Manhattan - Sculptures

This playful ceramic sculpture of two cubs riding atop their mother's back emanates warmth with its subject, form, and color.  

A Plaster Cast French Bust of a Gentleman

Italian Carrara marble sculpture of a seated woman, signed R. Madonna, with later square shaped variegated green marble base.

Artisan made face of an ancient Greek man with a laurel wreath molded in pewter and set on a walnut backing, American 1950's. This captivating work is beautifully made.

Glazed stoneware. Wood fired.

Finely carved rock crystal vase with gem stones decorations.  

Trish DeMasi Sakura, 2021 Glazed ceramic Measures: 11.5 x 12 x 21 in.

Incredible collection of pre-columbian clay sculptures / figures / statues / pottery, mounted and framed. The pieces date from the pre-classic (Formative) period of Meso-American cul...

Barbedienne cast. Look at the Metropolitan Museum for a larger example.

Satori 12 sculpture by Noe Kuremoto Materials: Earthenware sculpture Dimensions: D 22 x W 29 x H 52 cm When Japanese Mountain Gods appear as children, t...

Untitled "Elbow" sculpture by David Haskell. Abstract sculpture with applied green glazes. Artist-signed.

American Contemporary Brutalism Abstract Sculpture Iron ca. 1970s DIMENSIONS Height: 13.5 inches Width: 8.25 inches Depth: 4.2...

Abstract wood wall sculpture by Italian artist and designer, Felice Antonio Botta. Botta was an early proponent of used 'poor materials' (recovered and found wood) for a movement ...

Japanese Late Edo Period Life-Size Imperial Bunraku Head, Hands and Legs by Nagoshi Kenji, Ca. 1850 DIMENSIONS Head: 13” High Hands: 11” High Legs: 9” High ...

Void, stool by Studio Noon Signed & editioned 1/50 Dimensions: 24” H x 24” W x 24” D Material: Pigmented cement Noon is a Philadelphia based collaboration between designer/arch...

Nascent, 2024 (Ceramic, C. 13.5 in. h x 12 in. w x 12 in. d, Object No.: 4284) Toni Losey’s work hums with an underlying current of rhythm and organization.  The repetition found on...

Contemporary Italian highly collectible potted glass cactus of limited edition, entirely handcrafted in Murano, with modern Minimalist design blown by Fornace Mian, with lifelike organic modernist shape in teal green textured Murano glass highlighted by 3 large yellow blooming flowers with red center and overlayed in crystal clear, planted in a lime green Murano glass pot worked with pure gold, adding a pearl...

Satori 12 Sculpture by Noe Kuremoto Materials: Earthenware sculpture Dimensions: D230x W22 x H18 cm When Japanese Mountain Gods appear as children, they are known as Satori. Satori...

A Pair of 19th century French Majolica/Fiance Models of Lions Perched on stands. Each is wonderfully hand painted in vibrant purple and blue colorways. The bases are green and each i...

Cylindrical TOTEM-form. Hand built with rounded top, smooth oblong indentations, in green glazes. Artist-signed to underside.

A one-of-a-kind pair of sophisticated sculptural floor lamps, custom-made in Murano glass, the exclusive blown stem of the highest quality in textured black Murano glass is worked with red streaks in the glass, the illuminated central bowl containing black glass scrolls and many fine red glass rods rising like sprays of water in a fountain, the raised central element in black Murano glass also contains light that illuminates the red glass finial...

A good 19th century carved stone bust. The handsome figure in Greco-Roman attire with toga draped across the chest and a laurel wreath around his head. ...

Nude, female, oversized marble sculpture on a marble and granite base. The base alone measures: 8.13" x 8.13" x 5.63 H. The sculpture alone measures: 29.5 H.   

Attributed to G. GAMBOGI, Italian (FL. LATE 19TH / EARLY 20TH C.) Origin: Italian Date: Late 19th century Dimension: 42 in. x 15 in.

This impressive century year old rose wood with incredible patina and character has been hand carved whilst respecting the natural organic shape. Set on a minimalist black steel base...

This naturalistic and dynamic scene of two bears fighting was designed by Knud Kyhn who worked for Royal Copenhagen for much of his career. Numbered 20240, incised KK.

Pair of large and unusual continental porcelain eagles, circa 1875.

A fine pair of French patinated bronze and gilt metal figural lamps Each cast as a putto supporting a flower filled urn, raised on a gilt metal ...

Luccio Del Pezzo ( Italian 1933-2020 ) A commissioned work, offered as an award to exhibitors of 25 years standing at the legendary Milan Salone del Mobile Italiano. Bronze, copper,...

A dramatic Swiss Alpine animal sculpture of a skull and its antlers / horns presented with a sober, modern sensibility and a refined rustic aesthetic. Additional References: Taxide...

Hand carved sculpture “Lithic” in Green Italian granite on an ebonized wood base by Naomi Feinberg, American, 1970s. Naomi Feinberg was a New York based sculptor who worked primar...

A single piece of solid mango wood, hand carved into a standing cone, circa 1960. Use it as door stoppers, or in a group for an eye-catching accent in any rustic or eclectic decor, i...

Our patinated bronze sculpture by Dylan Lewis (1964- ) depicts a water buffalo with head lowered. Signed Dylan Lewis 97. 9 3/4 by 18 1/4 by 5 1/2 inch...

This 5.5-inch Agate Geode Sphere is a remarkable blend of natural beauty and geological intrigue. Polished to a glossy perfection, the exterior showcases ...

A Pair of Japanese Mid Edo Period Carved Stone Sculptures of Female Buddha Sattva, ca. 1750 PERIOD Mid Edo Period (1603-1868) DIMENSIONS Height: 10.5 ...

Signed “E. Seger”. Black patina. Dimensions Height: 8 inches (20cm) Width: 7.5 inches (18.75cm) Depth: 8.5 inches (21.25cm) THE BIBLE STORY Samuel 17:34-36 Originally, Saul would not allow David to fight Goliath (17:33). Saul’s reason was simply that Goliath would be stronger than David. David was young and he did not have the experience to fight such a capable enemy as Goliath. David was likely to die, and his death would benefit nobody. Often people wrongly imagine that they are acting in faith (in other words, that they are trusting God). Really, they are acting in a foolish manner, as if the danger is not real. They are not trusting in God, but in their own thoughts, hopes and desires. David’s reply to Saul shows us his attitudes. This reply explains clearly why David had offered to fight Goliath. In other words, it shows how David considered himself able to defeat Goliath. Like many boys and young men in Israel, David had worked as a shepherd. That is, he looked after sheep. He was responsible to look after those sheep in every way. In particular, he had to protect them from wild animals. Lions and bears are some of the fiercest large wild animals. They were common in Israel at the time of the Bible. They are much stronger than a man (see for example 1 Kings 13:24 and 2 Kings 2:24). Only the bravest and strongest men were able to kill a lion (Judges 14:5-6; 2 Samuel 23:20). However, David had killed both a lion and a bear. He had killed animals that were stronger than him. David did not believe that the strongest man would win the fight. David had a close relationship with God; he was trusting God to rescue him (17:37). David was not pretending that there was no danger. However, God’s Holy Spirit was active in David’s life (16:13). By the power of his Holy Spirit, God had given David the faith (trust in God) to fight Goliath. Because David really was trusting God, there was no reason for him to be afraid of Goliath. THE ARTIST Ernst Seger (1865 1939), born in Neurode (Nowa Ruda, now Poland), studied sculpturing from 1884 at the Kunstschule in Breslau under Robert Härtel. From 1886 he worked in the Atelier of Christian Behrens, where he created the Eichendorff-Memorial for the Silezian City of Neisse. From 1893 to 1894 Seger stayed in Paris where he worked in the atelier of Auguste Rodin. However, Seger finally chose a ‘Jugenstill’ and a more ‘naturalistic’ or ‘Neuklassizismus’ style. His sculptures, modelled like the Greek antiques, were later greatly admired by the National Socialists. At the end of 1894 Ernst Seger went back to Berlin, founded his own atelier and created the Kaiser Wilhelm I memorial for the Silesian City of Glatz. In 1897 Seger created the sculpture ‘Jugend’ (‘Youth’), which was displayed at the ‘Große Berliner Kunstausstellung’ in 1898, at the ‘Große Berliner Kunstausstellung’ in 1899, at the ‘Münchener Glaspalast Ausstellung’ in 1899 and at the ‘Münchener Glaspalast Ausstellung’ in 1908. As a sculptor Seger regarded this as his first relevant work, his breakthrough. A copy of the sculpture in bronze, 1.60 metres high, was placed in the ‘Scheitniger Park’ in Breslau (now Wroclaw). In 1898 Segers ‘Diana’, the Roman Goddess of the Hunt, the Moon and Childbirth, was unvealed in Park Szczytnicki, Breslau, Polen (earlier ‘Schneitniger Park’). Until 1945 the sculpture stayed in the Schneitniger Park, Breslau. This part of the park is still called ’Dianagarten’. After the turn of the century the elegant female dancers and nudes by Seger gained great popularity. In 1905 Ernst Seger created -together with the sculptor Bernhard Sehring- the ‘Bismarck Brunnen’ (‘Bismarck Fountain’) in Breslau. This memorial-fountain (which still exists) represents the allegories ‘Kampf’ and ‘Sieg’ (‘Battle and Victory’). Seger’s ‘Verwundete Amazone’ (‘Wounded Amazon’), displayed at the Grosse Münchner Kunstausstellung in the Glaspalast in 1908, was placed in the garden of the ‘Kaufhauses Wertheim’ in Berlin. In the same year he was appointed as a professor. Seger’s marble sculpture ‘Kypris’, created in 1916, was placed in the Alten Nationalgalerie in Berlin. In 1925 the City of Berlin acquired his sculpture ‘Anbetung’ and placed it at the Johannaplatz. ‘Storchenbrunnen’ (‘Stork-fountain’), was placed in 1931 at the Adolf-Scheidt-Platz in Berlin. In 1935 the American newspaper publisher William Randolph Hearst bought Seger’s sleeping ‘Ganymede’. During the Third Reich Ernst Seger was commissioned numerous Hitler busts...

Ode, 2020 (Ceramic, Left to right C. 9 in. h x 5 in. w; 13.75 in. h x 5 in. w; 14.75 in. h x 5 in. w; 9 in. h x 5 in. w, Object No.: 3929) Tina Vlassopulos was born in London in 195...

A chic decorative tall metal cut sculpture of organic modern design, depicting a Minimalist panther silhouette, in black lacquered iron, supported by a geometric base. The fine open ...

Beautiful hand carved water buffalo. Originally used as a rice barn door and this also is a symbol to protect the home. Wonderful hanging as a piece of art. This door was sourced...

Large alabaster group sculpture with light (lamp) in the Orientalist period style depicting figures and camels resting in a desert oasis, finely carved by the Italian master, Aristid...

Italian porcelain white dolphin group on bronze base, Ginori, circa 1860.

Cast in finely textured plâtre (plaster) with the soft, porous surface of quarried stone, this mid-century French bust captures the serene idealism of a 4th-century BC Greek original...

Vortex VIII, 2024 (Porcelain, C. 11 in. h x 11.8 in. w x 11 in. d, Object No.: 4282) Brachlow’s designs are developed during the making process. Her new sculptures are based on a co...

With graphic detailing and chasing. On an ebony base.

Marked underneath with the Meissen crossed swords.

A Beautiful 19th century Meissen Porcelain allegorical grouping of three putti with musical Motifs. One putti is seen with a trumpet in his hand, the other putti is seen playing a ly...

Organic sculpture in grey resin by J. Zimet, American, 1970s (signed "JZ" and label on bottom gives address in Rye New York).

This bracelet in sterling silver is hand-hammered. It is also available in gold-plated brass. Jarrige's jewelry is more companion than ornament, heightening one's physical awarene...

Exclusive abstract Work of Art entirely hand-crafted in Italy in aluminum with a polished finish. This post-modern design defies gravity with its interlocking open rectangles in diff...

Impressive teak wood doors with original hardware. This beautiful door could also be made into a coffee table, used as a head board or hung as a piece of art. The circle meaning is the Yin and the Yang. The black colour is Yin the darkness and white is Yang the clear situation. The left door is 26" wide and the right door is 28" wide. When life-force energy is appropriately balanced between Yin and Yang...

Objet Trouvé sculpture. Sculpture of a machine part on a wood plaque. Property from esteemed interior designer Juan Montoya. Juan Montoya is one of th...

This contemporary Italian sculpture, a Work of Art by the woman artist Monica Foglia, represents a human heart sculpted in bronze. The 2 finishes, half in polished gold bronze and th...

A bronze, biomorphic, brutalist sculpture. Framed by a similarly-textured bronze cage. Striking form.

Noted for his detailed and colorful work, Bergman was signing his creations with either a "B" in an urn-shaped cartouche, or "Nam Greb" for "Bergman" in reverse (these marks used to disguise his identity on the erotic works). They are also often inscribed ‘Geschutzt’, which refers to the model/design being ‘registered’ or copyrighted; or not marked at all, especially if the pieces are miniatures, circa 1900. Dimensions: Height 0.88 inches (2.2 cm) Width 0.94 inches (2.4 cm) Depth 2.07 inches (5.2 cm) Franz Xavier Bergmann...

1960s Danish textured ceramic sculpture of a coconut.

Murano glass abstract sculpture, signed Seguso.

Surrealist Abstract Sculpture In the manner of Wifredo Lam ca. 1950’s-60’s DIMENSIONS Height (w/ base): 11.25 inches Height of base: 5 inches Width: 5 inches...

"For the man" Venetian Murano glass 3D Modern Mask, in golden amber glass with 2 opposite sides in amethyst color intersecting at the top to highlight a small red accent on the foreh...

English porcelain reclining greyhound, circa 1810. Marked Copeland and Garrett.

This naturalistic and bear was designed by Knud Kyhn who worked for Royal Copenhagen for much of his career. Numbered 20271, incised KK.