Milan - Wall Decorations

XVIII century Views of Rome (9) Tempera on paper, 9 x 14 cm; with frame 34 x 40 cm During the seventeenth century the fashion of the Grand Tour spread among the aristocracy, a ...

Il rosone policromo Archetipo Mediterraneo è realizzato interamente a mano con materiali antichi e pregiati come il vetro e il mosaico. La contrapposizione di due materiali diversi come i pregiati smalti tagliati a spacco, prodotti secondo la più antica tradizione nella storica fornace Orsoni di Venezia, e il vetro Karma di Trend, anch’esso tagliato a mano e ispirato alle vetrate delle cattedrali gotiche, consente di trovare in un oggetto bidimensionale la terza dimensione. Grazie alla forza dei materiali, che coniugano la pienezza del colore dello smalto alla luminosa trasparenza del vetro, la forma tende ad uscire dal piano su cui poggia sprigionando tutta la sua vitale energia. Esposto a: “Quali cose siamo", La Triennale Design Museum (2010). "Portare colore alla vita", Newcastle, Sage Gateshead (2013). “Policromia", mostra personale al palazzo Reale di Santo Domingo (2019); "In the Garden of Eden: Alessandro Mendini and Friends", Galleria Colombo, Milano (2021). Dal punto di vista iconico è una interpretazione in chiave contemporanea e policroma della stella a otto punte, uno dei simboli più antichi che rappresenta il punto d' incontro ideale tra oriente e occidente perché attraversa culture e simbologie apparentemente lontane come quella buddista, quella cristiana, quella ebraica e quella musulmana. La stella a otto punte nasce dalla fusione tra il quadrato e il cerchio ed è un simbolo mandalico che racchiude in sé l'origine del mondo e rappresenta il percorso alchemico che conduce dalla materia allo spirito. La quadratura del cerchio è l'emblema della rigenerazione spirituale. L’alternarsi concentrico dei sette colori della luce solare, si ricollega alla tradizione ermetica del numero sette e alle filosofie tardo-rinascimentali. Massimo Caiazzo (Napoli 1966) è un esperto di progettazione cromatica, che affianca all'esperienza accademica la progettazione “sensibile” della luce e del colore nei settori dell’architettura, del design, della moda e della comunicazione. Presidente di IACC Italia, sede di International Association of Colour Consultant, fondata nel 1957 a Hilversum e citata dalla Fondazione Munsell tra le quattro migliori scuole di colore del mondo. Docente a tempo indeterminato di Cromatologia presso l'Accademia di Verona dal 2003 al 2015, tiene corsi sul colore nella progettazione presso alla SPD (Scuola Politecnica di Design Milano), alla Nuova Accademia di Belle Arti (NABA) e alla Domus Academy di Milano. La sua formazione sul colore è iniziata all'Atelier Mendini di Milano (1990-2006), dove ha fatto parte del team guidato dal designer e artista Alessandro Mendini, maestro della policromia. Allievo di Frank Mahnke e di Narciso Silvestrini, ha seguito i loro insegnamenti sulla natura interdisciplinare del colore e sull'importanza di condividerne la cultura per renderla una risorsa per la riabilitazione del nostro ambiente costruito. Nel 2021 è stato nominato testimonial del Design Italiano nel modo ed è stato scelto come oratore principale di Color Impact, all’Università di Yale, la più importante conferenza internazionale sul colore dedicata all’ambiente costruito. Ha pubblicato con Silvia Botti il best seller “Abitare i colori” per Vallardi Editore. AMBITI DI PROGETTAZIONE CROMATICA, ART DIRECTION E DESIGN - Automobilistico: Fiat 500 (2003); Lancia Y (2005) - Nautico: Cantieri di Baia (2002); Claus Loewe (2015) - Trasporto pubblico: Metropolitana di Napoli (2000); autobus a gas naturale, Verona (2004) - Riqualificazione urbana: Carcere di Bollate, Milano (2008); Chiesa di Santa Maria Maggiore, Mirabella Eclano (2010); Liceo Boccioni, Milano (2017); Biblioteca Zappa, Milano (2020) - Arredo urbano: Città di Napoli (2001) - Spazi espositivi, attività commerciali: Banca Albertini-Syz,(2007); Flag Store Alberto Guardiani (2008); Pasticceria Scaturchio, Napoli (2009); Qubica Bowling, USA (2012); Cantine Ciani, Mirabella Eclano (2019); Showroom OTS, Padova (2022) - Stabilimenti industriali: OTS, Padova (2019); Vetropack, Boffalora sul Ticino (2022); - Architettura d’interni: casa studio di Gianna Nannini...

Il manifesto dal titolo carciofo cromatico è stampato in quadricromia ad altissima risoluzione. Ciascun poster sarà firmato dall'autore. “Il carciofo cromatico è nato dal sogno - fatto una notte dell'estate del 1990 durante un soggiorno nell'isola d'Ischia – in cui con le mani piene di pigmenti densi e brillanti, coloravo le piante di un bellissimo giardino. Al risveglio, il ricordo ancora vivido mi spinse a fissare su carta una sorta di tavolozza cromatica scandita con un ritmo ispirato al mandala: partendo da una macchia verde al centro del foglio, i colori acquisivano una vivacità sempre maggiore componendo una policromia armonica e cangiante". Il Carciofo cromatico è un soggetto di Massimo Caiazzo realizzato con diverse tecniche e materiali. Il soggetto originario è proprio il poster realizzato su carta è stato inserito nelle collezioni del “Museum fur Kunst und Gewerbe” di Amburgo, del “Musèe des Arts Dècoratifs” del Louvre di Parigi e del “Museum 4th Block of Ecological art di Kiev”. Massimo Caiazzo (Napoli 1966) è un esperto di progettazione cromatica, che affianca all'esperienza accademica la progettazione “sensibile” della luce e del colore nei settori dell’architettura, del design, della moda e della comunicazione. Presidente di IACC Italia, sede di International Association of Colour Consultant, fondata nel 1957 a Hilversum e citata dalla Fondazione Munsell tra le quattro migliori scuole di colore del mondo. Docente a tempo indeterminato di Cromatologia presso l'Accademia di Verona dal 2003 al 2015, tiene corsi sul colore nella progettazione presso alla SPD (Scuola Politecnica di Design Milano), alla Nuova Accademia di Belle Arti (NABA) e alla Domus Academy di Milano. La sua formazione sul colore è iniziata all'Atelier Mendini di Milano (1990-2006), dove ha fatto parte del team guidato dal designer e artista Alessandro Mendini, maestro della policromia. Allievo di Frank Mahnke e di Narciso Silvestrini, ha seguito i loro insegnamenti sulla natura interdisciplinare del colore e sull'importanza di condividerne la cultura per renderla una risorsa per la riabilitazione del nostro ambiente costruito. Nel 2021 è stato nominato testimonial del Design Italiano nel modo ed è stato scelto come oratore principale di Color Impact, all’Università di Yale, la più importante conferenza internazionale sul colore dedicata all’ambiente costruito. Ha pubblicato con Silvia Botti il best seller “Abitare i colori” per Vallardi Editore. AMBITI DI PROGETTAZIONE CROMATICA, ART DIRECTION E DESIGN - Automobilistico: Fiat 500 (2003); Lancia Y (2005) - Nautico: Cantieri di Baia (2002); Claus Loewe (2015) - Trasporto pubblico: Metropolitana di Napoli (2000); autobus a gas naturale, Verona (2004) - Riqualificazione urbana: Carcere di Bollate, Milano (2008); Chiesa di Santa Maria Maggiore, Mirabella Eclano (2010); Liceo Boccioni, Milano (2017); Biblioteca Zappa, Milano (2020) - Arredo urbano: Città di Napoli (2001) - Spazi espositivi, attività commerciali: Banca Albertini-Syz,(2007); Flag Store Alberto Guardiani (2008); Pasticceria Scaturchio, Napoli (2009); Qubica Bowling, USA (2012); Cantine Ciani, Mirabella Eclano (2019); Showroom OTS, Padova (2022) - Stabilimenti industriali: OTS, Padova (2019); Vetropack, Boffalora sul Ticino (2022); - Architettura d’interni: casa studio di Gianna Nannini...

Lithograph titled "Sails", created by Michele Cascella in the 1960s. Ø cm 38 h cm 29 including frame Michele Cascella (Ortona, September 7, 1892 – Milan, August 31, 1989) was an im...

Peter Götz Pallmann (Berlin, 1908 - 1966) Santa Trìnita bridge in Florence Oil on canvas applied to wood, 35 x 40 cm Frame 45.5 x 50.5 cm Signe...

Remarkable artwork by Ugo La Pietra. Wood frame and handwritten inscription on the back.

Our collection Herons, decorative and dreamy, shows a group of herons taking flight. The contemporary colors create a new contrast with the Japanese inspired design.   

19th century pair of Putti oil paintings on wood, set of two walnut panels depicting woodland landscapes with cherubs playing of Italian origin. Thi...

Still Life Of Peonies Airoldi 1924 oil painting on canvas depicting a composition of flowers, of pink peonies within a vase, signed and dated lower right B. Ajroldi 1924. A flashy ...

Coppia di Fregi Dorati Italiani 1750 circa Intaglio Rococò a Volute, dorate in foglia d'oro su una preparazione di bolo rosso armeno. Sono molto probabilmete cimase di specchiere a...

I. Reneman (Netherlands, active in the second half of the 18th century) Parrot with cherubs and flowers Oil on canvas, 100.5 x 84.5 cm Signed on the base “I. Reneman fecit...

A vintage deeply carved Cembran pinewood Christ Head bas-relief, a religious wall hanging panel depicting a Christ head wearing thorns and holding cross. O...

Antonio Bertoli (active between 1829 - 1842) Portraits of women (2) Oil on canvas, 41.5 x 31 cm With frame 52 x 42.5 cm Signed below A. Bertoli The two portraits examined here are by the hand of the artist Antonio Bertoli, a painter active in Florence between 1829 - 1842. He trained at the Florentine Academy, where in 1832 he obtained the prize for the nude in drawing. At the academic exhibitions of the following years he exhibited mainly portraits, including a representation of Nicolò Macchiavelli executed in 1837. An eclectic artist, he experimented with different genres: for the Villa Puccini di Scornio in Pistoia, in 1838, he was commissioned to create a history picture, The death of Francesco Ferrucci (Pistoia, Civic Museum), inspired by an episode of the novel Siege of Florence by Francesco Domenico Guerrazzi. Instead, two religious paintings date back to the 1840s: Christ chasing the merchants from the Temple and a Virgin Mary, In the portraits analyzed Bertoli depicts two half-length women taken from a foreshortening and a frontal in close pose, characterized by very similar Mediterranean features. In the first painting the woman, taken from the front, looks directly at the viewer. The wavy hair is decorated with a colorful violet and is partially covered by a white veil...

Lithograph titled "Field of Flowers" created by Michele Cascella in the 1960s. Ø cm 38 h cm 29 including frame Michele Cascella (Ortona, September 7, 1892 – Milan, August 31, 1989)...

Defined by a stunning interplay of bold architectural lines and soft textures, this wall sculpture will be the stand-out piece in any contemporary or Minimalist decor. Simple geometr...

Corinna Modigliani Ritratto Di Bambina Rome 1904 Stunning Italian work painted in oil on canvas depicting an elegantly dressed little girl in a white and blue half-sleeved dress, whi...

Female sacredness is recurrent in this artist's pop-surrealist works. The splendid priestess crosses the metaphysical architecture of her palace, embodying the archaic mystery of femininity. On a panel of fine cotton pictorial canvas, the piece is complete with an American box frame in basswood. Signed and numbered limited edition...

Cirano Castelfranchi Veduta del Naviglio a Milano di Via San Damiano dipinto ad olio su compensato di pioppo firmato da Cirano Castelfranchi, Milano 1912-1973. Il dipinto si presen...

Giovanni Battista Castello, known as "Il Genovese" (1547-1637) Penitent Magdalene Tempera on parchment, 21 x 17 cm Frame 26 x 22 cm The precious tempera painting on parchment is to be referred to the hand of the painter Giovanni Battista Castello (1547-1637), called “il Genovese” to distinguish him from the homonymous contemporary, architect and painter, called “il Bergamasco”. Older brother of Bernardo, a famous painter of late Ligurian Mannerism, he began his activity in the field of religious goldsmithing, to which he soon joined the art of miniature, an art to which he ended up dedicating himself completely and with greater satisfaction, bringing it back to a success and to a disclosure that he had not known since the Middle Ages and which now found incentive and justification in the spiritual and cultural climate of the Counter-Reformation. In the sources he is cited as self-taught; However, his assiduous frequentation of Luca Cambiaso...

18th century, French School. Portrait of Louis XV of France and queen consort Maria Leszczynska (2) Pastel on paper, 47 x 60 cm With frame 5...

Ugo La Pietra Artificial Nature #1 cotton silk virgin wool tapestry Ugo La Pietra presents his tapestries as a decorative exercise in homage to the “garden”; these works represent...

Anotherview is an ongoing project that takes place in between interior design and video art. It transforms your home into a nomadic place, where virtual window leads to unexpected la...

Anotherview is an ongoing project that takes place in between interior design and video art. It transforms your home into a nomadic place, where virtual wind...

A set of four frames with Klauber 18th century engravings within stunning rectangular frames in gold-leaf gilded wood with lapis lazuli blue color paper inserts in the external profile, with gold decorations. Under the original glass we find the effigies of Saints Ambrose...

Anotherview is an ongoing project that takes place in between interior design and video art. It transforms your home into a nomadic place, where virtual window leads to unexpected la...

A fashinating 17th century Italian Virgin with Child, an hand-made rectangular shaped relief devotional plaque in polychrome glazed terracotta depicting a Madonna with Child, dating ...

Accardi - Dipinto Fiori - Natura Morta - Painting - XX Secolo - Italia Descrizione : dipinto rappresentante un vaso di fiori dai colori pastello su sfondo grigio rappresentato dal noto pittore italiano...

Anotherview is an ongoing project that takes place in between interior design and video art. It transforms your home into a nomadic place, where virtual window leads to unexpected la...

Anotherview is an ongoing project that takes place in between interior design and video art. It transforms your home into a nomadic place, where virtual wind...

Lithograph by Gianni Dova, created in the 1960s. Measures: Ø cm 60 H cm 84 Gianni Dova (Rome, 8/01/1925 - Pisa, 14/10/1991) was an Italian painter. He was among the protagonists of the Spatialist Movement that grew up around the Galleria del Naviglio in Milan and he signed several posters including: - the fourth (Manifesto of Space Art...

Venetian school, 18th century Study with the head of a cherub Measures: Oil on canvas, 45.5 x 41 cm - with frame 54.5 x 49.5 cm The present qualifies as a study or preparatory sketch by virtue of the structural and figural layout; by reason of formal and substantial evidence, it can be traced back to the mature neo-Venetian style, which in the eighteenth century had begun to produce figurations of extreme typological pathetism and formal expressionism. The contemporary painting experience of Tiepolo commanded the Venetian art scene, once the lesson of Pier Francesco Mola (1612-1666) was overruled. The delicate putto head offered here, in which a cherub is recognizable due to the happy iconographic solution of the wings placed under the angel's face, is outlined with a vigorous vitalism. A foreshortened point of view illuminates his face in a grazing way, probing his features with strong shadows and with a youthful blush that orange his cheeks. The veristic perfection with which the artist arranges the semblant is of marvelous expressiveness. The eyes are swollen with intensity, and together with the general setting of the head they denounce a conscious reflection on the physiognomy, peculiar within the emerging context of Venetian painting. The painting in question is affected by the large-scale productions, both monumental and perspective, at the time in vogue in the territory of the Serenissima. Conceived through a vision from below, the portrait reveals from the Venetian Rococo that particular predilection for the open and clear, airy ways, denounced in the first instance by Tiepolo. The conscious detachment from the Cortona-style decorativism and from the repeated layout solutions then in vogue allow us to approach the present to the production of Francesco Fontebasso...

This unique oil on canvas unfraimed figurative Italian painting dipicts three resting Italian soldiers in the foreground, eating and resting in a desert landscape of North Africa during the Second World War. The three seated figures are depicted with undefined and dark faces. Signed lower left Boccasile. Giorgio Boccasile Italian painter and illustrator 1935-1983, sun of Gino Boccasile a well known painter famous for its II world war propaganda...

19th Century Flemish School Portrait of a Lady oil on cardboard painting, rectangular shape, with an overlaid oval gilt cardboard, set in a rectangular gilt frame. It depicts a middl...

Church Interior with Praying Woman signed by Belgian Emile Vloors 1894 Bruges, an oil painting on canvas depicting the interior of a church with an elderly woman seated as she is pra...

A true piece of art that will make a statement in a contemporary interior, this wall sculpture is masterfully crafted of leather from an Exclusive Design by Gio Bagnara...

Saverio Manetti hand-watercolor etching depicting Anatra Salvatica ca. 1770 taken from the work Storia Naturale degli Uccelli trattata con metodo ed adornata di figure intagliate in ...

Small and lovely Italian Holy Water font from Italy, a shaped polychrome ceramic artwork dating back to Neoclassical period, early 19th century. This rare religious work is finely ...

Original 19th-century Italian painting of children playing by Ernesto Fontana titled Tra i Due Litiganti Il Terzo Gode dated 1893, oil on canvas depicting three children playing happ...

Olio su tela, antico ritratto di una nave risalente alla prima metà del XIX secolo di provenienza inglese; lo sfondo è arricchito da un’altra nave più piccola, da due piccole imbarca...

Chiselled glass plate depicting a motherhood, the creation of which is attributed to Erwin Walter Burger in the 1960s. The class plate has a little chip as shown in the pictures. Ø ...

Pencil drawing representing a two-seat biplane for reconnaissance Brandenburg C I produced in Austria by Phonix in 1917, equipped with a Hiero 200 hp engine and armed with twin machi...

Venezia, San Giorgio Maggiore, veduta della laguna veneta con gondola e imbarcazioni e la basilica sullo sfondo. Il dipinto è una miniatura su rame dipinta a olio da Amedeo Giunti, p...

Torricellian barometer of oak wood, signed Negretti & Zambra London from the second half of the 19th century, complete with reading vernier for checking the pressure variation and thermometer. Height 98 cm - 10.6 inches, width 27 cm - 38.5 inches, depth/thickness 5 cm - 1.96 inches. Very good condition, fully functional. For safety during transport the barometer will be shipped emptied of mercury. The mercury will be placed in a sealed container in the package together with the barometer. When it was discovered, that changes of atmospheric pressure are connected to changes of weather, barometers became very popular. Evangelista Torricelli...

Splendid Wall Plate by Federico Quattrini, 1954, signed and dated. Rare and fascinating wall plate made in 1954 by renowned Italian artist and ceramicist Federico Quattrini. This uni...

Paolo de Poli - smalto su rame dipinto a mano dal artista che insieme a Gio Ponti hanno collaborato nel arredamento del 900 italiano.

Morbelli porcelain wall plate worked with pure gold 1960 Italy.

Anotherview is an ongoing project that takes place in between interior design and video art. It transforms your home into a nomadic place, where virtual window leads to unexpected landscapes or cities to suit however you feels like. The team of Anotherview is constantly collecting new and exclusive views around the world. In a way each view tells a unique story about our time, people, society and the world. The end result of each Anotherview is an hyper realistic window that can be installed in any wall or type of room, with or without windows, that will become an integral part of your interior. Once the time of the day is set, the window view will run for continuously 24 hours according to the user’s time of the day without needing any other intervention, just like in a real window. Each Anotherview window comes with an Anotherview app and an exclusive code to easily access the device with a smartphone and to adjust the time as preferred. Place: Amphawa Floating market...

Bolla di trasporto marittimo su carta del 15 ottobre 1873, da Genova a Cagliari della ditta Zucoli Sturla & C. incaricata di caricare mercanzie a bordo del brigantino Marin Faliero v...

Landscape with resting shepherdess, sheep and cow, Tschaggeny 1849, signed and dated lower right by the Flemish Romantic painter and engraver Charles Philogene Tschaggeny, Bruxelles 1815-1894. This antique oil on oak panel painting, set in modern carved gilt-wood frame, depicts a resting shepherdess seated in the shade of a tree, stroking a cow. In front of them sits a sheep with a little lamb. The foreground scene is framed by a rural landscape with architecture in the background. In excellent condition, set within a carved and gilded wooden frame, this antique Belgian painting...

Lithograph on paper made in the 1990s by the Salomone typography in Rome from a painting depicting My Top winner of the 1983 Italian Derby, ridden by Salvatore Perlanti. With frame 6...

Orazio Orazi (1906-1979) Tempera on canvas "The bullfight at Cheval" 1949 signature and date on the front Italian painter very active abroad, recognized by the name of Orazì and m...

Morbelli Porcelain wall plate worked with pure gold 1960 Italy.

- This product is priced per square meter. Please contact us for assistance with square footage calculations. - The lead time depends on the quantity of the order. A tribute to natu...

Antico barometro aneroide marino inglese della fine dell'800 in legno di rovere scolpito come una cima, ottone e vetro. Firmato John Barker & C Ltd Kensingotn. Buono stato. Funziona...

This Pop-Surrealist digital painting depicts a shaded female figure with a red flower emerging from her chest, whose sweet fragrance attracts a swarm of bees. This piece symbolizes the tragic fate of the Queen Bee...

Print depicting a schooner, no. 1 of 400 copies signed Z21, made in the mid-19th century. Non-coeval briarwood frame; measures with frame 50 x 40 cm.  

litografia ugo nespolo - tiratura 11/109 - XXsecolo - litografia Caratteristiche Artista: Ugo Nespolo (1941) Titolo opera: le vele Epoca: Contem...

Series of Six Prints with Popular Roman Costumes by Pinelli Bartolomeo dated 1831 Acquaforti reproducing costumes and scenes of popular life in the city of Rome. In good condition, t...