David Cressey On Sale

At 1stDibs, there are many versions of the ideal david cressey on sale for your home. Each david cressey on sale for sale was constructed with extraordinary care, often using ceramic, stoneware and clay. You’ve searched high and low for the perfect david cressey on sale — we have versions that date back to the 20th Century alongside those produced as recently as the 20th Century are available. When you’re browsing for the right david cressey on sale, those designed in Mid-Century Modern styles are of considerable interest.

The average selling price for a david cressey on sale at 1stDibs is $3,130, while they’re typically $950 on the low end and $5,000 for the highest priced.

David Cressey, a multi-disciplinary artist who had a six-decade career, created pottery and ceramics that revolutionized indoor/outdoor planters with their architectural style. Implementing artistic functionality into his pieces, Cressey designed in modern and mid-century modern styles. He created many planters, vases and table lamps, which remain highly desirable to collectors.

Cressey was the first artist in residence at Architectural Pottery in Los Angeles in 1961, helping to transform its urban and residential work. This was highly influential in the architecture and design worlds as the company mass-produced and sold sculptural, functional pieces.

Cressey also opened a design studio in Venice Beach, California, collaborating with Group Artec and Earthgender Ceramics. When Architectural Pottery closed in the mid-1980s due to a fire, Cressey continued to produce art, this time in the medium of mixed media on wood.

Cressey artwork evokes a similar physical and sensory experience as his vessels, lanterns and folk art ceramics. Evocatively Californian, his paintings evolved from his clay-based practice with a masterful use of color, saturation and texture. His fine art training included studying at the University of Southern California under Vivika Heino and at the University of California, Los Angeles, with Laura Andreson. 

In 2006, he received the California Design Award. Museums that have exhibited his work include the Pasadena Art Museum in 1967, the Everson Museum of Art in 1961, the Oakland Museum of California in 1961 and the Los Angeles County Museum of Art in 2011.

On 1stDibs, find a rare collection of David Cressey building and garden elements, decorative objects, lighting and more.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.