United Kingdom - Vases and Vessels

A Rare Set of 12 Turquoise Glass Apothecary Jars & Bottles With original opaline labels and tole lids. Stamped Paris PL Deposit, most probably retailed by Lefébure. Paris, circa 188...

Substantial perfectly shaped heart vase in smoothly curved ruby red Murano glass with clear glass surround. A wonderful standalone objet d'art sculpture as well as a flower vase. Sig...

This is a tall vintage stem vase. A French, blown glass fluted flower sleeve, dating to the mid 20th century, circa 1950. Striking blown form with a pleasingly slimline proportion ...

Pair of Edwardian Art Nouveau Doulton & Slaters Stoneware Ewers (c. 1900-1910) This refined and decorative pair of stoneware ewers was produced by Doulton & Slaters during the Edwar...

Pair of large antique Famille-rose porcelain fish bowls with giltwood stands Chinese and French, 19th Century Bowls: Height 40cm, diameter 60cm Stands: Height 58cm, width 55cm, dept...

Description: This 20th-century Anatolian terracotta vase embodies the artistry of traditional Turkish pottery. Handcrafted with precision, its twin-handled design and textured finish...

This is a pair of vintage twist stem vases. A French, art glass flower sleeve, dating to the mid 20th century, circa 1950. Charming French glassware with playful, attractive forms Displaying a desirable aged patina and in good order throughout Twisted art...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

Pair of very large French blue glass and ormolu vases French, 20th Century Height 153cm, width 50cm, depth 53cm Blue glass and shining gold ormolu are combined to create this stunn...

A rare and stunning Doulton Lambeth copper clad art pottery vase decorated with fish swimming amidst weed by renowned artist Francis C Pope and dating from the early 20th century. Th...

Hand-crafted from 100% natural rattan, artisans delicately weave the braided rim and elegant loops. The Pinet Plant Pot is perfect for displaying houseplants, but (depending which si...

An exceptionally stunning early 20th Century French cameo glass vase etched and enamelled with a scenic landscape of Lake Como including mountrains, buildings and birds. The vase wit...

A Large Cloisonné Ginger Jar handcrafted by skilled Chinese artisans in the 1960s. This impressive ginger jar showcases exquisite Chinese cloisonné work. Finely decorated with a s...

A Contemporary Art Glass large Crackle Blue Vase "Model Rock" circa 1998 by "Kate Hume Interior" Known for her work as an interior designer, Kate Hume began her design career by cre...

Mid-20th century ceramic vessel in neutral tones, by British artist Bernard Rooke. The vessel has a trapezoidal shape decorated with hieroglyphics front and back, and glazed to the ...

Berndt Friberg (Swedish, 1899-1981) joined Gustavsberg in 1934 and his work is considered as some of the finest examples of wheel thrown pottery of the 20th Century. Inspired by the ...

This is a pair of vintage cloisonné posy vases. A Chinese, painted enamel flower baluster, dating to the late Art Deco period, circa 1940. Graced with wonderful colour and tonalit...

This is an antique decorative posy vase. A Japanese, bronze Meiji period urn, dating to the late 19th century, circa 1900. Adorned with superb relief bird figures over a wonderful bulb form Displaying a desirable aged patina with minimal weathering Bronze shows appealing tonality with a warm chestnut colouration Decorated with the hallmarks of the Meiji period of Japanese history (1868-1912) Wide flared rim with a flat top edge, with an opening diameter of 10cm (4'') Decorative relief birds sit prominently around the body Large phoenix type bird to the front fascia, the ground accentuated with engraved foliate patterns Traditional character mark can be found upon the base This is a fascinating antique decorative posy vase, with classical Japanese...

A good quality pair of late 19th Century Chinese Blue and White lidded vases, Foo dog finials to the lids, wonderful hand painted scenes of mountains, lakes and pagoda buildings, boa...

A nice 19th century French Confit pot with a rare colour glaze being yellow and green.

A very good quality large pair of 19th century Chinese rose medallion or Cantonese lidded vases, each with female figures as finials and handles to the sides. Having the classical gr...

Very Rare Moriage Netting From our Japanese collection, we are thrilled to introduce this fine Japanese Moriage Cloisonne Enamel Vase. The Cloisonne Enamel Vase of baluster form wi...

A heavily textured volcanic open shaped vessel with black and white glaze and markings. Made from black textured stoneware clay and porcelain engobe. Inspiration for the piece comes...

French Art Nouveau ceramic vase of shouldered ovoid form baring a row of raised nodules - French ‘points’ (nipples). Clearly by Influenced Auguste Delaherche’s use of similar motif...

This is a large vintage carboy. An English, decorative glass storage jar, dating to the late 20th century, circa 1970. Generously sized, with distinctive 'garlic clove' form Disp...

Pair of large Sèvres style pedestals in porcelain, ormolu and green onyx French, late 19th century Height 87cm, width 40cm, depth 40cm Thes...

Inlaid with Gold and Silver From our Japanese collection, we are thrilled to offer a Japanese Pair of Meiji Period Bronze Vases. The Japanese Bronze Vases of elongated form each sur...

An imposing and very good quality pair of Cantonese / rose medallion vase. Each having wonderful bold colors, the inset hand painted panels depicting interior scenes of courtiers and...

French gilt bronze and Chinese cloisonné enamel jardinière French and Chinese, early 20th century Measures: Height 63cm, width 58...

Nevers Faience 'Pot a Oranger' adorned with painted Asian house scene and a flowered decoration in shades of blue (camaieu bleu). Circa 1750 tin-glazed p...

Jean Gerbino for Vallauris, France, ceramic glazed blue, green and terracotta banded mosaic ball vase Gerbino uses the Neriage technique to attain such intriguing patterns A genero...

Hallmarked in Sheffield in 1910 by James Dixon & Sons, this handsome pair of Antique Sterling Silver Vases, are plain in design, and of a larger than usual size. Each vase measures 1...

Striking and quite rare is this 1930s Art Deco ceramic powder box which depicts a stylized female dancer sat on the lid of a porcelain box. Beautiful colouring and detailing. A rare ...

A pair of large oak jardinière planters decorated with 18th century tiles. The oak troughs compliment the blue and white colours of the tiles of coastal and rural scenes, displayed ...

Fantastic large pair of antique Japanese imari vases having a quality large pair of antique Japanese imari vases, decorated with flowers, leaves, trees, insects and scrolls hand pain...

Pair of large gilt-bronze mounted Sèvres-style porcelain vases with pedestals French, Early 20th century Measures: Vases: height 141cm, width 60cm, depth 44cm Stands: height 66cm,...

Talwin Morris style of, an Arts & Crafts Glasgow School cylindrical copper vase with wonderful oblong enamels to each side and stylised elongated tree de...

Pair of Large French Dragon-Handled Figural Bronze Ewers Empire Style Good condition Free international shipping.

A wonderful late 19th century Chinese Cantonese (Rose Medallion) lidded vase, having bold classical colors, figural handles on either side and to the lids, inset hand painted panels ...

A very good quality pair of late 19th Century Japanese Blue and White Jardinieres, each with a white ground and raised circular reli...

A large 1970s mottled red and grey ceramic glazed vase. The bulbous body of an intense mottled red with a wonderful shimmering glaze narrows towards the neck where the colour turns...

This is an antique side table. A Chinese, ebonised mahogany and marble jardiniere or planter stand, dating to the Victorian period, circa 1850. Of a darling, diminutive form with d...

Hand-blown antique American glass perfume bottle overlaid with open-work silver banding and engraved floral decorations. In 1889, the decorative technique of applying sterling silve...

Powder blue Royal Copenhagen crackle glazed porcelain vase with gilded banding Notable, well defined dark crackle exterior Designed by Thorkild Olsen Circa 1954 Stamped and numbered...

Vintage Blue ceramic vase by C.A.S. Vietri (circa 1950s). In the style of Guido Gambone, this stunning piece features decor of four people in...

Originating from Czech republic this Art Deco vase not only visually looks stunning with it's very distinctive plum red & black colouring but is also a great size standing just over ...

A beautiful handblown bubble glass vase with etched detail featuring a galleon ship.

Danish Mid-Century Amber Glass Bottle Vase by Otto Brauer for Holmegaard A design icon and a superb example of mid-20th-century modern glass. Crafted during the 1960s, the vase f...

Large antique French Sèvres style porcelain and gilt bronze vase French, 19th Century Overall dimensions: Height 157cm, width 60cm, depth 44cm Vase: Height 141cm, width 60cm, depth...

This is a vintage blue and white oval planter. A Chinese, ceramic decorative jardiniere pot, dating to the late 20th century, circa 1970. Distinctive shape and appealing decor accen...

Rene Lalique Electric Blue Glass Espalion Vase. This pattern features a mosaic of fern fronds. Molded makers mark, 'R LALIQUE' and engraved, 'France'. Book reference: 'R. LALIQUE Cat...

Gouda Holland. An early and massive Rhodian vase with a date letter E for 1902, and engraved R for Bernardus Römer.

A very fine, stylish and unusual mid-century mallet shaped art glass vase in amberina orange and red glass. The vase has a pepper rounded gourd shape body with molded ribbing running...

This is a vintage decorative posy vase. A Chinese, ceramic flower urn with peacock decor, dating to the mid 20th century, circa 1960. Pleasingly deta...

Joseph Ellwood is a British designer and maker, he has been named one of 10 'Future Icons' in design by Wallpaper* magazine, collaborated with the luxury brands Rimowa and Maison Mar...

Joseph Ellwood is a British designer and maker, he has been named one of 10 'Future Icons' in design by Wallpaper* magazine, collaborated with the luxury brands Rimowa and Maison Mar...

This Russian-made Islamic vase is an exquisite piece of craftsmanship that was intended for the Turkish market. The piece is colourfully enamelled and painted. The vase is hexagonal ...

A set of three provincial glazed ginger pottery pots of varying sizes and with different motifs. Sold as a set. Tallest 16cm smallest height 13cm.