Miami - Drawings and Watercolor Paintings

Hand signed, numbered, and dated by the artist. Hand embellished by the artist on serigraph. Limited edition HC of 20. Each embellished print is unique. Artwork is in excellent condi...

Welcome to the World. A blue-eyed child in a wide-rimmed hat with flowers and an adult chicken greet the emergence of a chick. The charming illustration is titled " Karen and Etta ( the chicken ) have a Little Chick " Notice the whimsical touch of a piece of egg shell that sits on the chicks head like a little white hat. Signed lower right. unframed Alice Rose[1] Provensen (née Twitchell; August 14, 1918[2] – April 23, 2018[3]) and Martin Provensen (July 10, 1916 – March 27, 1987) were an American couple who illustrated more than 40 children's books together, 19 of which they also wrote and edited.[4] According to Alice, "we were a true collaboration. Martin and I really were one artist."[4] Biographies Their early lives were similar. Both were born in Chicago and moved to California when they were twelve.[5] Both received scholarships to the Art Institute of Chicago, and both attended the University of California, though at separate campuses. After college, Alice went to work with Walter Lantz Studio, the creators of Woody Woodpecker, and Martin took work with the Walt Disney Studio, where he collaborated on Pinocchio, Fantasia, and Dumbo. The pair met in 1943 when Martin, working as a creator of training films for the American military, was assigned to the Walter Lantz Studio. They were married in 1944 and settled in Washington, D.C., where they worked on war-related projects. After the war, they moved to New York City where a friend helped them get their first job, illustrating The Fireside Book of Folk Songs.[5] They illustrated several Little Golden Books including The Color Kittens by Margaret Wise Brown (1949). In 1952, Tony the Tiger, designed by Martin, debuted as a Kellogg's mascot. The Provensens were a runner-up for the 1982 Caldecott Medal as illustrators of A Visit to William Blake's Inn by Nancy Willard...

signed in orange along lower right of image Illustration for Women's World magazine, published October, 1937 Condition is good. 4.5 inch, unobtrusive vertical crease running from top down into center of image Maginel Wright Enright Barney was the sister of architect Frank Lloyd Wright and the illustrator of several children''s books, including those of L. Frank Baum...

This is an elegantly rendered and designed work with fine lines and flat colors by an accomplished female illustrator. Signed lower right Framed in an old simple wooden frame with...

Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display. Signed lower right. The work is arch...

Fashion Illustration. Work is unframed. Free standing heavy watercolor paper loosely hinged to board. Excellent condition.

Fabled Vogue Magazine Cover Artist Eduardo Garcia Benito depicts a perfectly posed long-neck flapper with her reflection in a mirror, Her extrav...

Signature: Published Vogue Italy Client Halston Double Signature Signed lower right Antonio Also signed Halston Graphic remarks were written in pencil by Halston. work is elegantly m...

Bauhaus Iconic work by the master or Cubism and Expressionism Dalzell Hatfield Gallery, Los Angeles Bonhams, Exhibited: Moller Fine Art, "Precision ...

Work is not framed. Done for a Manhattan fashion house in the 1980's

The Kelpie of Snooziepool - William Heath Robinson illustrated this whimsical fantasy work featuring a semi-nude beauty in a pool of water with children. Based on the Metropolitan ...

Lord Lithgow, Time magazine cover, March 16, 1942 matted to 17.75 x 16.75 inches. Not framed. Pencil on paper

Airbrush Illustration on paper Signed Risko lower right Blindstamp Upper Right Published: Vanity Fair Magazine Unframed

E. Simms Campbell was the first African-American illustrator/ cartoonist published in nationally distributed, slick magazines, he created Esky, the familiar pop-eyed mascot of Esquire. This early work of 1930 was done on assignment for an interior page of Life Magazine. It features two Rowing teams engaged in spirited competition with cheering onlookers. This is a highly stylized black-and-white illustration and is masterfully executed. The work is composed of two illustrations, 6 x 9 inches and 2-3/4 x 2 inches respectively. It is initialed center bottow ESC. unframed Campbell left the University of Chicago and transferred to and received his degree from the Chicago Art Institute.[3] Professional career During a job as a railroad dining-car waiter, Campbell sometimes drew caricatures of the train passengers, and one of those, impressed by Campbell's talent, gave him a job in a St. Louis art studio, Triad Studios. He spent two years at Triad Studios before moving to New York City in 1929. A month afterward, he found work with the small advertising firm, Munig Studios, and began taking classes at the National Academy of Design.During this time, he contributed to various magazines, notably Life, & Judge Following the suggestion of cartoonist Russell Patterson to focus on good girl art, Campbell created his "Harem Girls", a series of watercolor cartoons that attracted attention in the first issue of Esquire, debuting in 1933. Campbell's artwork was in almost every issue of Esquire from 1933 to 1958 and he was the creator of its continuing mascot, the cartoon character in a silk top hat. He also contributed to The Chicagoan, Cosmopolitan, Ebony, The New Yorker, Playboy, Opportunity: A Journal of Negro Life, Pictorial Review, and Redbook. His commercial artwork for advertising included illustrations for Barbasol, Springmaid, and Hart Schaffner...

Fabry's captures the hight of elegance in his loose style. Conte crayon, watercolor on watercolor paper Signed lower right Private collection Other works by this artist: ca. 1940 - ...

This Portrait of an African Man by an African American artist exhibits penetrating psychological insight and is executed in vibrant colors with quick gestural post-expressionist brus...

Street Costumes by Ruth Kreps. Signed lower right. Most likely for a book published in the 1930's about turn of the century women's fashion. "Costume Design of the Gay Nineties" T...

Original mixed media on 10.5 x 7.5 inch paper mounted on 14 x 11 inch paper. Hand signed on front by Purvis Young. Frame size approx 20 x 17 inches. Artwork is in excellent condit...

Philip Reisman paints the raw street life of New York City. Whether he's painting a barmaid or a street hobo, Reisman is a people painter. He studied at the Art Students League with ...

If people don't swat you . . . then something else happens." Illustration for Blechman's popular book Franklin the Fly (Mankato, MN: Creative Editions, 2007). Watercolor, pen and ink...

Hildegard Anna Augusta Elisabeth Freiin Rebay von Ehrenwiesen, known as Baroness Hilla von Rebay or simply Hilla Rebay was the co-founder of the Museum...

Original watercolor on paper. Hand signed on front by Tarkay. Sheet size 14 x 10.5 inches. Frame size approx 20 x 16 inches. Artwork is in excellent condition. From the private coll...

Original mixed media on 10.5 x 8 inch paper mounted on 14 x 10.87 inch paper. Hand signed on front by Purvis Young. Frame size approx 20 x 17 inches. Artwork is in excellent condi...

Roy Carruthers is a brilliant mix of George Tooker and Fernando Botero but with unexpected charm. "The Suitor with Voyeur", A variation of this concept was done in oil twenty years later. "The Venus of Ponte Vedra...

Signed and dated lower right; inscribed, Dated and Signed on Verso Provenance: Ashley John Gallery

Original drawing on paper. Hand signed and dated by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.

Original pastel on paper. Hand signed on front; signed, titled and dated on verso. Visible image size: approx. 18.5 x 25.5 in. Frame size: 29 x 36 in. Artwork is in excellent conditi...

Hand signed, titled and dated by the artist. Original ink and charcoal on vellum paper. Framed size approx 30.75 x 34 inches. Artwork is in excellent condition. Acquired by our g...

Pulp cover or pin-up magazine cover signed lower left foxing and toning throughout oil and mixed media on board work is framed

A charming and stylized depiction of a day at the Central Park Zoo. with World War Two uniformed visitors front and center. Sea lions put on a show in front o...

Generations ahead of the pack, little-known Lorraine Fox developed a simple, charming and flat style that is emulated today but not equaled. Her work is rooted in sound academic trai...

This cartoon by Charles Addams is generations ahead of its time. To get the punch line, the viewer must know the meaning of a Satyr or Pan. Satyr: Part man and part beast. - A male ...

Original mixed media drawing on paper. Hand signed on front by Purvis Young. Artwork size 10.375 x 7.875 inches. Frame size approx 16 x 14 inches. Artwork is in excellent conditi...

A fantasy scene with Elves and a beautiful girl lost in thought at the base of a tree. Elizabeth Mary Watt, G.S.W.A. In 1919, she was elected as ...

115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...

"Shine On, Virginia Woolf!" Cover illustration for The New York Times Book Review, published June 8, 1997. Airbrush on paper with mylar overlay with mar...

An original pen and ink by Barbara Macdonald 1892-1969, that was published on page 70 of the 1922 book, 'Princess Herminie and the Tapestry Prince,' written by Lee Ivatt. The second ...

Meticulously rendered art deco illustration of a stylized woman ( perhaps Asian ) having a dialog with a small monkey perch on her outstretched arm. ...

Enter the whimsical world of famed children's book illustrators husband and wife team Alice and Martin Provensen. On top of a heavy tree trunk sits a...

Signed and dated center right, Seam down center where two sheets attached is original. Some slight surface smudging outside figure area .

Original watercolor on paper. Hand signed on front by Tarkay. Sheet size 15 x 11 inches. Frame size approx 21 x 17 inches. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Itzchak Tarkay (Israeli, 1935–2012) was a painter known for his Post-Impressionist portraits done in watercolor and acrylic. Influenced by the work of both Henri Matisse and Henri de Toulouse-Lautrec, Tarkay’s expressive, use of color lent a dream-like quality to his serigraphs, prints, and paintings. Born in 1935 in Subotica, Serbia, Tarkay and family settled in Israel after Allied forces freed them from a Nazi concentration camp during World War II. The artist went on to study at the Bezalel Academy of Art and Design in Jerusalem and later the Avni Institute of Art and Design in Tel Aviv. Later in life, Tarkay mentored younger Israeli artists, including Yaacov Agam and Yuval Wolfson...

Welcome to Gahan Wilson's magnificently morbid mind, where viewing his cartoons/illustrations gives the viewer the creeps. In this work, a husband designs...

Dick Stone was a top mid-century illustrator who worked for the most famous brands. He was an assignment artist hired by such esteemed Ad Agencies as BBDO ...

Complex study of nude figures grouping in landscape. Weber works in watercolor and pen with an electric brushstroke. Perhaps a study or a continuation for his major oil. Summer...

Original pencil, chalk and crayon drawing on paper. Hand signed and dated on front by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. A...

Bauhaus Iconic work by the master or Cubism and Expressionism Dalzell Hatfield Gallery, Los Angeles Bonhams, Exhibited: Moller Fine Art, "Precision ...

Original Art by Sergio Lazo "BB King" Enamel & Ink on a matted GOLD frame with a protective glass, ready to hang. 11" x 14" (actual size with frame 16" x 20") 2019 :: Drawing :...

Original Art by Sergio Lazo "Kiss" Original Enamel & Ink Drawing on Paper 11" x 14" (actual size with frame 16" x 20") 2020 :: Drawing :: Pop-Art :: This piece comes with an of...

A charming and stylized depiction of a day at the Central Park Zoo. with World War Two uniformed visitors front and center. Sea lions put on a show in front of a packed audience. The...

Original mixed media on paper. Center square is gold and reflects light in prismatic pattern. Hand signed by the artist. Artwork is in excellent condition. Certificate of authentic...

Katie Blackmore, R.B.A., A.S.W.A. (fl.1913-1950) She was a female illustrator and artist who painted fantastic scenes of fairies and Angles and Doves floating in celestial space. Blackmore exhibited at the RBA, and also at RA, RI, RHA, Ridley Art Club, Carfax Gallery, Royal Glasgow Institute...

Original pencil, chalk and crayon drawing on paper. Hand signed and dated on front by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. A...

In the 1970s, the Times Square/ Mid-Town area of New York City was a gritty place of X-rated movies, Strip Bars, Pimps, Street Walkers, and cheap by-the-hour Hotels. The place was a...

This work is presented more as a concept piece since it's condition is destresed. Illustrator Hazel Frazee was a Female Illustrator in the first quarter of the 20th century for child...

"Earth Day" Original Drawing on Paper 11" x 14" (actual size with frame 16" x 20") 2022 :: Drawing :: Pop-Art :: This piece comes with an official certificate of authenticity sign...

This Drawing has a sketch on the reverse as well as handwritten notes, one of which reads "On loan from the Freddy Wittop's private collection." Costume designer Freddy Wittop won a Tony Award for his work on "Hello, Dolly!" and was also the recipient of a TDF Irene Sharaff...

Original watercolor and glitter on paper. Hand signed on front by the artist. Sheet size 21.75 x 15 inches. Artwork is in excellent condition. Certificate of authenticity included. ...

Meticulously rendered in beautiful pastels colors account of biblical story. Doyle New York