K Anderson Unique Silver Box

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Cigars were not always packaged in what we now know as the antique cigar boxes and humidors that have over time become eye-catching decorative objects as well as collector’s items.

Outside the United States, cigar boxes are said to have originated in the 1840s when a German businessman, Hermann Dietrich Upmann of H. Upmann Cigars, bought a cigar factory and opened a bank in Havana, Cuba. Upmann reportedly handed out cedar cigar boxes branded with advertising for the bank as gifts to his banking clients. In the early 1860s, after years of cigars being shipped in big crates or barrels, cigar boxes became a requirement when the United States passed a law that mandated the use of boxes for tobacco producers, which was part of a broader effort to regulate the tobacco industry and generate revenue for the war effort. Humidors, which are moisture-controlled storage boxes that allow a cigar enthusiast to store, organize and preserve a larger collection of cigars, were very popular accessories during the early 1900s onward.

As the use of cigar boxes and humidors became widespread, all kinds of options materialized over the years, with particularly vibrant editions of these decorative objects emerging during the Art Nouveau, mid-century modern and other eras. Visionary designers like Isamu Noguchi popularized the idea of tobacco accessories as art with projects such as his decorative ashtrays.

Today, not unlike antique and vintage ashtrays, cigar boxes are more than practical objects. In fact, there are many uses for an old cigar box even after the cigars are gone. They can be used as planters, tissue boxes or can support your long-delayed effort to organize your sewing and craft supplies. During the Great Depression, an emptied cigar box — perhaps a walnut Art Deco-style cigar box with inlays in bronze and hand-carved decorative geometric patterns adorning its exterior — was occasionally repurposed as a jewelry box.

Antique and vintage cigar boxes — made of wood, metal or other materials — are valuable treasures in some corners of the collecting world, and in your home, they’re exquisite desk ornaments and colorful flourishes to add to your bookcase or mantel. On 1stDibs, find a variety of antique and vintage cigar boxes and other decorative boxes today.