Abstract Paintings on Sale

Interior design paintings. The work was done with acrylic in violet, black, beige, pale pink, rose color on Yupo paper. The work is 20 by 26 inches in size, framed in fine-quality so...

Very impressive modernist landscape by Larry Horowitz (Born 1956). Oil on canvas. Signed. Framed. Artist Bio: Larry Horowitz is an American landscape painter, focused especi...

"Spring Inspiration," an abstract expressive artwork by French artist Natalya Mougenot, is part of her "Floral" series. Natalya enjoys working in a single, focused setting to convey ...

This painting is part of a series that is influenced by trying to find simplicity and beauty in todays chaotic world. I start each painting with a feeling; be it hope, despair, happi...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 16H by 24L.

Impressive early American modernist landscape oil painting by Harold Saxton Burr (1889 - 1973). Framed. Oil on board. Signed verso. Image size, 16H by 16L.

AUDRA WEASER "Golden Pearl" Acrylic, Metallic Pigments, Plaster Paint on Canvas 40 x 60 in. ___________________ Utilizing a minimalist color palette, Weaser’s process-based paintin...

Title: Gri Gri Artist: Eduardo Arranz Bravo (Barcelona, 1941 – 2023) Medium: Oil on canvas Dimensions: 39.4 x 31.9 in (100 x 81 cm) Date: 1974 Signature: Signed lower left: Arra...

“PORT CORSE” BY CHARLES LEVIER (1920-2003) Oil on Canvas ⚜ Signed ⚜ Framed A MASTERPIECE OF POST-IMPRESSIONISM & CUBISM An exquisite example of Charles Levier’s signature style,...

If painting still respects a logic that legitimizes its practice and existence in our hyper-saturated civilization of the image, it is its ability to break the representation, to ope...

Natalya enjoys working on abstract artworks with an expressive touch. Title: "Building a brighter future " This artwork was done with acrylic paints on a heavyweight cardboard. Glo...

I cannot make anyone understand what’s going on inside of me, I cannot even explain myself but now I’m experiencing the sense of calm after legging go of my unnecessary concerns. Sh...

Acrylic on canvas, Lika Sarishvili is a Georgian artist born in 1988 who lives and works in Tbilisi, Georgia. She was awarded with a master’s degree a...

Reference number A162 Not framed but could be with a natural oak floated frame (add 200 euros) 16 x 43 cm This work is painted with oil on a board. It is signed...

"Ottanio" is a mesmerizing piece from Elizabeth Art Candy’s latest series, inspired by the evocative power of sweet memories. This contemporary wall sculpture mimics the texture of m...

"Woman of Heart" is a striking contemporary abstract expressionist painting by French artist Natalya Mougenot, blending elements of art naïve and figurative art. As part of her Women...

Impressive 1963 modernist painting. A cubist abstract with great composition and color. Framed. Signed.

Alfred Cohen (American, 1920 - 2001) Signed: A. Cohen (Lower, Right) Stamped: Atelier Alfred Cohen (on Canvas Verso) " Off Boulogne ", circa 1950s Oi...

Summer flowers in yellow, green, cyan colors. Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 First solo exhibition in the artistic and historical museum of Tukums in Latvia. In 1974 his illustrations for the A.S. Pushkin's book, "Eugene Onegin" (published Liesma) was awarded at the 7th All-Union competition of books, posters and postcards design (Moscow, USSR). Significant exhibitions: 1976 - First place in the All-Union Exhibition of Young Artists in Moscow 1983 - Solo exhibition at the Museum of Foreign Art (Riga, Latvia) 1988 - personal exhibition at the Pushkin State Museum (Moscow, Russia) Museum bought more than 100 of the artist miniatures to collection. 1989 - Group exhibition "Contemporary Soviet Painters from Riga" Edward Nahamkina Art Gallery (New York, USA) 1990 - Group exhibition at the Astra Gallery (Chicago, USA) 1990 - 1992 - works exhibited in the Harmony Gallery (Paris, France) 1992 - Solo exhibition at Gallery Carre d'Or (Paris, France) 1993 - Solo exhibition at the Gallery of the Riga (Riga, Latvia) 1994 - Exhibition in honor of the 50th anniversary at the Latvian National Art Museum, Exhibition Hall Arsenals (Riga, Latvia) 1997 - Solo exhibition at the Gallery of Riga (Riga, Latvia). In cooperation with IBM Latvia and Modo Paper released exhibition catalog. 1998 - Exhibition of watercolors - miniatures at Gallery "Nocturne", Riga 1999 - personal exhibition at the Pushkin State Museum (Moscow, Russia) 2004 - personal exhibition at gallery "Manss" (Jekabpils, Latvia) 2005 - Group exhibition of Latvian-French festival "Amazing Latvia" (in Bourgoin-Jallieu, France). 2011 - Contemporary Art exhibition-fair at Gallery Birkenfeld ArtVilnius'11 (Vilnius, Lithuania) Group Exhibition-Fair of Lineart Contemporary Art (Ghent, Belgium). Group exhibition at the Art Museum Nerima (Tokyo, Japan) 2012 Released artist album "Retrospective". Solo exhibition "The Battle of Waterloo would have ended differently ... Dedication to Marshal L.N. Davu." At gallery Birkenfelds. The artist works in the following genres and techniques: watercolor, painting, drawing, book illustrations, murals for public interiors in Latvia and abroad. Works in museums and private collections: At the Latvian National Museum of Art, at collection of Artists' Union of Latvia, Russian Ministry of Culture (Moscow, Russia), the Pushkins` State Museum (Russia), Bank of Latvia, Džeinas Vorhīsas Cimerlī Art Museum, Radzhersa, State University of New Jersey, at collection of Norton and Nancy Dodge nonconformist art of the Soviet Union (US), Vitaly Gotlib (Latvia), and Indra Benjamin Wilson...

Up for sale here is a great modernist portrait painting. Oil on canvas, circa 1920. Painted in a wonderful modernist style. Framed. Image size 28 x 44.

Douglas M. Olsen (b. 1960). #38, After the Rains, 1980. Watercolor on rag paper, 22 x 22 inches. Signed lower margin and on verso.

Acrylic & marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean ar...

This contemporary abstract expressive nature painting, created by French artist Natalya Mougenot, bursts with color and emotion. "Spring on the Horizon" captures the fresh energy of ...

Oil on linen Fu Zenan always known as Da Han is a Chinese artist born in 1953 who lives & works in Songzhuang, Beijing, China. He is graduated from the Suzhou University. In 1985, F...

"Untitled Abstract I" is an Original Oil on Canvas by G. CURTIS. The piece is part of a set. It measures 37.5 x 49.5 x 1 inches with frame. It is signed and dated by the artist. The ...

Sol LeWitt (1928-2007) Untitled Gouache on Paper 28.5 x 37.5 cm (11 1/4 x 14 3/4 in) Executed in 1995 Signed and dated 95 lower right Provenance Marco Noire Contemporary Art Turin...

Experimentation with different materials, textures and techniques in each of his paintings has been a point of discovery and a major part of Raul de la Torre’s artwork. In his Fils I...

Title: The Guardians of Absolute Wealth Large Expressionist work with vibrant colors This is a large and soulful artwork by Karnish. Symbols and forms unfold in this mesmerizing large work depicting wealth and abundance. The viewer is invited to find their own stories intentionally created to move the viewers eyes to different aspects of riches to be discovered in the work. This work is part of a series. It is part of a story... It portrays truth, abundant energy, utmost care and wild freedom. There are hidden treasures – the infinity sign, the triangles, diamonds and squares, the abundance of color, to connect us with affluence and prosperity! Her well loved signature-style Guardians are also at play. Graffiti, spray-paint, acrylics, oils and mark making with vivid colors of blue, red, orange, yellow, purple, black, off-white, green and white - layer upon layer of shapes and forms, to create this unique artwork! This work is created on top quality, heavy duty canvas. It is mounted and stretched on wooden bars and ready to hang. It can also be framed in a style that suits the décor of the place that it will be displayed at. (Cost is for the collector. Keep in mind that the South African Rand exchange rate is favorable and makes it most cost effective to have it framed here. Shipment cost...

In the manner of Affandi Abstract Lotus, circa 1970 Unsigned Oil on canvas 30 x 40 inches

Vibrant abstract composition by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Thomas Romero (American, b-1985). Signed ...

Charles Collins hails from a family of New Orleans artists. His late mother was a noted painter as his sister currently is, and he has a son who is a glassblower. His work has not be...

Landscape Mixed media on canvas 100x100 cm Original Art certificate of authenticity

Colorful and expressive abstracted seascape with thick impasto dynamically swirling together by California artist Richard Lofton (American, 1908-1966). Signed and dated "RICHARD LOFT...

This vibrant abstract colorful expressive artwork "Mystery 0.2" reflects the nature and the beauty of multiple colors (red, yellow, green black) we can find in it. This artwork is ...

This painting is part of a series titled Sublime Memories. It is inspired by the commonly unseen aspects of nature that I notice when in such an environment. I look for those element...

Artist’s Statement: “After working on my 'Gridish' series for awhile, I went back to revisit a series of work I did in 2020, where I was putting down successive layers of paint in a ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Artist/ School: Rene Leroy (French b. 1932) Title: Abstract/ Cubist Composition Medium: oil on canvas, framed, signed Size: framed: 28.25 x 28.25 inches painting: 2...

Due to a physical ailment (a large benign tumor in her right hand) Sarah’s creative process is unique. She works primarily with acrylic paint, alcohol ink, pen, synthetic film and ca...

Type: Original Painting (Triptych) Title: White Landscape Artist: Marilina Marchica Medium: Mixed media on canvas Size: 30x90 cm (each panel: 30x30 cm) Year: 2028 Style: Minimalist, ...

Futurista,Decò,Liberty ARTURO CIACELLI (Arnara, 1883 - Venezia, 1966) Florale n.2, 1935 Oil on canvas 58x37 cm Signed and dated lower left "Ciacelli - 35 -" On the reverse, cartou...

Colorful Floral Abstract Painting Acrylic on Silk 56" x 75 3/4" Housed in a Black Metal Frame Overall Size: 56 1/2" x 76 1/4" This monumental painting was recently discovered...

"From The Chair On The Porch" 140 x 140 Acrylic on Canvas, Hanging material included An exploration of beauty and energy, Tabing’s paintings are a visual representation of the dic...

Antique American modernist abstract oil painting of coastal New England. Oil on canvas. Signed. Framed.

Title: Untitled (2002) Artist: Deyan Valkov Date of Birth: 1974 Style: Abstract Material-Expressionism Technique: Oil and mixed media on canvas Dimensions: 25.6 x 21.3 inches Conditi...

Katherine Bello About Time Acrylic and oil stick on canvas 2023 Size: 52x42x1.5in Signed, dated and titled by hand COA provided Ref.: 924802-1874 *on stretcher frame - ready to hang...

Primary Colour Series- Blue Cat is inspired by Japanese woodblock Print and the a nod to calligraphy tradition. With strokes of gilded gold leaves, gesso and acrylic, Shizico Yi pain...

Antique American modernist seascape signed oil painting. Oil on canvas. Signed on verso. Framed. Image size, 30L x 15H.

Jimmy Ernst Personal Equation, 1950 Signed and dated lower right Oil on canvas 41 x 39 1/2 inches Provenance: Laurel Gallery, New York Grace Borgenicht Gallery, New York Collection ...

Artist: Ian Hornak (1944-2002) Title: Last Song: Beim Schlafengehen (Going to Sleep) Year: 1985 Year: 1985-2001 Medium: Acrylic on Canvas, with Artist Painted Frame Size: 47 x 59 i...

Contemporary Art, Abstract Painting Acrylic on canvas 130x170cm Signed About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escultura y Grabado (ENPEG) “La Esmeralda”. As a Mexican Contemporary Expressionism artist, Pichardo reminisces about the Pre-Hispanic past and indigenous traditions by using symbolisms of a time when the civilizations believed in magic, rituals and created beautiful colors. Through his work, he also pays tribute to world renowned Mexican artists such as Rufino Tamayo, Francisco Toledo, Rodolfo Morales...

"Nothing lasts forever, even our pains too" Ephemeral is a captivating piece from the Life in Circles series that explores the transient nature of existence. The artwork evokes the i...

Blue Lagoon of Miyako Island lies 300 km west of Okinawa and is known for its beaches, which are considered the best in Japan. The blue water shines like a polished emerald. The...

This geometric abstract painting belongs to the "Geometric Abstraction" series, a collection that explores the interplay of shapes and tones to create depth, balance, and harmony. G...

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

Antique American school seascape oil painting. Oil on canvas. Framed. Signed. Image size, 30L x 24H.

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Katherine Bello Title: 21 Oil on canvas Year: 2021 Dimensions: 40"x30"x1.5" Signed by hand Canvas on stretcher frame - ready to hang COA provided ---------------------------------- Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, abstract art, contemporary art, Contemporary Fine Art, Fine Art, Painting, acrylic, Jackson Pollack, Mark Rothko, Kandinsky, Franz Kline, Lee Krasner, Helen Frankenthaler, Robert Motherwell, Mark Rothko, Amy...