Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

Emerged during the mid-20th century
Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
A heyday of innovation in postwar America
Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

Simplicity, organic forms, clean lines
A blend of neutral and bold Pop art colors
Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood
Light-filled spaces with colorful upholstery
Glass walls and an emphasis on the outdoors
Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

Charles and Ray Eames
Eero Saarinen
Milo Baughman
Florence Knoll
Harry Bertoia
Isamu Noguchi
George Nelson
Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively.

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer.

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right settees for You

Vintage, new and antique settees are a smart and stylish choice for adding more seating to a room.

Settees first appeared in 17th-century Europe. A very famous settee, known as the Knole settee, was actually used by a monarch in South East England to receive visitors. This seating furniture was often part of a set that included matching chairs. While settees were popular in parlors, you could also find similar seating, such as daybeds and chaises longues (both of which derive from the settee, as does the chesterfield), where you might relax with guests in your home.

Today, a settee is still furniture that invites socializing. They’re common in living rooms and other shared areas because they allow you to cozy up to someone and have a conversation with them.

Settees are typically small seats that can fit two or more people, but they aren’t as wide as couches or sofas. A settee is more intimate and offers more sitting room than an armchair. Settees often have a backrest for optimal support and are frequently upholstered.

Are you looking to add more seating to an entertainment room but working with limited space? We promise that your vintage settee will look great next to your coffee table in your main seating area. You can also add a settee to your mudroom so that guests have a comfortable spot to sit down and take off their shoes. If you have a small space in your home that you’re still figuring out how to use, add a settee to turn it into a comfortable reading nook. They work in bedrooms too; a tufted settee designed by Danish modernist Finn Juhl makes perfect sense at the foot of your bed.

Most settees come with an upholstered seat, but you can find variations that aren’t upholstered. There are antique wood settees and benches that will look right at home in a rustic decor.

The backrest is an important consideration when choosing a settee. You can find pieces with low seat backs that look discreet and don’t provide a lot of support. If you want more support, we recommend choosing a settee with a high back.

A settee with a high back can become a statement piece, especially if you choose an item with a unique upholstery print or decorative frame.<a href=https://www.1stdibs.com/furniture/seating/settees/style/victorian/ target="_blank" rel="noopener noreferrer"> Victorian settees are ideal for introducing an air of sophistication to your living room. These pieces often feature frames of walnut or mahogany, a seat upholstered in chintz fabric (Victorians appreciated that the glazed finish made it easy to wipe clean) and sculptural hand-carved cabriole legs.

If you want something that feels more contemporary or will work better with your mid-century modern side tables and lounge chair, consider Space Age settees or mid-century modern versions. In your main seating area, tie the elements together with a large rug. (Find more tips on how to arrange furniture here.)

On 1stDibs, find a collection of vintage, new and antique settees from different eras to match any furniture style.