Sculptures on Sale

Incredible Abstract Sculpture by Barbara Hult Lekberg, American, 1925-2018: Sea Wind II. Bronze, signed and numbered 6/9 Provenance: The Estate of Dr. Richard Auhll, Santa Barbara, CA

A very fine and Monumental French 19th century patinated bronze group Titled "The Abduction of the Sabine Women" after a model by Pierre Loison (French, 1816-1886), depicting a young scantily maiden being carried away on the arms of a Roman soldier, raised on circular ebonized wood and brass revolving pedestal stand. Signed at the base: P. Loison, circa: Paris, 1870-1880. Overall height (Sculpture and Pedestal): 91 inches (231.2 cm). Sculpture height: 54 3/4 inches (139.1 cm). Sculpture width: 24 inches (61 cm). Pedestal height: 36 inches (91.5 cm). Pedestal width (Widest): 25 1/2 inches (64.8 cm). Pierre Loison was a French sculptor of the 19th century born in the seaside town of Loir-et-Cher on July 5, 1816 and died in Cannes on February 3, 1886. In 1841, he joined the Pierre-Jean David d'Angers workshop where he became one of his favorite pupils. A year later he attended the School of Fine Arts in Paris. He exhibited for the first time at the Salon des artistes Français where in 1845 he was awarded third-class medal. In 1853 he was awarded First Place medal and at the Universal Exhibition of 1955 he received an honorable mention and another medal award in 1859. On 12 July 1859 and by decree, he was made "Chevalier de la Légion d’Honneur". Pierre Loison is buried at The Montparnasse Cemetery in Paris. Works by Pierre Loison "Femme assise": Terre cuite (1843) au musée Gustave-Moreau à Paris "Jeune fille portant un vase": Statue en marbre blanc, (h. 1,25 m) datée de 1857 et présentée au Salon de 1859 ; la statue fut d’abord placée au Palais-Royal (appartements du prince Napoléon) ; elle est actuellement au musée des Beaux-arts de Dole ; une réplique de taille réduite est au Musée des arts décoratifs de Paris. "La Halle aux grains de Mer": Chaque façade de ce bâtiment, classé à l’inventaire supplémentaire des monuments historiques, comporte un fronton triangulaire et celui de la façade ouest représentant « L’Agriculture distribuant des couronnes aux enfants de Beauce et de Sologne » a été sculpté gracieusement par P. Loison, natif de la commune. "La Justice assise": Allégorie de la Justice au fronton du Palais de justice de Blois (1847). "Buste d’Achille Fould": Au musée du Château de Blois 8; "Nausicaa": Statue en plâtre présentée au Salon de 1874, au musée des Beaux-arts de Vendôme. "Statue de J-B. Pigalle sur la façade de l’hôtel de ville de Paris "Sculptures extérieures du Palais du Louvre": Pierre Loison est l’auteur de neuf statues qui décorent les façades du Louvre "Figure" (1878) au deuxième étage du Pavillon Marsan10; "La Navigation" (1868) sur la balustrade du premier étage du Pavillon des États11; "Pandore" (1861) sur l’aile Est12; « Vénus » (1865) Aile Marsan13; "l’Histoire et la Vérité" (1857)14; "La Poésie et la Philosophie" (1857)15 deux oculi du Pavillon Mollien, coté cour Napoléon ; "Concordet" (1857) sur la balustarde du premier étage de la Rotonde de Beauvais, coté cour Napoléon. "Statue de Sappho sur le rocher de Leucade : datée de 1859, (h. 1,85 m) sur la façade nord de la cour carrée du Palais du Louvre à Paris ; le modèle en plâtre, offert par Mme Loison, est au musée des Beaux-arts de Blois. "Vierge à l’enfant": Statue en marbre en l’église Saint-Pierre de Dampierre-en-Yvelines. "Jeune romain enlevant une Sabine": Groupe présenté au Salon de 1863 qui a été reproduit en bronze par la fonderie d’art Raingo frères. "Sépulture de la famille Hautoy : Au cimetière du Père-Lachaise, deux bas-reliefs en marbre représentant l’un "La vie de Famille," l’autre 'Le chantier," datés de 1880. "Demoiselle d’honneur de la Cour de François Ier": Statue en pierre exposée au Salon des artistes vivants en 1870 ; acquise par l’État à ce Salon, elle a été déposée en 1891, devant la mairie d’Aubin. "La Paix distribuant des palmes aux génies des Beaux-arts": Fronton du Château de Compiègne (1866). "Daphnis et Naïs": Groupe en marbre (1869) au musée de Picardie à Amiens. "Jean-Baptiste Pigalle": Statue en pierre (1881) sur la façade principale, au rez-de-chaussée de l’Hôtel de ville de Paris. "Gisant de Ferdinand-Philippe d'Orléans: dans la chapelle royale de Dreux en collaboration avec Ary Scheffer. "La Grace": Statue en marbre (1875) dans le grand foyer de l’opéra Garnier. The Abduction of the Sabine Women The Abduction of the Sabine Women is an episode in the legendary history of Rome, traditionally dated to 750 BC, in which the first generation of Roman men acquired wives for themselves from the neighboring Sabine families. Recounted by Livy and Plutarch (Parallel Lives II, 15 and 19), it provided a subject for Renaissance and post-Renaissance works of art that combined a suitably inspiring example of the hardihood and courage of ancient Romans with the opportunity to depict multiple figures, including heroically semi-nude figures, in intensely passionate struggle. Comparable themes from Classical Antiquity are the Battle of the Lapiths and Centaurs and the theme of Amazonomachy, the battle of Theseus with the Amazons. The Abduction is supposed to have occurred in the early history of Rome, shortly after its founding by Romulus and his mostly male followers. Seeking wives in order to found families, the Romans negotiated unsuccessfully with the Sabines, who populated the area. Fearing the emergence of a rival society, the Sabines refused to allow their women to marry the Romans. Consequently, the Romans planned to abduct Sabine women, during a festival of Neptune Equester and proclaimed the festival among Rome's neighbours. According to Livy, many people from Rome's neighbours including folk from the Caeninenses, Crustumini, and Antemnates, and many of the Sabines attended. At the festival Romulus gave a Signal, at which the Romans grabbed the Sabine women and fought off the Sabine men. The indignant abductees were soon implored by Romulus to accept Roman husbands. Livy says Romulus offered them free choice and promised civic and property rights to women. According to Livy, Romulus spoke to them each in person, declaring "that what was done was owing to the pride of their fathers, who had refused to grant the privilege of marriage to their neighbours; but notwithstanding, they should be joined in lawful wedlock, participate in all their possessions and civil privileges, and, than which nothing can be dearer to the human heart, in their common children." Responsibility of the men for meeting the needs of the children thus conceived was not included. War with the Sabines and other tribes Outraged at the occurrence, the King of the Caeninenses entered upon Roman territory with his army. Romulus and the Romans met the Caeninenses in battle, killed their king, and routed their army. Romulus later attacked Caenina and took it upon the first assault. Returning to Rome, he dedicated a temple to Jupiter Feretrius (according to Livy, the first temple dedicated in Rome) and offered the spoils of the enemy king as spolia opima. According to the Fasti Triumphales, Romulus celebrated a triumph over the Caeninenses on 1 March 752 BC. At the same time, the army of the Antemnates invaded Roman territory. The Romans retaliated, and the Antemnates were defeated in battle and their town captured. According to the Fasti Triumphales, Romulus celebrated a second triumph in 752 BC over the Antemnates. The Crustumini also started a war, but they too were defeated and their town captured. Roman colonists subsequently were sent to Antemnae and Crustumerium by Romulus, and many citizens of those towns also migrated to Rome (particularly the families of the captured women). The Sabines themselves finally declared war, led into battle by their king, Titus Tatius. Tatius almost succeeded in capturing Rome, thanks to the treason of Tarpeia, daughter of Spurius Tarpeius, governor of the citadel on the Capitoline Hill. She opened the city gates for the Sabines in return for "what they bore on their arms", thinking she would receive their golden bracelets. Instead, the Sabines crushed her to death with their shields, and her body was thrown from a rock known ever since by her name, the Tarpeian Rock. The Romans attacked the Sabines, who now held the citadel. The Roman advance was led by Hostus Hostilius, the Sabine defence by Mettus Curtius. Hostus fell in battle, and the Roman line gave way, They retreated to the gate of the Palatium. Romulus rallied his men by promising to build a temple to Jupiter Stator on the site. He then led them back into battle. Mettus Curtius was unhorsed and fled on foot, and the Romans appeared to be winning. At this point, however, the Sabine women intervened: [They], from the outrage on whom the war originated, with hair dishevelled and garments rent, the timidity of their sex being overcome by such dreadful scenes, had the courage to throw themselves amid the flying weapons, and making a rush across, to part the incensed armies, and assuage their fury; imploring their fathers on the one side, their husbands on the other, "that as fathers-in-law and sons-in-law they would not contaminate each other with impious blood, nor stain their offspring with parricide, the one their grandchildren, the other their children. If you are dissatisfied with the affinity between you, if with our marriages, turn your resentment against us; we are the cause of war, we of wounds and of bloodshed to our husbands and parents. It were better that we perish than live widowed or fatherless without one or other of you." The battle came to an end, and the Sabines agreed to unite in one nation with the Romans. Titus Tatius jointly ruled with Romulus until Tatius's death five years later. The new Sabine residents of Rome settled on the Capitoline Hill, which they had captured in the battle. Artistic representations: The Rape of the Sabine Women by Johann Heinrich Schönfeld The subject was popular during the Renaissance as symbolising the importance of marriage for the continuity of families and cultures. It was also an example of a battle subject in which the artist could demonstrate his skill in depicting female as well as male figures in extreme poses, with the added advantage of a sexual theme. It was depicted regularly on 15th-century Italian cassoni and later in larger paintings. A comparable opportunity from the New Testament was afforded by the theme of the Massacre of the Innocents. Giambologna The sculpture by Giambologna (1579–1583) that was reinterpreted as expressing this theme depicts three figures (a man lifting a woman into the air while a second man crouches) and was carved from a single block of marble. This sculpture is considered Giambologna's masterpiece. Originally intended as nothing more than a demonstration of the artist's ability to create a complex sculptural group, its subject matter, the legendary rape of the Sabines, had to be invented after Francesco I de' Medici, Grand Duke of Tuscany, decreed that it be put on public display in the Loggia dei Lanzi in Piazza della Signoria, Florence. True to mannerist densely packed, intertwined figural compositions and ambitious overinclusive efforts, the statue renders a dynamic panoply of emotions, in poses that offer multiple viewpoints. When contrasted with the serene single-viewpoint pose of the nearby Michelangelo's David, finished nearly 80 years before, this statue is infused with the dynamics that lead towards Baroque, but the tight, uncomfortable, verticality— self-imposed by the author's virtuosic restriction to a composition that could be carved from a single block of marble— lacks the diagonal thrusts that Bernini would achieve forty years later with his Rape of Proserpina and Apollo and Daphne, both at the Galleria Borghese, Rome. The proposed site for the sculpture, opposite Benvenuto Cellini's statue of Perseus, prompted suggestions that the group should illustrate a theme related to the former work, such as the rape of Andromeda by Phineus. The respective rapes of Proserpina and Helen were also mooted as possible themes. It was eventually decided that the sculpture was to be identified as one of the Sabine virgins. The work is signed OPVS IOANNIS BOLONII FLANDRI MDLXXXII ("The work of Johannes of Boulogne of Flanders, 1582"). An early preparatory bronze featuring only two figures is in the Museo Nazionale di Capodimonte in Naples. Giambologna then revised the scheme, this time with a third figure, in two wax models now in the Victoria and Albert Museum, London. The artist's full-scale gesso for the finished sculpture, executed in 1582, is on display at the Accademia Gallery in Florence. Bronze reductions of the sculpture, produced in Giambologna's own studio and imitated by others, were a staple of connoisseurs' collections into the 19th century. Nicolas Poussin Nicolas Poussin produced two major versions of this subject, which enabled him to display to the full his unsurpassed antiquarian knowledge, together with his mastery of complicated relations of figures in dramatic encounter. One, now at the Metropolitan Museum of Art, was executed in Rome, 1634–35. It depicts Romulus at the left giving the Signal for the abduction. The second version, of 1636–37, now at the Louvre Museum, shows that, though some of the principal figures are similar, he had not exhausted the subject. The architectural setting is more developed. Peter Paul Rubens Peter Paul Rubens painted a version of the subject about 1635–40. It is at the National Gallery, London. Jacques-Louis David Jacques-Louis David painted the other end of the story, when the women intervene to reconcile the warring parties. The Sabine Women Enforcing Peace by Running Between the Combatants (also known as The Intervention of the Sabine Women ) was completed in 1799. It is in the Louvre Museum. David had worked on it from 1796, when France was at war with other European nations after a period of civil conflict culminating in the Reign of Terror and the Thermidorian Reaction, during which David himself had been imprisoned as a supporter of Robespierre. After David’s estranged wife visited him in jail, he conceived the IDEA of telling the story, to honor his wife, with the theme being love prevailing over conflict. The painting was also seen as a plea for the people to reunite after the bloodshed of the revolution. The painting depicts Romulus's wife Hersilia — the daughter of Titus Tatius, leader of the Sabines — rushing between her husband and her father and placing her babies between them. A vigorous Romulus prepares to strike a half-retreating Tatius with his spear, but hesitates. Other soldiers are already sheathing their swords. The rocky outcrop in the background is the Tarpeian Rock. John Leech The English 19th century satirical painter John Leech included in his Comic History of Rome a depiction of the Rape of the Sabine Women, where the women are portrayed, with a deliberate anachronism, in Victorian costume...

Uncommon form. Nice example of Emil Milan's sculptural work. Signed, EMilan Walnut.  

Large, rare and wonderful natural citrine butterfly in two pieces, on a black metal stand. Citrine is associated with November and is a rich yellow ...

Old French bronze sculpture after Clodion, mythical faun game. A flute pipe is missing.

Modernist TOTEM mask abstract aluminum sculpture standing 4 feet tall. Artist unknown.

A very fine pair of late 19th century, opulent gilded brass fire chenets in the rococo taste. Depicting seated baby fawns holding candles within fancy scrolls. Highly decorative exa...

Cat in Murano glass by the glass master Franco Moretti.

This is a unique custom surfboard featuring a marquetry deck incorporating 24 carat gold leaf, designed and hand-crafted by the w o o d p o p studio which specialises in marquetry an...

A fine French early 20th century Art Deco white marble figure of a kneeling nude beauty, attributed to Affortunato Gory (Gori) (Italian, 1895-1925). The kneeling nude figure of a you...

Faux ivory figure of Empress seated on her throne. Wearing a hat and a long pearl necklace, the Empress is seated on a claw-footed throne with a medi...

This pair of sculptures, titled "Guerrier des Amériques" by French sculptor J.J. Salmson (1823-1902), depict two American Indian warriors in a striking and detailed manner. Both figu...

Ruler Selenite with an 18th century Italian gold leaf fragment. Mica, and natural forming baroque pearls on a lucite base. Ruler selenite or "selenite logs" are single, prismatic selenite crystals from Morocco that were formed in extensive beds by the evaporation of ocean brine. This mineral is characterized by a silky, pearly luster called satin spar. The piece is put together by Jean O'Reilly Barlow, the artist and creative director of Interi. The date of manufacture reflects when she created the piece but the Italian fragment is originally 18th century. Interi transforms Italian artifacts...

Four striking brutalist bronze sculptures of heads, incredibly well executed by a talented and likely well trained hand but are unsigned by the artis...

17th century flax stripping tool for linen making This tool was used to combed and straightened the flax in preparation for spinning. This separates the short fibers called tow an...

A charmingpair of mid 20th century Venetian glass figurines of a gentleman and his lady companion. Made by Franco Giancarlo Toffolo for Toffolo Venice. Venice has for centuries been ...

Sculpture of Hera, greek divinity in marble, 20th century, measures 60x36x26cm.

This Art Deco sculpture was produced in Italy and more precisely in Milan, by Guido Cacciapuoti in the 1930s.  The base is in ebonized wood and the sculpture, a typical Art Deco sty...

This handcrafted gemstone tree features pink Rose Quartz crystal blossoms blooming from a gracefully twisted dark trunk, all elegantly rooted in a natural Amethyst cluster base. The ...

This collection of lucite jewel toned sculptures in orange, red, sapphire blue and purple are two pyramids and one abstract form. They glisten with gorgeous colors and make a great s...

Sculpture of Santa Rosa in stone Huamanga 17th century Origin Upper Peru Circa 17-18th century Former Viceroyalty of Peru Lime pink Santa and child motif Huamanga Stone Material Handmade polychrome It has some missing He is missing his left arm This piece is many years old. Its main structure is very good The stone carving of Huamanga is one of the crafts that emerges as soon as Ayacucho is mentioned, it is in this artistic field where the most varied and interesting application of Huamanga stone is found, being used in the manufacture of religious-themed figurines. Saint Rose of Lima (Lima, April 20, 1586-Lima, August 24, 1617), with the secular name Isabel Flores de Oliva, was a Dominican Tertiary Catholic saint...

Rosenthal bronze sculpture. 1965, untitled. Stamped "Rosenthal, 1965." Nice original patina.

19th C. Santos Hand made statue Saint Joseph and child Antiques Los Angeles CA LA . Mid 19th Century Rare Hand made terracotta Clay “ Santos “ saint Joseph with Child baby Jesus . ...

19th century English pair of cast iron mounted lion masks circa 1890. Price is each. Measures: Large H 49 x W 19.5 x D 11cm Small H 43 x W 18 x D ...

Stunning, piece of art very expressive female statue sculpture, very detailed colorful artwork of a female, marked Charles Serouja & Son Made in Italy at the bottom Approximate measu...

Very Rare Hood Ornament - Car Mascot. Silvered bronze, mounted on Italian portoro marble display base, a beautifully presented example. Very nice Automobilia piece. Perfect paperweig...

A beautiful pair of luminous murano glass sculptures by Salviati. These are made of glass with Uranium deposits that allow the glass to 'Glow" in UV light. Similar to American made V...

An impressive large scale sculptural wooden shelf art with good form and a beautiful rich warm dark wood colour tone. These would have been originally carv...

These chunky chenets make no bones about their Romantic lineage and exhibit all of the passion you’d expect from artisans working in the period 1830 to 1848. Here, a nice yin-and-yan...

Abstract bronze female statuette, partially polished with patinated green accents by Polish sculptor Stanislaw Wysocki. (b. 1949). Signed by the artist, marked "HC" and dated 2010. I...

Brutalist zodiac mirror by Finesse Originals, circa 1970. Cast resin with a custom silver finish.

A very fine and charming Italian 19th century carved Carrara Marble Group "Playful Putti with Goat" depicting two young children, one riding the goat whose two front legs are in the ...

Mohammad Hossein Gholamzadeh (b. 1986, Tehran, Iran) is a skilled sculptor with a BFA in Sculpture. Known for his pursuit of technical precision, Gholamzadeh explores the intriguin...

This Art Deco nickel plate features the statue of a young flapper smoking a cigarette; the statue is fixed to a black marble base. This is great example of early Art Deco design and ...

Art Deco sculpture author G. Arisse Origin France Circa 1930 Materials: white metal (patinated) Very good conditions Natural wear.

Wonderful statue of the Arc De Triomph made of bronze and marble. It has so many details. It is in good vintage condition and reminds in its original patina. The marble has no chips ...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then ...

Chuck Dodson Florida Artist Seated Nude Sculpture circa 1975 Offered for sale is a circa 1975 seated nude figurative composition sculpture by t...

Beautiful pink Murano glass decorative statue made in the 1950s by a great Italian master glassmaker. The sculpture represents the figure of a very pretty turtle in a very beautiful light pink colour. The figure is stylised: in fact, we can distinguish the head, four legs, tail and shell, but the actual details cannot be distinguished, a very good sculpture. The shell is all pink...

Beautiful abstract bronze sculpture. France, 1930s,

Resin sculpture depicting the Bee-Eater covered in pure 999 silver. Made by the Etruria silver factory in Florence at the end of the 20th century. The finish is hand-enameled in gree...

Henri Picard, a master of artistic metalwork during the opulent Second Empire period in France, remains a figure of enduring fascination and admiration in the realms of antique art a...

A Japanese Satsuma figure, Large size, Meiji period. There are also turtles on the planter. Very nice craftmenship. Additional information: Material: Porcelain & Pottery Region of O...

These art deco bronze gilt and marble base sphinxes bookends are a stunning example of the elegance and sophistication of the art deco era. Crafted wit...

Studio Forged Metal Sculture, Artist unknown, well executed. Dimensions: 24" wide 4" deep 24" high on a 4" X 4" wood block

An interesting Bust of the poet Dante, the bust has been made in plaster but then covered in a Bronze wrap. We have never come across a bust in this manor before.

"Panama Bronze" is an art and design project, the result of the collaboration between the artist Mattia Biagi and Promemoria. The artist has poured hot tar on a real Panama chair, to bring the object closer to the material and to make it melt in the ground. Mattia Biagi has created what he himself called the "polarity of destruction and conservation". "Although the melted tar destroys the object it touches, in this case, the Panama chair - an elegant and finely crafted object - it simultaneously preserves it in its new and very different form". This is how the original silhouette of the Panama chair was turned into its new incarnation. Thanks to its experience in working with bronze, Promemoria has helped Mattia to refine his work of art, transforming the iconic Panama chair, designed by Romeo...

Set of six shot\café glasses color Millefiori - Murano glass - Made in Italy. These individual Murano glasses are inspired by the classic "Goto Botte" Murano glass. Other colors av...

This is a Bronze Group Sculpture of Gulls. It depicts a large bronze sculpture of a group of gulls emigrating over the sea while another one is standing over some rocks. The sculptur...

Solid 800 silver camel. The sculpture was made with the casting technique and then finished completely by hand by expert chisellers to make the camel's f...

An wonderful leather rhinoceros. A fantastic & unusual display piece with a leather wrapped carcass & bags of character and charm an imposing leather rhinoceros from the 1950s by A...

Each lamp 2.2 lbs. of cast and polished steel tapering cylinder, hiding within an electric light socket and toggle switch, activating when lamp is picked up and placed back down. ...

Carved and polychromed wood; retains original painted surface. Glass Eyes. Attributed to John Dawson, Trenton, New Jersey, 1900-1925. Dawson worked as a ki...

Large Art Deco Rosenthal, Erna von Langenmantel. Porcelain figurine of a dancing woman. Early 20th century. Measures: 28 cm, high and 22 cm in diameter. In perfect condition. Mar...

Shellfish French 1960 Table Lamp in Ceramic Representing a Fish Vallauris This can be use as a Decorative Garniture. Vallauris & Monaco, France, Table Lamp in Glazed Ceramics Shaped ...

We are delighted to offer for sale this stunning pair of fully polished circa 395-million-year-old Ammonite Atlas Mountains fossil statues These are some of the most decorative pi...

A finely carved natural Aber Specimen group of nesting snakes, featuring a large, very clear amber specimen from Chiapas, Mexico, a carving representing two snakes intertwined around a tree trunk rests within a section of natural moose antler which cleverly represents the base of the tree. A mother-of-pearl carved egg form tops the display. On a jet base with an amber piece giving the impression of an imbedded sphere. Offered with a custom-fitted Balinese fabric...

The Ceramic Water Bird Frog Rider, crafted by Zimele Ceramics in South Africa, is a distinctive piece from the African Circus collection. Hand-sculpted by MpIIo and hand-painted by V...

Authentic incredible large display perfume bottle by Pierre Cardin France, made of glass with liquid in excellent condition.

Intriguing abstract hanging sculpture with two-tone bronze casting, polished chrome background, and various other metals. This piece has been designed and signed by renowned sculptor...