LeRoy Neiman, born LeRoy Runquist, is best known for his vibrantly colored paintings and screen prints, which draw on Impressionism and Pop Art and frequently feature portraits of athletes and musicians as well as depictions of sporting events. He is renowned for creating art during live coverage of the Olympics and other major American and international sports competitions. He once commented, “I use (bold) color to emphasize the scent, the spirit, and the feeling of the thing I’ve experienced.”

Born in Saint Paul, Minnesota, Neiman showed an early aptitude for drawing. After returning home from WWII, he studied at the Saint Paul School of Art and the School of the Art Institute of Chicago (SAIC), where his classmates included Robert Indiana and Leon Golub. Upon graduation in 1950, he began teaching at SAIC.

In 1953, his oil painting Idle Boats won first prize at the Twin City Show, where the Minneapolis Art Institute purchased it. Neiman’s reputation quickly grew, and museums such as the Carnegie Pittsburgh International Exhibition of Contemporary Painting, the Art Institute of Chicago and the Corcoran Gallery of Art in Washington purchased his works.

In 1954, Neiman’s famous association with Playboy magazine began to take shape. Hugh Hefner commissioned Neiman to create an illustration for this fledgling magazine, and his piece won the 1954 Chicago Art Directors Award. This led to a relationship with Playboy that lasted five decades and included Neiman writing and illustrating the “Man at His Leisure” section and the creation of the well-known “Femlin” — a female nymph wearing only opera gloves, stockings and high heels — which appeared on the “Party Jokes” page in every issue since 1955.

In 1970, the 5th Dimension commissioned Neiman to create a cover illustration for the pop group’s album Portrait. In 1994, he created the illustration used for the playbill and the immense Broadway mural for the musical Busker Alley. He was inducted as a Laureate of The Lincoln Academy of Illinois and awarded the highest honor of the state of Illinois, the Order of Lincoln, in 2009.

Today, you can find Neiman’s works in the collections of the Smithsonian American Art Museum in Washington, the Art Institute of Chicago, and the Indianapolis Museum of Art (Newfields), among others.

On 1stDibs, find LeRoy Neiman prints, drawings, paintings and more.

A Close Look at mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

Emerged during the mid-20th century
Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
A heyday of innovation in postwar America
Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

Simplicity, organic forms, clean lines
A blend of neutral and bold Pop art colors
Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood
Light-filled spaces with colorful upholstery
Glass walls and an emphasis on the outdoors
Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

Charles and Ray Eames
Eero Saarinen
Milo Baughman
Florence Knoll
Harry Bertoia
Isamu Noguchi
George Nelson
Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively.

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer.

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right decorative-art for You

Antique, new and vintage decorative art is crucial to personalizing your interior.

Bringing art into your home will help you create a warm and welcoming atmosphere, whether you are expecting to regularly host guests for cocktails in your living room or you are inclined to soak up some “me time” on weekends by curling up with a book in your library. After all, a room isn’t quite complete until you hang some art on the walls.

Choosing a piece of art for your interior is a matter of finding something that resonates with you. You should also consider what will work with your current decor. Keep in mind that a wide range of objects counts as decorative art — antique and vintage prints, paintings, wall-mounted sculptures and more. There is so much to choose from! And art can feel as deeply personal with the vintage posters that promoted your favorite classic films as it can with framed photographs of your loved ones.

Decorative art can set the mood for a room and will typically make for great conversation. When you find wall decor and decorations that speak to you, why not introduce them into your space? It will give you and your guests the opportunity to meaningfully engage with the art every time you see it. You can play with different styles, eras and colors. Mix and match pieces to integrate a refreshing pop of color or create a theme by dedicating a room to a color palette or certain time period. A great way to tie your layout together is to choose wall art that complements your decor and color scheme.

Folk art is an interesting category for its wide range of works across various media and the array of textures it can offer. Paper art is another versatile option because it will be easy to find a home for portraits, collages, drawings and other works in your space. With decorative paper art, you can also get creative with how you arrange your wall art. There are plenty of options that include hanging the works salon-style.

On 1stDibs, find a constantly growing collection of antique and vintage decorative art today.