Tri-State Area - Abstract Paintings

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Hunt Slonem "Veil" Red Diamond Dust Glitter Bunny A rabbit gestured in red on a matching background in a vintage frame Unframed: 10 x 8 inches Framed: 15 x 13 inches *Painting is fr...

Inspired By Nature, Observations, Color Theory, And Dreams. My Abstract Paintings Are All About Creating Excitement For The Viewer Through Concentrated Exploration. Each Painting ...

Peter Stephens Quadrivium 65, 2024 acrylic and collage on paper 30 x 22 in image size: 12 x 16½ in (ste025)

Encaustic and oil with acrylic frame 24x79.5 each, $6500 each (2 panels) This Painting will be shipped directly from the artist's studio.

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on panel. It features nearly opaque light blue circles, arranged in an overlapping pattern to create ...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Ben Wilson Ozymandias, 1989 Oil on masonite board Boldly signed by Ben Wilson on the back 36 × 48 inches Unframed Provenance: acquired from the Estate of Ben Wilson This work is titled "Ozymandias" after the famous sonnet written by Percy Bysshe Shelley (1792-1822). Shelley's poem is one of the most poignant meditations on the fleeting nature of human power and the inevitability of decline. The poem serves as a reminder that time erodes even the most imposing empires and leaders and that the pursuit of lasting fame and control is ultimately futile. Depending on how one views Ben Wilson's Abstract Expressionist painting of "Ozymandias" -- some of the imagery might reveal the head of an angry king and a sickle. Shelley's poem Ozymandias reads: I met a traveler from an antique land...

This large abstract statement painting by Kelly Rossetti is made with oil paint on gallery wrapped canvas. It features cool blue palette with light pink and dark charcoal accents and...

5-3185 Oil on artist board set in a thin wood frame

This large abstract statement painting by Kelly Rossetti is made with oil paint on gallery wrapped canvas. It features a cool, muted blue, beige, and grey palette with a strong horiz...

Hunt Slonem "Hombre Heart" Orange Double Bunny A pair of rabbits gestured in red and orange on a matching Diamond Dust background in a vintage frame. Unframed: 14 x 14 inches Framed...

Acrylic on canvas 86 x 137 in Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

Antique American modernist abstract landscape oil painting. Oil on canas. Framed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, read...

Shape 35 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral palette. Yellow-green...

Mark Kaplan (Russian, b. 1950) Les visiteurs tardifs, c. mid-late 20th century Oil on canvas 31 3/4 x 39 in. Framed: 36 1/4 x 43 1/2 x 1 1/2 in. Signed upp...

Catalonian painter Eduardo Arranz-Bravo is an artist sparking revolutionary abstraction in the contemporary art scene. Drawing influence from the Surrealist workings of late greats l...

Vintage American modernist landscape oil painting by Frank Barry. Oil on board. Signed. Framed. Measuring 27 by 31 inches overall and 18 by 22 painting alone. Nicely framed in a wood...

Ukrainian American abstract painting by Misha Reznikoff (1905 - 1971). Oil on canvas. Signed verso in monogram. Measuring 20.5 by 30.5 inches.

Maeve D'Arcy Medium Rare, 2024 oil on canvas 54 x 60 in. (dar145)

This whimsical and sophisticated painting was realized by the esteemed contemporary painter, Hunt Slonem in 2013. It presents a stylized rabbit in profile, rendered with loose and ex...

Hunt Slonem "Untitled" Pink Bunny A single rabbit gestured in black on a light pink background in a vintage frame Unframed: 10 x 8 inches Framed: 14.5 x 12.5 inches *Painting is fra...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and 3-dimensional wooden shapes on canvas. The warm metal grey paint is highly textured, while the ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

A wonderful composition Slonem's Hummingbirds. This piece depicts gestural figures of colorful Humming Birds on a light French Pink background with thick use of paint. It is housed i...

Artist: Lou Fink, American (1925 - 1980) Title: Asphalt Year: 1967 Medium: Oil on Canvas, signed verso Size: 40 x 48 in. (101.6 x 121.92 cm)

This piece is part of an exciting new collection depicting iconic "Coco Chanel" with the artists "Dripping Dots" style. Focused on a pointillistic technique, the paint is able to cap...

Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he...

Title: Untitled Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Artist: Chong Liu...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Title: Rhyme of Spring I Medium: Oil on canvas Size: 35 x 35 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This p...

F.V Kluwer Jepsen (Danish, 1919-2004) "Untitled: Countryside Landscape", Signed Landscape Painting, Oil on Canvas, 26.25 x 38, Mid 20th century Colors: Green, Brown, White, Grey

This Celestial Sky painting is what Michael Forster is most celebrated for in his highly interesting career spanning working in Mexico and Canada. The brushwork creates a reverberati...

Interior design paintings. Part of the triptych “Does not see. Does not hear. Does not speak”. The artwork was done with watercolor on watercolor paper 360g. The works are 14 by 11 i...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

Peter Stephens Quadrivium 78, 2024 acrylic and collage on paper 30 x 22 in image size:16 x 16 in (ste028)

Robert O'Meara (American, XX-XXI), Abstract Composition Triptych, Oil on Canvas, turquoise and blue, each signed to verso, unframed. Panels: 16" H x 20" W; overall: 16" H x 60". Prov...

Artist: Donald Gerola, American XXth Title: Abstract Rose Year: circa 1990 Medium: Sand Fresco on Panel, signed verso Size: 36 x 47.5 in. (91.44 x 120.65 cm)

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and and lacquer on board. It features light textured and a light blue-grey and yellow palette contrasted by the almost black focal point of the composition. The painting is 14.5" x 19" and measures 16.25" x 20.5" x 2" framed. Signed by the artist in the lower left-hand corner of the painting, it is framed in a floater frame with warm silver face and black sides and is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

This abstract painting by Teodora Guererra features a light palette with light, muted green at the top and bottom, and other accent colors toward the center of the composition includ...

Large and impressive modernist landscape painting. Oil on canvas. Framed. Signed illegibly.

Vintage modernist abstract oil painting by Anton Sipos (Born 1938). Oil on canvas. Framed. Signed.

This piece depicts a Tiger done with beautiful expressive colors and a distinctive street art design, this piece pops with energy and romantic beauty. Its composition and bold collag...

Sophisticated, chic, worldly--call it what you wish--but abstract expressionist flowers by Sonia Grineva, shown here freshly cut and placed in an emerald green glass vase, is what br...

Theo Boettger (German, b. 1975), Group of Thirteen Abstract Compositions, Mixed Media on Paper, 2008, each titled, dated, and with artist's monogram to verso, comprising: Crash, Reih...

Nigel Hall Untitled Acrylic and Charcoal Painting on Canvas, 1997 Acrylic and charcoal painting on canvas Signed and titled by the artist on the front. Dated on the back. 36 × 30 inc...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Butterfly Collection” is a vibrant and energetic...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

My 80's Heart "Token 7" 2019, gouache, acrylic, graphite, panel, blue, wood, orange

Frustration is center stage, written in cursive: "It's one of those days nothing works out right -- bump into any sharp corner – can’t tell flesh from white or brown from…or green fr...

Brightly colored impressionist landscape oil painting by William H. Partridge (1858 - 1938). Framed. Oil on canvas. Signed. Image size, 24H by 29L.

Vintage modernist abstract painting. Oil on canvas. Image size, 36L x 36H. Signed verso, "Larry Glickman".

Shape 12 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

A lively, impressionistic depiction of a Parisian woman in which sunglasses and a Chanel sweater. We are whisked away in this whimsical scene with the emotion and dynamic composition...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed.

Maeve D'Arcy Joyride, 2024 oil on canvas 60 x 72 in. (dar143)

This whimsical and sophisticated painting was realized by the esteemed contemporary painter, Hunt Slonem in 2016. It presents a stylized rabbit in profile, rendered with loose and ex...