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Item Ships From: London
Torsion in Ocean Blue 22/01, clear & jade sculptural glass vessel by Emma Baker
By Emma Baker
Located in London, GB
'Torsion in Ocean Blue 22/01' is a unique sculptural artwork by the British artist, Emma Baker.
Emma Baker has worked with glass for over ten years, initially encountering the mate...
Category
2010s British Organic Modern London - Sculptures
Materials
Glass, Art Glass, Blown Glass
Ore in Amber & Ecru with Gold, a Glass Sculpture by Enemark & Thompson
By Enemark & Thompson
Located in London, GB
'Ore in Amber & Ecru with Gold' is a unique handblown and sculpted glass artwork by the Danish and British artists, Hanne Enemark & Louis Thompson.
The outer glass form contains a...
Category
2010s British Organic Modern London - Sculptures
Materials
Luster, Glass, Art Glass, Blown Glass
Parrots Sculpture by Alfredo Barbin 1950 's Applied Glass with Gold Powders
By Alfredo Barbini
Located in London, GB
The hand blown Sculpture depicts a pair of parrots poised upon twisted branches. The artist has represented the birds in an opaque dark brown glass decorated internally with gold inc...
Category
1960s Italian Mid-Century Modern Vintage London - Sculptures
Materials
Art Glass, Blown Glass, Murano Glass
1960s Belgian Ceramic Abstract Sculpture with Bronze Textured Style Finish
Located in London, GB
A 1960s Belgian ceramic abstract sculpture with bronze textured style finish mounted on natural wooden base, signed on the base "J H '64".
Category
1960s Belgian Mid-Century Modern Vintage London - Sculptures
Materials
Ceramic, Wood
Woven Pastel Mandala No 6, a mixed coloured glass sculpture by Layne Rowe
By Layne Rowe
Located in London, GB
'Woven Pastel Mandala No 6 (shiny)' is a unique handblown, sculpted and cut glass sculpture by the British artist, Layne Rowe.
Rowe’s inspiration is drawn from the dramatic Devon coastline which informs his love for detail, a constant theme for his ever-evolving creations. The Woven series in particular is the result of intricate layers of varied coloured canes which are manipulated to follow and twist around the form of the piece, creating movement. These are then cold cut to reveal the vibrant colours hidden beneath the surface.
In his own words:
“The effect is like water over precious stones or the rock with its glimmering colours beneath reflecting natural growth and corrosion. I enjoy observing people’s reactions to my work, everything is up for interpretation, as my work is diverse, complex and sometimes subversive. It invites you to look again and again. My introduction to hot glass gave me an insatiable desire to explore this medium to its limits. I find glass an inspiration in itself but have found inspiration from the natural world and its issues”
Rowe’s journey with glass began during his degree course in 3D design at the University of Central Lancashire. During the following seven years he worked alongside a number of glassmakers at the London Glass Blowing hot shop, enhancing and Fine-tuning his skills before moving to Brazil. During this time Rowe set up his own glass studio but also experienced a different working environment alongside Industrial glassmakers.
On returning to the UK with an initial set-up in Hertfordshire, he rejoined London Glassblowing, where he has worked on and off from 2005 to the present day. Currently, Rowe now makes his work at a number of studios all-over the UK and also produces Peter Layton...
Category
2010s British Organic Modern London - Sculptures
Materials
Glass, Art Glass, Blown Glass
Catcher of the Skies, glass sculpture by Monica Guggisberg & Philip Baldwin
By Monica Guggisberg & Philip Baldwin
Located in London, GB
'Catcher of the Skies' is a unique pink, orange and black hand-blown and cut glass artwork with steel hull by the American and Swiss artists, Philip Baldwin and Monica Guggisberg.
Combining Scandinavian and Venetian glass making techniques, their sculptural boat centerpieces are made from smaller blown and cut glass components nestled (in sand) inside a metallic hull.
'We are migratory creatures; the history of our species is about journeys, departures, leaving and arriving, starting over. And none more so than ourselves. Our new work is both culturally and personally inclined. An autobiographical touch in civilizational reflection. Wherever man goes he builds, laying down cultural lines which gradually transform into relics and artefacts over time's inevitable march. Urban landscapes and complex designs grow and expand, deteriorate and decay. And on again we move, taking the memories of our exploits with us to use in the next story.' B&G
Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass.
The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini.
Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines.
Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning.
In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...
Category
2010s European Organic Modern London - Sculptures
Materials
Steel
Sterling silver model of an elephant made in London in 1994
Located in London, London
Hallmarked in London in 1994, this charming, Sterling Silver Model of an Elephant, is realistically cast. The elephant measures 4.25"(11cm) tall, by 5.75"(14.5cm) wide, by 3"(7.5cm) ...
Category
1990s English London - Sculptures
Materials
Sterling Silver
Limited Edition Bronze Sculpture Entitled "Turning Arab" by Steve Winterburn
By Steve Winterburn
Located in London, GB
A very well modelled study of an Arab horse in full motion turning to his right, the bronze with good rich brown colour and fine hand chased detail, raised on a stepped oval black marble base, signed S Winterburn and numbered 1 of 6
ADDITIONAL INFORMATION
height: 41 cm
width: 52 cm
Condition: As New Condition
Circa: 2010
Materials: bronze & marble
SKU: 7631
ABOUT
Steve Winterburn
Steve Winterburn (born 1959, Coventry) is a self-taught artist whose creative development has been fuelled by his conviction, immense energy and curiosity. Possessing an innate comprehension of engineering and design enables him to explore his passion for challenge and experimentation.
Steve began teaching himself to sculpt in 1994. With the progression of his sculpting an ambition emerged to personally shape each piece of his work from concept
to completion. He had entrusted the casting of his earlier bronzes to the established foundries. But the delays in delivering his work became frustrating
and he was disillusioned by the changes that resulted from not handling the finishing stages himself.
In 2002 Steve moved to Yorkshire, in the north of England, and began converting the vast workshop next to his house into the current 9 room studio & foundry.
It was here he started to experiment in order to gain an understanding of the entire process that is traditionally a closely guarded secret handed down between
foundry men. The challenges included mastering mould making skills and the lost wax impression of the moulds from which a one off ceramic mould is made
ready for the bronze pouring. Expanding his expertise with chasing the bronze, his ability to hand work the malleable surface and with the patina (colours).
These stages are normally undertaken by a succession of different people, each skilled in their particular phase of the evolving sculpture. Involvement with a diversity of initiatives has taken Steve to India, Peru, Kenya, Tanzania, Rwanda, Australia and Ethiopia, sculpting people and animals.
Steve has regularly exhibited with Hickmet Fine Arts at the internationally acclaimed LAPADA Fine Art and Antiques Fairs ( the highly prestigious UK Antiques Federation) and twice with The Wildlife Arts Society at the Westminster Gallery where in 1998 he won the award for best 3 dimensional piece. He has exhibited twice at the Royal Academy in London.
Projects include developing designs for two statues...
Category
21st Century and Contemporary English London - Sculptures
Materials
Bronze
Enchanted Dawn in Blues II, a Unique Glass Tree Sculpture by Louis Thompson
By Louis Thompson
Located in London, GB
'Enchanted Dawn in Blues II' is a unique glass tree sculpture by the British artist, Louis Thompson.
With both his Enchanted Dawn and Dusk collections, Thompson brings a joyous an...
Category
2010s British Organic Modern London - Sculptures
Materials
Glass, Art Glass, Blown Glass
Stratiform Aerugo 1.0.001, Unique Green Glass Sculpture by Liam Reeves
By Liam Reeves
Located in London, GB
Stratiform Aerugo 1.0.001 is a unique hand-blown glass vessel with fine white filigree cane detail created by the British artist Liam Reeves. Hand blown in bright lime green glass, the interior has a mirrored finish, which results in a beautiful metallic effect. The entire piece is finally sandblasted creating a soft satin, diffused finish.
Liam Reeves has been making glass professionally since 1998 when he graduated from Middlesex University with a BA (Hons) in three-dimensional design. During this time he has honed his skills whilst working in the glass industry for some of the best glassmakers in the UK. In 2009 Reeves studied for an MA at the RCA in order to explore the creative possibilities of the medium of glassblowing. He is currently hot-glass technician at the very same and prestigious Royal College of Art in London.
While at the RCA Liam discovered a passion for investigating pivotal techniques from glassblowing’s two-millennia of rich history. From the mould blowing of ancient Rome to the complex goblet-making techniques of Renaissance Venice...
Category
2010s British Organic Modern London - Sculptures
Materials
Glass, Art Glass, Blown Glass
Carnivale, repeat patterned black & white blown glass sculpture by Peter Bowles
By Peter Bowles
Located in London, GB
'Carnivale' is unique glass artwork by the British artist, Peter Bowles.
Initially studying glass at Stourbridge College of Art and Design, Peter Bowles went on to work with some o...
Category
2010s Australian Organic Modern London - Sculptures
Materials
Glass, Art Glass, Blown Glass
Only Hope Remains I, black & white standing glass sculpture by Cathryn Shilling
By Cathryn Shilling
Located in London, GB
'Only Hope Remains I' is a unique sculpture by the British artist, Cathryn Shilling.
The phrase 'to open Pandora's box' has become synonymous with human downfall, the point of no r...
Category
2010s British Organic Modern London - Sculptures
Materials
Glass, Art Glass, Blown Glass
Russian iron sculpture of a Cossack horseman
Located in London, GB
Russian iron sculpture of a Cossack horseman
Russian, 1912
Height 39cm, width 35.5cm, depth 17.5cm
This expressive patinated cast iron sculpture depicts ...
Category
1910s Russian Vintage London - Sculptures
Materials
Iron
Art Nouveau Bronze Nude Female Moon Figurine, 19th Century
Located in Southall, GB
A Gorgeous French Art Nouveau style statue in bronze showing a semi nude moon girl. The Patina is superb to the bronze as is the ornamentation to the moon. A Black marble for pedesta...
Category
19th Century European Art Nouveau Antique London - Sculptures
Materials
Bronze
Earthly Treasures No 27, an Elm & Cornish Turquoise Sculpture by Morrison Thomas
By Morrison Thomas
Located in London, GB
‘Earthly Treasures No 27’ is a unique sculptural bowl by the British artist, Morrison Thomas. It is made from burred English Elm inlaid with Cornish Turquoise.
Morrison turns beautiful wooden spheres from damaged or diseased trees that have been felled as they can no longer survive. Using aged wood such as this, reveals cracks and crevices which the artist can inlay with precious minerals. The results are breathtaking. These take on the role of globes and are evocative of old maps. The minerals suggest undiscovered islands and continents.
During Thomas’ time as a designer and maker of furniture it was usual practice to mask and hide any blemishes or cracks in the wood, however much like the Japanese art of Kintsugi (where ceramic breakages are repaired with gold and precious metals) Thomas highlights the anomalies in the wood by inlaying them with naturally formed colorful minerals, many taken from his personal collection which he still adds to. Recent visits to the ‘World Famous’ Blue John Mine and also a working Fluorspar mine in Derbyshire has meant new materials for future inlays. With the wood hard to find and unpredictable to turn, the resulting union of the Earth’s natural resources are patiently and skilfully jigsawed together, resulting in truly unique treasure-laden artworks.
Is his own words:
‘The two mediums I combine both come directly from the Earth. The trees form and grow at the surface whilst the minerals can form at great depth. It is not unknown for some trees to have accumulated pieces of crystals in their roots. The thought of this combination of a substance formed during explosive episodes in the Earth millions of years ago with a gently formed living substance, which may have been growing for hundreds of years before finally coming to an end, is both exhilarating and intriguing. I think of it as a fusion between animate and inanimate, above and below the ground, naturally both beautiful, and without which, we as humans could not survive’
Morrison Thomas was born at New Inn Cottage in the tiny village of Charlton near Banbury, Oxfordshire. His father was a cabinet maker & carpenter who was also a wheelwright and blacksmith, as with many village craftsman of the time, he was skilled in all things. Keeping the family tradition, Thomas continued in his father’s footsteps and is a fourth generation woodworker.
As a furniture designer & maker Thomas has exhibited his work in numerous high profile galleries and undertaken many prestigious commissions. He has written articles on woodworking with his work appearing in numerous publications. Previously the chairman of the Surrey Guild of Craftsmen and with a listing in Debrett’s Who’s Who, his achievements are many, especially in consideration that he received no formal training, with his skills obtained from observing and listening to his father.
For many years Thomas designed and made contemporary furniture but mainly due to health reasons stopped making larger-scale works. With woodworking in his blood and a material he simply couldn’t stop creating with, he resumed his creative skills some years later by making unique hand-turned wooden vessels...
Category
2010s British Organic Modern London - Sculptures
Materials
Precious Stone, Elm
Dna Sequence iii, a Green & Aqua Glass Bottle Installation by Louis Thompson
By Louis Thompson
Located in London, GB
'DNA Sequence III' is a unique glass installation (consisting of 5 individual elements) by the British artist, Louis Thompson.
Accomplished glass artist Thompson explores illusion...
Category
2010s British Organic Modern London - Sculptures
Materials
Glass, Art Glass, Blown Glass
Going Round in Circles I, a Grey, Blue & Orange Glass Artwork by Sarah Wiberley
By Sarah Wiberley
Located in London, GB
'Going Round in Circles I' is a unique glass sculptural vessel by the British artist, Sarah Wiberley.
By bringing contemporary style to the traditions of glassblowing used in the ...
Category
2010s British Organic Modern London - Sculptures
Materials
Cut Glass, Blown Glass, Art Glass, Glass
Mid-Nineteenth Century Italian Bronze Sculptures of Creugas and Damoxenes
By Antonio Canova
Located in London, GB
Mid-nineteenth century Italian bronze sculptures of Creugas and Damoxenes
after the eighteenth century original 'I Pugilatori' by Antonio Canova,
set atop serpentine columns.
Creuga...
Category
19th Century Italian Classical Roman Antique London - Sculptures
Materials
Serpentine, Bronze
Orientation in Gold No 4, Amber Flat Glass Sculpture by Sandra A. Fuchs
By Sandra A. Fuchs
Located in London, GB
'Orientation in Gold No 4' is a unique glass sculpture by the Austrian artist Sandra A. Fuchs, created in amber, white and clear glass.
Fuchs creates her own multicoloured and comp...
Category
2010s Austrian Organic Modern London - Sculptures
Materials
Glass, Art Glass, Walnut
Tricolarial 50, a Unique Red, Purple, Blue & Green Glass Vase by Vic Bamforth
Located in London, GB
'Tricolarial 50' is a unique hand blown sculptural vase by the British artist Vic Bamforth. Blown in red, purple, blue and green colored glass which are encased in clear glass to cre...
Category
2010s British Organic Modern London - Sculptures
Materials
Glass, Art Glass, Blown Glass
Very Large Cast Sterling Silver Model of a Stag, London 1976 by Garrard & Co.
By Garrard & Co. Ltd.
Located in London, London
Hallmarked in London in 1976 by Garrard & Co., this stunning Elizabeth II, Sterling Silver Model of a Stag, is realistically cast and chased, and stands on a marble base. The stag mo...
Category
1970s English Vintage London - Sculptures
Materials
Sterling Silver
Turbulence in Tea, a Bubble Filled Glass Sculpture / Vessel by Anthony Scala
By Anthony Scala
Located in London, GB
Turbulence in Tea is a unique glass sculpture by the British artist, Anthony Scala. Sculpted and handblown, this artwork is created from very thick glass which is filled with a multitude of trapped bubbles. Each one sparkles and catches the light, all enhanced by the intense yet fading colour of the main form.
About this collection in the artist's own words;
"My Turbulence pieces have always been a way for me to step back from my precise optical work and re-engage with the material on a more ‘physical’ level. The colours I choose are always soft, muted shades which act as the perfect backdrop for the drama and movement of the effervescence. The shapes are unfussy so as not to detract from the light play given off by the myriad of bubbles. The pieces are blown incredibly thickly. This is to maximise the depth of the glass and impart an intensity of movement to the effervescence captured within each piece"
With a career in glass now spanning over 20 years, Scala creates art works that can only be described as acts of precision. As equally beautiful as they are meticulously created and despite being a hugely skilled glass blower, it is with cold working that Scala excels.
Initially qualified as an architectural model maker, it was during this time that Scala learnt many disciplines that would be equally relevant to and ultimately inform his practice today. His passion for glass was discovered however during an apprenticeship with Peter Layton at his studio at London Glassblowing. The beginning of a long standing association for him with this acclaimed studio.
In 2005 at the age of 27, Scala won the prestigious 'Glass Sellers Award' (other recipients have included Alison Kinnard, Colin Reid, Richard Jackson, and Bob Crooks...
Category
2010s British Organic Modern London - Sculptures
Materials
Glass, Art Glass, Blown Glass
Seven Stages of Degradation, an installation by Louis Thompson & Sophie Thomas
By Louis Thompson, Sophie Thomas
Located in London, GB
Seven Stages of Degradation is a unique art glass installation of seven components by the British artist Louise Thompson and the British designer Sophie Thomas. Each piece is solid glass with internal colored detail and trapped bubbles. Each topped with a found beach plastic cap. An ongoing body of work with the first set exhibited as part of the Summer Exhibition 2018, at the Royal Academy London. The artwork's aim is to highlight the current serious issue of ocean plastic. Although not essentially about it’s dramatic harmful effect on the sea’s inhabitants and environment, this artwork focuses on the prolonged duration for which it can exist within these vital waters.
About the collaborating artists;
Louis Thompson
With a professional career spanning over 25 years, Thompson has taught in the UK and abroad. He has exhibited extensively in the UK, Europe, USA and Japan. In 2012 Thompson received two prestigious awards in the UK: British Glass Biennale Winner and the Jerwood Foundation Makers Commission. He has been invited to create installations for various museums and international exhibitions and his work is held in permanent museum collections in Belgium, Germany, Japan, Czech Republic and the V&A Museum in London. Thompson has completed International residencies at the prestigious Museum of Glass in Tacoma, The Glazenhuis Museum in Belgium and most recently at Soneva Art Glass in the Maldives.
Sophie Thomas
A highly respected and established leader in creative campaigning and communication design, Thomas’ long...
Category
2010s British Modern London - Sculptures
Materials
Glass, Plastic, Art Glass, Blown Glass
Clovis in Amethyst, a Unique Tall Abstract Glass Sculpture by James Devereux
By James Devereux
Located in London, GB
'Clovis in Amethyst' is a unique tall glass sculpture by the British artist James Devereux.
Refinement and daring combine within this statuesque sculpture. Poised upon a museum-qu...
Category
2010s British Organic Modern London - Sculptures
Materials
Glass, Blown Glass, Art Glass
Under the Influence VIII, a Unique Glass, Copper & Rope Sculpture by Chris Day
By Chris Day
Located in London, GB
Under the Influence VIII is a unique sculpture by the British artist Chris Day created from handblown & sculpted glass with micro bore copper pipe, copper wire and rope.
About ‘Unde...
Category
2010s British Organic Modern London - Sculptures
Materials
Copper
Oro in Yellow I, Unique Yellow & Slate Grey Glass Sculpture by Morten Klitgaard
By Morten Klitgaard
Located in London, GB
‘Oro I’ is a unique sculpture by the Danish artist, Morten Klitgaard.
In the artist's own words:
"My work is driven by the urge to investigate and push the limits of glass as a mat...
Category
2010s Danish Organic Modern London - Sculptures
Materials
Blown Glass, Art Glass, Glass
Damien Hirst, Magnificent 7, Produced 2000. Gagosian Gallery Ed, Signed/Numbered
By Damien Hirst
Located in London, GB
Damien Hirst
'The Magnificent Seven'
Produced in 2000, in conjunction with "Damien Hirst: Theories, Models, Methods, Approaches, Assumptions, Results and Findings" at Gagosian Ga...
Category
Early 2000s British Modern London - Sculptures
Materials
Paper
Turbulence in Aubergine, a Bubbly Glass Sculpture / Vessel by Anthony Scala
By Anthony Scala
Located in London, GB
Turbulence in Aubergine is a unique glass sculpture by the British artist, Anthony Scala. Sculpted and handblown, this artwork is created from very thick glass which is filled with a multitude of trapped bubbles. Each one sparkles and catches the light, all enhanced by the intense yet fading colour of the main form.
About this collection in the artist's own words;
"My Turbulence pieces have always been a way for me to step back from my precise optical work and re-engage with the material on a more ‘physical’ level. The colours I choose are always soft, muted shades which act as the perfect backdrop for the drama and movement of the effervescence. The shapes are unfussy so as not to detract from the light play given off by the myriad of bubbles. The pieces are blown incredibly thickly. This is to maximise the depth of the glass and impart an intensity of movement to the effervescence captured within each piece"
With a career in glass now spanning over 20 years, Scala creates art works that can only be described as acts of precision. As equally beautiful as they are meticulously created and despite being a hugely skilled glass blower, it is with cold working that Scala excels.
Initially qualified as an architectural model maker, it was during this time that Scala learnt many disciplines that would be equally relevant to and ultimately inform his practice today. His passion for glass was discovered however during an apprenticeship with Peter Layton at his studio at London Glassblowing. The beginning of a long standing association for him with this acclaimed studio.
In 2005 at the age of 27, Scala won the prestigious 'Glass Sellers Award' (other recipients have included Alison Kinnard, Colin Reid, Richard Jackson, and Bob Crooks...
Category
2010s British Organic Modern London - Sculptures
Materials
Glass, Art Glass, Blown Glass
Phateon, a steel & glass train / locomotive inspired sculpture by Jon Lewis
By Jon Lewis
Located in London, GB
'Phateon' is a unique sculpture by the British artist, Jon Lewis, created from cast glass, steel, dicroic filter and a 3 1/5 inch gauge steam chassis.
Lewis’ first introduction to glassmaking was in 1989 at Wolverhampton University, where he instantly fell in love with glass as a material.
A reoccurring theme throughout the years within his work has been the synthesis of glass with metal, which under the creative influence of the artist, often results in corrosion, patination and texture. With his Apertura series, blown vessels created from recycled Bang & Olufsen Television glass are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell.
In a parallel and completely different body of work, are Lewis' Moonrock sculptures, which combine glass with dichroic filters and employ his own unique technique which began in 1994. Whilst working as a glass blowing assistant in Oregon, an introduction to ‘dichroic thin film interference filters’ as a form of surface decoration on blown glass, saw Lewis see vast potential. This amazing and very technical material, similar to iridescent butterfly wings, produces colour formed by selective reflection as opposed to absorption. The refractive transformation of light through convex and concave lenses and a diffused projection which this film creates, results in artworks that appear to glow from within, emanating a myriad of colours. A constant in Lewis’ glassmaking palette, this series and technique has featured in many notable sculptural & architectural works and derivations.?
These two opposing praxis of the artist’s artistic inquiry, often merge into a single expression. Lewis’ work has evolved into a distinctive vision, a fusion of beauty and uniqueness. Every piece of Lewis' art has a twist, in that each of his designs can be traced back to a single sketch. In many instances scribbled several years before just waiting for that last ingredient of inspiration for it to become a reality and brought to life in his multidisciplinary hot glass and metalwork studio in Essex.
In the artist’s own words;
“In my work I try to create pieces which are hard to identify materially and have an unknown. I enjoy making things whether a glass vessel or a glass furnace, I appreciate things crafted by hand. My history is of engineering and consequently, I love to push the boundaries of what is expected of materials”
Lewis was awarded the Glass Society Prize in the British Glass Biennale 2019. His Transceiver received an Honourable Mention in Trace - Showcasing Sustainable Glass Art, in the Glass Art Society’s Virtual 2021 Conference. His dichroic glass has been used in a number of prestigious architectural commissions, including in the Space Pyramidion at the Child Museum of Cairo and the Bliegiessen Sculpture by Thomas Heatherwick...
Category
2010s British Organic Modern London - Sculptures
Materials
Steel
Clovis in Grey to Topaz, a Textured Tall Glass Sculpture by James Devereux
By James Devereux
Located in London, GB
'Clovis in Grey to Topaz' is a unique tall glass sculpture by the British artist James Devereux.
Refinement and daring combine within this statue...
Category
2010s British Organic Modern London - Sculptures
Materials
Steel
Forest Relic Collection, Steel & Gold Textured Metal Vessels by Claire Malet
By Claire Malet
Located in London, GB
'Forest Relic Collection' is a unique trio of sculptural vessels by the British artist, Claire Malet.
The size for each one is;
Forest Relic I 20cm H, 14cm ø £1375
?Forest Re...
Category
2010s British Organic Modern London - Sculptures
Materials
Copper, Steel, Gold Leaf
19th Century Art Nouveau Bronze Bust Entitled "Bohémienne" by Emmanuel Villanis
By Emmanuel Villanis
Located in London, GB
Captivating late 19th century French bronze bust of a beautiful woman, enhanced by the variegated rich brown patination and excellent tactile surface detail, raised on an integral bronze base with raised title to the fore. Signed ?E Villanis and further raised on a breche griotte stepped and shaped marble plinth
ADDITIONAL INFORMATION
Height: 33 cm
Width: 16 cm
Depth: 11 cm
Condition: Excellent Original Condition
circa: 1890
Materials: Bronze
Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik
Page No: 17
SKU: 8616
ABOUT
Puccini's Opera - La Bohème
SYNOPSIS - A group of friends are living a Bohemian life in Paris and trying to make their livings creating art. Rodolfo, the writer, falls in love with the seamstress, Mimi, while Marcello, the painter, and Musetta, the singer, are the on-and-off-again couple by their sides. When the four are happy, they spend their time celebrating life and love. However, Mimi is revealed to be very ill, and Rodolfo struggles to come to terms with the fact that she will inevitably die. Rodolfo and Mimi break up, and months later, Musetta discovers Mimi extremely sick and close to death. She brings Mimi to Rodolfo and Marcello's apartment. Rodolfo immediately takes her in and tries to nurse her back to health, but he is too late. Almost as soon as the two are reunited and have professed their love for one another, Mimi succumbs to her illness and dies.
Emmanuel Villanis
Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...
Category
Late 19th Century French Art Nouveau Antique London - Sculptures
Materials
Marble, Bronze
Daam Dah 7-1, a Unique Black Glass Lidded Box with Gold Detail by Choi Keeryong
By Choi Keeryong
Located in London, GB
Daam Dah 7-1 is a unique black cast glass lidded box with 23.5 carat gold leaf, by the South Korean artist, Choi Keeryong. When casting glass, tiny bubbl...
Category
2010s European Modern London - Sculptures
Materials
Gold Leaf
Ore in Sienna & Ecru with Gold, a Glass & Gold Sculpture by Enemark & Thompson
By Enemark & Thompson
Located in London, GB
'Ore in Sienna & Ecru with gold' is a unique glass sculpture in aubergine and off-white colored glass by the collaborative artists Hanne Enemark (Danish) and Louis Thompson (British)...
Category
2010s British Organic Modern London - Sculptures
Materials
Gold
Clovis in Grey to Ruby, a Unique Tall Glass Sculpture by James Devereux
By James Devereux
Located in London, GB
'Clovis in Grey to Ruby' is a unique tall glass sculpture by the British artist James Devereux.
Refinement and daring combine within this statues...
Category
2010s British Organic Modern London - Sculptures
Materials
Steel
Contemporary Secondo Fuoco High Vase in Bronze
Located in London, GB
Secondo Fuoco is an investigation into slags, a reflection on the multiple souls of matter: its mineral origin, re-obtained by smelting processes and its...
Category
2010s Italian Modern London - Sculptures
Materials
Bronze
19th Century Animal Sculpture, a Painted Stone Model of a Pig with Black Paint
Located in London, GB
A late 19th century English animal sculpture, a stone model of a smiling pig lying down, with large ears, with remaining black paint residue.
Category
Late 19th Century English Antique London - Sculptures
Materials
Stone
Blooming Fresco, a Ceramic Decorative Vase in Brown and Pink by Maarten Vrolijk
By Maarten Vrolijk
Located in London, GB
Blooming Fresco is an earthenware ceramic decorative vase in light brown, yellow and pink by the Dutch artist Maarten Vrolijk.
Vrolijk approaches his ceramic artworks using the su...
Category
2010s Dutch Organic Modern London - Sculptures
Materials
Ceramic, Clay, Earthenware
Sculpture of Buffalo or Bull Hand Carved
Located in London, GB
Contemporary sculpture of a large buffalo or bull emphases on the elaborate horns and powerful body. It is hand carved from hardwood circa 1970.
The water buffalo, also called the do...
Category
1970s Asian Mid-Century Modern Vintage London - Sculptures
Materials
Hardwood
Striped Fold III, a Coral Parian Porcelain Sculptural Vessel by Steven Edwards
By Steven Edwards
Located in London, GB
Striped Fold III is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain.
Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material.
His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural.
Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings.
Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...
Category
2010s British Organic Modern London - Sculptures
Materials
Porcelain
Pair of Bronze Cherubs on Marble Bases
Located in London, by appointment only
A fine pair of mid-18th century French bronze cherubs standing contrapposto, one playing an instrument and the other holding a knife opening a oyster shell. Both standing besides tre...
Category
Mid-18th Century French Louis XV Antique London - Sculptures
Silver Model Labrador Dog Sculptures, 1978
Located in London, GB
This heavy quality model of a labrador dog is cast in sterling silver and hand chased to create a lively, lifelike appearance.
Additional information:
We...
Category
20th Century English London - Sculptures
Materials
Sterling Silver
Large Curvaceous Sculptural Studio Pottery Vase
Located in London, GB
Unique studio pottery vase with double neck sculpted by M Fisher, Germany. Sculptural elongated Studio Pottery vases with with double neck is made on the turn...
Category
1990s German London - Sculptures
Materials
Ceramic
Trio of Amber Murano Mirrored Spheres By Alberto Donà
Located in London, GB
Introducing a set of three hand-blown glass spheres designed by Alberto Dona, these captivating pieces are perfect additions to elevate your home decor.
Crafted in Italy, each sphe...
Category
Early 20th Century Italian London - Sculptures
Materials
Murano Glass
Temptation I, a Unique Multicolored Glass Sculpture by Enemark & Thompson
By Enemark & Thompson
Located in London, GB
Temptation I, is a hand-blown glass sculpture by the collaborative artists Hanne Enemark (Danish) and Louis Thompson (British) Incorporating an outer form in clear and pink glass which contains a multitude of white glass canes and candy-colored, glass hundreds and thousands. The piece is topped with a glass cherry with a silver sterling stem...
Category
2010s British Modern London - Sculptures
Materials
Sterling Silver
Mid Century Modernist Abstract Stone Sculpture Signed A. Tihen
Located in London, GB
A bold, mid-20th century carved stone sculpture of angular, modernist form, signed ‘A. Tihen’.
Europe, c. 1960s.
Category
20th Century European London - Sculptures
Materials
Stone
Ice Vug in Purple, Unique White & Purple Glass Sculpture by Samantha Donaldson
By Samantha Donaldson
Located in London, GB
Ice Vug in Purple is a unique handblown sculpture by the British artist Samantha Donaldson. A charming ethereal sculpture with a glacier white exter...
Category
2010s British Organic Modern London - Sculptures
Materials
Glass, Art Glass, Blown Glass
Nineteenth Century French Bronze of Sappho
By Susse Freres, J. Pradier
Located in London, GB
Nineteenth century French bronze of Sappho, cast by the Parisian Susse Frères foundry (stamped), after Jean-Jacques Pradier (French, 1790-1852).
Category
19th Century French Antique London - Sculptures
Materials
Bronze
Pair of Murano Polar Bear Sculptures by Alfredo Barbini, 1930'sItaly
By Alfredo Barbini
Located in London, GB
Adorable hand blown Murano polar bear sculptures by Alfredo Barbini, circa 1935, Italy.
The Colour runs from aubergine bleeding in to opalescent clear iridized glass.
Alfredo Barbini...
Category
1930s Italian Mid-Century Modern Vintage London - Sculptures
Materials
Art Glass, Blown Glass
Celestite III, Grey & Clear Glass Geode & Crystal Sculpture by Wayne Charmer
Located in London, GB
Celestite III is a unique grey & clear glass sculpture by the British artist, Wayne Charmer. Taken inspiration from the moment that a mass of rock is literally cracked open, to revea...
Category
2010s British Organic Modern London - Sculptures
Materials
Glass, Art Glass, Cut Glass
Early 20th Century French Bronze Entitled "Double Headed Eagle"
Located in London, GB
An interesting French bronze study of a two headed eagle with its wings outspread. The bronze exhibiting excellent hand chased surface detail and very fine rich brown patina, raised on a Italian marble...
Category
Early 20th Century French Art Deco London - Sculptures
Materials
Marble, Bronze
White Pearl Pitcher II, a unique white Glass Sculpture by Fredrik Nielsen
By Fredrik Nielsen
Located in London, GB
The White Pearl Pitcher II is a unique white glass sculpture with a lustrous finish by the Swedish artist Fredrik Nielsen. The artist literally freehand sculpts his glass to create these monumental artworks. This piece has been finished with car body spray paint.
Predominantly experimental, Nielsen’s artworks are made in defiance of what is perceived as perfect. Weighty yet spontaneous, his creations carry marks, almost scars, that are inflicted during their making. What may appear rough and unfinished remain as part of the final piece. The intention is to not abuse his glass but to take it to its limits, questioning the role of the artist and how these pieces sit within the world of art and craft.
Neilsen has also incorporated live music...
Category
2010s Swedish Modern London - Sculptures
Materials
Glass, Art Glass, Blown Glass
Life-Size Bronze Greek Discus Olympian Statue, 20th Century
Located in Southall, GB
A 20th century life-size, strong, bronze figure of a Greek Olympian throwing the discus during his spin. This large bronze stands over 5.5 feet tall. The quality is exceptional, with...
Category
20th Century European Classical Greek London - Sculptures
Materials
Bronze
Early 20th Century Art Nouveau Bronze Sculpture "The Fencer" by Rudolf Küchler
By Rudolf Kuchler
Located in London, GB
An impressive Austrian bronze study of a muscular fencer in mid lung with excellent golden patina and very fine hand finished surface detail, raised on a decorative integral base, si...
Category
Early 20th Century Austrian Art Nouveau London - Sculptures
Materials
Bronze
Polychromatic Interleave 005, a unique glass vessel in red & blue by Liam Reeves
By Liam Reeves
Located in London, GB
Polychromatic Interleave 005, is a unique handblown glass vessel with fine filigree white cane detail by the British artist Liam Reeves. The two colours of glass in red and blue, merge in the making to create a larger spectrum of hues where they meet, covering the white canes below. A truly exquisite piece.
Liam Reeves has been making glass professionally since 1998 when he graduated from Middlesex University with a BA (Hons) in three-dimensional design. During this time he has honed his skills whilst working in the glass industry for some of the best glassmakers in the UK. In 2009 Reeves studied for an MA at the RCA in order to explore the creative possibilities of the medium of glassblowing. He is currently hot-glass technician at the very same and prestigious Royal College of Art in London.
While at the RCA Liam discovered a passion for investigating pivotal techniques from glassblowing’s two-millennia of rich history. From the mould blowing of ancient Rome to the complex goblet-making techniques of Renaissance Venice...
Category
2010s British Modern London - Sculptures
Materials
Art Glass, Blown Glass
Art Deco Clear Glass Study Entitled Jazz Musician with Saxophone by Sèvres
By Cristalleries De Sevres
Located in London, GB
A very fine Mid-20th century clear and frosted glass figurative study trophy in the form of a jazz musician playing a saxophone with excellent crisp handcut detail, signed and with original sticker.
ADDITIONAL INFORMATION
Height: 21 cm
Condition: Excellent Condition
circa: 1950
Materials: Clear Glass
ABOUT
Cristallerie de Sèvres is born in 1750 by the initiative of Madame Pompadour. However, it was not until the reign of Charles X when the true splendor of Cristal de Sèvres occurs. This has only been possible thanks to the remarkable quality of its products, including his famous “Opalines”, crown jewel, or the wonderful pieces set in silver and gold and released in the Universal Exhibition of 1878.
In just a century and a half, Cristal de Sèvres and their luxury glassware conquer the “art de la table” lovers, with its aesthetic with the times, its timeless sophistication and its famed crystal Craft...
Category
20th Century French Art Deco London - Sculptures
Materials
Glass
Mina Sunar, Signed Limited Edition of 25 Dove Sculpture in Silver, London 1999
By Morris Singer Foundry 1
Located in London, London
This interesting sculptural representation of a dove carries hallmarks for London in 1999, and the makers mark for the Morris Singer Foundry.
The dov...
Category
1990s English Organic Modern London - Sculptures
Materials
Sterling Silver
Contemporary Enamelled Bronze Sculpture entitled "Surf" by Tim Cotterill
By Tim Cotterill 1
Located in London, GB
An attractive limited edition bronze study of a green frog in a stretched position with its head raised exhibiting very fine enamel colours and excellent tactile surface, signed Tim,...
Category
21st Century and Contemporary English Modern London - Sculptures
Materials
Bronze
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