Paris - Serveware, Ceramics, Silver and Glass

Beautiful set of 2 earthenware tea cups in the "George Sand" collection. These tea cups feature an elegant and detailed design, adorned with a raised pattern of strawberry leaves, ...

Ceramic Pitcher by Mado Jolain, France, 1950s Dimensions : Height 29 / Diameter 16 cm. Depth with the handle : 22 cm.

Green Aesthetic Minton Porcelain Plate in the style of Japonism creations made by Christopher Dresser. Round plate adorned with an oriental fan representi...

Direct from a private residence in Paris, a magnificent 19th century, Louis XVI covered sterling silver tureen by the world's premier French silversmith "Puiforcat", currently owned by Hermes, a beautifully elegant set - Circa 1890s, MAGNIFICENT. The art of silver-smithing has been a distinguished part of French heritage for centuries, producing some of the most exquisite and sought-after silverware in the world. Among the names synonymous with excellence in this field, Puiforcat stands out for its unparalleled craftsmanship, rich history, royal patronage, and innovative designs. Puiforcat's story began in 1820 when Jean-Baptiste Fuchs, a skilled silversmith, established a workshop in Paris. This workshop laid the foundation for what would become one of the most prestigious names in silver-smithing. In 1857, Louis-Victor Puiforcat, Fuchs' son-in-law, joined the business, bringing with him a passion for the craft that would define the company’s future. The business was subsequently renamed "Puiforcat" and began to flourish, gaining a reputation for its exceptional silverware. Throughout the 19th and early 20th centuries, Puiforcat expanded its range of products, producing not only silver flatware but also intricate tableware, decorative pieces, and objets d'art. The company's commitment to quality and innovation was evident in their designs, which often incorporated elements of Art Deco, a style that became closely associated with Puiforcat during the early 20th century. This period also saw the involvement of Jean Puiforcat, a visionary designer who played a crucial role in establishing the brand's modern identity. Puiforcat's silver pieces are renowned for their exceptional quality and craftsmanship. Each piece is meticulously crafted by skilled artisans who adhere to traditional techniques passed down through generations. The process of creating Puiforcat silver pieces involves multiple stages, including design, forging, chasing, and polishing, each requiring a high level of expertise and precision. One of the hallmarks of Puiforcat silverware...

Yellow Aesthetic Minton Porcelain Plate in the style of Japonism creations made by Christopher Dresser. Round plate adorned with an oriental fan representing a lovely and colorful bi...

Mid-19th century blue, opaline crystal set composed of a small flask, its stopper and a small, flower-shaped cup. The perfume bottle and flask are decorated with enameled and silver ...

Fulvio Bianconi "Pezzato" Glass Vase, 1951 Venini Murano green blue red vase Marked: Venini H : 28 cm (11") Overall Very good condition The "Pezzato" (Patchwork) series took Bianco...

This rare and the most sought after collectibles vintage Piero Fornasetti porcelain lithographically-decorated and hand painted ceramic zodiac plate have a white background with word...

This is a serving bowl which was made around 1800s in Edo period. It is made with porcelain and it's all hand painted. This bowl was made with Koimari style (Koimari-ware). The motif...

White earthenware ceramic plate with colored engobe and glaze. Marked and numbered 'No 83 / Edition Picasso / 30/ 200 / Madoura' (underneath). (A.R. 483).

Direct from Paris the Birthplace of Art Deco, a Stunning "Gatsby Era" Original French 950 Sterling Silver Art Deco Tureen by Internationally Known French Silversmith "J. Gruhier" Sop...

Stig Lindberg (1916-1982). Two vases white and black enameled ceramic . One vase "Grazia" white with black enameled woman and leaves (1960s). Sweden ce...

Presenting the "Grands Oiseaux" plates, an exquisite piece from the renowned Escalier de Cristal, the definitive tableware store of the 19th century. This hand-painted plate delicat...

Ceramic pitcher by Robert Picault. France 20th century. Signed.

Aldo Tura 'Bougeoirs', A pair of candlesticks, c. 1960 Execution: brass and carmine lacquered parchment Signed: Tura Measure: H : 11 cm (4.3") Overall Very good condition A p...

Circular tray in copper inlaid with silver with radiating decoration of palmettes. Signed "JEAN DUNAND".

Accolay ceramic plate, France, 1960s.

Direct from Paris, a magnificent 5pc. antique French vermeil (gold plated sterling silver) tea set by one of France’s premier silversmiths “Henin Freres” in excellent condition and c...

Ceramic pitcher by Roger Capron, France, Vallauris, 1950s. Pyjama decor. Model P2

Direct from Paris, a stunning 48pc. antique French 19th century sterling silver flatware set by France’s premier silversmith “Puiforcat”, currently owned by Hermes, in excellent condition and with individual storage chests. The name Puiforcat resonates deeply within the annals of French luxury, embodying the pinnacle of silversmithing craftsmanship, tradition, and innovation. With a history spanning nearly two centuries, the house of Puiforcat is synonymous with unparalleled quality, royal patronage, and an enduring legacy that seamlessly blends classical elegance with modern artistry. From its foundation in the early 19th century to its contemporary association with the luxury conglomerate Hermès, Puiforcat has maintained its status as a paragon of excellence in the creation of sterling silver flatware and objets d'art. The story of Puiforcat begins in 1820, when Émile Puiforcat established the silversmithing company in Paris. Initially focused on the production of flatware, the company quickly gained a reputation for its meticulous craftsmanship and exquisite designs. The Puiforcat family, over several generations, maintained a steadfast commitment to the highest standards of silversmithing. Each piece produced by the workshop was meticulously handcrafted, with an attention to detail that elevated Puiforcat above many of its contemporaries. The company’s dedication to quality was not merely about aesthetics; it was a philosophical approach that viewed silversmithing as an art form. Every piece, whether a simple spoon or an ornate candelabra, was treated as a work of art, designed to bring beauty and elegance to everyday life. Puiforcat’s reputation for excellence did not go unnoticed by the elite of French society. The house soon became a favored silversmith among the aristocracy and royalty, further solidifying its status as a purveyor of luxury. The association with the French royal family was a significant milestone for Puiforcat, as it brought the company into the upper echelons of French society and culture. One of the most notable patrons of Puiforcat was the Duke of Orléans, a member of the Bourbon royal family. The Duke’s patronage was instrumental in elevating Puiforcat’s profile, as it led to commissions for some of the most prestigious households in Europe. These commissions often involved the creation of bespoke pieces that were tailored to the specific tastes and requirements of the clients, showcasing Puiforcat’s ability to blend traditional craftsmanship with personalized design. The royal patronage extended beyond France’s borders as well, with Puiforcat receiving commissions from various European courts. This international recognition helped the company to expand its influence and cement its position as one of the leading silversmiths in Europe. The ability to cater to such discerning clients required not only exceptional craftsmanship but also an understanding of the cultural and aesthetic nuances that defined different European courts. Puiforcat’s success in this regard is a testament to the company’s versatility and artistic sensibility. In 1993, Puiforcat became part of the Hermès group, one of the most prestigious luxury conglomerates in the world. This partnership brought together two iconic French brands, each with its own rich history and commitment to excellence. The acquisition by Hermès marked a new chapter in Puiforcat’s history, as it allowed the company to expand its reach and resources while maintaining its artisanal roots. The collaboration between Puiforcat and Hermès has been a natural fit, as both companies share a dedication to craftsmanship, quality, and timeless design. Hermès, known for its impeccable leather goods and accessories, brought its expertise in luxury branding and global distribution to the table, helping to elevate Puiforcat’s profile on the international stage. At the same time, Puiforcat has remained true to its heritage, continuing to produce its silverware in its traditional workshops using time-honored techniques. Under the Hermès umbrella, Puiforcat has been able to expand its product offerings while maintaining the same level of quality that has defined the brand for nearly two centuries. This has included the introduction of new designs and collections that appeal to contemporary tastes, while still honoring the company’s rich history. The partnership has also allowed Puiforcat to collaborate with other designers and artists, further expanding its creative horizons. At the heart of Puiforcat’s enduring appeal is its commitment to creating the finest sterling silver flatware in the world. The company’s 950 sterling silver flatware sets are considered some of the best in the industry, renowned for their exceptional quality, durability, and timeless beauty. The process of creating Puiforcat’s sterling silver flatware is a labor-intensive one, requiring the skill and expertise of master silversmiths. Each piece is handcrafted using traditional techniques that have been passed down through generations. This includes the meticulous process of shaping, hammering, and polishing the silver to achieve the desired form and finish. The attention to detail is evident in every aspect of the flatware, from the perfectly balanced weight to the intricate engravings that adorn many of the pieces. One of the hallmarks of Puiforcat’s flatware...

Set of 4 glazed beige ceramic deep plates with a marbled effect, by artist Suzie Lapierre d'Argy. Each piece is unique, with varying patterns and finishes, showcasing the artisanal n...

Silver bowl Mark of Adam Bentzen Graeser, Copenhagen 1921. Hammered by hand silver Good condition.

Exquisite 3-piece tea service set, featuring a teapot, a milk pot, and a sugar bowl. Each piece is meticulously crafted from high-quality silver-plated metal, ensuring both durabilit...

Contemporary cake stand Measures: Diameter 30 x Height 38 cm Tray in natural colour ash veneer Base and handle in plated metal coated with glossy Pink C...

Freeform dish or catchall in ceramic by Denise and Peter Orlando, made in the 1950s. Set against a black glazed background with an abstract re...

White earthenware ceramic plate, partially engraved, with colored engobe and glaze. Dated '25.9.53.' (upper center); stamped 'Madoura Plein Feu / Edition Picasso' (underneath). (A....

This Faïence fine service "Fontainebleau", inspired by the atmosphere of the Fontainebleau castle, was manufactured by the French firm Creil & Montereau in the late 19th century. Fin...

This rare set of polychrome enameled earthenware plates, from the Jules Vieillard & Cie manufacture in Bordeaux, features scenes inspired by Japanese art. Designed by Amédée de Caran...

This plate was made with porcelain, style of Inuyama-yaki and made around 1960s. The dimensions are 36×36×H8 cm. A boldly drawn pattern of autumn leaves and cherry blossoms, two pa...

A "Tigris" pitcher or vase, Modernist, from Forme-Libre, sensual body in thick glossy black enameled ceramic decorated with lyrical yellow and white lines by ANNELIESE BECKH, 1950. T...

Pair of 1900s vases in glazed stoneware, decorated with hunting birds, insects, leaves and fruit, ribbons and masks of lion. The inside is lined with a container of tinplate.

This is a small cup for drinking sake. It is called Ochoko in Japanese. It was made in showa era around 1970s. It is made with porcelain and all hand painted. This is Kutani ware. ...

This is a plate which was made with style Aito (Aito ware). This plate was made around 2000s in Heisei era. It is made with porcelain. The motif which is on the plate in a Japanese b...

Ovoid earthenware vase with slightly protruding annular neck, modernist decoration in enamel with black and blue lines interrupted by blue squares...

Dessert plate decorated with a colourful aquatic scene, shining with the delicate gold and silver reflections of the enamel paint. Three small blue fish enhanced with silver swim aro...

Set of Two Green Plates from the George Sand Collection These plates feature a deep, vibrant red background that creates a striking contrast with the intr...

Pair of porcelain glass-coolers with painted medallions and gilded ornaments on a turquoise blue background, mounted on a gilt bronze base, in the style of the Manufacture of Sèvres....

Tylissos Plate 2 by Georgiev Zabeta Dimensions: Ø 15 x H 6 cm. Materials: Wheel-thrown stoneware clay and glaze. Georgiev Zabeta is a multidisciplinary practice that floats within a...

In silvery and golden nickel-plated metal with mirror. Stamped "Desny Paris", "Made in France" and "Déposé".

Set of 4 glazed ceramic dessert or entrée plates in beige with a marbled effect, by the artist Suzie Lapierre d'Argy. Unique pieces with varying patterns and finishes, showcasing the...

Rita Alaoui seeks to explore and rethink our relationship with the wild world and to imagine connections with the extraordinary. Fascinated by the power of nature and concerned about...

Contemporary cake stand Measures: W 50, D 30, H 24 cm Plated metal coated with glossy Champagne finish From Earth, one can only see the portion of the M...

Rometti ceramic vase. Black color with red, green and white abstract decor. Circa 1940. Italian manufacturer Rometti. Signed under the base.

Enhance your collection with this stunning green Murano glass, a true testament to the artistry of Italian craftsmanship. Standing at 9 cm tall with a diameter of 7.5 cm, this exquis...

White opaline service set composed of a pitcher, a coffee pot, a mustard pot, and two salt cellars. They are decorated with enameled bouquets of flowers and highlighted with gilded b...

Direct from Paris, a magnificent 5pc., original French Art Deco 950 sterling silver tea set by French silversmiths “Ernst Prost” and “Olier & Caron” in superb condition and includes 5 anti-tarnish storage wraps for easy storage – circa early 1900s. The world of silversmithing has long been synonymous with elegance, craftsmanship, and luxury. Throughout history, certain artisans have stood out as true masters of their craft, combining artistic vision with technical expertise to create timeless works of art. Among these luminaries is Ernst Prost, a French silversmith whose legacy is defined by extraordinary craftsmanship, royal patronage, prestigious accolades, and a body of work that bridges tradition and modernity. His most celebrated creations, particularly his exquisite Art Deco 950 sterling silver tea sets, embody the refinement and innovation that made him one of the foremost silversmiths of his time. Ernst Prost was born into a family of craftsmen in the late 19th century, at a time when French silversmithing was undergoing a period of great transformation. Prost's early exposure to the craft, combined with formal training under some of the leading silversmiths of the time, laid the foundation for his career. From a young age, Prost exhibited a natural talent for working with silver, and he quickly developed a reputation for his meticulous attention to detail and his innovative approach to design. After completing his apprenticeship, Prost established his own workshop in Paris, where he began producing silver objects that were marked by their precision and artistic flair. His early work adhered to the classical styles that had dominated French silversmithing for centuries, but Prost was also eager to experiment with new forms and techniques. As his career progressed, Prost increasingly embraced the modernist aesthetics of the Art Deco movement, which would come to define much of his later work. Prost’s work is distinguished by a number of key characteristics that set it apart from that of his contemporaries. First and foremost, Prost was known for the exceptional quality of his craftsmanship. Every piece that came out of his workshop was a testament to his technical skill and his dedication to perfection. Prost was a master of traditional silversmithing techniques, including hand-hammering, engraving, and repoussé. He also pioneered new methods, experimenting with different finishes and textures to enhance the visual and tactile qualities of his work. Prost's attention to detail extended to every aspect of his creations, from the overall design to the smallest decorative elements. His pieces were meticulously planned and executed, often featuring intricate engravings, geometric patterns, and floral motifs. Prost had a particular talent for integrating form and function, ensuring that even his most elaborate pieces were practical and easy to use. By the early 20th century, the Art Deco movement had begun to sweep across Europe, influencing everything from architecture to fashion to industrial design. Characterized by its emphasis on geometric shapes, clean lines, and bold decorative elements, Art Deco represented a departure from the ornate, flowing forms of the Art Nouveau movement that preceded it. Instead, Art Deco embraced modernity, celebrating technology and innovation while still retaining a sense of luxury and elegance. Ernst Prost was profoundly influenced by the Art Deco movement, and many of his most celebrated works reflect its aesthetic principles. Prost's Art Deco silver pieces are marked by their bold geometric forms, streamlined designs, and the use of strong, symmetrical patterns. His tea sets, in particular, embody the elegance and simplicity that are hallmarks of the Art Deco style. Prost’s Art Deco tea sets often featured angular, stepped designs, with handles and spouts that mirrored the sharp, geometric lines of the overall composition. The surfaces of these tea sets were typically polished to a high sheen, creating a striking contrast with the engraved or embossed decorative elements. Prost also made extensive use of natural motifs in his Art Deco designs, incorporating stylized representations of flowers, leaves, and animals into his silverwork. These decorative elements were often rendered in a highly stylized, almost abstract manner, in keeping with the Art Deco aesthetic. One of the most notable features of Prost’s Art Deco tea sets is the way in which they balance form and function. While the designs are undeniably modern and avant-garde, they are also practical and user-friendly. Prost paid careful attention to the ergonomics of his tea sets, ensuring that the handles were comfortable to hold, the spouts poured smoothly, and the lids fit securely. This combination of beauty and functionality is one of the reasons why Prost’s tea sets remain so highly prized by collectors and connoisseurs. These tea sets are celebrated not only for their striking beauty but also for their durability and practicality. Crafted from the finest 950 sterling silver, Prost’s tea sets are known for their radiant finish and exceptional craftsmanship. Prost’s tea sets were also notable for their balanced proportions and ergonomic design. The handles of the teapots and cups were designed to be both aesthetically pleasing and comfortable to use, while the spouts were carefully engineered to ensure a smooth, drip-free pour. Even the smallest details, such as the finials on the lids and the hinges on the sugar bowls, were meticulously crafted to ensure both functionality and beauty. Ernst Prost's exceptional craftsmanship and innovative designs did not go unnoticed by the elite of his time. His work soon attracted the attention of European royalty, who were always on the lookout for the finest artisans to create luxurious objects for their homes and palaces. Prost’s reputation as a master silversmith made him a natural choice for royal commissions, and he quickly established himself as a favorite among the nobility. Prost's relationship with royalty was one of mutual admiration. The French royal family, in particular, became frequent patrons of his work, commissioning everything from elaborate tableware sets to ceremonial objects. Prost’s ability to combine traditional silversmithing techniques with modern Art Deco design made him particularly well-suited to creating pieces that were both functional and symbolic of royal power and prestige. One of Prost’s most notable commissions came from King George V of England, who requested an Art Deco tea set for his private collection. This commission was a significant honor for Prost, as it demonstrated that his work had gained international recognition and was sought after by some of the most discerning clients in the world. The tea set Prost created for King George was a masterpiece of Art Deco design, featuring sleek geometric forms, elegant engravings, and the finest 950 sterling silver. Ernst Prost’s career was marked by numerous awards and accolades, reflecting both the quality of his craftsmanship and the innovative nature of his designs. His participation in international exhibitions allowed him to showcase his work to a global audience, and his Art Deco tea sets, in particular, were frequently singled out for praise. One of the highlights of Prost’s career came in 1925, when he exhibited at the International Exhibition of Modern Decorative and Industrial Arts in Paris, the event that is widely credited with popularizing the Art Deco movement. Prost’s work was displayed alongside that of other leading silversmiths, but it was his tea sets that garnered the most attention. The judges were particularly impressed by the way Prost had managed to incorporate the bold, geometric forms of Art Deco into functional objects, and he was awarded a grand prize for his contributions to the exhibition. In addition to his royal patrons, Prost’s work was also sought after by wealthy collectors and connoisseurs around the world. His tea sets and other silver objects became status symbols for those who could afford them, and owning a piece by Prost was seen as a mark of refined taste and sophistication. Ernst Prost’s impact on the world of silversmithing and decorative arts extends far beyond his own lifetime. His work set a new standard for quality and craftsmanship, and his innovative designs helped to define the aesthetic of the Art Deco movement. Prost’s ability to blend traditional silversmithing techniques with modern design principles ensured that his work remained relevant and influential even as tastes and trends changed. Prost’s legacy is also reflected in the many artisans he trained and mentored over the course of his career. His workshop in Paris became a center of excellence for silversmithing, attracting young craftsmen from across Europe who sought to learn from the master. Many of Prost’s apprentices went on to become successful silversmiths in their own right, carrying forward the techniques and principles that Prost had instilled in them. Today, Ernst Prost is remembered as one of the greatest silversmiths of the Art Deco era, and his work continues to be admired by collectors, museums, and connoisseurs around the world. His Art Deco tea sets in particular, like this amazing 4 piece set, remain highly sought after for their beauty, craftsmanship, and historical significance. Prost’s creations can be found in some of the most prestigious collections, including the Louvre in Paris, the Victoria and Albert Museum in London, and the Metropolitan Museum of Art in New York. This amazing 950 sterling silver art deco tea set...

Earthenware "Blue Toro" Sculpture , one of a kind 2025 creation signed by French ceramicist Dominique Pouchain Brown patina and shiny blue enamel on gray ceramic on both sides / Dime...

Ceramic Mask, Accolay, France, 1960s Accolay was a pottery center in France, north of Burgundy, founded amongst others, by 4 students of Alexandre Kostanda. Active between 1945 and 1...

Bowl in iconic blue/green color with silver inlay figuring a fish and bubbles... Argenta série by Wilhelm Kage, atelier Gustavsberg in Sweden around 1950 Good condition Wilhelm Kåge (1889-1960) is one of the most well-known representatives of the illustrious Swedish ceramic design of the 20th century. He was the artistic leader for Gustavsberg in the 1930s and 1940s and is often called the father of Swedish modernism...

Faïence fine (lead-glazed earthenware) service "Cartels", manufactured by the French firm Creil & Montereau between 1884 and 1920. Engravings by Pierre L...

Direct from Paris, a stunning 282pc. antique French sterling silver flatware set by internationally known French silversmith Bo...

'Noir Inconnu' by Perrin&Perrin for Galerie Negropontes, 2013 Build in glass sculpture One-off Martine and Jacki Perrin sculpt together as one, forming a duo enriched by their indi...

Direct from Paris, A Magnificent 198-piece Sterling Silver and gold plated sterling silver Flatware Set by One of France's Premier...

Edition : 500 ex. Maker : Madoura Catalog : [Ramié 288, p. 150] In the bright light of Vallauris, Picasso is inspired by Suzanne Ramié's Madoura wor...

Pair of 19th-century typical french twisted and hand-engraved crystal ewers with sterling silver mount. Handle decorated with a dolphin head and acanthus leaves, high-part of the mou...

Direct from Paris, France; a stunning 19th century antique French 950 sterling silver 3pc. covered vegetable server in "Like New" condition by renowned French silversmith “Odiot". lu...

Glossy black stoneware vase by ceramic artist Suzie Lapierre d'Argy, 2025. With its freeform shape, the vase highlights the artist’s handwork and the authenticity of the raw material...

Malevich vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist mo...

This is a serving bowl which was made in Japan. It was made in Taisho era, around 1920s. The color is green and blue and white. You can use as a serving bowl and also as a decoration...

This yellow speckled glass sugar bowl, with its refined and timeless design, adds a warm touch of color to any table. Its glass, delicately marked with subtle spots, and its elegant ...