New York City - Sculptures

Anne-Charlotte Saliba's artistic universe is largely inspired by nature, its abyssal dimension as well as its vegetal or mineral forms. Her sculpted artworks are a confrontation of s...

Yoshitomo Nara MoMA Skateboard Decks (complete set of 2 works): These Yoshitomo Nara skateboard decks were published MoMa New York and created in 2017 under the supervision of Nara f...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – tha...

"Ristra" by Alex Barrett Large-scale, organic abstract metal sculpture in powder-coated aluminum Alex Barrett's monumental abstract sculptures are built with aluminum, and are powde...

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. More about the series: Ar...

Yayoi Kusama Set of 3 Pumpkins: Yellow and Black, Red & White and Red & Black Naoshima: An iconic, vibrantly colored pop art set - these small Kusama pumpkin sculptures feature the universal polka dot patterns and bold colors for which the artist is perhaps best known. Kusama first used the pumpkin at the 1993 Venice Biennale for the Japanese pavilion and since then it has appeared worldwide in various iterations, to ever rising acclaim and popularity. Medium: Painted cast resin. Red/White, Yellow/Black c. 2015. Red & Black Naoshima pumpkin...

Inspired by the effect nature has on materials, Pascal Oudet’s wood sculptures are intricate filled with complex yet simple details. Born in 1972 in Vesoul, France and trained in eng...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals the late iconic artist’s artwork from the mid 1980s wrapping the figure in its entirety. Housed in a standout Keith Haring collectors box. Complete sold out & out of print. Medium: Vinyl Figurine...

KAWS WHAT PARTY (orange): KAWS orange WHAT PARTY Companion featuring KAWS' CHUM character in a hunched position. Published to commemorate the debut of KAWS...

William Crovello Hakuin, 1984 Mirrored, reflective brass sculptue on plinth De-accessioned from the GE Corporate Art Collection Signed and dated Crovello '84 Measurements: 13 x 13-3/4 x 2-1/4 inches (33.0 x 34.9 x 5.7 cm) (work) 1 x 17-1/2 x 10-1/2 inches (2.5 x 44.5 x 26.7 cm) (plinth) This work is named after a legendary, Japanese Zen Buddhist Hakuin Ekaku, a major historical figure William Crovello Biography (written by Marshall Price, Nasher Museum Curator and former curator of the National Academy Museum): Best known for his large public sculpture. New York City native William Crovello initially studied painting at the Rhode Island School of Design from 1947 to 1951. He entered the air force in 1952 and was stationed in Japan from 1954 to 1955. Following his military duty, Crovello, seeking his expressive muse, returned to Japan in 1957 for four years and became enchanted with the rich tradition of classical calligraphy. The artist absorbed both the deep philosophy and technical execution of the ancient script by immersing himself in calligraphic study. After returning to New York in 1961, the artist moved to Spain in 1968 and shifted from painting to sculpture, creating forms whose presence activated three-dimensional space. His stone and metal works draw directly from the smooth strokes of the Japanese brush, echoing the graceful brevity and elegant fluidity of an ancient tradition. Following the movement of the calligraphic stroke, Crovello created numerous public sculptures, such as the painted steel Cubed Curve installed in 1972 outside of the Time-Life Building in New York City, and the Swedish...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

Bronze sculpture by Betty Jacob depicts a smooth and curvaceous gilt bronze figure posing on her knees. Signed high on the left thigh and mounted on a blac...

Adriana Marmorek RENDEZVOUS BLOWN, 2020 blown glass, bronze 1.97 x 9.45 x 6.5 in. 5 x 24 x 16.5 cm.

KAWS Holiday Singapore (KAWS Singapore): complete set of 3 works: A compete set of 3 KAWS Holiday Companions new in their original packaging. KAWS Sing...

Cheeky references to pop culture and the societal context. Donald Duck is cast in resin with banknotes inside. Grounded in a postmodern vernacular, Alben’s paintings and sculptures ...

Keith Haring, Andy Warhol, Basquiat Bearbrick 400%: set of 3 works (c. 2019-2021): Unique, timeless Keith Haring, Andy Warhol, and Jean-Michel Basquiat collectibles, each trademarked...

LOVE GLOVES VINYL FIGURE: SLICK EDITION Matte Black w/Gloss Black Accents Edition of 500 Size: 5 Inches H x 10 Inches W (12.7cm x 25.4cm) SOLD OUT - Slick Edition Brand new in perfect condition. Slick’s work has been presented in a variety of spaces, including the exhibitions: Art In The Streets at MOCA (Los Angeles, CA), LA Heat at Chinese American Museum (Los Angeles, CA), Beyond The Streets (Los Angeles, CA), Roll Call at LA Louver (Venice, CA), California Locos Masters Of Style at Eastern Projects (Los Angeles, CA) and Into Action, a social justice festival of art and ideas (Los Angeles, CA). It has also been documented in numerous publications and books such as: Graffiti LA, Mascots & Mugs and The History of Los Angeles Graffiti Art. Other commissions and clients include: Adidas, Levi’s, Microsoft, Disney, LA Lakers...

A french patinated bronze figural group of Flora in the sky with Putti and bountiful garlands of flowers. Cast from a model by Mathurin Moreau. Titled "The Triumph of Flora" a story from Ovid...

This piece is Vacuum formed with plastic, painted and fabricated to be 3-D. All Yuki's works represent the 2-D while tricking our eyes in the 3-D physical world.

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with organic mediums and learning how to craft preserved moss, clay, feathers and other natural elements into beautiful abstract compositions. Primarily inspired by nature, repetition, patterns, texture and geometry are essential elements that are omnipresent in her works. About Lapis and Flos series: Laforey recent ceramic works are unique pieces that alter in patterns to give an illusion of movement and depth by using clay’s potential for building sculptural dimension. The repetitive use of a unique element, the circle is centered to her work. The circle has often been associated with the female and to Mother Earth. It has no beginning and no end, it is the whole, the essence of things. It symbolizes the ongoing energy found in nature. Laforey’s Lapis mural ceramic series...

"Mercury" NYC 1931 Bronze 5th Ave Traffic Light Sculpture American Art Deco WPA In the late 1920s, Joseph Freedlander was asked by the City of New York ...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including P...

KAWS SMALL LIE 2017: Set of 2 works. Each new and sealed in their original packaging. These KAWS figurative pieces are a rendition of Small Lie produced in collaboration with Qatar M...

Albert-Ernest Carrier-Belleuse, (1824 1887) A Rare and Important Patinated Bronze Bust of Michelangelo On A Rouge Marble Base. Presenting an extraordinary and highly collectible ma...

Takashi Murakami DOB-kun Figure: A limited edition Takashi Murakami art toy featuring the artist's iconic DOB character. DOB-kun’s name, defined i...

2023, Painted PVC

The ‘Goddess’ by visionary artist Alexander Ney was handcrafted using italian white terra cotta in 2019. Ney began his professional career as a highly productive visual artist, as a ...

4065 Hand painted surreal resin sculpture

Lisa Meek transforms books by cutting their bindings, painting the pages and folding them to create floral blossoms rooted in the words of the authors. Each page has been lightly tinted adding a dimension of color to the work without obscuring the words on the page Lisa Meek’s sculptures, collectively titled Biblio Botany, possess a duality that is reflective of the artist herself and her eclectic range of interests. As a practicing medical professional with an inherent artistic drive, Lisa Meek has made impactful contributions to those she interacts with in both office and gallery spaces. The polarity of these worlds conglomerate beautifully, manifesting through her notable success in both fields. Lisa’s pursuit of a cosmetological career has always been paralleled with a desire to create, to utilize her artistic prowess in order to share her perspective and initiate important conversations. This desire has been integral to her experience since early adolescence, when she began acting upon her creative drive by depicting nature scenes.  The process in which Lisa assembles her sculptures is quite complex. In order to achieve depth and nuance, Lisa employs considerable intention throughout the planning process. With great admiration and ponder, Lisa cuts pages out of various literary works which highlight topics she wishes to discuss, human rights often being central. Attention to detail is vital; certain books possess qualities unsuitable for paint and shape manipulation. Every aspect of her work is deliberate; the symbolism associated with color and flower species, the pairing of literature, the minute details of shape and object placement. This layered production process exemplifies Lisa’s contemplative nature.  Prior to 2018, the majority of Lisa’s work was created on traditional canvas. Spurring from her exposure to contemporary mediums, she was able to redefine her creative denotations and expand her personal definition of art. The surface work of Liza Lou...

Peter Voulkos Ceramic Sculptural Dish, ca. 1985 Sculpted ceramic Hand-signed by artist, Incised signature on the base. 1.5 x 11.5 inches This charger plate by Voulkos features a Greek-influenced stylized birds and leaf design. Peter Voulkos is an American artist of Greek descent. The abstraction of animal and nature elements paired with the earthy, mottled gray and brown against brown background make this work beautiful. This work was featured in the exhibition "On Black Mountain: The Bauhaus Legacy in America", at the Sager Braudis Gallery (now Sager Reeves), in Columbia Missouri from April 5, 2019 to April. 27, 2019 and is reproduced in page 53 of the exhibition catalogue. We will provide a complimentary copy of the exhibition catalogue to the buyer of this work. Born in 1924 to Greek immigrant parents in the town of Bozeman, Montana, Peter Voulkos is one of America’s most significant sculptors of the 20th century. Voulkos got his start in art in the late 1940s, when he was studying at Montana State College, Bozeman on the G.I. Bill, after being drafted and serving as an airplane armorer-gunner in the Pacific in World War II. In classes with Frances Senska, he discovered ceramics, the medium that would characterize his career. After graduating from Montana State College, Bozeman in 1951, Voulkos moved west and earned his MFA from the California College of Arts and Crafts in Oakland, California. Returning to Montana after graduation, Voulkos attracted attention “as a prodigious natural potter and a producer of elegantly thrown functional earthenware,” according to Roberta Smith for the New York Times. He also produced dinnerware to sell through high-quality stores, and was noted for his wax-resist method of decoration.Voulkos gained a reputation as a master of ceramics techniques, winning twenty-nine prizes and awards from 1949 through 1955. However, a summer spent teaching at the experimental Black Mountain College (he was invited to teach at BMC by Karen Karnes) near Asheville, North Carolina in 1953 resulted in a dramatic shift in Voulkos’s artistic priorities, as well as his aesthetic. It was at Black Mountain College that Voulkos met Robert Rauschenberg, John Cage, Merce Cunningham and Charles Olson. He then visited New York City (as a guest of pianist David Tudor and Mary Catherine Richards) and encountered Philip Guston, Willem de Kooning and Franz Kline—Abstract Expressionist painters who influenced the new direction Voulkos would go on to pursue. In 1954, Voulkos was invited to teach at the Los Angeles County Art Institute (now Otis), and he established a new ceramics department and graduate program that attracted other young artists including John Mason, Ken Price, Billy Al Bengston and Paul Soldner. It was here that, inspired by the scale and spontaneity of the New York School, Voulkos began to build progressively larger works that cast aside utility and abandoned ceramic conventions. Decoration became aggressive, as he slashed at and pierced the clay, which he then energetically painted with glaze. Peter Voulkos exhibited these new works in shows at the Landau Gallery in Los Angeles, which announced to the world a new way of approaching ceramics. Disagreements with the more conservative administrators of the LA County Art Institute led to Voulkos’s departure for the University of California, Berkeley, in 1959. While at Berkeley, Voulkos experimented with bronze and produced large-scale bronze sculpture, while continuing his ceramic work and doing demonstrations of ceramics throughout the U.S. In 1979, a young ceramist named Peter Callas...

2023, Painted PVC

DANIEL ARSHAM Hourglass (Blue), 2019 Glass, sand, cast miniature camera and quartz crystal in opaque white resin accompanied by its original box with guara...

2023, Painted PVC

2023 Painted PVC

2023, Painted PVC

2023, Painted PVC

2023, Painted PVC

2023, Painted PVC

Takashi Murakami DOB-kun Figure 2019: DOB-kun’s name, defined in his rounded ears and face, is the first three letters of an improvised phrase tha...

Takashi Murakami Flowers Skate Deck: A vibrant piece of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus Eats Its Own...

"Eternal Flow" entices observers with its fusion of transparent layers, reminiscent of verdant copper hues. Each one weaving a narrative of color and texture that enthralls the sense...

KAWS 'Holiday' Companion: This figurine was published by All Rights Reserved to commemorate the debut of a large scale KAWS floating figure for Seoul’s Seokchon Lake during summer 20...

Ben Young Infinite Sea, 2023 Float Glass, Mirror, LED Lighting and PVC

Isidore-Jules Bonheur (French, 1827–1901) A Rare Gilt and Patinated Bronze Jockey on A Horse, circa 1875. Introducing a truly exceptional and highly so...

Hebru Brantley Flyboy, 2017. New, never displayed; accompanied by original packaging. Medium: Painted cast vinyl. Dimensions: 9 x 8 x 4 inches (22.9 x 20.3 x 10.2 cm). New and sealed in its original packaging. From a sold out edition of unknown; published by Hebru Brantley, Billionaire Boys Club...

Ben Young Split Sea, 2021 Laminated Float Glass, Cast Concrete and Stainless Steel Frame

Ben Young Tomorrow’s Reflection, 2022 Float Glass, Cast Concrete and Steel

Yayoi Kusama Set of 2 Pumpkins: Yellow and Black & Red & Black Naoshima: An iconic, vibrantly colored pop art set - these small Kusama pumpkin sculptures feature the universal polka...

Ben Young Descending, 2021 Laminated Float Glass and Cast Concrete

Ben Young Rise, 2022 Laminated float glass, cast concrete, stainless steel, LED lighting and MDF plinth

Yayoi Kusama Red & Black Pumpkin 2019: An iconic, vibrantly colored pop art piece - this rare, sought-after red Kusama pumpkin sculpture features the universal polka dot patterns and...

Ben Young Last Traces of Night, 2022 Float Glass and Cast Concrete

Ben Young Dissolving Moon, 2022 Float Glass, Cast Concrete and Steel

This piece catches the attention of the viewer with its colorful, geometric, and abstract design.

This piece catches the attention of the viewer with its colorful, geometric, and abstract design.

After Marcel Duchamp Bicycle Wheel replica from the Philadelphia Museum (estate authorized), 2002 Wheel and painted wood. In original box 11 × 6 1/2 × 3 ...

This piece catches the attention of the viewer with its colorful, geometric, and abstract design.