Color Photography on Sale

A contemporary photograph of an AC/DC - Back In Black cassette tape. "They encapsulate an era instantly transporting the viewer to another time." - Destro Printed on Archival Paper...

A contemporary photograph of an AC/DC - Back In Black cassette tape. "They encapsulate an era instantly transporting the viewer to another time." - Destro Printed on Archival Paper...

A contemporary photograph of a BRUCE SPRINGSTEEN "BORN IN THE USA" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These i...

An underwater photograph of a man diving in the pool with bouquet of flowers Original gallery quality print signed by the artist. Digital archival pigment print on archival paper w...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

This is a contemporary photograph of a American Wild Mustang. "They represent the ultimate expression of American freedom" 40x80 Unsigned print Printed on archival papers using ar...

Underwater black and white nude photograph of a model diving in a swimming pool Original gallery quality print signed by the artist. Digital archival pigment print on archival pa...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

A contemporary photograph of an AC/DC - Back In Black cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro "They encapsulate an...

An underwater photograph of a nude model diving in blue light on a black background. Original gallery quality print signed by the artist. Digital archival pigment print on archiva...

An underwater black and white photograph of a young women kaleidoscopically multiplied into a lacy artwork. Original gallery quality print signed by the artist. Digital archival pi...

A contemporary photograph of the "Top Gun" soundtrack. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These iconic tapes have become mor...

Artist: Sally Davies (1956) Title: Lenox Lounge (New York City) Year: 2022 Medium: Inkjet print on archival paper Edition: 24, plus proofs Size: 24 x 36 i...

An underwater photograph of a young woman wrapped in bright green tulle. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with...

An underwater photograph of a young woman wrapped in bright green tulle. Her head is above the water, hidden from the camera. Original gallery quality print signed by the artist. ...

An underwater photograph of a young woman wrapped in bright green tulle. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with...

An underwater photograph of a young woman wrapped in bright green tulle. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with...

An underwater photograph of a young woman wrapped in bright green tulle. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with...

Digital c-print. Hand signed by the artist on a label affixed to the reverse. Edition of 10. Frame size approx 53 x 65 inches, Certificate of Authenticity Included. Artwork in Ex...

An underwater photograph of a young woman wrapped in bright green tulle. Her head is above the water, hidden from the camera. Original gallery quality print signed by the artist. ...

An underwater photograph of a young woman wrapped in bright green tulle. Her head is above the water, hidden from the camera. Original gallery quality print signed by the artist. ...

From the "Lost series". An aerial photography that was not manipulated or color corrected.

Four Corners (The Last Picture Show) - 2005 Edition 1/5, 38x37cm each, 38x208cm installed including gaps. 5 Analog C-Prints, hand-printed by the artist on Archive Fuji Chrystal Pa...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

“Exquisite Ghost” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of ...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

Vintage darkroom Cowboy photograph In the style of Richard Prince circa late 1980s: A superbly rendered vintage darkroom photograph, surrealistically exploring the mythology of the American cowboy set amidst blazing skies. Rendered much in the manner of Richard Prince cowboys...

“Prophetess” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of maste...

“Astrologist” is a part of Alex Sher’s series "Reflections" - underwater photographs that could be mistaken for paintings as they bring up recollections of masterpieces by Picasso, D...

Kate Moss Street Art Photo: A rare Mr. Brainwash Kate Moss mural photographed in New York's famed Soho area in 2014 by celebrated downtown photographer Fernando Natalici. Digital C...

“Alice” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Marie Craig's "Everybody had a Bad Year" is an original montage of four hand-colored deep blue photographs of a tropical leaf. This piece was created using cyanotype, an early photog...

“Scream” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpie...

Campbell Kitchen (29 Palms, CA) - 1999 Edition 1/10, 65x60cm. Analog C-Print, hand-printed by the artist, mounted on Aluminum with matte UV-Protection, based on the Polaroid with ...

'Kate Moss Supreme' photographed in New York's historic Soho area in 2012 by celebrated downtown photographer Fernando Natalici. In 2012, Moss was chosen as the face for Supreme’s spring campaign. Kate’s cold stare down British photographer Alasdair McLellan’s lens, while wearing Supreme's signature box logo tee, a leopard fur coat and cigarette burning down to the filter, makes for a chic New York City...

“Exquisite Ghost” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of ...

“Scream” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpie...

“Astrologist” is a part of Alex Sher’s series "Reflections" - underwater photographs that could be mistaken for paintings as they bring up recollections of masterpieces by Picasso, D...

“Prophetess” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of maste...

“Alice” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...

Still life photographies, limited edition, numbered, signed and certificated. About the artist : Born in 1948 in the French Alps, Jean Turco spent his adolescence in Chamonix Mont ...

"Bronco" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds o...

An underwater photograph of a naked young woman with golden scarf on black background. Original gallery quality archival pigment print signed by the artist. Paper size: 25" x 36" ...

An underwater photograph of a topless young woman with white tulle scarf taking off her red skirt on bright red background. Original digital print on archival paper signed by the a...

"Newman" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds o...

Slim Aarons Speedboat Landing, 1973 Chromogenic Lambda Print (C Print) Estate edition of 150 August 1973: A motor boat arrives at a jetty in Porto Ercole, Italy. Estate stamped an...

Available (Oxana's 30th Birthday) -2007, from the 29 Palms, CA project - 38x36cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and s...

"Newman" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds o...

The WEBB imagery is of the most important imagery every taken. The finest museum quality WEBB images available. Printed on archival paper using archival inks. Framing options avail...

Your Eyes on Me (Till Death do Us part) - 2005 40x39cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid, Certificate and Signature label. ...

Chicken Madonna (Chicks and Chicks and sometimes Cocks) - 2016 30x37cm, Edition 1/10. Archival Print on Dibond, based on the Polaroid. Signed on back with Certificate. Artist In...

Chicken Madonna (Chicks and Chicks and sometimes Cocks) - 2016 100x125cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signed on back with Certifi...

Stefanie Schneider's Mini Saigon (Stranger than Paradise) - 2003 signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid sized open Editions 1999-2023...

Stefanie Schneider's Mini Morning Glory (Till Death Do Us Part) - 2005 featuring Daisy McCrackin signed in front, not mounted. Digital Color Photographs based on a Polaroid. Pola...

Mid Century Modern Palm Springs Architecture. Steve McQueen vintage car photographed for the first time at his pool in Palm Desert. A...

Mid Century Modern Architecture Classic 1965 Pontiac Vivant & Mercedes Benz SL - Palm Desert, Moon Light, Limited Series. Archival Inkjet Print on Cotton Paper. Mid Century Modern ...

Stefanie Schneider's Mini Jules and Jim (29 Palms, CA) - 2007 signed in front, not mounted. Digital Color Photographs based on the Polaroids. Polaroid sized open Editions 1999-2023...