rare, Victorian, Antique Sterling Silver Cat Pepper Pot, is elegantly modelled, and real...

"Printemps" by Gauthier An excellent early 20th century Art Deco cold painted bronze figure of a naked dancer in an energetic pose standing on one leg and holding spring flowers i...

"Leg Out" by Josef Lorenzl A fabulous early 20th Century Art Deco cold painted bronze figure of a naked beauty in an energetic pose, with excellent colour and fine hand finished detail, raised on a shaped onyx & black marble base and signed Lorenzl ADDITIONAL INFORMATION Height: 48 cm Width: 30 cm Depth: 11 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8716 ABOUT Lorenzl Leg Out Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Leg Out – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

Hallmarked in London in 1935 by Goldsmiths & Silversmiths Co., this incredible, Sterling Silver Model of a Fox, is presented on a wooden plinth which has a vacant plaque, and is wond...

Pair of late 20th century bronze black patina elephant lamps, Vietnam.

After a model attributed to Jean Antoine Houdon, possibly Nicolas Joseph Laurent Gilbert (1750 - 1780), poet. Superbly sculpted in a coat and ruffled shirt set on a waisted socle....

Dynamic abstract oak wooden sculpture on a black and gold marble plinth. hand-carved and signed by E. Robson 1971, England.  

An excellent mid 19th Century French bronze animalier figure of a resting stag with its head lowered showing off its impressive antlers. The bronze with attractive rich brown patina ...

Pair of finely detailed model pheasants in 800 standard silver made in Italy circa 1950 and in excellent condition. Each silver pheasant is cast and hand-chased to give a lively and ...