Phoenix

Vintage solid wood octagonal game table. The table has 2 drawers on each side and a rectangular insert on the top that features a chess board on one side and a decorative design on t...

Here is an expanded version of your paragraph with more detail and no filler, now exceeding 130 words: A luxurious tan velvet upholstered 3-seat sofa, a fusion of comfort and contem...

Monumental mixed media painting by California artist Louis Siegriest from 1969 entitled ‘The Road to Segovia’. This layered work has depth of texture and color and has the title and ...

Elevate your interior with the understated elegance of this alabaster and brass flush mount ceiling light. Featuring a beautifully sculpted octagonal alabaster shade, this fixture ex...

Add a touch of timeless sophistication to your space with this exquisite octagonal game table, expertly crafted in Argentina. Wrapped in rich leather, the table’s unique eight-sided ...

A stunning Rose Tarlow Twig dining table and four armchairs, a highly collectible set that embodies the elegance and artistry of renowned designer Ros...

Howard Miller Cameron 610-185 Grandfather Clock This floor clock features glass panels on three sides of the case, an urn finial, and the polished brass pendulum. The case locks wit...

Antique French serpentine wall mirror in a wooden carved framed with Fleur de Lis design. The frame is 29.5" at the widest part and 27.5" high. The mirror itself is about 27" wide by...

Victorian style Hooker Furniture archivist desk. Made out of solid wood that looks like mahogany. The top has three inserts in burgundy leather with brass trim. The desk has 5 drawer...

Original pencil signed Grant Wood lithograph, "March," created 1941 by the painter of "American Gothic," Grant Wood, who is a major American regionalist along with Thomas Hart Benton...

Frank Lloyd Wright for Cassina 617 desk. Originally designed in 1936 for the S.C. Johnson Wax Company in Wisconsin. This all original example dates from the l...

Rosewood, maple and polished steel highboy from Canada circa early 1970s. This sculptural example has been newly and masterfully refinished. It has 6 drawers and two doors with inter...

Antique hand-carved mahogany hutch. The hutch 63" high, 32" wide at the top of the crown and and 16.5" deep at the widest part. It has 25" long and 4.5" wide plate displlay shelf, s...

Streamlined coffee table in rich solid walnut by ACE-HI featuring raised left and right sides and a sunken center. Newly refinished.

“Rancho de Taos” by well-known woodblock artist Gustave Baumann (1881-1971). The medium is color woodblock. It's a beautiful print in excellent condition. Baumann's personal Hand and...

Striking and graphic RAAK designed sconces in white and matte aluminum. Price listed is for a pair of sconces. There are two pairs available.

Original pencil signed Grant Wood lithograph, "February," created 1940. A fine impression and one of the most important of the 19 lithographs created by the painter of "American Goth...

Robert Lawson (1892-1957) Abstract Acrylic on Canvas measuring 40 x 40 inches. The work bears a thin metal frame measuring 40 1/4 x 40 1/4 x 1 3/8 inches. The painting is signed lowe...

All original Saporiti stainless steel and special ordered perforated Mercedes leather 'Wave' sofa by Giovanno Offreddi. This is the nicest example of this sofa that we have ever seen...

California Image by well known watercolorist Milford Zornes (1908-2008). This work in mint condition, is signed lower right “Zornes,” and dated ‘67. The watercolor is also signed on the verso ‘Milford Zornes, ANA’ and titled “From Dana Point.” This painting is unframed and measures 21"h x 27"w. It’s a beautiful depiction of Dana Point in Orange County. A prominent artist in the watercolor movement known as the California Style, Milford Zornes became especially known for his application of watercolor in broad brush strokes to large sheets of paper. He was born in Camargo, Oklahoma, and moved to Los Angeles while a teenager. In Santa Maria, California, he enrolled in Santa Maria Junior College, where he had art instruction from Stanley Breneiser and lived for a period of time with him and his wife, Babs Breneiser who was an art teacher at the local high school. Then at age 20, he began adventurous travel that took him across the United States that had him working on the docks of New York City, and then shipping out to Denmark as a merchant seaman, a job that eventually led to a tour of Europe. He returned to Los Angeles by 1930, and studied at the Otis Art Institute with F. Tolles Chamberlain, and at Pomona College where Millard Sheets was his teacher. Throughout the 1930s, he was exhibiting widely including the 1938 Art Institute of Chicago International Watercolor Exhibition, Seventeenth Year. Zornes did murals during World War II for the Federal Arts Project of the W.P.A., and was a United States Army artist correspondent in Burma and India. Because of the distinction of his W.P.A. and other wartime artwork, he was honored with a one-person exhibition at the Corcoran Gallery in Washington DC, and one of his paintings was selected by President and Mrs. Franklin Roosevelt for the White House Collection. This attention brought him much positive publicity. After the war, he lived in several locations in California and in 1963, Milford and his wife Pat, bought the Maynard Dixon summer home and studio in Salt Lake City, Utah from Edith Hamlin...

Vintage, 1950s, Wm Rogers Tupperware Rose Silver-Plated Tray. Silver plate over heavy copper. The tray measures 13" in diameter across the rim of the tray...

Pair of LC/1 chairs designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. Each chair measures 25.2 H x 23.63 ...

“Three Pines” by well-known woodblock artist Gustave Baumann (1881-1971). The medium is color woodblock. It's a beautiful print in excellent condition. Baumann's personal Hand and He...

California/New Mexico artist Paul Pletka (b. 1946) Acrylic on Canvas, 1972. Native American subject in Decorative Hair Plates. Signed lower right. Titled in pencil on the verso by th...

Acrylic on Arches Paper by the incredibly talented mostly self-taught African American William Tolliver (American/Louisiana 1951-2000). Reclining Woman. Image: 18 3/4 x 26 3/8. Full ...

Original stone lithograph created 1944 by well-known Regionalist Thomas Hart Benton. The print is in excellent condition with full margins and pencil signed lower right. Also signed in the stone. It is matted in a 4-ply archival mat and rests in a simple black frame. Image size: 10 ½ x 15. Frame size: 18 x 23. Published by AAA. Ed: 250. Thomas Hart Benton found inspiration for his art in the ebb and flow of daily life in rural and small-town America. Wreck of the Ol’ 97, one of his best-known prints, is based on a ballad of the same title that tells the story of a rail disaster. A speeding locomotive attempting to make up lost time jumped the tracks as it descended a Virginia mountain...

This beautiful color woodblock print by Paul Jacoulet was printed in 1940. This limited-edition work is numbered on the verso: 102 from the edit...

Large Laguna Pueblo Indian Polychrome Olla, circa 1880's. Measures 12 5/8"h x 13"w. Featuring Geometric Designs on the Shoulder and Floral Designs with...

Antique mirror in a hand-carved guilded wooden frame. The mirror with the frame is 18" in a diameter, and 18" high. The frame is about 5/8" thick. We didn't notice any cracks or oth...

Original pencil signed stone lithograph by AAA artist John Rogers Cox (1915-1990) This wonderful Regionalist image measures 8 3/4"h x 11 3/4"w. Paper size is 12 x 16. The work presen...

Antique Jacobean Revival, 1920s, oak buffet. One piece. 61.5" high, 38.5" wide and 17.5" deep. The bottom part has two doors and one horizontal shelf. The upper part has one door and...

Original Etching by famous Taos Artist Gene Kloss (1903-1996). Full Margins. Edition of 75. Titled: Indian Summer. Image measures: 7 3/4" H x 11 1/8" W. Unframed. Archivally matted. ...

An impeccably designed cerused oak desk, a piece that marries functionality with sophisticated style. The natural beauty of the oak is enhanced by the cerusing technique, which highl...

Friedensreich Hundertwasswer (Austrian 1928-2000) Serigraph on Metal on Layered Plexiglas, 1979 “Fall in Cloud, Fall in Fog, Fall Out” Measures: 11 3/8"h x 13 3/4"w x 1 1/2"d. Prese...

Wonderful Bluebonnet subject oil on canvas by Texas artist William A. Slaughter (1923-2003). The work is in excellent condition and signed lower left. Image 16"h x 19 ½” w. Frame 2...

Beautiful, large Allan Houser bronze titled "Watching." The piece is signed "Allan Houser" and numbered 11 of the edition of 12. The bronze measures 23"h (including the 1" wooden pli...

video copyright by the artist and Bentley Gallery, Inc. b. Long Beach, CA (April 9, 1926 – January 17, 2018) Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...

Elegant Noritake Adelpha dining set for 12. Based on the stamp this set was made between 1933 and 1940. The set includes: (12) Dinner plates - 10" (1...

Antique Weiman Hairloom hand-carved walnut side table. The table light but also sturdy. The top is protected with custom removable glass with polished edge. We prefer to ship this it...

b. September 22, 1954; Reno, NV Born in Reno, Nevada, my family relocated to Brooklyn, New York, where I was raised. I attended SUNY Fredonia for one year and in 1976 received a B.F...

Vintage Demi-Lune console table and hand-carved wall mirror. Both items are made out of solid wood, most likely pine. The table is 44" wide , 17" deep at the widest part and about 33...

Joichi Hoshi (1913-1979) Original Color Woodblock, 1974. Title: “Early Spring.” Image: 9 5/8"h x 7.” Frame: 17 1/4"h x13 5/8"w. Signed in pencil lower right and dated ‘74. Chop mark...

Beautiful bronze by N.Y./Connecticut artist Harriet Frishmuth (1880-1980). It depicts a graceful nude, Frishmuth’s best subject, and is titled “Cre...

Astounding painting and carving on wood panel by the “Hound of Heaven” artist Robert Gammell. Created 1947. This beautiful work features rich color, gold accents and incredible detail. Signed lower right “R.H. Ives Gammell” and dated ‘47. The subject comes from the imagination of the artist and is titled “Lady of the Seven Sorrows.” The work measures 34 1/2"h x 11 1/4"w and is considered to be one of the artist’s “Puppy Panels.” The ornate frame measures 38 1/2"h x 15 1/2"w x 1 1/4"d. The weight is 9 ½ pounds. A label is attached to the verso listing the work as being an entry for the 1967 Grand National Show with the American Artists Professional League in New York. This detailed and beautiful painting is a work to be treasured. More Information Robert Hale Ives Gammell: After completing his major allegorical sequence, the Hound of Heaven, Gammell felt compelled to revisit certain themes and figurative compositions in later years. His original plan was to display the smaller panels, or "Puppy Panels" as he affectionately called them, between the larger Hound panels. Robert Hale Ives Gammell (1893-1981) was a prolific professional painter working in Boston, Provincetown, and Williamstown, Massachusetts. During the sixty-five years of his career, Gammell painted murals, portraits, landscapes, and still lifes, but the pieces which excited him most were the allegorical works drawn from his imagination. In his diary Gammell wrote that he was “fascinated by the drama of man in his relationship to the forces of the universe and of his own nature.” Over the years he experimented using ancient myths and rituals as well as contemporary symbols in his attempts to articulate images of man’s terror, wonder and yearning in the face of a century of upheaval. Excerpt from Elizabeth Ives Hunter, the God-daughter of R. H. Ives Gammell and the daughter of his assistant, Theodore W. J. Valsam. R. H. Ives Gammell believed in the practice and standards of art should rest on the Gold standard established by the 19th-century French system of learning, as practiced by the Ecole des Beaux-Arts and Academie Julian of Paris. His personal mission was to follow that tradition, so he established his own Studio working with a handful of students at a time. His book ‘Twilight of Painting’ would help define a way back to those lofty goals for future artists, reflecting the uncompromising levels of quality that he embraced, and maintained. Robert Hale Ives Gammell was born to wealth in Providence, Rhode Island and spent the majority of his artistic life in Boston at the Fenway Studios and in Williamstown, MA, where he died in 1981. In 1910, Gammell studied briefly with William C. Loring and Wm. Sergeant Kendall before training in 1913 at Boston's Museum School with Philip Hale, F.W. Benson and Edmund C. Tarbell for a few months. Gammell then went to Provincetown, MA to study with Charles Hawthorn and then to the Academie Julian in Paris and the Academie Baschet until the end of 1914. He was tremendously influenced by the teachings of Tarbell and the work of Joseph DeCamp and William M. Paxton. He was so influenced by the Boston School he vowed to hand down their teaching traditions to generations of students and he did exactly that. Some of the painters who are "Gammellites" are Samuel Rose, Thomas R. Dunlay, Robert Cormier, Richard Lack, Gary Hoffman, Stephen Gjerston, Robert Douglas Hunter, David Lowrey, David Curtis...

acrylic on canvas signature, title, year, dimension, medium, and arrows on verso. b. 1942, Elgin, OK “I don’t want the paintings to be like you’re looking at a landscape. I want th...

Jean Charlot Fresco style painting in plaster on board in the original artist made frame. Titled on a label on the verso: "Bed Time.” In excellent condition. Signed by the artist upp...

A stunning cabinet, masterfully crafted from solid oak with an exquisite stain that showcases the natural beauty and grain of the wood. The interior is a sophisticated cerused gray, ...

Raymond Loewy for Doubinsky Freres jewelry chest circa mid 1970’s. This all original example has lipstick red molded plastic drawer fronts, rosewood trim and opens at the top and bot...

Zuniga bronze, edition: 3. #472 catalog raisonne: "Madre Reclinada con Rebozo". Measures: 5 3/4" H x 12" L x 8" W not including the wood plinth. Signed Zuniga and dated 1964. "Letter of Authenticity", issued by the Zuniga foundation (and son Ariel Zuniga...

"Sonoran Kings" Ed Mell 1942-2024 Stone lithograph 32" x 24" **PRINTS ARE ESTATE SIGNED WITH WITH EMBOSSED LOGO AND SIGNATURE STAMP*** Edition. 200, 2020 Print is unframed. Biograp...

This antique rosewood Art Nouveau hutch is featuring exquisite craftsmanship and detail. The hutch is 74" high, 51" wide and 13" deep. The beveled mi...

Three Lightolier aluminum pendant lights, circa early 1950s. These examples have Lightolier's iconic perforated aluminum frames and are all original....

Antique French Briton hand-carved 2-piece hutch with marble top. Made between 1830 and 1860. The hutch is 75" high and 48" wide. It's 20.5" deep at the bottom and 19.5" deep at the m...

Mixografia on Paper “Sol (The Sun)” by well-known Mexico artist Rufino Tamayo (1891-1991). Signed “R. Tamayo” lower right. Numbered lower left 96/140. Created 1976. In excellent cond...

John Costigan (1888-1972) oil on canvas, circa: 1950s. In excellent condition. Exciting Expressionist Painting of a lively Carnival Scene. Signed lower right: ''J.E. Costigan", Title...

Unframed watercolor painting by Russian/New York artist David Burliuk (1882-1967) Beautiful vivid color, in excellent condition and signed lower left. Inscribed and dated 1947 on the...

Large wooden Pre-Columbian Inca Kero cup. From Central Peru, circa 1300 to 1500 AD. A hollowed wooden vessel, of conical form, decorated with carved incis...

This Palomino Ain’t No Pal of Mine 1982 Giant Size, Special Limited Edition Archival Pigment Print Original Pencil Signature, Signed Lower Right Made in collaboration with Ed Mell ...

Nanna Ditzel ND83 lounge chair, circa mid-1950s. This example has been newly upholstered in a supple green leather. Finish to teak frame is original.

Executive desk from Denmark circa mid-1960s now available. This example has matte black iron legs, open back for additional storage, interior and exterior drawers and original brass ...