Color Photography on Sale

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

Cabazon Dinosaurs (Drive to the Desert) - 2000 44x59cm, Edition 5/5. Analog C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #155.05. Not mount...

A contemporary photograph of an AC/DC - Back In Black cassette tape. "They encapsulate an era instantly transporting the viewer to another time." - Destro Printed on Archival Paper...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

“Brushstroke” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of mast...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

Richard Klopfenstine Kemper Museum of Contemporary Art Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; ma...

An underwater black and white (sepia) photograph of a naked young woman covered with tulle. Original gallery quality archival pigment print on archival paper signed by the artist. L...

A contemporary photograph of a BRUCE SPRINGSTEEN "BORN IN THE USA" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These i...

A contemporary photograph of an AC/DC - Back In Black cassette tape. "They encapsulate an era instantly transporting the viewer to another time." - Destro Printed on Archival Paper...

An underwater photograph of a man diving in the pool with bouquet of flowers Original gallery quality print signed by the artist. Digital archival pigment print on archival paper w...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

This is a contemporary photograph of a American Wild Mustang. "They represent the ultimate expression of American freedom" 40x80 Unsigned print Printed on archival papers using ar...

An underwater photograph of a nude model diving in blue light on a black background. Original gallery quality print signed by the artist. Digital archival pigment print on archiva...

Underwater black and white nude photograph of a model diving in a swimming pool Original gallery quality print signed by the artist. Digital archival pigment print on archival pa...

Nobuyoshi ARAKI (*1940, Japan) 67 Shooting Back #GDN224, 2007 RP Direct print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-ba...

An underwater black and white photograph of a young women kaleidoscopically multiplied into a lacy artwork. Original gallery quality print signed by the artist. Digital archival pi...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

An underwater photograph of a young woman wrapped in bright green tulle. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with...

An underwater photograph of a young woman wrapped in bright green tulle. Her head is above the water, hidden from the camera. Original gallery quality print signed by the artist. ...

An underwater photograph of a young woman wrapped in bright green tulle. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with...

Snow Silence (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

Snow Silence (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

Snow Silence (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

The Fog (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory Nu...

An underwater photograph of a young woman wrapped in bright green tulle. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with...

An underwater photograph of a young woman wrapped in bright green tulle. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with...

The Mountain (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

Purple Valley (Wastelands) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory Number 6...

An underwater photograph of a young woman wrapped in bright green tulle. Her head is above the water, hidden from the camera. Original gallery quality print signed by the artist. ...

An underwater photograph of a young woman wrapped in bright green tulle. Her head is above the water, hidden from the camera. Original gallery quality print signed by the artist. ...

'Kate Moss Supreme' photographed in New York's historic Soho area in 2012 by celebrated downtown photographer Fernando Natalici. In 2012, Moss was chosen as the face for Supreme’s spring campaign. Kate’s cold stare down British photographer Alasdair McLellan’s lens, while wearing Supreme's signature box logo tee, a leopard fur coat and cigarette burning down to the filter, makes for a chic New York City...

Digital c-print. Hand signed by the artist on a label affixed to the reverse. Edition of 10. Frame size approx 53 x 65 inches, Certificate of Authenticity Included. Artwork in Ex...

Four Corners (The Last Picture Show) - 2005 Edition 1/5, 38x37cm each, 38x208cm installed including gaps. 5 Analog C-Prints, hand-printed by the artist on Archive Fuji Chrystal Pa...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

“Exquisite Ghost” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of ...

Juilliard Building, New York, 2023 by Roberta Fineberg is an 18” x 24" archival pigment print (on baryta paper) in an edition of 5. Signed, dated, and titled by the artist on front a...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

“Prophetess” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of maste...

Kate Moss Street Art Photo: A rare Mr. Brainwash Kate Moss mural photographed in New York's famed Soho area in 2014 by celebrated downtown photographer Fernando Natalici. Digital C...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

“Exquisite Ghost” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of ...

“Alice” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...

“Astrologist” is a part of Alex Sher’s series "Reflections" - underwater photographs that could be mistaken for paintings as they bring up recollections of masterpieces by Picasso, D...

Marie Craig's "Everybody had a Bad Year" is an original montage of four hand-colored deep blue photographs of a tropical leaf. This piece was created using cyanotype, an early photog...

“Scream” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpie...

Train crosses Plain (Wastelands) - 1999 55x72cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Polaroid. Sign...

Yoshinori MIZUTANI (*1987, Japan) sakura 020, 2015 Archival pigment print on Hahnemuhle Fine Art Baryta paper 145.6 x 97 cm (57 3/8 x 38 1/4 in.) Edition of 3, plus 2 AP; Ed. no. 1/3...

“Scream” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpie...

“Prophetess” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of maste...

“Astrologist” is a part of Alex Sher’s series "Reflections" - underwater photographs that could be mistaken for paintings as they bring up recollections of masterpieces by Picasso, D...

RISAKU SUZUKI (*1963, Japan) SAKURA 13,4-152 2013 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed The Sakura (Japanese term for ‘cherry bloss...

Alitalia - Historical Photos is a vintage photograph realized in the 1970s. This photo belongs to a precious testament album of Italian airline. Good conditions.

Alitalia - Historical Photos is a vintage photograph realized in the 1970s. This photo belongs to a precious testament album of Italian airline. Good conditions.

Women Working Italtel -New Technologies in the 1970s is a vintage black and white photograph realized in the 1970s in Italy Good conditions an aged.

"Newman" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds o...