Texas - Color Photography

From series "Before iPhone" Edition 1/10 Signed, titled and dated by artist in print verso in pen

Signed in ink on verso. From the series, Juke Joint Born in 1951 in Columbus, Mississippi, photographer Birney Imes is mainly known for his compelling photographs of the people, communities, rural landscape and the colorful juke joints of the American South, most notably the Mississippi Delta...

Bald Eagle Stare by Cheryl Medow is a portrait of a bald eagle looking over it's shoulder with a mountain visible in the background. Edition of 10 Si...

South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown presents a sublime scene. A calm river cuts through the green grass field, leading to a tree in the distance. White fluffy clouds fill the bright blue sky. The prairie field is painted with a soft glowing light, creating a tranquil scene. South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown is listed as a 16 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25 and is signed and numbered in black ink on print margin. South Texas: Cash Creek is from Peter Brown's series, Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown. 20 x 24 in. Series: West of Last Chance Available in additional sizes, limited to a single edition of ...

Unsigned.

Ed. Museum AP/1 Signed, titled, dated and numbered in black ink on mount verso by Esteban Pastorino Diaz. Photograph is digital c-print mounted on dibond with acrylic facemount, wall...

You Can't Say They Don't Love You Here in Dallas Mr. President, 1990 Chromogenic, 15 x 67 1/2 in. Edition 5/5 Embossed on mat recto - "Walker 1990 5/5" 7 images, numbers and title al...

Edition of 350 Signed and numbered by Neil Leifer in black ink on print margin. Neil Leifer is an American photojournalist and filmmaker, mostly known for his sports photographs...

Ed. 10/20 Signed and numbered in ink on print verso.

Great Egret and the Milky Way by Cheryl Medow is a limited edition color photograph of a white bird with it's head under it's wing, standing on a rock against a starry night sky. Ed...

Edition of 15 Signed, titled, dated and numbered. Archival pigment print Paper size: 22 x 17 in., Image size: 20 3/4 x 15 1/2 in.

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated and print type in pencil on print verso. Paper size: 25 x 20 in., Image size: 20 x...

Edition of 12 Archival pigment print Signed, titled, dated and numbered by Jeffrey Silverthorne Jeffrey Silverthorne was an American photographer known for photographing the dead at...

Edition of 15 Signed, titled, dated and numbered by Don Netzer Archival pigment print Paper size: 22 x 17 in., Image size: 20 3/4 x 15 1/2 in.

"After work we change clothes, redo our makeup, do some coke and go dancing." Edition of 10 Signed and numbered in black ink on print verso. Bill Owens was born and raised...

Ed. 63/100 Poloroid, 3 3/4 X 2 7/8 In. Signed and numbered by Lucas Samaras on print margin. Published by the Whitney Museum of American Art From book, "Samaras Album"

Signed, titled, and dated. Michael O’Brien is an American photographer noted for his compelling portraits of famous figures such as Willie Nelson, Larry McMurtry, George Strait, Tim Duncan, Kinky Friedman...

Edition of 15 Archival pigment print Paper size: 30 x 41 in., Image: 25 x 36 in. Signed, titled, dated, and numbered by Jeanine Michna-Bales Series: The Four Moments of the Sun: Hidd...

Classic Americana c-print photograph of a vintage bell hop sign in Noel, MO by Houston, TX artist Amy Blakemore. The photo features a central sign in ...

A seemingly candid c-print photograph of a man in a suit wearing a white fedora walking down the street by Houston, TX artist Amy Blakemore. The composition is expertly balanced betw...

Edition of 3 Signed, titled, dated and numbered by Jeanine Michna-Bales Archival pigment print Image size: 32 x 40 in. From series, Standing Together: Inez Milholland's Final Campaign for Women...

Park Service: Grand Canyon by Neal Slavin is a color group portrait of the park rangers working at Grand Canyon National Park. Digital C-Print Paper size: 17 x 17 in. Image size: 1...

Edition of 10 Signed, titled, dated and numbered on artist stamp by Esteban Pastorino Diaz Paper size: 16 x 20 in., Image size: 12 x 16 in. Digital c-print Series: Aerial Esteban Pa...

Secrets, 1981 Hand-painted photograph Paper size: 22 x 28 in., Image size: 12 x 17 3/4 in. Ed. 27/50 Signed in pencil on print verso Artist name, portfolio information, titled, numbe...

Edition of 8 Dye-sublimation print on aluminum Signed, titled, dated and numbered by Jeanine Michna-Bales Series: Through Darkness to Light: Photographs Along the Underground Railroad...

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown Series: Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 2...

Signed in pencil on print margin.

Edition of 9 Signed, titled, dated and numbered by Jeanine Michna-Bales Digital C-print Paper size: 21 x 28.5 in., Image size: 17 x 24.5 in. From the series, Through Darkness to Light...

Edition of 10 Signed, titled, dated and numbered by Esteban Pastorino Diaz Paper size: 16 x 20 in. Image size: 13 x 16 in. Esteban Pastorino Diaz is a South American photographer, b...

Edition of 15 Signed by Patty Carroll Paper size: 30 x 30 in., Image size: 22 x 22 in. From the series, Anonymous Women White frame: 31 3/4 x 31 5/8 x 2 in. Patty Carroll is an Amer...

North Texas: Plowed Field, Patricia by Peter Brown presents a sublime scene. The plowed, warm toned dirt stretches far into the horizon, leading to the bright blue sky. Lush green grass frames the edge of the soil. North Texas: Plowed Field, Patricia by Peter Brown is listed as a 19.25 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25. This photograph is signed and numbered in black ink on print margin by Peter Brown. North Texas: Plowed Field, Patrica is from Peter Brown's series, Hometown Texas. This photograph is available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Edition of 8 Signed, titled, dated and numbered. "This series exploits an optical phenomenon that occurs when visible light is distorted by the thin film membrane of a soap bubble. ...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 21 x 24 in., Image size: 16 x...

Edition of 8 Dye-sublimation print on aluminum Signed, titled, dated and numbered. Series: Through Darkness to Light: Seeking Freedom on the Underground Railroad Framed. Michna-Bales’ work explores the relationships between what has occurred, or is occurring, in a society and how people react to those events. She meticulously researches each topic — considering different viewpoints, causes and effects, and political climates — and often incorporates found or archival text and audio into her projects. Whether exploring the darkened stations along the Underground Railroad, long-forgotten nuclear fallout...

Untitled - Galesburg (Cousin Candi's Wedding), 1997 Color coupler print 15 1/2 x 15 1/2 in. Titled in ink on margin Signed in ink on print verso by Chri...

Signed, titled and dated. Michael O’Brien is an American photographer noted for his compelling portraits of famous figures such as Willie Nelson, Larry McMurtry, George Strait, Tim ...

Lloyd Rod & Gun Club by Neal Slavin depicts a group of men, dressed in various jackets and holding shotguns, standing outside a gun store in the snow. Archival Pigment Print Image s...

Edition of 25 Signed and numbered by Peter Brown Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x...

Edition of 5 Signed, titled, dated and numbered. Archival pigment print Paper size: 27 x 38 in., Image size: 33 x 25 in.

Arugula, Spinach, Tomato, Edible Flowers (Redbud, Calendula) - Every Unique Pixel Color (419,260) Plotted by RGB Value, 2021 Edition of 10 Signed, titled, dated and numbered. Pigmen...

Edition 4/5 Digital c-print 38 1/4 x 46 1/4 in. Signed, titled, dated and numbered in black ink on mount verso. Photograph is digital c-print mounted on dibond with acrylic facemount...

Edition of 25 Signed and numbered in black ink on print margin. Paper size: 18 x 22 in., Image size: 13 1/2 x 20 in. Series: Hometown Texas *Images and video show print in size 18 x...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 21 x 24 in., Image size: 16 x...

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown Archival pigment print Paper size: 22 x 26 in., Image size: 19 1/4 x 24 in. Series: Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Signed in black ink on print verso by Birney Imes From the series, Juke Joint Born in 1951 in Columbus, Mississippi, photographer Birney Imes is mainly known for his compelling photographs of the people, communities, rural landscape and the colorful juke joints of the American South, most notably the Mississippi Delta...

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown Paper size: 18 x 22 in., Image size: 13 1/4 x 20 in. Series: Hometown Texas Available in additional siz...

Edition of 25 Signed, titled, dated and numbered. AVAILABLE SIZES: 16 x 20 in. (Edition of 50) $1400 20 x 24 in. (Edition of 25) $1700 25 x 30 in. (Edition of 10) $2100 30 x 40 in. ...

Unique Signed, titled, dated and print type Gum Bichromate Paper size: 13 3/4 x 10 1/2 in., Image size: 7 1/4 x 7 1/4 in. While integrating photography and his passion for gardenin...

Secrets, 1981 Hand-painted photograph Paper size: 22 x 28 in., Image size: 11 3/4 x 17 3/4 in. Ed. 27/50 Signed in pencil on print verso Artist name, portfolio information, titled, n...

Signed in black ink on verso. From the series, Juke Joint Born in 1951 in Columbus, Mississippi, photographer Birney Imes is mainly known for his compellin...

Signed, titled and dated in pencil on print verso. Paper size: 20 x 16 in. Image size: 14 x 14 in. Michael O’Brien is an American photographer noted for his compelling portraits of famous figures such as Willie Nelson, Larry McMurtry, George Strait, Tim Duncan, Kinky Friedman...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 14 x 11 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition o...

This image is a collotype print from Delilah Montoya's series, Corazon Sagrado, and is edition 1/1. It is signed, titled, dated and numbered in pencil on print margin by Delilah Montoya. This collotype print features a woman in a dress dancing in front of a backdrop on a checkered floor...

P Star Parking, Dallas, TX by David Graham is a 20 x 24 in C-Print, available in an edition of 25. This photograph features a parking lot with a parking ticket booth and a mural in ...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 14 x 11 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition o...

Miami, Florida by David Graham is a 16 x 20 inch archival pigment print, available in an edition of 25. This photograph features an orange and yellow wall with electrical equipment a...

AP Signed, titled, dated and numbered on artist label on verso. Digital c-print, 23 1/2 x 31 1/2 in. Acrylic face mounting included. Esteban Pastorino Diaz is a South American photo...